Piracy More Serious Than Bank Robbery? 501
An anonymous reader writes sends us to Ars Technica for a dissertation on how detached and manipulative the discussion about copyright is becoming. "NBC/Universal general counsel Rick Cotton suggests that society wastes entirely too much money policing crimes like burglary, fraud, and bank-robbing, when it should be doing something about piracy instead. 'Our law enforcement resources are seriously misaligned,' Cotton said. 'If you add up all the various kinds of property crimes in this country, everything from theft, to fraud, to burglary, bank-robbing, all of it, it costs the country $16 billion a year. But intellectual property crime runs to hundreds of billions [of dollars] a year.'" Ars points out how completely specious that "hundreds of billions" is.
Pirates disgust me (Score:5, Funny)
Re:Pirates disgust me (Score:5, Funny)
Re:Pirates disgust me (Score:5, Funny)
Re:Pirates disgust me (Score:5, Interesting)
Re:Pirates disgust me (Score:5, Insightful)
"The total annual gross revenues of the music industry today are estimated at $11 billion."http://www.eff.org/share/collective_lic_
So the music industry is just bullshitting to be talking about loses that are an order of magnitude higher than the total industry gross. While if you want to talk about Hundreds of Billions being stolen we should talk about things like insurance fraud, corporate embezzelment, and public corruption.
"White-collar crimes cost the United States more than $300 billion annually according to the FBI."http://www.karisable.com/crwc.htm [karisable.com]
Re:Pirates disgust me (Score:5, Funny)
That proves their point. The pirates are stealing 95% of their profits!
Re:Pirates disgust me (Score:5, Insightful)
http://nbcuni.com/About_NBC_Universal/Executive_B
Exceedingly wealthy people in these kinds of positions are often detached from reality. The guy probably hasn't pumped his own gas in 10 years (if ever, no that's not a shot against you New Jersey-ians).
He probably sees bank robbery as a victimless crime, that's what insurance is for right? No people in the bank get traumatized, no one had to pay for that missing money, besides everyone out there has more money than they know what to do with, right? Why can't he afford that 12th Porches? Poor guy.
In all actuality, he's simply missing perspective. We all are. I can't tell you how hard it is to live in the projects, I don't live there. It's easy to look down on people who you aren't familiar with. Perhaps, it's easy for me to look down on a millionaire jackass making these comments because I just don't understand him.
If he got mugged and beat half senseless he'd probably have a different view of things.
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I don't know if I would call a MIAA witchhunt, wounding, but certainly damaging. Lives have been seriously disrupted.
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Ellison really only cares if you make money using his product and have the ability to pay what he's asking.
Payment terms are really flexable even then.
I suppose this just highlights the absurdity of the whole "blood we think we can squeeze from turnips" rhetoric of the RIAA.
Re:Pirates disgust me (Score:5, Funny)
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Re:Pirates disgust me (Score:5, Insightful)
Of course, you have to still buy the parts, and you have to put it together, but if you copy a film, you have to buy a CD-R to put it on, and you have to download and burn it. Although you can't really make a Locost for £250, it will still cost you a fraction of the price it cost's to buy a Super 7 from Caterham or one of it's licensees. Obviously the resulting Locost will not be as fine as a real Super 7, but neither is a Divx CD-R scribbled on with a marker pen as fine as a nice shiny DVD in a fancy box.
Fact is, if I go and built a Locost, I have certainly ripped of the designs including the copyrightable bodywork designs of the Lotus designers, which are rightfully owned by Caterham, and have supposedly denied caterham income in the same way that I would have suposedly denied income to film studios if I pirate a movie.
So, maybe we should change it from, 'would you steal a car?' to 'Would you build a Locost?'
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This is one of the reasons Wizards of the Coast developed the Open Gaming License. What the system reference documents actually do is precisely identify uncopyrightable material. The license is simply a covenant not to try and sue, a case which they would have a huge difficulty in winning.
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As another poster pointed out, what's missing here is perspective or, as someone more tactless like myself might say, some semblance of reality. People who equte "potential" revenue to "real revenue" are worrying. People who think "copying" is the same as "stealing" must suffer from some kind of sociological disorder. I think any
Re:Pirates disgust me (Score:5, Funny)
Re:Pirates disgust me (Score:5, Insightful)
Copying a bunch of bits that i wasnt going to purchase is no different. The owner has not had his product reduced in value and he still has possession of it to sell to a buying customer ( which im not, nor was i ever going to be ).
People that twist the facts around and inflate the numbers in order to invade/reduce my privacy disgust me. ( though for the record, i dont agree with 'for-profit' or 'purchase avoidance' piracy.. )
Re:Pirates disgust me (Score:5, Insightful)
Firstly define 'wasn't going to purchase' for me. If I know absolutely 100% that I can not get a piece of software / movie / game for free, I am pretty sure I am much more likely to admit to myself and others that I want it, and will purchase it, than if I have a big demon sat on my shoulder whispering "don't be a mug, you can warez it!".
Most films have trailers, software has demo's (as do games), if you see the demo and wish to enjoy the product for longer, then its pretty hard to argue that you will be getting entertainment or use from it no?
People can NEVER be honest about saying "I wouldn't have bought it" once they have the full thing for free. Our brains are great at backwards-justification. We can easily find all sorts of ways to make what we have done seem justified, we may well even delude ourselves. But that doesn't mean it's true. It's like telling yourself you would have resigned anyway if you get fired, or that she was a pain in the neck anyway when someone dumps you. Anything to make you feel like the good guy.
I spoke to a guy who does DRM for an online game publisher. Once, they rewrote their algorithm which instantly rendered all existing cracks for the games useless. Sales jumped by 40% that month. Why? surely none of those who cracked the stuff would have bought it anyway?
Secondly, your comparison is not accurate. A car is made for a single user, and priced accordingly. A movie, game or application is made with some estimation of sales, based upon the market size and product quality. Nobody makes Photoshop or Lightwave and expects to sell one copy. If you are in the target market, and get use from the product, yet you take it for free, then of course you are affecting the producer of the product. The fact that nothing physical was moved from a to b makes no difference.
People will make all kinds of rationalisation to justify taking other peoples work for free. The problem is, their philosophy never scales up to the whole of society. Why the fuck should I pay to see the new Pirates of the Caribbean film, it was made anyway, and I probably wouldn't have paid for it right? so what's the harm?
Until everyone thinks that way, in which case the whole business model collapses. That's the problem with people who leech, it works out fine for them (in the short run) but they fuck things up for everyone else.
Re:Pirates disgust me (Score:5, Insightful)
An excellent question in itself.
Gee, I thought the whole point of a free market was to let businesses succeed/fail based on their ability to deliver a product that people are willing to pay for. There are obviously enough people still paying to see shitty movies that the industry that produces them is being sustained. When there aren't, then I guess it shows that not enough people gave enough of a fuck about that industry's products.
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And your point is? Given that the guy you were replying too was talking about piracy, how does your point r
Re:Pirates disgust me (Score:5, Insightful)
And if you were only allowed to buy telephones from AT&T, more people would pay more for AT&T phones. If you were only allowed to breathe metered air from Standard Air Corp, people would be spending a whole lot more for air.
The question is wether paying more for AT&T phones and metered air benefits the economy and market at a whole. Or if a free market could produce better phones cheaper without the monopoly. And if air could maybe be provided to everyone without a high overhead if you dont have hundreds of thousands of people employed to account for everyones breathing...
Yes, denying AT&T a monopoly on phones, and not creating an air monopoly means those companies (or potential companies) will be employing fewer people and they'd 'lose' a lucruative source of income. Allowing them the monopoly, however, means that the ones paying for it will be unable to pay for some other service, costing jobs in _other_ sectors instead. Implementing tranfer systems as monopoly rights is no different from other forms of taxation; it shifts money from one sector to another. The question is wether it's the most efficient way to accompish the purpose and produce the desired good. And frankly, anyone who's read a public filing for any company involved in the IP industries would say no.
The failure of monopolies to produce competetive products cannot be used as a justification for maintaining or strengthening monopoly enforcement.
Re:Pirates disgust me (Score:4, Interesting)
Instead you advocate the ability of others to offer competing services. This is absolutelly valid, and is what I was getting at.
That I have no problem with, its justifying piracy as a means to protest a monopoly which causes me problems.
After all holywood was formed by stealing patented technology and moving to california to escape opressive laws..
Oh wait, shit, um...
Re:Pirates disgust me (Score:5, Insightful)
You've failed spectacularly, however.
Copyright law exists to create an incentive for people to make a living by creating art. Everyone human in America is allowed to do this. What they aren't allowed to do is take art created by someone else and distribute copies of it. This is because copyright exists so that, should I choose to do so, I can work hard to create my own art, and then sell copies of it. The US doesn't give me a guaranteet hat I'll make money--but they give me a guarantee that no one is allowed to make money from my art.
With so-called 'intellectual property', the product is separate from the medium on which it is delivered.
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Copyright law exists to create an incentive for people to make a living by creating art.
No it doesn't. It exists to encourage more art creation by allowing a limited monopoly on distribution. The current terms of the monopoly are arguably too long, as much shorter terms would be as effective, and extending the rights retroactively makes no sense except as a cash grab.
Go! Do it! Just don't use someone else's product in your own.
Herein lies the problem. Art is highly derivative, and companies like dis
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The current terms of the monopoly are arguably too long, as much shorter terms would be as effective, and extending the rights retroactively makes no sense except as a cash grab.
I pretty much agree with this. I think the original terms are just fine. I think that copyrightable works have been linked a little too much with physical property (which is inheritable.) I'd be pretty ok with copyright extending to 10 years past the death of the author, mostly to reduce the chances that someone will kill to get something put into the public domain. Alternatively, a flat period of time, regardless of the author's death, would be acceptable to me, too.
Herein lies the problem. Art is highly derivative, and companies like disney source a lot of their material from the public domain. Not allowing their works to ever fall into the public domain is at best hypocritical.
A major corporation is hypocritica
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How is a discussion of monopolies even vaguely relevant to a debate on piracy? Show me the monopoly.
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Re:Pirates disgust me (Score:5, Interesting)
OK, I'll try to go a little slower this time around.
No, because you left the verb "to pay" out of that sentence's first clause, and demand for entertainment products is highly elastic. People have the ability to be entertained by shitty products (I certainly do), but it doesn't mean they view them as worthy of money, or that their absence would leave a gap in a person's entertainment that they'd be willing to pay to fill with those products.
This is the same flawed logic put forth by the "Nader cost Gore the 2000 election" types. It is predicated on the mistaken assumption that, in the absence of some options, most people will select other options that they find undesirable just for the sake of selecting something. While this is true for products with a rather inelastic demand - food, for example - it is certainly not true for entertainment. This logical error also stems from equivocating demand for the product with demand for the content. Demand for luxury goods is not just a function of content, but of price, and the fact that someone pursues a free product does not logically imply that they would pursue the same product with a higher price. The market for free downloaded movies is not the same set of people who comprise the market for movie tickets and DVD's - there is crossover when looking at movies as a whole, but movies aren't purchased as a whole, but individually. For any one movie, these are different groups of consumers.
The fact that movie studios are making record profits from blockbuster movies indicates that they still have a large market of consumers willing to pay for their product - not just the audiovisual content of the product, but the associated theater experience or nice packaging. People aren't buying less DVD's, they're just seeing more movies that would have normally slipped under their radar when price is a consideration. In my experience, downloading movies enables consumers to make informed choices before laying down cash for a legitimate DVD. It doesn't lead to them buying less DVD's; it just greatly increases the likelihood that they will be pleased with their purchases.
As silly as conflating piracy (selling a substitute for a product, or stealing that product for resale) with the creation of an uncapitalized market for a product that did not previously exist, based on the confusion of "product" and "content?" Not really.Re: (Score:3, Insightful)
Well, yes. I'm sure some people have an answer to the first question, and they should certainly spring for the ticket or DVD. Using downloaded movies as a substitute for paying for any movies is certainly unethical, but that's not the point at issue in my comment. My point is that, in the absence of
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Non customer = no, i can honestly and accurate say that that i would not buy the product. If it wasnt available via free, then i wouldnt have it. If i was going to buy it, i do, regardless of being available free. "free" doesnt play into my purchase pl
Re:Pirates disgust me (Score:4, Informative)
That's true, but they may in some cases be correct. In this case, technology is in the process of rendering barriers to the free flow of information obsolete. DRM and all other forms of copy protection are just feeble attempts to stop it. The power is now in the hands of the users. You can complain all you like about it, but that is a fact. All the lawmaking in the world won't be able to stop people either, and nor will technology.
Rationalisations either way are futile in cases like this. People can come up with rationalisations as to why masturbation should be prevented, but it's idle talk, since people will continue to do it because there is no efficient way of stopping them.
In any case, there is no a priori reason why content should not be provided free to end users, as long as some method of promoting its creation is in place. Lots of things in our society are provided by means of non market mechanisms. Scholarly research is the obvious one. Health care (in most modern societies) is another. There's no reason why entertainers who supply music cannot be paid from general taxation based on the measured popularity of their products. The technology exists to make such a scheme workable. Additionally, there are obvious benefits in having such content available for free to the end user.
Apart from the Libertarians, who seem to object to taxation even when it demonstrably makes life easier, there's not much to complain about in such a proposal. Sometimes new technology makes new markets possible, sometimes it renders old ones impossible. That's just life in the modern world.
"The problem is, their philosophy never scales up to the whole of society. Why the fuck should I pay to see the new Pirates of the Caribbean film, it was made anyway, and I probably wouldn't have paid for it right? so what's the harm?"
If you already paid for it through general taxation, why would you care? Why not agitate for a workable solution, instead of acting like King Canute? There's very little you can do about piracy by appealing to the pirates or by trying to use the law against them. Might as well take a stand on firm ground instead.
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I downloaded for free an album that I didn't had. Gave it to a friend. One week later, said friend told me a coworker of hers bought the album after hearing it in her car.
I downloaded a game for free, a mainstream game from an editor which
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I get where you're coming from on that, but cracks also sell more than a couple of items as well. There are far too many programs out there that are crippled until you purchase them, and of course, you can't really find out if they do wh
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Basically, people are used to consuming media for free.
People only have so much income, and these numbers for "piracy" add up to such an am
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AllofMp3.com had/has the best online music site bar none. You could get just about any format you want, any bit rate you want, etc... And it was priced to encourge you to buy mor
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I like some movies. I have plenty of DVDs(hovering around the 40 mark). But, to be honest, I also have plenty of xvid files as well.
I saw each and every one of the Pirates movies in theatres. Why? Because I like giant screens, immersive surround sound and enjoying a night out with friends. Enough, at least, to pay 10$ for. Many people obviously felt the same way by looking at the line up.
The point I'm making is that the experience has to be worth paying for. The medium is neither import
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You don't have the right to try product. You have the right to not buy products that you can't try and thus encourage creators to make a sampler version of whatever the product is.
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People that twist the facts around and inflate the numbers in order to invade/reduce my privacy disgust me.
Oh, it's worse than that. They are twisting the facts and inflating the numbers in order to manipulate the government to create laws which will be enforced by criminal courts, by the police and the implicit threat of force which all that carries.
They've re-phrased piracy from a civil, rights infringement problem which would require them to prosecute themselves and bear the costs, to a criminal issue with costs carried by the taxpayer. It's one of the dangers of government, when it has infinite cash to spen
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That is what i was getting at with the 'reduce' part of my rights.
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Um... value doesn't work that way. "Value" is not a fixed quantity that gets divided up among all the instances of an item. Value is really the subjective trade-off between a thing and the things given up to have that thing, and doesn't matter how many people have that thing.
The reason price tends to drop for an increased supply and increased demand is that the creator can increase revenue by dropping the per-unit price but, overall, the income increases.
The thing that the content industry needs to reali
Re:Pirates disgust me (Score:5, Funny)
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But the US Supreme Court has ruled that ilegally copying digital media isn't stealing.
Imaginary crime (Score:4, Insightful)
Re:Imaginary crime (Score:5, Interesting)
As a proud member of the development corp, I do really feel insulted to hear the sum of my creative energies, and the sweat and blood of my work referred to as an imaginary product. That said, I understand what you're trying to say. The real problem the MPAA and RIAA have is trying to apply traditional economic theory (based on scarce-resource distribution and pricing) to an unlimited resource (something that once created, can be replicated ad-infinitum.
Why they want to do this is obvious, it's a licence to print money. Unfortunately for them, under these traditional economic theories it is the scarcity of a resource that makes it valuable (gold, platinum, wood) and an unlimited resource has very little, or no, monetary value.
Thus DRM, which is fundamentally an attempt to impose scarcity on an unlimited resource, thus creating artificial value. It doesn't work, because the methods are inefficient and if content has intrinsic worth itself, DRM reduces it by making it difficult to use.
I'm not sure how we're going to get around this particular problem and it is concerning for all of us involved in creating the content. There needs to be money in creation in order for us to get paid to do it, but the traditional methods of commercial software/music/films may not be the most efficient.
Perhaps we need to explore commoditization of software, or perhaps a return to the patron model enjoyed by artists of the last several centuries. Hard to say.
Re:Imaginary crime (Score:4, Interesting)
As a consumer of some custom made applications, I'd have to say this is the direction the market is going. Rather than paying a low price for off the shelf software that doesn't do what we want, we pay developers tens (or hundreds) of times what a boxed software would cost in order to make exactly what we need. In exchange for the exorbitant cost, we get direct input on features and design, and the developers know exactly who is using their software and what it's doing.
Am I saying this is the best for all circumstances? No, for commodities like web browsers and image viewers, this sort of mass-appeal software should be inexpensive or free -- I think Apple has done a great job developing a full suite of *quality* inexpensive (and free) generic tools for their platforms. But for more powerful apps that require years of development and research, the patron model is still the most ideal situtation for both the users and the developers.
You might be an SE, (Score:3, Insightful)
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I believe your argument is flawed in several ways.
Historically, the rise of the software industry coincided with personal computers becoming commodity items. One might just as well argue that IBM or Apple is responsible for the foundation of what we might call the "software industry" today, for creating the PC and Mac. Indeed, arguing that it was Microsoft alone is surely incorrect, since at the time there were several other similarly powerful companies developing end user software; Microsoft's rise to su
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Composers "They provide instructions to the musician on how to do things. It is simply a necessary component of the use of the hardware."
So composers are artists but software engineers aren't, interesting. Granted many things that software engineers do is very mundane, but i have always seen software engineers akin to architects. They both can create art and can c
Re:Imaginary excuses. (Score:4, Interesting)
Err... if someone produces entertainment that no-one buys or pirates, can the time and effort put into that be gotten back? I don't see your point. Just because time and effort are put into the creation of entertainment is real, doesn't mean that the "losses" caused by someone pirating that entertainment are real. It's entirely possible that every person who pirates the entertainment would never have paid for it, even if it were not available for pirating. Then again, it's entirely possibly that every person who pirated the entertainment would have paid for it were it not available for pirating.
Until someone determines a half-way reliable method of calculating how many people did not pay for the product directly as a result of it being available for pirating, then the "losses" remain as some unknown value between (0 x $PRICE) and ($NUMBEROFPIRATECOPIES x $PRICE).
Re:Imaginary excuses. (Score:5, Insightful)
Take the case of Jay. Jay never even caught Firefly when it was on the network (they always screwed with its time slot) but after seeing two episodes on the internet he went out and bought the DVDs. This was before Serenity, and his purchase probably, to some incredibly small degree, helped them justify making the movie. Of course, Jay immediately bought the Serenity DVD when it was available too, hoping it shows them there's interest in more Firefly.
In Jay's case, they made multiple sales they wouldn't have made without the "pirates". So, the pirates actually made them money by giving the product free promotion.
Now, not every product can be thrown out there and make money the way Serenity did. No, the secret is that your product has to be *good*. But, if your movie sucks, aren't you really ripping off people that expect a good product when they paid for your movie?
So, the actual cost to the media moguls are an unknown value between -($NUMBEROFPIRATECOPIES x $PRICE) and ($NUMBEROFPIRATECOPIES x $PRICE). If you average that out, you get $0.
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Care to explain what it is? Because I was under impression that in the long-run, the determinants of national output were the factors of production (capital(K) and labour(L)) and technology, and that as in the long-run the factors of production remain constant, the growth of economies relied on technology reducing the scarcity of goods, as has happened throughout modern history.
Re:Imaginary crime. (Score:5, Insightful)
I'd say that doesn't hold for those who view the destruction - or at least marginalization - of a particularly bad industry, with its attendant effects on the culture of music, as a desirable long-term consequence. I doubt the demise of top-down music culture counts as a "loss" that "mak[es] everyone suffer."
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His misconception... (Score:5, Insightful)
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But think about the loss in revenue for the hookers, if men just go rape random women when they want to get laid! That's lots and lots of money!
WTF? (Score:5, Insightful)
I pirate an album and Britney Spears loses 2 dollars. A girl gets violently raped and her entire life is damaged and she may never recover. Which of these two things are more important?
Re:WTF? (Score:5, Funny)
> recover. Which of these two things are more important?
If I pirate a Britney Spears album, my entire life is damaged and I may never recover.
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My current PC has (legal) copies of photoshop, poser, windows vista, about 5 different games, paint shop pro, and they all seem to work fine for me. Somehow, the fact that you don't like a single sentence in the EULA does not affect photoshops floodfill, marquee selection, layer compositing or brush configuration. Nor does it affect posers rendering and animation features, or vistas file searching, device configuration or text rendering capabilities.
the vast majority of us are using commercial soft
just another rich guy living in his own world (Score:5, Insightful)
Re:just another rich guy living in his own world (Score:5, Interesting)
This should lend a little light over what lobbyists and various government officials and legislators might be thinking and where the root of the problem may actually lie.
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Re:just another rich guy living in his own world (Score:5, Insightful)
The reason that corporations cannot be trusted to "do the right thing" is because they have been legally constructed in such a way as to prevent any shareholder or employee of that corporation let moral judgements interfere with the profit motive.
If the CEO of a large company decides not to campaign for more police time to be spent on protecting intellectual property because he believes to do so would be "immoral", not only can he be fired, shareholders in the corporation can in fact bring legal action against him for not acting in the best interests of the corporation.
Basically, it's not just that amoral soulless assholes are attracted to executive positions in large corporations, it's also that you cannot serve in an executive position at a large corporation without being an amoral soulless asshole.
Re:just another rich guy living in his own world (Score:4, Insightful)
Re:just another rich guy living in his own world (Score:5, Insightful)
Bottom line is there's nothing illegal about CEOs having ethical standards, and to claim that they have no choice in the matter is letting them off the hook far too easily.
I've been on IRC. I've seen rampant trading. (Score:5, Informative)
It's a problem of analysis (Score:5, Insightful)
Re:It's a problem of analysis (Score:5, Interesting)
The recording industry has lost several sales to me in the last month, even though I don't pirate music. I listen to Radio Paradise (which won't exist much longer, if the recording industry lobbyists have their way). A few times recently I've heard songs I like, and gone to iTunes with the intention of buying the album. Since it wasn't available without DRM, I've decided not to. If it had been, then that's a £7.99 impulse purchase they could have had. Did I pirate the music afterwards? No. I just chose not to spend any money on music this month. Instead, I went to see a play performed outside locally, bought a load of books, and rented a load of DVDs.
*sighs* Mod article "troll" (Score:5, Insightful)
"Intellectual property crime" (Score:5, Insightful)
Some examples:
* The way patent offices globally have turned the patent system into a pyramid scheme for their friends, printing coupons that are not backed by any state bank and yet are used as collateral to secure huge credits.
* The shakedown of numerous small businesses and large customers for "patent violations" based on legal instruments created by a mafia-style clique of lawyers.
* The wide use of patent "licensing deals" to create cartels that would be illegal and criminal under normal competition law.
* The use of patent "licenses" to tax the use of technology by the public, even though very often the public subsidised the original research.
* The use of "intellectual property laws" (designed and paid for by content industries) to prevent content falling into the public domain.
* The use of said laws to create artificial barriers to free trade, so prices can be raised in specific geographic areas.
* The use of the global patent system to keep the costs of medicines artificially high (even at the cost of millions of deaths)
* The use of the global patent system to prevent free competition in many markets.
* The use of the global patent system to stop alternative energy technologies being developed.
* The use of patents to create conflict and litigation than enriches lawyers and specialists.
And on and on and on... the cost of "intellectual property crime" surely runs into the trillions...
Of course we're supposed to think that when corporations abuse the law, it's a different thing than when individuals do it. Corporations can buy laws, individuals usually can't.
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I am willing to wager that even if there were no safeguards against it, 99% of patents would be reviewed by people who had no knowledge of or connection to the persons or organizations applying for the patent. In reality, though, patent reviewers would excuse themselves from any such conflict
Re:"Intellectual property crime" (Score:5, Insightful)
That is excellent. Can I quote you? Even though you argue well (it's your job, maybe), the patent system is absolutely not about enrichment, nor about solving the (strawman) "free-rider" problem. It is only about exchanging a limited monopoly in return for documentation on new techniques that would otherwise be kept secret. Show me a single example of a "free-rider" problem in the software sector, please. Just one case where government intervention in the form of software patents is justified. Pretty please.
Today's patent system - whatever the merits of the patent per-se as a social bargain - fails completely to deliver value for money for society, it serves only people who can play the system, and punishes the rest. Nowhere is this more clear than in the software sector. However elsewhere it's also failed.
Explain to me why agriculture - based on free exchange of knowledge - has managed to prevent famine since the 1950's (famine still being caused by natural disaster, politics, and war), while pharmaceutics, entirely based on your vaunted monopoly, has left hundreds of millions cursed by malaria, dengue fever, and other diseases.
The excesses of the modern patent system will go down in history as a monstrosity. You can defend those excesses - and many people do - on the basis of "well, it makes money for me", just as people have defended a hundred other evils.
They sure love money... (Score:2, Insightful)
Ah, no wonder: a lawyer said it.
It's time for tort reform in this country; too many money-grubbing pigs are using a broken system to do things like channeling for the unborn [marginalrevolution.com] to make cases in front of apparently easily manipulated people. All to the end of fattening their bank accounts.
Oh no! What would Jesus do! (Score:5, Interesting)
These people fail to see how stupid it is to scare the public with billion dollar figures. I frankly don't give a crap if company x lose a y dollars per year. My point is that if a company is struck by heavy use of piracy, then their business module is entirely misplaced. It could be too expensive, too difficult to purchase, only a tiny useful function out of many less useful ones, and many other factors that contribute to such outcome.
Take a music CD for example. It's expensive, impractical to purchase, often DRM:ed and includes maybe two, three or four songs that you like. This is why iTunes and other comparable services are slowly taking over that "lost" segment that chose piracy over unthoughtful music labels.
I don't believe that we are criminals by nature and I doubt that most of us prefer to "steal" rather than purchasing, but the companies have to find solutions very soon and adapt before piracy becomes a habit and not just an escape.
Last but not least, I am yet to see an anti-piracy statement that admits to the positive effects of pirating. After all, that's how many artists, movies and software developers gain a lot of attention. Do you think Photoshop would be widespread in Europe if there was no alternative to that idiotic $1,500 price tag? At least people pirate Photoshop instead of turning to the cheaper alternatives. And when have you heard Adobe admit to this?
Easy answer to this one... (Score:5, Funny)
First thing you'd do when entering the bank would be to shout "are any of you copyright lawyers?", then proceed to shoot any of them in the legs. They'd soon start to realise that having the police deal with bank robberies is a far better idea than having them go and arrest college kids for downloading Metallica...
What a bunch of unethical twats...
Cost (Score:5, Insightful)
I have this air molecule here (Score:2)
*pops head up for a moment* (Score:3, Interesting)
Who are the pirates after all? (Score:5, Interesting)
Eventually, music became something influential on a corporate level. Zoom forward to 1957, 50 years ago from today. Artists began trying to market themselves to "record companies" in stead of their audience. The record companies would fund up and coming artists, who were usually established acts already. The elusive "record contract" would be still geared to pay the artist a good sum of money, but the cut for the record companies was getting bigger. This is where it began to snowball.
Lets move to more recent times. Now we have record companies finding talentless bimbos and tryhard boybands to front this multi-billion dollar industry. Not only that, the record companies are taking most of the proceeds and the artist is forced to tour/mime in order to make the kind of cash that would have been available to them 50 years ago. Good artists who may not be the 'in' thing at the moment (as in, not pop/emo/rap) struggle to get a recording contract. Even when they eventually do, it's on the record companies terms. Desperate to get noticed, most new artists will sign anything just to become famous.
So now record companies are making ridiculous amounts of money off the consumer and kicking the artist to the kerb when they are no longer the 'in' thing. This is bad for music, and bad for the consumer.
So when I torrent the latest album from the artist I like, does that make me a criminal? Even if I go to their concerts, buy merchandise and do all I can to get them money knowing that the record companies don't get as much of a cut from touring? I think, if anything, I'm doing the right thing. It's a very Robin Hood mentality, but stealing from the record companies and giving to the musicians is the way I believe in.
I think if everyone else did what I do, music would be in a better place.
Re: (Score:3, Insightful)
Columbia Records has been in business since 1888.
The Victor Talking Machine Company - "His Master's Voice" - was incorporated in 1901 and was aggressively recruiting artists for exclusive contracts from Day 1. It was - even then - using "loss leaders" to build sales.
Artists became successful on records because they recorded well. The technology has always shaped the industry.
Caruso had a splendid voice for acoustic recording and sold to enormous audiences who k
About that $16B (Score:2)
And how loud, for how long, do you think the populace will scream to get their law enforcement back on crimes that actually harm them and their property?
slanted opinions (Score:2)
It's a bogus argument.
First, the money lost in the type of piracy mentioned has subjective dollar figures attached to it. If I steal a song it doesn't mean that no one in the world will purchase the album that it came on. Very difficult to be accurate.
But the real issue when prioritizing crimes is what is the affect upon the human beings who is victimized?
Theft is apparent and easy to measure. Piracy against a Mega_Corp is vague at best. I don't think there is any real damage done to the people who w
I want to be on the content creator's side (Score:5, Insightful)
I particularly have a hard time defending the content producers when the pirates provide a better product - ignoring price. If I want a particular song, the music industry will sell me a CD with that song along with several others I don't want, or I can buy a fairly low quality digital copy, probably with DRM in a format I don't like. Pirates offer a variety of formats and quality levels, and you can play their versions on anything you want.
Movies aren't much different. You can buy a DVD, which can only be played legally in authorized devices, or you can download a heavily DRMed copy that - unless you have a media center PC - you're stuck playing on your computer monitor. Pirates offer a variety of quality levels, you can burn them to DVD's if you have the proper software, and play them on anything capable of playing them.
Like I said, I'm not a pirate. I have an older taste in music, so I get most of my CD's used for a couple of bucks. I rent movies and go to the theater on occasion. If the content industry starts offering the same quality of product the pirates offer, but they can't compete in price, then they will have my sympathy. But so long as the content industry refuses to match the pirates' level of quality, and keeping making specious claims like the ones in this article, they get no sympathy from me.
Completely Dependent on the Subjective Value (Score:4, Insightful)
Dear Mass Media Giants,
You effectively control our political apparatus through effective lobbying. Please leave our LAW ENFORCEMENT alone.
Sincerely,
The rest of us
Utterly deceptive twaddle-speak says I (Score:4, Insightful)
Counting legitimate backups as lost revenue.
Counting personal format, time and place shifting as lost revenue.
Counting damaged copies legitimately returned to the store as lost revenue.
Counting viewing by a family of X number of people as lost revenue of X-1 times the price of the media of lost revenue.
Counting ANY AND ALL activities that do NOT involve paying a fee for every single solitary time the content is viewed as lost revenue.
Counting THINKING about any activity other than paying a fee for every single solitary time the content is viewed as lost revenue.
Counting stuff they don't even own as lost revenue.
But then again. These are the media conglomerates. They've been lying to us all our lives. Why should they change now?
The thing I don't understand (Score:4, Insightful)
I'm quite sure that more than 50% of the population of every western country does not consider copyright infringement a crime. Considering who has already "illegaly" burned a CD or used P2P, the percentage is probably quite a bit higher. In a proper democracy, it should therefore not be a crime. That's the way a democracy is supposed to work, isn't it?
"democracy", n.: A political system governed by the people or their representatives
Not so funny. (Score:5, Insightful)
Eventually I believe that they will have the ability to check to see what you own and government will allow them to do this..
In 1765 King George III created The Stamp Act. By his degree all documents, papers, books, letters, posters, newspapers, and even playing cards, had to carry a tax stamp. In order to make sure if your papers were taxed.. British officers could write themselves their own search warrant and come into your house to check. As you can see there was a great outcry from this abuse of powers and this would absolutely be illegal by all of todays standards... or would it..
Can the government digitally search your papers and effects to see if you payed the proper "tax" ? Things seem to be going in this direction.
No, Mr. Cotton is absolutely right (Score:4, Interesting)
We can do it very effectively.
What are the police for? (Score:4, Insightful)
They should concentrate on crimes that affect the people, and put crimes that only affect the profit margins of business on the back burner, especially when, in the case of copyright infringement, there are no direct losses. Who's to say how many of the pirate copies would have resulted in actual sales anyway?
A business can afford to lose a few thousand dollars of sales, but the average guy on the street cant afford to lose his $200 TV. Similarly, violent crime can result in people being killed or injured, copyright infringement doesnt.
The job of the police is to protect and serve (the people), the primary goal should be to protect the people from crime that directly harms them.
If anything, the police should be spending far less time dealing with copyright infringement cases, and more time catching pedophiles and the like. If big business doesnt like it, then they can donate large sums of money to the police so that they have sufficient resources to deal with serious crimes, and then some resources left over to help corporations keep their profits high.
mathonomics (Score:4, Interesting)
"intellectual property crime runs to hundreds of billions [of dollars] a year."
A couple of observations:
1. If people were actually forced to buy the 'intellectual property' that they currently copy illegally, I suspect that the vast majority would not or could not. Therefore, there would be no economic or social benefit to preventing illegal media and software distribution. In fact, you could argue that it would do social harm by limiting access to music and films. On the other hand, not preventing armed robberies would have very real and nasty social and economic consequences.
2. If, indeed, intellectual property theft is that high, one could probably make an argument that it is actually helping the world economy. If people/companies actually had to pay out a few hundred billion dollars more to buy legal copies, it would result in a few hundred million dollars less for silly things like capital investment and salaries.
3. I suspect that the bulk of that "hundreds of billions" would be going to a few very large companies that are already making extremely high profits. Making a monopoly stronger through punitive legislation is probably not in the public best interest.
Re: (Score:3, Insightful)
This is by far the most important argument against the MAFIAA's claims of the economy losing billions of dollars to piracy. The economy is not losing billions of
Well then... (Score:3, Insightful)
convention and balance (Score:3, Insightful)
We all (soft or) agree that there is a mapping between things and people and we call that mapping property.
Nothing says that this "mapping" is real or tangible or even agreed to by everyone. Mostly, it exists originally from physical threats used to hold onto a thing - "grab this and I attack you" that has evolved with human society into a more civilized understanding that we can "hold onto" certain things. This is extended by our laws and the creation of widely accepted money. Some religious extremists argue divine right or natural order to support property, but that is rare.
The further extension of the convention of property to ideas is done through laws alone. This extension is NOT agreed to by everyone the way it is done now. It is tenuous at best, ridiculous at worst. At this point I flatly reject all arguments about enforcing current laws until copyright is fixed to balance the social good with the private rights. The situation is so far out of balance now, it is completely obvious why people pirate: copyright is effectively infinite.
Re:Yes, just imagine... (Score:5, Insightful)
Today, every single Slashdot reader failed to give me $10. Do you realise that this has cost me and, by extension, the economy, over $10,000,000 for today alone? Over the course of a year, that means that not devoting law enforcement resources to fulfilling my every whim costs me (and the economy. Won't someone please think of the economy?) $3,650,000,000. That's right, well over three billion dollars.
Has any bank robber come close to stealing three billion dollars? Even Nick Leeson only cost Barings $1.4bn. Obviously our priorities are very, very wrong.
Re: (Score:2)