Music Torrent Site What.CD Has Been Shut Down (theverge.com) 86
An anonymous reader quotes a report from The Verge: What.cd, an invite-only music torrent website first launched in 2007, has been shut down after a raid by French authorities. The private tracker offered free (and often illegal) access to a massive, deeply thorough collection of music and was popular among audiophiles for its strict rules around quality and file formats. The site was created after the shutdown of another well-known torrent website, Oink, which operated between 2004 and 2007. Though its primary focus was music sharing, What.cd also permitted torrents of computer software, ebooks, and other content. Zataz Magazine is reporting 12 servers that powered What.cd's infrastructure were seized by French cybercrime authorities. What.cd hasn't been taken offline completely, but torrents are unavailable and the homepage now displays a message confirming its demise: "Due to some recent events, What.CD is shutting down. We are not likely to return any time soon in our current form. All site and user data has been destroyed. So long, and thanks for all the fish."
I hope so (Score:5, Interesting)
All site and user data has been destroyed.
I hope this statement is true (particularly the userdata part).
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hope all you want, but that statement ain't true - it couldn't possibly be, unless they had *days* worth of advance notice during which to take 'precautions'.
they had twelve servers and were raided. not only was the user data there and most likely confiscated for evidence, but also tons of source files for seed servers, server logs, and other data that was used to enforce the site's "rules".
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It. Never. Is.
(how can they ensure data has been destroyed on a server they no longer posses? It's not likely those machine have encrypted filesystems requiring human input at boot.)
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Not every raid is: People with big weapons come in and take your servers, while you piss yourself.
Some are more like "Shut down your stuff, unplug it and box it for us, we need to have a closer look later.
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Your comment is simply insightful, but your sig is friggin' awesome!!!
Damn (Score:1)
So my 15 free leech tokens were for nought. :(
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"whatever though"
you clearly have never been on What.CD
Re:Just pay the Royalties (Score:5, Interesting)
Aren't there enough free radio sites operating perfectly legally to demonstrate that music sites can survive if only they pay the fucking royalties?
audiophiles
Oh shit. The only way this thread can end is in a bitter argument with audio snobs about how much popular music sucks. Well here's your preemptive FUCK YOU! FUCK ALL OF YOU!
What.CD was much more than that. I'm not a music snob nor an audiophile by any stretch, but I was a member for the past 2 years, and although I joined the site mainly so that I could get invites to other private trackers, I stuck around because they had some really neat stuff that you just couldn't find anywhere else. That, and there were a few indie and smaller labels that actually distributed their songs through What.CD.
I remember one thing I was impressed with was when I found a high quality rip of Where Eagles Dare by Misfits that sounded better than any other copy I heard, and you didn't need to even have good hearing or even good speakers to notice the difference. Having good quality rips of EVERYTHING was an ironclad rule that you won't ever find on other music sites, even legal ones. Amazon for example actually sells you MP3s that are upsampled, which was a HUGE no-no on What.CD, and it speaks volumes when paid music sites don't even have basic quality control, and a pirate site does.
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"Free Radio Sites" are not free. Streaming has given ISPs a case for further jacking the price of internet access with metered connections and throttling when you use too much of an "unlimited" plan.
Dear music industry.. (Score:5, Interesting)
However, I lost my physical music collection. Please, please give me a complete option. One where I can download FLAC or WAV copies of the albums I love. Quality is important to me, and I can hear compression artifacts, especially below 256k MP3.
Give me the ability to choose earlier releases. Where I can get copies of albums before crappy remasters (I am looking at you Megadeth/Dave Mustaine), where I can get copies from before the loudness wars [wikipedia.org]
Where I can get more obscure items, like old DJ mix sets that were excellent, but available nowhere. Now all you can find is the individual tracks without the Djs influence. Not the same.
In other words, open your vault for a fair price and I will pay. Stop attempting to create artificial scarcity, and I will stop going to find my music elsewhere.
What.cd, you will be missed. Hopefully someone will fill the gap. Even someone legitimate that will take my money.
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rutracker.org is your friend comrade.. If you are a foreign comrade, please use a translator to sign up. You are welcome.
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It's hard to take you seriously when your entire post is one extended hipster gripe. If audiophiles hadn't convinced the world that quality was expensive in the 80's, you could have avoided all of this crap. Instead, people stopped caring about good sound because of self indulgent wieners like Mr. 'I hear Compression Artifacts below 256k...' This is why Apple can sell shit wireless headphones and dump the jack. This is why crappy sample-heavy DJ's dominate the charts, and why everything sounds the same in p
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Oh, I do not own a unicycle, sweaters, wear a moustache or funny hats. I am decidedly not a hipster
Dear wbr1 (Score:3)
Sincerely, The Music Industry.
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If you're a registered user you can redownload the music as many times as you like, to as many devices as you want. Don't know about unregistered users.
Also, you can pay without PayPal at least for some albums (AFAIK physical items still can only be paid for through PayPal).
I look forward to the day when Bandcamp ditches PayPal (or makes it possible to pay for everything without going through them) as PayPal doesn't work more often than it does.
I completely agree with you on the search functionality, though
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They wouldn't, but one might argue that the entire intent of copyright is to get them to provide it.
And then if they chose to publish in a country which has copyright, then they become obligated, whereas prior to publishing, they were not obligated. They accepted the deal and have benefited from government-granted privilege. It's too late for backsies.
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There are music stores that sell FLAC files. HDTracks does it, as did Pono (they lost their access to the collection when Apple bought the company behind the licensing I believe).
And Pono's catalog was basically mostly ripped CDs. It was pricier - while you pay $10
invite-only (Score:3, Interesting)
Who invited the cop?
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What are you talking about?? he's the guy that won't leak the new Wu Tang album.. Pharmaboy puts the bum in album!
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They admitted non-invites in if they could demonstrate a keen understanding of compression and formats by passing a test, apparently. I think you could take it on IRC even...
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Why would the cop need an invite? Don't you think it's obvious what what.cd is? And if they don't find evidence, they can still return the server. A raid does not mean you have full evidence. If you had, you would not need to raid, but jail the owner right away.
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Don't you think it's obvious what what.cd is?
No! Why the hell should it be obvious? The name would be a seriously bullshit pretext for knocking the doors down. If they had enough 'evidence' to conduct a raid, it's because a little birdie sang. And lack of evidence is no guarantee you'll get your server back. Maybe France is more civilized in that regard, I wouldn't know, but in most places you can forget about seeing your computer ever again, even after the charges are dismissed.
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> Why the hell should it be obvious?
Ask many non-members, who knew it.
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Suspicion is not knowledge. They may have heard of it from a member.
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Which is no problem, as an charge is not a conviction. Being in court does not mean being guilty. But if there are some signs you may be guilty, it may be a reason to have a look on your server. You will get it back, if no guilt can be proven. Which may be proven with stuff on the server or on other ways.
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Which is no problem, as an charge is not a conviction. Being in court does not mean being guilty.
Great! How do I get my time and money back? You ever been dragged through the system on bogus charges? You make it sound so upright and civilized. I can assure you it isn't.
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I do not say, i think it's good that way (i did not say the opposite, too). I just say, a plausible suspicition may be enough to raid the server, even when they never saw what the site really hosted. If the server uses good encryption, it may be hard to prove anything. But the owner may not want to continue the project later, anyway.
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plausible suspicition
Sorry, sets off too many alarms. We need to protect ourselves from that kind of crap. We are dealing with psychopathic authority, and the only proper solution is just not palatable to most people.
See (Score:1, Insightful)
This wouldn't be an issue if they tried to improve the actual filesharing protocols for better sharing/privacy/distributeness instead of wasting resources on their little castle plus thuosands of seedbox idling while trying to get some ratio.
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why aren't you working to improve the filesharing protocols instead of posting on /.
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Curiously, the tracker went down only a couple hours after the new Metallica album showed up on the site.
Coincidence?
LAAAAAAAARS!
Money gooood! [youtu.be]
Legalize noncommercial infringement (Score:1)
This is why we should legalize noncommercial copyright infringement [freepubliclibrary.org].
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And this would stop, because ad driven sites would not have a chance, if everyone could host a site without much risk. What.cd was only big, because it is a risky business.
serves them right! (Score:5, Funny)
I've kept telling "What.CD" that they needed to correct their colossal grammar error and move to "Which.CD" but they just laughed at me. WHO'S LAUGHING NOW, YOU JERKS?! ;)
Support piracy for the good of humanity (Score:1)
The media industry is a parasite. Bankrupt them by downloading their horrible music, movies and video games.
Soon you, too, will realize that modern life and its mass-culture products are empty of meaning.
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But please, while sticking it to the huge megacorporation labels, remember to support the independent musicians and labels that actually learned something from the Napster era, and started distributing their music online with no DRM at fair prices.
Or just do it the underground metal way (Score:1)
I was first a software pirate, and then a tape-trader. In the process, I became an advocate for (some) great software programs and musical artists, and by being involved with radio, zines and fans, spread them farther than they would have been if I had not done so. The same was true with software; I served as an evangelist for a number of really well-designed products, even if my own copy was more often than not cracked or pirated.
Underground metal music spread through tape-trading. We would dub songs or al
Thanks Martin (Score:1)
https://torrentfreak.com/martin-shkreli-begs-for-private-torrent-site-invitation-161031/
Dickhole.
Just wait (Score:2)
Just wait until stuff can be broadcast from privately owned, low-Earth orbit satellites. Good luck raiding my orbital, weapons-laden space platform!
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Try Bandcamp (Score:4, Insightful)
Anyone remotely serious about their music - and, equally, their willingness to pay for a decent service and support the artists they like - could do a lot worse than checking out Bandcamp [bandcamp.com].
Pay only for what you want, download FLACs (plus many other formats) and stream everything you've ever bought via their app if you'd rather not download any files. They're also far more artist-friendly than the likes of Spotify; I've got a fair amount of music on Spotify and have never seen a cent from them whereas Bandcamp give you a significant percentage of any sales.
Admittedly, Bandcamp doesn't have the breadth of music on there that some other options do - many artists need to do a better job of uploading their libraries, myself included - but right now it's by far the best option for both listeners and artists out there (though I'd absolutely be interested to hear of others). It's unquestionably a better alternative to any option that either gives zero support to the artist, provides a poor service to listeners, or both.
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Admittedly, Bandcamp doesn't have the breadth of music on there that some other options do
This is the only downside of Bandcamp to me. But when you find an artist that has actually bothered to upload everything including their back catalogue, it's a goddamn goldmine.
Seriously, I absolutely love Bandcamp and I wish more artists would join. For a lot of the genres I listen to (prog/tech/slam/brutal death metal, mostly), the selection is pretty good, especially since small labels like Willowtip and Earache have most of their stuff uploaded.
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Do you have any recommendations for some power/speed/prog metal artists on Bandcamp?
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From my list of recent purchases:
https://welkinrecords.bandcamp... [bandcamp.com] (They have a new album out called "Bloom", which isn't on Bandcamp yet, but it's amazing)
https://anciientriffs.bandcamp... [bandcamp.com]
https://allegaeon.bandcamp.com... [bandcamp.com]
https://exmortus-official.band... [bandcamp.com]
https://wilderun.bandcamp.com/... [bandcamp.com]
https://perihelionship.bandcam... [bandcamp.com]
https://agoniarecords.bandcamp... [bandcamp.com]
https://seasonofmist.bandcamp.... [bandcamp.com]
https://agentfresco.bandcamp.c... [bandcamp.com]
http://listen.20buckspin.com/a... [20buckspin.com]
https://powerprog.bandcamp.com... [bandcamp.com]
https://sirensmetal.bandca [bandcamp.com]
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Thanks!
I stayed for the forums (fora?) (Score:2)
It's all about greed... (Score:1)
Many artists are giving away their music for free (Score:1)