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EU Record Companies Push to Extend Copyright 292

TPIRman writes "European record companies, as represented by the International Federation of the Phonographic Industry, are pressuring the European Union to extend copyright terms for music producers. Critics like Creative Commons founder Lawrence Lessig are predictably opposed, but the IFPI argues that the move is needed in order to bring the E.U. in sync with U.S. copyright regulations. Ironically, one of the original rationales behind the Sonny Bono Copyright Term Extension Act was that U.S. copyrights needed to sync up with European standards."
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EU Record Companies Push to Extend Copyright

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  • by Stumbles ( 602007 ) on Friday June 10, 2005 @10:54AM (#12779840)
    Never let one hand know what the other is doing and if discovered, deny all knowledge and blame the foot.
  • Dupe'd agaIn! (Score:5, Interesting)

    by TJ_Phazerhacki ( 520002 ) on Friday June 10, 2005 @10:55AM (#12779842) Journal
    But seriously - why would ANYONE want the kinds of copyright nonsense we have over here? Talk to your senator, congressman, or the equivalent (don't know how your system works :p ) and shoot this down!
    • Re:Dupe'd agaIn! (Score:3, Insightful)

      by rovingeyes ( 575063 )
      shoot this down!

      want a better alternative? Shoot them down!

      • Re:Dupe'd agaIn! (Score:4, Insightful)

        by Darkman, Walkin Dude ( 707389 ) on Friday June 10, 2005 @11:34AM (#12780205) Homepage

        I for one am well and truly sick of the shenanigans being pulled by these media conglomerates. They need to be replaced, and rapid. So lets look at the root causes of the problem.

        1. People like music.
        2. Musicians make music.
        3. People will never hear the music unless its advertised to them; they just won't know it exists. Enter your friendly neighbourhood media conglomerate, with all the fun that entails.

        Solutions:
        1. Music is just information, a stream of bits and bytes. And here we have a whole industry called information technology.
        2. The production of music can be done relatively cheaply, especially by applying modern technology.
        3. Distribution and advertising, well well, looky here, an internet. Who put that there? And no I'm not talking about itunes.
        4. Profit, and the vanishing of the media conglomerates and their tired, wretched little business model.

        I mean come on, with all the big brains around here, surely it is possible to come up with a decent technological response to these vermin... the only thing lacking at this point is a concerted effort at marketing the stuff, and poof, no more MTV. Whatever restrictive contracts current artists have signed with said media groups is there own problem; there are always more artists. If ever there was a place google could shine, its right here.

    • Re:Dupe'd agaIn! (Score:5, Insightful)

      by I confirm I'm not a ( 720413 ) on Friday June 10, 2005 @11:00AM (#12779901) Journal

      don't know how your system works :p

      Works? What is this "works" of which you speak? ;-)

      As far as I can tell our system works like this: the European Commission decide to do something. The European Parliament vote, and decide it's a stupid, stupid idea. The European Commission then ignore the democratic process altogether. I believe that the advantage to this system is that it's easier for lobbyists to get their lobbying done, without getting dirtied by contact with democracy.

      Someone with a less cynical view than me may wish to clarify, however...

      • Re:Dupe'd agaIn! (Score:3, Informative)

        by MartinG ( 52587 )
        No, I completely agree.

        I think you missed a bit though. The European Council get to be undemocratic too! They are the secretive bunch appointed by national governments who decide whatever they want behind closed doors and when it turns out not to be what anyone actually wants they simply blame all the other ministers from other countries!
      • not cynical at all (Score:2, Insightful)

        by tota ( 139982 )
        That's just about right.
        It also explains why the new constitution got such bad press, it attempted to fix things and give more power to the elected parliament... what a disgrace. Bring back the good old tyrans instead.

        The worst thing was that the people campaigning against the new constitution claimed that european institutions were broken, so let's not fix them!

        If it ain't broke, don't fix it. But if it is? Don't fix it and keep complaining... that will help.
      • You're entirely correct. Unfortunately the European constitution, designed to solve some of these problems has been voted down by the French and Dutch voters. So now we're stuck with a bureaucratic monster.

        • Sorry, I don't think that's right. The new constitution, from what I understood, would actually give _MORE_ power to the non-elected non-democratic bodies like the Commission.

          Check with the FFII...
          • Re:Dupe'd agaIn! (Score:3, Informative)

            by Tony Hoyle ( 11698 )
            Less, actually. It was to shrink the commission slighly and give the Parliament more power to veto stupid ideas.

            With the parliament actually having teeth rather than being a nod in the general direction of democracy, the national governments complained because they might have some of their more stupid ideas overruled - they're more used to controlling the commission and getting things done that way.

            It's this last point which had some of the anti-EU types up in arms... they'd rather an unelected commissi
        • Perhaps you would be good enough to explain to me how this constitution would have fixed things. You could also explain it to several million French and Dutch.
      • I think you missed out the step at the beginning where the European Commission is taken to dinner by large multinational companies where it is explained to them ( the commission ) just what exactly it is that the people want.
      • Thats basically the same as the U.S. version.

        The only difference being that in the U.S. when the parliment/committee decides it's a stupid idea, the lobbyists then go and have discussions with a few senators regarding campaign funding and the like.

        A short time later, the senators go back to re-vote and suddenly just enough of them change their minds to pass the vote.

        Both the systems have the exact same effect, its just that in the U.S. it can sometimes cost the lobbyists a little bit more (which is besid
      • I heard that recently an unknown work of J.S Bach was discovered among some upper-crust birthday cards which had been locked up in a Palace keepsake box for a mere 2 centuries or so.. I also heard it was to be performed. This is a PERFECT. exmaple. I could write something flippant and funny but seriously: Two Hundred Years from today, Who owns the Beastie Boys, Britany and... I should be whipped for mentioning those names in the same post with JS Bach. And today, who owns this piece written so long a
    • by Tim C ( 15259 )
      why would ANYONE want the kinds of copyright nonsense we have over here? Talk to your [representative] (don't know how your system works :p ) and shoot this down!

      Clearly you don't know how the system works, or you'd not bother suggesting we try to get this stopped merely by talking to people...
    • Do you have the ability to include a large bribe^H^H^H^H^HCampaign Contribution in that letter/conversation?
    • Most people know the Bono Act extended copyright, but few know the specifics. In most of the world all recordings made before 1954 are in the public domain. But thanks to the Bono Act, in the U.S. all sound recordings made before 1972 are now copyrighted until 2067. This applies even to the earliest recordings on wax cylinders and discs made in the 1890s, which Sony now claims the rights to. That's more than 170 years of copyright protection for those items.

      The old world aristocracy claimed that it had the
      • But thanks to the Bono Act, in the U.S. all sound recordings made before 1972 are now copyrighted until 2067. This applies even to the earliest recordings on wax cylinders and discs made in the 1890s, which Sony now claims the rights to.

        That's not entirely correct. The Bono Act didn't return anything to copyright; the URAA, passed at the same time did. http://www.copyright.gov/circs/circ38b.html [copyright.gov] gives a list of what the URAA did; in particular, it only returned certain foreign works to copyright. Also, on
    • OK, I'll also dup my comment made there, that no one probably read because it was posted too late - as is this comment (: . I can't spend my life reading slashdot 10 times a day...

      Since "intellectual property" is being treated by the law more and more as if it were physical property, then perhaps it should be taxed like physical property (real estate tax, etc.) too. An interesting discussion of this can be found at Copyright Term Reform/Taxation [infoanarchy.org]. I doubt the movement to reduce copyright terms will h

  • by Peaker ( 72084 ) <gnupeaker @ y a h oo.com> on Friday June 10, 2005 @10:55AM (#12779843) Homepage
    Glad to see we are on the right track to a civilian uprising that will abolish copyright.
    • by Uruk ( 4907 ) on Friday June 10, 2005 @11:10AM (#12779996)
      Let's take a look at the weaponry on either side of the Copyright debate:

      Copyright Holders

      • Billions of dollars
      • Coordinated world wide organizations of thousands of people working towards making money off of copyrighted material
      • Government lobbyists
      • Political Action committees
      • Campaign Contributions
      • 100 years of legal precedent
      Copyright Opponents
      • Righteous Indignation
      • Sense of Entitlement
      • Appeal to inferred intentions of people (founding fathers) who died 200 years ago
      • A few bright points, EFF and others
      • Blogs

      Umm, I think we have a problem. I'm on the side of restraining copyright, but I'm not sure this fight is fair!

      • by xtracto ( 837672 ) on Friday June 10, 2005 @11:14AM (#12780027) Journal
        You surely forgot something in your list... Money to BUY the things... if the copyright oponents do not give money to the copyright owners (i.e. do not buy) then it will be difficult for the owners to win...

        Anyway, I just found this interesting page, and I think it is kind of on topic with this discussion:

        Some thoughs about piracy [scottmccloud.com]. It is better than I state here, have a look
        • Britney Spears, Spice Girls, N-Sync, etc have been the most popular bands in recent years, at least according to record sales. I'll take a flyter and guess that the intelligence quotient of the purchasers of such bands would be below society's median IQ.

          If people are too stupid to aspire to something better, change will never happen. Its unlikely we'll be able to do anything about the media conglomerate's cash flow under the circumstances.

      • Umm, I think we have a problem. I'm on the side of restraining copyright, but I'm not sure this fight is fair!

        You forgot a very important weapon in the opponents arsenal.

        • Millions of users protesting against high prices - by using online sharing


        And they CAN'T be stopped.
      • We could add:


        Copyright Holders

        • ownership of mass media
        • direct personal greed
        • a complacent population rapidly becoming inured to more and more laws, and less and less freedom
        Copyright Opponents
        • 200 years of legal precedent, being overwritten 20 years at a time
        • vague desire to promote the common good
      • Appeal to inferred intentions of people (founding fathers) who died 200 years ago

        It's funny, that's one thing about political discourse in the US that seems strange to Europeans. Arguments that go along the lines of:

        "but the Founding Fathers clearly wanted us to have guns/abortions/prayers in high school.."

      • Righteous Indignation

        The same reason that copyright opponents just don't care if they (laws) exist or not. They aren't going to abide by them unless forced to. It's is becoming more and more like the illegal drug trade; tougher laws will send more people into the "underground" until that takes over all other walks of life.

        P2P Anyone?
  • by specialbrad ( 884393 ) on Friday June 10, 2005 @10:55AM (#12779852)
    This is the last thing we need. Syncing up european and american copyright laws is not a reason to change laws. Laws should be passed to serve the people, not to follow others. I hope this doesn't happen.
    • One thing that surprises me is that people are so worried about copyright abuses here in states and europe. But the way I look at it, it seems more than double of those abuses happen in Asia - particularly China. Its not a US website or Eurpean webiste that puts up a link for a new movie or soundtrack first on the internet. Its always chinese.

      I am not trolling, I fail to see how these laws in Europe or US are going to stop people from downloading stuff from Chinese websites. As long as China is not under

      • The laws aren't going to stop people, but you're highlighting an immediate (and valid issue for copyright holders) thing, and they're focusing on the long-term.

        By going for copyright protection, they're attempting to secure the rights to go after people who do this in the EU and in the US. They are also trying to establish a precedent that will be seen as "the way the modern industrialized world does these things".

        There's a heavy expectation that China is going to change big time in the next generation,
    • by A Commentor ( 459578 ) on Friday June 10, 2005 @11:05AM (#12779946) Homepage
      This is the last thing we need. Syncing up european and american copyright laws is not a reason to change laws. Laws should be passed to serve the people, not to follow others. I hope this doesn't happen.

      But you know it's going to happen, their companies are saying "How can we compete with the Americans when they have copyrights for 95 years and we only have them for 50 years? That's not fair.".

      The copyright laws need to be put back to their original terms, 14 years and if they apply, one extension of 14 years.

    • Why don't we (the US) curtail our copyright terms in order to sync up with the EU?

      Just a thought...

      (I know, this is as silly as exercising more and eating less in order to lose weight.)

  • Poor Mickey (Score:5, Insightful)

    by Kaorimoch ( 858523 ) on Friday June 10, 2005 @10:56AM (#12779853) Journal
    Why bother coming back every 50 years when Mickey Mouse is about to expire and slapping another 50 years onto copyright terms?

    Why not just make it 50 billion years and save Mickey Mouse from exploitation forever?
    • Why not just make it [copyright] 50 billion years...?

      In the US I believe this wouldn't be possible, due to the foresight of the Founding Fathers. I can't see any reason, however, why this wouldn't work in Europe. Unfortunately.

      • And the founding fathers will stop the current crop of clowns in washington from doing anything ? Ya.. right.
      • Are you refering to the word "limited"?

        Repeated extention of the term is equivelant to unlimited.

        Consider the variable x as time after publishing to check whether a work is still in copyright or not.
        Now consider the function f(x) = x+1 as the time after publishing when the work will enter public domain, as a function of the time of questioning.

        Obviously, f(x) is "limited"/finite for every x. However, for every x, xf(x) so the work stays in copyright. As x goes to infinity so is f(x). Therefore it's not "
        • Re:Poor Mickey (Score:3, Interesting)

          by Erwos ( 553607 )
          The Supreme Court disagrees with you, sir. Check out the Eldred vs. Ashcroft decision, where they rule that repeated extensions are _not_ the same as unlimited, since they are still define a finite (if not long) time.

          Fortunately or unfortunately, that is indeed a reasonable interpretation of the Constitution, too.

          -Erwos
          • Yes, each time they make an extension they set a finite time. But for every time you check whether the work is under copyright or not, exists a "limited extension" not too long before that covers it.

            i.e. for every time you check, the work is copyrighted.
            So in pratice, the copyright term is unlimited.
            • Did you, or did you not, miss where I explained to you how the Supreme Court _does not_ concur with your reasoning?

              From a strictly literal reading of the Constitution, extending it to a larger finite amount of time is still a limited term, because finite numbers are limited. There is no Constitutional issue with making this number ever larger (again, given a strict reading).

              You may not like that - that's fine. But right now, precedent is against you, no matter how unescapable you think your logic is. I'm
    • Re:Poor Mickey (Score:5, Insightful)

      by Uruk ( 4907 ) on Friday June 10, 2005 @11:04AM (#12779935)
      Yeah really. Check out this comment from the article:

      "From a cultural point of view, we find it strange that European artists are protected more in the U.S. than they are back home," she said.


      Let me summarize: "But Mom, he's doing it, so why can't I do it too!!!"

      They continue with this line of reasoning:

      "We feel there is real discrimination here," Cunningham said. "Record companies in the U.S., their assets are valued much more highly because they have a much longer term of (copyright) protection....


      This is like a 13-year old screaming "this is so unfair".

      Nobody is revisiting the underlying arguments for extending copyright protection past its usual lifetime. They see this as a business argument to be settled about competition and profitability.

      The EFF need to get in there and make sure that at least some relevant questions are being asked. Like what the purpose of copyright in the first place is, and how a proposed extension either supports or undermines that purpose.

      And here's your mom's comeback for the "but he's doing it too" teenager whine:

      Hey Europe, if all of your friends were jumping off of a bridge, would you do it too?
      • Re:Poor Mickey (Score:2, Insightful)

        by soops1966 ( 834209 )
        "Hey Europe, if all of your friends were jumping off of a bridge, would you do it too?"

        Hell yes!!! We went to war with you didn't we?
    • Re:Poor Mickey (Score:2, Insightful)

      by Igmuth ( 146229 )
      Money. Disney hasn't given enough bribes/campaign donations to the Goverment to accomplish this. They (the gov't) are simply being nice and leaving the possibility open to money being given to future members (Share the wealth).
    • You'd think that by now, Mickey Mouse would be a trademark. (and therefore indefinitely extensible) Do you really want to watch a bunch of steamboat willy ripoffs anyway?
  • We better not (Score:5, Interesting)

    by m50d ( 797211 ) on Friday June 10, 2005 @10:56AM (#12779858) Homepage Journal
    Unfortunately I can't argue for the unconstitutionality of these laws since we don't have a constitution here, but this copyright extension thing is stupid. Really stupid. We only just got Elvis in the public domain (is he even there yet?) from years and years ago. The UK even retroactively takes things out of the public domain, so if this passes we could lose that. (copy as much as you can, now, while you can).
  • by Anonymous Coward
    is me pounding my face into the wall.
  • by Rolan ( 20257 ) * on Friday June 10, 2005 @10:58AM (#12779869) Homepage Journal
    It's not all that ironic that the justifications overlap. These are the excuses they use. They start in the US with: "We need to Sync up with Europe." then they change something just slightly so that it's longer than Europe. Then they goto Europe and say: "We need to Sync up with America." Rinse, repeat.
  • by jbridge21 ( 90597 ) <jeffrey+slashdot ... g ['reh' in gap]> on Friday June 10, 2005 @10:58AM (#12779873) Journal
    That's not irony, that's a deliberate strategy.
  • Why... (Score:5, Interesting)

    by jwthompson2 ( 749521 ) on Friday June 10, 2005 @10:58AM (#12779879) Homepage
    Do all nation's laws need to be in sync? Is it possible that one nation has made a grave error and that others should avoid doing the same? Why does our whole world now have a bad case of "keeping up with the Jones'" in relation to legal matters. We all have our own governments, why can't they seem to think independently anymore and make better decisions....

    Damn globalization!
    • Re:Why... (Score:5, Insightful)

      by Uruk ( 4907 ) on Friday June 10, 2005 @11:07AM (#12779967)
      You're discovering the power of "the precedent".

      The reason people don't want bad laws passed, even in small ways where it seems irrelevant is because it establishes a precedent. In many ways, a precedent is like the thin end of a wedge. Once you've worked in the smallest thing, you can just push from the back and eventually drive it all through.

      The laws don't necessarily have to be the same, but if you check the article you'll find that the debate is in terms of competition, not in terms of what copyright is all about. The EU has no desire to fall behind, they really do want to keep up with the US in a lot of different areas. So a precedent in copyright has been established: let's extend the lifetime in the US. Now comes the pressure behind the wedge: the europeans want it too!

      Hmm...I think I can see where this is going...

      • So, to sum it up, the US is giving the EU a wedgie?
      • An apt analogy. However...

        So a precedent in copyright has been established: let's extend the lifetime in the US. Now comes the pressure behind the wedge: the europeans want it too!

        The Europeans want it as much as the Americans...which is that they don't. The music and movie industries want it. And there's not a whole lot of "US and EU" there, they're all pretty united into screwing the world equally. They just have to get each "nation" to help them out a bit.
    • Re:Why... (Score:2, Insightful)

      by dptalia ( 804960 )
      Hmmm, getting all coutries to be "in line" with each other seems to deprive each country of it's own individuality. Aren't countries supposed to be self-determining? If every country is "in line" with everyone else then they're not coutries anymore. I'm suprosed the black helicopter croud hasn't started screaming about how this is letting in a world government through the back door....
    • Is it possible that one nation has made a grave error and that others should avoid doing the same?

      Think of it from the point of view of the recording industry - how can it *possibly* be a grave error to extend copyrights indefinitely? The longer they last, the more opportunity to make money from there is.

      Make no mistake - companies exist to make money. The only reason a content producing company like those in the recording industry would have any reason in a public domain would be to copy stuff from it f
  • by AlltheCoolNamesGone ( 838035 ) * on Friday June 10, 2005 @10:59AM (#12779888)
    ..... Shorter
    Like say, authors life time or 50 years wich ever is greater and thats it....
    • by phoenix.bam! ( 642635 ) on Friday June 10, 2005 @11:11AM (#12780006)
      I believe that's even too long. The reason copyright exists is to foster the arts and sciences by providing for a limited time a monopoly on the new work. Then the copyright expires, the public benefits the artist/inventor benefited. And after the expiration the artist/inventor is encouraged to invent/create MORE.

      The current system of profiting off one lucky creation for 3 generations is insane and does no foster creation, innovation or invention. Especially for the children who inherit valuable copyrights.

      • by Progman3K ( 515744 ) on Friday June 10, 2005 @11:54AM (#12780427)
        >The current system of profiting off one lucky creation for 3 generations is insane and does no foster creation, innovation or invention. Especially for the children who inherit valuable copyrights.

        Especially when most artists do NOT own the publishing rights to their works.

        Forget about an artist's children (or the artist) collecting a dime from any of this business.

        The people pushing this are media corporations, and they AREN'T doing it for the artists, nor the artists' children.

        They're doing it to be able to reap billions of dollars forever from the work of others and use those billions to buy more politicians in order to pass more laws that criminalize you.

        Bottom line; these corporations are big enough already, and I don't see the advantage for the people in changing the laws so corporations become even more powerful only so they can oppress the people further.
  • by chiark ( 36404 ) on Friday June 10, 2005 @10:59AM (#12779892) Homepage Journal
    Anyone in the UK really should take the time to write to their MP. Already this week we've seen a report in the Times saying that a labour MP is proposing to extend Copyright to be 100 years... ..."to protect the artist".

    How they can say that with a straight face is beyond me. I guess the record industry makes it easier for them?

    I wrote to my MP on Tuesday, and got a response the next day thanking me for my concerns, stating that he has read up on, and now understands the issue, and that they will discuss it with the Labour MP that is proposing the bill.

    It might be mere platitudes to keep me oppressed, but it might just work. We are supposed to be in a democracy, although with the EU constitution "no" votes from France and the Netherlands, one does wonder if the hierarchy will merely push it through no matter what the public says.

    No doubt someone will point out that this is EU policy which will need to be enacted in UK law, but all the same, make yourself heard. I did, and boy do I feel good about it :-)
    • Any pointer to that Times report or the name of the MP proposing the bill?

      Also, out of interest who is your MP?

    • You can check whether they do have any ( official ) discussion on www.theyworkforyou.org. I think this is a fantastic site for UK voters.
    • It might be mere platitudes to keep me oppressed, but it might just work. We are supposed to be in a democracy, although with the EU constitution "no" votes from France and the Netherlands, one does wonder if the hierarchy will merely push it through no matter what the public says.

      They won't dare. The no has been so overwhelming in France, and even more so in the Netherlands that they won't dare to pull this off. It will have to be renegotiated, no matter how difficult that will be.

      The Dutch government

  • at least all the poor movie stars will be able to have their graves upgraded each year. Maybe we could have a letter box on their gravestones so they dont miss out on one cent.
  • Write to them (Score:5, Informative)

    by jgritz ( 858142 ) on Friday June 10, 2005 @11:00AM (#12779903) Homepage
    The guy in the UK pushing this is James Purnell [labour.co.uk]. If you live in the UK you should write to him [writetothem.com].
    • ...by "write to them", I think the author means write to your local MP. James Purnell only responds to his own constituents, so use the writetothem website and make your voice heard.

      My MP responded the next day... I am impressed.
    • Re:Write to them (Score:3, Informative)

      by CmdrGravy ( 645153 )

      Purnells voting record

      • Very strongly for introducing foundation hospitals. votes, speeches
      • Very strongly for introducing student top-up fees. votes, speeches
      • Very strongly for Labour's anti-terrorism laws. votes, speeches
      • Very strongly for the Iraq war. votes, speeches
      • Very strongly for introducing ID cards. votes, speeches
      • Moderately for the fox hunting ban. votes, speeches
      • Very strongly for equal gay rights. votes, speeches
      • How is the voting record decided? The voting record is not affected

      Ba

  • by MarkByers ( 770551 ) on Friday June 10, 2005 @11:03AM (#12779925) Homepage Journal
    Cunningham said that because the copyright term is longer in countries like the United States, Australia and Singapore, the European countries' copyright terms should be extended.

    That's a pretty poor reason to change a law - just to be the same as someone else. There are lots of things that are good about European laws compared to the named countries, and we should fight to keep the good things the way they are, rather than giving in to greedy corporations.
    • While I disagree with how long copryrights have been extended here, I don't see what's wrong with the concept of consistency in global copyright laws. With inconsistent laws, the enforcement of copyrights from country to country would be chaotic at best.

      Then again, you were probably just looking for a reason to take your daily swipe at "greedy" corporations.
      • If all they want is globalisation, they could campaign to decrease the length of the copyright in the US instead...
      • by legirons ( 809082 ) on Friday June 10, 2005 @11:33AM (#12780196)
        "While I disagree with how long copryrights have been extended here, I don't see what's wrong with the concept of consistency in global copyright laws."

        What's special about copyright? By your argument, all the laws around the world should be the same, and we could just elect one government to write them.

        Of course, that ignores cultural differences and assumes everyone shares exactly the same view of what's right. And it's only a small step between believing that other people "should" follow your laws, and starting a war to enforce that view. Not exactly a democratic view to hold.

        "With inconsistent laws, the enforcement of copyrights from country to country would be chaotic at best."

        And that's bad how? Too confusing for policemen? Many people already deal with different laws, taxes, etc. in every state, and even laws that apply to particular places within a state.

        If courts can already deal with complex financial crimes across many locations (which they can) where the laws are different in virtually every state, country, and region, then what's so difficult about copyright that requires the imposition of a "world government"?

  • by Crimson Dragon ( 809806 ) * on Friday June 10, 2005 @11:05AM (#12779938) Homepage
    Two words one never strings together.... understandable and wrong. This is, however, the perception of the EU's debate over the extension of length of copyrights. I will also preface my remarks by outright stating my anathema towards IP and its handling in the US.

    That having been said....

    Imagine for a moment that you are a patent holder in the US. You put out a product that does well in the US. Now imagine another patent holder from the EU. His product does well in the EU. Assuming both do well in their respective markets, the US patent holder garners revenue for use of the patent long after the EU patent holder does. What are EU innovators to do?

    Leave the EU, that's what.

    Aside from the right or wrong of IP, the EU seemingly wishes to address this long-term market value of a work and adjust to losing innovators overseas to the US. How to properly deal with that is another matter, but we must be careful to acknowledge all aspects of the issue.
    • Assuming both do well in their respective markets, the US patent holder garners revenue for use of the patent long after the EU patent holder does. What are EU innovators to do?

      Leave the EU, that's what.

      Aside from the right or wrong of IP, the EU seemingly wishes to address this long-term market value of a work and adjust to losing innovators overseas to the US. How to properly deal with that is another matter, but we must be careful to acknowledge all aspects of the issue.


      However, that's all completely
      • The point being that this is revenue generated outside the EU that they are making.

        Was I wrong to say move? Yes.

        Is it wrong to say this revenue is NOT being made in the EU? I don't think so. That is the point I was shooting for....
        • Is it wrong to say this revenue is NOT being made in the EU? I don't think so. That is the point I was shooting for....

          But what's your point? There's nothing bad about revenues differing in different markets.
    • What are EU patent holders to do?
      Consider patenting and marketing their product in the US as well. They don't have to leave the EU in order to do this.
    • If you talk about the music industry, they are most certainly not going to leave, at least en masse.

      For a second, let's think about it a bit, what is leaving exactly? It is certainly not practical, because noone knows what product will be a success when it's conceived, or in a case of a well established brand, you can call a band that, noone knows what the effect would be to change the country. You can name a lot of tv shows in the UK being huge successes but failures in the USA, just because the differen
  • Darren SMASH! (Score:5, Insightful)

    by Darren Winsper ( 136155 ) on Friday June 10, 2005 @11:07AM (#12779972)
    For fuck's sake, is 50 years not long enough?! If you need that long to make enough profit on something to carry on doing business, then YOUR BUSINESS MODEL IS FUCKED!
  • And put up a JE about it: Email to my MP regarding copyright [slashdot.org].
  • In other news... (Score:5, Insightful)

    by erroneus ( 253617 ) on Friday June 10, 2005 @11:09AM (#12779984) Homepage
    I am pushing to have unemployment benefits extended until 50 years after I die. Not only do I want to get paid for doing nothing now, but for at least 50 years after I have died so that my beneficiaries can also get paid for doing nothing.

    Later I will be lobbying for an extension to that extension... in about 40 years from now.
  • No surprise (Score:5, Insightful)

    by Vainglorious Coward ( 267452 ) on Friday June 10, 2005 @11:18AM (#12780062) Journal

    In the EU, performers get 50 years copyright. 2005 minus fifty years is 1955, the dawn of the modern era of rock and pop. The late Elvis is the first big goose scheduled to stop laying golden eggs, but other huge ones loom over the next decade - the Beatles in particular.

    No wonder the corps are pressing for extensions; why wouldn't they want indefinite copyrights? It's certainly in their interests, but it's most definitely not in the wider interestes of society at large. This proposal will do nothing to pomote the useful arts and sciences.

  • Heres the deal (Score:3, Interesting)

    by argoff ( 142580 ) on Friday June 10, 2005 @11:22AM (#12780087)
    The US was the first to suffer all the copyright bullshit because the US was the first to truely feel the real pressures of the information age. But, when push comes to shove, Eorocrats and Canadacrats, are just as susceptable to corrupt political bullshit if not moreso than anyone else.

    I say this because allot of US people are hopeing that other countries will fight the copyright battle for them. I say the opposite is true, we need to get rid of copyrights here first and the rest of the world will take care of itself in due time.
    • I say the opposite is true, we need to get rid of copyrights here first and the rest of the world will take care of itself in due time.

      Why don't you start by setting a TRUE democratic system, i.e. get rid of that "electoral votes" bull?
  • Summary (Score:2, Informative)

    by 823723423 ( 826403 )
    WIRED ARTICLE
    [1]
    There needs to be more of a balance when considering changes to copyright terms, said Rufus Pollock, director of Friends of the Creative Domain
    [2]
    Cunningham said that because the copyright term is longer in countries like the United States, Australia and Singapore, the European countries' copyright terms should be extended.

    WIKIPEDIA
    [1]
    Proponents of the Bono Act argue that it is necessary given that the life expectancy of humans has risen dramatically since Congress passed the original Copyr
  • Great Tactics! (Score:3, Interesting)

    by Luscious868 ( 679143 ) on Friday June 10, 2005 @11:35AM (#12780212)
    I'm loving the tactics the *PAA uses. Pay off the politicians in one country to extended copyright length. Then lobby other coutnries to do the same so copyright lengths can be "in sync". Then, repeat the process over and over again until the whole premiss of limited copyright and public domain are out the door.
  • by 3seas ( 184403 ) on Friday June 10, 2005 @11:42AM (#12780277) Homepage Journal
    14 years with one renewal for another 14 year = 28 years..

    1790: Copyright Act of 1790

    The First Congress implemented the copyright provision of the U.S. Constitution in 1790. The Copyright Act of 1790, An Act for the Encouragement of Learning, by Securing the Copies of Maps, Charts, and Books to the Authors and Proprietors of Such Copies, was modeled on the Statute of Anne (1710). It granted American authors the right to print, re-print, or publish their work for a period of fourteen years and to renew for another fourteen. The law was meant to provide an incentive to authors, artists, and scientists to create original works by providing creators with a monopoly. At the same time, the monopoly was limited in order to stimulate creativity and the advancement of "science and the useful arts" through wide public access to works in the "public domain." Major revisions to the act were implemented in 1831, 1870, 1909, and 1976.

    from A History of Copyright in the United States [cni.org]
  • I'd make people pay at supermarket checkouts for the privilege of listening to musak while they shopped. And I'd make it so elevators with musak wouldn't open until money was deposited for the same privilege.

    If I were the MPAA I'd have police checkpoints surrounding outdoor movie theatres to make sure anyone driving by while the movie is playing pays their fair share.

    And if were the Association of American Publishers I'd burn every library to the ground.
  • Copyright (Score:4, Insightful)

    by el_womble ( 779715 ) on Friday June 10, 2005 @11:56AM (#12780453) Homepage

    The problem with copyright is that its becoming a commodity. How long until artists can float copyright on an open market? That seems to be the end game for media corporations who consider copyrighted works stock.

    But thats not what copyright was for. Copyright was designed to protect artists from having their works exploited without fair remuneration i.e. stop this kind of thing happening. It seems to me that this current legislation will do nothing but further enslave the creative - as their works become the property of someone else for longer, instead of being free to inspire more arts in the public domain.

    1. Artists should be remunerated at every point at which their art is used for financial profit, not entertainment and education.
    2. Artists should not be able to sell their copyright.
    3. Copyright lasts as long as the artist - after that the works are public domain.

    Why would a company employ an artist in these situations? Supply and demand. If you are producing a work for someone you are doing them a favor, not the other way around. If they could do it themselves, they would - such is the nature of a free market. Why people who pay for the works think they own it, is beyond me. You commision a painting you own the painting. You copy the painting, no harm is done. You sell the copy, you owe the artist an agreed percentage/lump sum.

  • As upset as I get when I read stuff like this, eventually my head clears up and I remember that in order for a music company to hold the rights to a song, a band/musician needs to sign it over to them. Are we really going to be worse off not being able to d/l Britney Spears songs for 70-100 years? I realize that there are some bands that already made the mistake of choosing this path, but too bad for them. They got greedy and now their music will not be heard as much as, lets say, bands that allow their mus
    • I was always horrified that future generations would be listening to their crappy new music instead of Elvis Presley and the Beetles.

      I wanted to freeze time so that when music reached its peak in the 60's everyone after that would be made to listen to nothing but cover version of these classic songs.

      Now finally the UK and EU have found a solution! Extend copyright, keep the record companies selling the same old excellent shit over and over and over and over and over and over again!
      That way that new annoyi
  • BS (Score:3, Interesting)

    by MegaFur ( 79453 ) <.moc.nzz.ymok. .ta. .0dryw.> on Friday June 10, 2005 @12:38PM (#12780898) Journal

    Ok, so I didn't RTFA, an' I'm gonna rant, so I'll burn in hell, but here goes anyway

    the IFPI argues that the move is needed in order to bring the E.U. in sync with U.S. copyright regulations. Ironically, one of the original rationales behind the Sonny Bono Copyright Term Extension Act was that U.S. copyrights needed to sync up with European standards.

    BULLSHIT! All this "get the copyright laws in sync" is bullshit. Isn't it obvious? There's no irony here, just sadness personified--great big lobby groups on both sides of the pond steamrollering over as much public domain / creative commons stuff as they possibly can and using really, really weak "rationals" to pretend to justify it.

    The "get the laws in sync" thing carries no weight. Suppose I support law A. But my country doesn't have law A, my country has A-lite--well then I'm definitely gonna be arguing to "get the laws in sync" duh. OTOH, suppose my country has law A, the other country has law A-lite, and I like A-lite better--well then I can make the exact same, damn argument.

    Now suppose I hate law A-lite, and my country's the one with law A--then instead I'll be arguing, "woah! Let's not change things! That country's got law A and it's all full of vermin and lice and bad stuff 'cause of it! One of the great things about our nation is we have law A instead of A-lite.

    I'm probably not explaining myself very clearly, but I hope I'm making at least an A-lite level of sense.

  • NOW whose got the ridiculous overbearing government extending copyright regulations to absurd lengths to show that they are purely moronic tools of the Recording Industries?

    (looks at Europe)
    (looks at the US) ....both of us.....(*cries*)
  • by Nom du Keyboard ( 633989 ) on Friday June 10, 2005 @01:41PM (#12781593)
    As another Slashdot poster pointed out in another related article, this is nothing more than Theft of the Public Domain.

    Now who are the Real Pirates?

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