Rapidshare Ordered To Filter Content 161
A Cow writes "TorrentFreak reports that the Regional Court in Hamburg, Germany, has ruled that file-hosting service Rapidshare must proactively filter certain content. Music industry outfit GEMA asked the court to ban Rapidshare from making 5,000 tracks from its catalogue available on the Internet."
Reader biabia brings an update to a related case in Italy involving four Google executives. The issue in that situation revolves around Google's response time in taking down a video that was deemed to be a privacy violation. Google is worried that a verdict against them could lead to mandatory pre-screening of all public videos that are uploaded onto their websites. Those proceedings have now been postponed until late September.
Update: 6/24 at 17:45 GMT by SS: The article originally reported that Rapidshare was fined $34 million. No such fine has been imposed — $34 million was the estimated value of the tracks hosted on Rapidshare.
Update: 6/24 at 17:45 GMT by SS: The article originally reported that Rapidshare was fined $34 million. No such fine has been imposed — $34 million was the estimated value of the tracks hosted on Rapidshare.
Imbeciles! (Score:5, Insightful)
Can we just fix copyright? (Score:5, Insightful)
Anyway, maybe something like years 1-4 $100 years 5-8 $1000 years 8-10 $40000 then we could just say something 1 million per year for every year there after. So either way, the work will benefit the general public (as was the original intention of copyright law). If the work is so wildly successful it will raise money. If the work isn't that great, it gets put into public domain sooner, so it can be built upon. Anyway, maybe I'm crazy, I don't like to see this kind of over-regulation of thought anyway. However if we WERE going to provide the protections that copyright holders want, I would greatly prefer a system based on this.
But How? (Score:5, Insightful)
Re:Surprised (Score:5, Insightful)
Once you start hitting the Obvious Targets - RapidShare, MegaUpload, etc - the content will be pushed further underground such as Torrent websites. This is the same thing that we saw with ThePirateBay when it was under fire. Mininova and other websites took over as the leading Torrent hubs.
Trying to silence the masses is impossible.
How to filter? (Score:5, Insightful)
How will rapidshare enforce filtering? crack passwords for every rar, open the content, view it, check it against existing copyright works? I doubt if filtering will deter any illegal file-sharing on rapidshare at all.
Which Rapidshare? (Score:1, Insightful)
Would this be rapidshare.de or rapidshare.com ? They are significantly different.
Re:Surprised (Score:4, Insightful)
Because with BT anyone can see who (or which IP) is downloading what. People have been busted for using BT, not for RS as far as I know.
Re:Imbeciles! (Score:5, Insightful)
No, they're applying laws that were written before copying and distribution of intellectual work became an integral part of our lives. If anything, blame idiotic politicians. Once we have laws that make sense, we can move to blaming judges. I'm not holding my breath.
Re:Imbeciles! (Score:2, Insightful)
No you DO blame judges because they are only supposed to apply law based on the orginal intent of it when it was written. That means that these judges are idiots or activists; rewriting law how they see it should apply to cases that law has not been written for. Judges don't have to and are not supposed to only take dictionary meanings of written law and apply it, so it is their fault just as much as the idiot politicians and lawyers... basically anyone with a law degree is at fault.
Re:So it's about censorship, is it? (Score:3, Insightful)
Re:Can we just fix copyright? (Score:5, Insightful)
But, while interesting, the "tax copyrights" idea brings in a new set of problems. Like many regulatory systems, it can end up favoring the big players (big business, rich people, etc.) because they are usually best able to game any system you devise (because they have the money and lawyers necessary to "work the system").
The system you describe would restore some balance in the competition between medium and large corporate copyright holders. It is self-correcting: only truly valuable copyrights are maintained, and the rest are freed to the public. But in this system, small players (small businesses, individual creators, struggling artists) are marginalized. For instance the vast majority of amateurs wouldn't bother to (or, really, be able to) register. This means that their creativity would be fair game for massive companies to use as they will. Some content may be so trivial that it doesn't matter. But there is a huge middle ground where the creator won't really be able to pay the fees (because they are not big and powerful enough to monetize it), but it would be grossly unfair to then let big companies monetize the works (even though other big companies could compete by also monetizing it).
There would be innumerable blog posts, essays, photographs, music samples, and so on... that would be unprotected. Again as a copyright reformist I actually think laxer protections are often a good thing. But in the "tax copyright" system the problem is that it becomes asymmetric: the big players can maintain their control but the littler players cannot. The notion of an artist maintaining some measure of artistic integrity, even for a short while, will be gone... unless the artist aggressively monetizes their work so as to pay for the fees (which, in many cases, would result in another kind of "loss of integrity" for the artist).
One can then go back and further tweak the rules (exceptions based on size of work, estimated value, artistic vs. commercial intent, etc.). But adding more and more rules often continues to favor the big players, who have the time to mine the laws for loopholes, argue their cases in court, and lobby for legal tweaks. Meanwhile the little players are left utterly confused by the labyrinthine laws (as is currently the case). My point here is only that these issues are actually quite delicate, and we have to be rather careful with what new system we put in place. Every system will have drawbacks. We need to make sure that the new drawbacks are not worse than the old.
In that vein, I think a more gradual reform is safer. It is also, pragmatically, much more likely to be doable.
Re:So it's about censorship, is it? (Score:2, Insightful)
Re:Surprised (Score:5, Insightful)
Freedom is the right to say what you want to say and do what you want to do so long as it has *some* ethical justification. Downloading stuff isn't that.
I could probably come up with some ethical justification for anything, no matter how heinous, and I'm sure some large percentage of the population actually believes their ethical justifications for strange things.
I personally have nothing against piracy anymore. I used to have some qualms, but I worked them out. A significant percentage of people still pay, and will continue to pay for crap. Its really hard to say that this ratio will change, since most pirates are young and tech savvy, and piracy is about as easy as it can get (give me 5 minutes, I'll find you a free copy of ANYTHING you want) right now. Distributing media is still VERY profitable, even with piracy.
Until the various industries move into the digitial age, piracy will be around at roughly the same level it is at now. By "move into the digital age" I mean COMPETE with the various mediums that allow piracy. Before we say that it is impossible to compete with free, I'd like to point to services such as Hulu, iTunes, and Amazon, as well as concerts, and self-distribution. How much money did Trent Reznor make off of his various free (in every sense) offering? A ton, buy adding priced options that contains value-added features that can't be pirated. Sure small artists can't do this as well, but, small artists are also the ones who make the least amount of cash from giant labels, and thus are hurt the least by piracy (and probably gain the most, since the name of the game at that size is to grow a fan base).
I owe nothing to record labels. It is not my job to support their business model, or give them money when I don't have to.
Re:Can we just fix copyright? (Score:4, Insightful)
There is one problem with public domain and that is it's near free and in competition with current works.
Imagine a world where copyright ends after 30 years. So now anything 1979 or earlier can be legally downloaded watched read or listened to. Thats a pretty good cache of media, Led Zepplin hendrix the beatles the stones to name a few, most if not all of asimovs books, a huge catalogue of film Star wars would be PD (i think that was 77)
The great escape, the italian job, and many many others.
Now don't get me wrong for me I would love it, and there is more than enough available to mean i'd never have to spend a single cent on media again. Thats what today's content makers would have to compete with or would they?
because even with silly length copyright laws I still rarely buy up to date media
maybe current media will have to be supported largely by the young, pretty much as it is anyway.