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European DRM News 143

burgburgburg writes "Two new fronts opening in the battles over digital rights management. First: news.com is reporting how French authorities are investigating EMI France and music retailer Fnac over anticopying technology included on CDs that allegedly renders them unplayable on some systems. The investigation began after the Bureau of Competition's antifraud unit (DDCCRF) received complaints from a consumer group known as UFC-Que Choisir. Second: BusinessWeek reports that the EC is investigating Microsoft to make sure that they don't illegally dominate the field of digital rights management. Regulators have told Microsoft and its partner Time Warner that they are looking into their plan to acquire the company ContentGuard, which makes DRM software because of concerns that it will create or strengthen Microsoft dominance of the field."
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European DRM News

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  • Kudos to Europe (Score:3, Informative)

    by ahsile ( 187881 ) on Friday August 27, 2004 @03:12PM (#10091370) Homepage Journal
    For having the balls to stand up to the industry bigwigs.
    • Re:Kudos to Europe (Score:3, Insightful)

      by gmanic ( 761667 )
      And that's what I like about the "old world" and I'm glad to be back here - even if some other things go terribly wrong - still better than fully-openly-industry-funded-government

      Although, might not be that much better...
      • Re:Kudos to Europe (Score:5, Insightful)

        by Ignignot ( 782335 ) on Friday August 27, 2004 @03:37PM (#10091567) Journal
        If you think that European governments are any less influenced by corporations than the American government you are mistaken. They're just funded by different corporations. Also, Europe's monopoly laws are slightly different, so you will have companies prosecuted in the United States that are doing perfectly legal things in Europe, and vice verca. This doesn't mean that one is less influenced by industries. It just means that they're different environments for companies.
        • Re:Kudos to Europe (Score:2, Insightful)

          by Anonymous Coward
          but on this side of the ocean (in the USA er UCA) we find a monopoly doing illegel things, we just let them off the hook.

          has any corp in europe been found to be a monopoly and then let off the hook?

          welcome to the United Corperations of America, did you get the memo, and have you been a productive worker today?
        • Of course, european governments are incluences by corporations but the difference is most european people think the real ennemy is not their government but big corporations. So when their governments side to much with corporations they tend to vote the other way.

          Also, it you take France for example, democracy is not a two-party system. Which means a government is in fact a coalition and that is far more difficult to buy.
          • Well, that's not that clear.

            French democracy is not a two-party system, but almost : small parties have a very small place in the system (a very few parliement members or not at all, and never presidents and - almost never - government members).

            But it's true that it is illegal for corporations to finance parties. However if that's how it works in France, in Germany and some other countries corporations have this right.
    • Re:Kudos to Europe (Score:5, Insightful)

      by Blue Stone ( 582566 ) on Friday August 27, 2004 @04:01PM (#10091754) Homepage Journal
      Stand up to industry bigwigs?

      In case you've forgotten, we have the EUCD over here just as you have the DMCA overe there - the effective privatisation of copyright law (Corps now write their own rules - trying to circumvent those rules brings in the law).

      Our governments are just as 0wnz0red by media corporations as America's, I'm afraid.
    • I'll never set a foot inside one of the FNAC stores anyway. Two years ago I was a log-time fnac customer. About a year ago I bougt a 'protected' CD - Buscemi's 'Camino Real'. At that time I wasn't aware of the fact you shouldn't buy any audio CD without an official Philips logo on it. My problem was the CD refused to play on the Denon DVD-100 (part of my Denon mini hifi/home cinema set I bought ... at the very same FNAC). FNAC did not want to take the CD back, as the do not take back any opened CD or softwa
      • IIRC the copy protection is considered a hidden defect and you can return them all your protected CDs. If they still refuse, demand an explaination with the loudest voice possible, they won't last more than 2 minutes. Remembre that these employees have not a high pay every month and want to keep their jobs, they will do everything you ask as long as you keep quiet.
        • I was quite vocal about it. I spent half an hour arguing with two persons of the CD department. They kept on repeating it was company policy and that they could not make exceptions. I'm not starting a lawsuit because of this - I cannot affort that. But since then I've never set a foot inside a FNAC. I also recommended against FNAC whenever possible, and I explained the danger of copy-protected CD's to friends and relatives. I think bad publicity is the only thing the labels and large retail chains fear. C
      • You can get an injuction at the court since it's clearly a hidden defect. It's free. Justice is still mostly inexpensive for consumer cases in France (although not speedy).

        Browse the archives of news:fr.misc.droit for numerous similar stories.

        FWIW I still buy at FNAC store or at whatever store (including small ones when I find some).
        And if the huge corporations won't take something back when they obviously should, well... Let's say that I find it cheaper than the movies and a lot more entertaining :)
  • Well.... (Score:5, Insightful)

    by thewldisntenuff ( 778302 ) on Friday August 27, 2004 @03:13PM (#10091377) Homepage

    Article 2 is interesting....Here's a quote -

    "Regulators put Microsoft and partner Time Warner on notice that it intends to investigate their plans to jointly acquire Bethesda (Md.)-based ContentGuard, which makes digital-rights-management (DRM) software to prevent music and movie piracy.

    Call me crazy, but wouldn't each content company want their own DRM software? I mean, if you've got one lock, and a whole hell of a lot of people trying to open it, once it is open, you're screwed. Furthermore, content companies wouldn't want to pay a MS tax on each piece of content that is protected with MS-DRM. They'd be better off with their own DRM scheme......A monopoly in the DRM arena seems stupid at best - but am I wrong?

    -thewldisntenuff
    • Re:Well.... (Score:3, Informative)

      by Otter ( 3800 )
      They'd be better off with their own DRM scheme......A monopoly in the DRM arena seems stupid at best - but am I wrong?

      The whole thing is completely speculative, anyway. There is no significant DRM market, no dominant player and at the moment, Microsoft doesn't even own anything. I'm inclined to agree with you that the content providers would be better off with a standard than with giving Microsoft control over them but, at the moment, this is just EU regulators grandstanding.

    • Probably. But business is business. The only successful way to dodge problems (certain incompatibilities with OS and hardware, yada-yada) and development costs with rolling out DRM is to make sure the technology for doing it is ubiquitous. This pushes toward cooperation (like the DVD consortium that administers licensing CSS).

      As far as the tax, Microsoft is more likely to pass the costs off in the other direction. The content providers won't pay because they've agreed to adopt it. Rather, they will pa
    • Re:Well.... (Score:5, Insightful)

      by Gooba42 ( 603597 ) <(moc.liamg) (ta) (24aboog)> on Friday August 27, 2004 @03:33PM (#10091540)
      Keep in mind that with DMCA-like legislation in place it's illegal to even tamper with the lock, not to mention if you break open the lock *and* steal the goodies inside.

      Just fidgeting with the DRM stuff is a crime even if you're just curious and even if you're not successful.
    • Re:Well.... (Score:5, Insightful)

      by SpecBear ( 769433 ) on Friday August 27, 2004 @03:49PM (#10091649)
      The "one lock" method has been used repeatedly by the content industry. Think Macrovision and CSS. It has the disadvantage you stated (crack one, crack 'em all) but has the advantage of providing consistency and influence over people who make content players.

      If there are six big content providers each with their own system, and one of their DRM systems screws up on one the players, the manufacturer of the player will say "The DRM is screwy and we don't support it. Bitch at the content provider." If there are six big providers who all use the same system, and it doesn't work on one player, then the player is broken and it will be "fixed" to work with the DRM.

      Remember, DRM isn't about stopping piracy. It's about controlling how the everyday user consumes content and allowing the content providers to build a revenue structure as they see fit without having to worry about users circumventing it through things like (time|space|format) shifting.
    • Re:Well.... (Score:5, Interesting)

      by st1d ( 218383 ) on Friday August 27, 2004 @03:52PM (#10091668) Homepage
      Very true, but there's a gamble there as well. For instance, if MS and T-W were to come up with one system, and other groups came up with their own, there would be the temptation to break the other guy's system, to drive artists to your "better" DRM system (DMCA items aside). Especially if MS has desktop dominance and an interest in promoting one system over another, seeing as they're the only folks that know how their OS interacts with the software.

      DRM is actually a beautiful catch-22 for MS. They can cash out any way you build it, because all they need to do is break/leak competing software, and competitors are screwed. (And as history shows, MS has no problem doing this when the situation calls.) So, MS builds a system, IP's it to death, and gets to call the shots on who gets to do what. Even if someone were to do the same for another OS (not that OSS folks are real big on the DRM idea), they're risking MS's ire.

      So, in one smooth "righteous" move, MS automatically sweeps up the competition. Thanks to the DMCA and other fine laws, reverse engineering and so on means that no other OS users will be able to listen to music on their PCs. Then, while sales fall, those laws will get tightened even more , until using another OS is all but illegal.

      It kind of reminds me of school. Someone would screw things up for everybody else, because the boneheads in charge (in this case, congress), can't see that they need to deal with the real problem (putzes that load 500 CDs onto the internet). Instead, they want to "protect" everybody, so we all have to sit back and allow our computers to be loaded down with stuff to protect us from what we MIGHT be tempted to do.

      Meanwhile, the majority of people respond with, "Baaa. I just want to listen to music. Baaa!" People often can't believe that the Inquisition happened without more people standing up against it, yet we're watching it unfold right in front of her eyes. Gotta love how history repeats itself.
    • First, they've got money and if they're going to do something they might as well acquire something that's been successful.

      Second, they're going to push this via the OS no doubt, and Joe 6 pack is going to be screwed out of making copies of his CD's. This won't, of course, stop pirates and IT people, much less those who want their systems hacked up so they're usable. I know if DRM comes out in the next version of longhorn there won't be a single computer in my house that'll run the DRM part.

      Frankly,
    • I don't know exactly what kind of "DRM-software" this is, but it makes sense that there should be an industry standard for there scheme to succeed. If everyone were to deploy his own thing, players (on desktops end embedded) would have to support a dozen schemes, paying rights to use all of them, possibly with new ones popping up all the time.

      Currently, several companies seem to be eager to gain access to Apple's DRM scheme so their content can be played on the iPod. I suppose they don't want a repeat of t
  • Region oding.. (Score:5, Interesting)

    by t_allardyce ( 48447 ) on Friday August 27, 2004 @03:14PM (#10091386) Journal
    When is someone going to investigate region coding? its anti-competative and has absolutely nothing to do with copy protection.

    • They still make players with region coding in Europe? I can't remember the last time I saw a DVD player in a shop that wasn't being advertised as "multiregion", "region free", "region 0", etc.
    • Re:Region oding.. (Score:5, Interesting)

      by lfourrier ( 209630 ) on Friday August 27, 2004 @03:51PM (#10091666)
      http://europa.eu.int/rapid/pressReleasesAction.do? reference=SPEECH/01/275&format=HTML&aged=1&languag e=EN&guiLanguage=en
      too lazy to put the correct link...

      important facts:
      date: 11/06/2001 (not iso, so don't know if june or november)

      subject: speech from Mario Monti, European Commissioner for Competition Policy

      extract: Another area where the Commission is giving direct follow-up to the concerns of individual consumers is that of Digital Video Disc pricing. We have received a significant number of complaints from private citizens on this matter. In each case, the complaint is virtually the same namely, that DVD prices are significantly higher in the EU than in the USA.

      Whilst the prices of many products are higher in the EU than in the US, the major film production companies in agreement with the major equipment manufacturers have introduced a worldwide regional coding system for DVDs. Under this system, a DVD sold in one of the world's six regions cannot be played on a DVD player sold in another region. The thrust of the complaints that we have been receiving is that such a system allows the film production companies to charge higher DVD prices in the EU because EU consumers are artificially prevented from purchasing DVDs from overseas.

      As a direct result of these complaints, we have initiated contacts with the major film production companies. We will examine closely what they have to say. Whilst I naturally recognise the legitimate protection which is conferred by intellectual property rights, it is important that, if the complaints are confirmed on the facts, we do not permit a system which provides greater protection than the intellectual property rights themselves, where such a system could be used as a smoke-screen to allow firms to maintain artificially high prices or to deny choice to consumers.

      My services have had contacts on this issue with the Australian Competition and Consumer Commission, which has also sought clarifications from the major film production companies. I have noted with great interest the Australian Competition and Consumer Commission's conclusion that the regional coding system imposes a 'severe restriction of choice' on consumers. The Commission will need to determine whether there are similarly negative effects in the EU which could fall within the scope of the competition rules.

      concrete actions : none to my knowledge as of 3 years later
      • Only in the EU! (Score:3, Interesting)

        by Anonymous Coward
        Please, oh please, I wish a US legislator would say this someday:

        we do not permit a system which provides greater protection than the intellectual property rights themselves

        followed by, "... and we've given you enough protection. In fact, we're thinking of repealing some if you don't go out and do what you said you would!"

        Does anyone remember the legislative reason for the DMCA? The reason was to encourage copyright holders to increase the availability of music and video online to accelerate the transi
    • you're right, region coding is nothing to do with copy protection, nor has it ever been claimed as such. it has to do with worldwide releases and marketing. and marketing to different countries at different times isn't illegal. they don't want a movie to be released on dvd in australia when the movie is released in theatres just a week before. but was released 2 months earlier in the US. While I agree its unnecessary, it had its purpose, but with most new releases being worldwide release within a week
    • by Anonymous Coward
      Yeah man! This region coding thing is ridiculous! Imagine requiring hardware companies to put region coding on PCs so that software written in India doesn't execute here. Because otherwise it would be much cheaper to buy software from India.

      Oh...wait a minute!...
  • by nurb432 ( 527695 ) on Friday August 27, 2004 @03:18PM (#10091418) Homepage Journal
    They will threaten to investigate, and the companies will pony up with protection money.. then all will be back to normal in the pursuit in the reduction of the citizens freedoms..

    Its the way of the government...
    • Nope. Not EU. Theu ACTUALLY investigate and FINE them. The company is prohibited from repeating the same mistake on penalty of criminal action against its management. Take SCO in Germany for example.
  • DRM (Score:5, Insightful)

    by danknight ( 570145 ) on Friday August 27, 2004 @03:18PM (#10091425)
    If they ever perfect DRM people will just make an analog copy and take the one time (small) quality hit. I'm not even going to talk about bit-for-bit copys that the real pirates use. It's really just a way to lock in the consumer.
    • Re:DRM (Score:4, Insightful)

      by ahsile ( 187881 ) on Friday August 27, 2004 @03:24PM (#10091482) Homepage Journal
      I'm not sure it ever will be perfected. As quick as the publishers put copy-protection on, people are breaking through it. And, there are a lot more of us out there trying to break the lock, then are trying to keep it closed.
      • Re:DRM (Score:3, Interesting)

        by Audacious ( 611811 )
        The truth about copy protection is that there IS no copy protection.

        The first rule of computer programming states:

        1. You must start somewhere.

        The first rule of computer hacking is:

        1. Since you have to start somewhere, then that "somewhere" is where you start hacking.

        To put that in English: In order for your program/music/movie/whatever to be readable you have to provide some mechanism so the information becomes usable by the computer. Whereever that location is - that is where you start from to pick
        • Good post, but you need to take a closer look at Trusted Computing. It's not "just another" DRM system. It is seriously nasty.

          In order for your program/music/movie/whatever to be readable you have to provide some mechanism so the information becomes usable by the computer. Whereever that location is - that is where you start from to pick apart what they are doing and how they are doing it.

          In Trusted Computing the data will only be readable inside the CPU itself. And as if ripping a CPU open isn't hard e
          • Re:DRM (Score:3, Insightful)

            by Audacious ( 611811 )
            Ok, so let me get this straight:

            1. If I ever have a power failure in my house or the battery dies in the computer the encryption key will explode. So I sue Intel over this in a class action suit and they have to fix everyone's cpu chip. Massive recalls, etc.... I can't see Intel doing that.

            1a. Besides which - you can buy CPU chips by themselves and they don't have any power being applied to them. You think Intel would develop something that you can only plug in once? Not likely. Man! Would Tom's Har [tomshardware.com]
            • Re:DRM (Score:3, Informative)

              by Alsee ( 515537 )
              I was half-asleep when I wrote this, so forgive me if I'm unclear or repeat stuff. I think I botched the order of some things, there are crucial facts/explanations towards the end that justify earlier parts. Mainly that the Trust chip tracks the program's "identity". Bear with me till the end if somethings seem wrong or unsupported.

              power failure in my house or the battery dies in the computer the encryption key will explode

              I've read detailed specs on the external Trusted Platform Modules, not embedded i
              • Ok. I've read your entire post and here is what I have to say in response: I am not sure, if you have never done assembly language programming, system's programming, and worked on trying to implement security measures before that I can explain to you why DRM will never work no matter how hard they try to make it work.

                I am not trying to talk down to you. This is not to say I am better than you or greater than you or god-like in my knowledge. Nor am I trying to make you mad/glad/happy/sad or anything el
              • I felt I had to make two responses. Mainly to try to show you where your logic is off (if possible). I'm going to include tag lines from your message and show you why it will not work like you think it is going to work (or they say it is going to work).

                Blackouts are not a problem because of the built in battery. and I guess I assumed they would have the battery deal too, but packaging a battery on a CPU does seem awkward. I can't say for sure how they plan to handle this.

                Answer: Batteries generate ma
                • Yes I am a programmer and yes I've programmed in assembly and yes I've used debuggers. I have been reading the Trusted Computing Group's technical specifications [trustedcom...ggroup.org], documentation and research papers from IBM and HP and Intel and numerous companies, as well as research from universities.

                  The fact that you are familiar with assembly language and CPU's will be a big help - usually I need to avoid getting technical. However you do not appear to be adaquately familiar with assymetric public key cryptography (PKI)
                  • Ok. I'm going to start an outline so we can go through this together. This is just an outline we can expand upon. :-)

                    1. I put a CD into my CD reader
                    2. The OS detects the CD
                    3. The OS starts the CD reader
                    4. The CD reader talks to the CD Drive and gets the key.
                    5. The CD reader talks to the CPU and gets that key and does whatever it wants to with it.
                    6. The CD reader talks to the speaker and gets that key and does whatever it wants to with it.
                    7. The CD reader verifies everything and begins sucking in the file
                    • when they make the machine faster they try to make the codes harder which usually involves just making the codes bigger (as in going to a 2048 byte length)

                      Public key cryptography (asymmetric keys) inherently requires much bigger keys. A 2048 asymmetric key is about the same strength as a 128 bit normal symmetric key.

                      which slows everything down again

                      Yes, 2048 bit asymmetric keys are very very slow. This is why they don't try to encrypt actual data under them. They are only used to encrypt the 128 bit n
                    • Ok. Finished reading everything. Here goes:

                      I am inserting the following:

                      0. I boot up my computer.
                      0a. I load in my OS.
                      0b. I load in my watchdog program.
                      0c. I log on to the network.

                      (1) You contact an RIAA music sales server and provide your system credentials. These credentials include secure signatures chaining back to the Trusted Computing Group's root key, and a public key. They also contain a signed hash bound to and identifying the currently running program.

                      1a. I do not use my system's credential
                    • Ok, I see where you're getting lost. You don't know what public key cryptography is and what it does. I mentioned before that you need to know about it, but I wasn't clear. To talk about the Trust system at all you NEED to understand public key cryptography. It is the entire foundation of the Trust system. It does things that normal cryptography can't do. That's why my post seems to fall apart to you, you are completely missing all of the public key / private key steps and connections.

                      Normal cryptography u
                    • As far as I can see, the weak point in this scenario is that there is one trusted root key (the Trusted Computing Group key); as soon as that key is leaked (both private and public halves), it is possible to generate fake data that I can use to intercept the media.

                      Am I missing something important?

                    • as soon as that key [trust root] is leaked (both private and public halves)

                      Chuckle. The public half will be, well, public. Kinda funny to talk about it leaking :)

                      Anyway, you're right. If the root private key were to leak it would be a mess. Hmmmm..... thinking... thinking....

                      Ah, I just thought of a way they could mitigate the damage and "reboot" the system. They make a new root key, revoke the old root key, and "grandfather in" explicit trust for the list of authentic existing manufacturer keys. They'd
                    • Whoops, "It definitely would have hit Slashdot" got stuck onto the wrong paragraph. It was supposed to be about private keys leaking.

                      -
                    • In other words, as with all PKI systems, TCPA boils down to whether the private keys can be kept secret. If just one gets stolen, you've got trouble.

                      Although DVD-CSS wasn't PKI-based, it was broken initially in exactly that fashion; Xing failed to keep their player key secret, and the knowledge gained by using Xing's key showed that the system was weak. Xing's key was promptly revoked, and as a minor player, this caused no major hassle for anyone, but since the system was weak, DVD-CSS was dead.

                      In this sy

                    • Actually - no. I know about public/private key encryption. But you do seem to ignore my saying I only need to figure out how to replicate what the DRM is doing on my system and then I stop using it.

                      The idea is not to go through the DRM, but around it.

                      Random: Nonsense. Nothing in the universe is random. It may seem random to you but it is not random. Even using Quantum Physics - it isn't random. It is though, algorithmic. Again, meaningless garbage is just that - meaningles. Both to DRM as well as
                    • DVD-CSS is a total NON-comparision. DVD keys were not "leaked", they were PUBLISHED. Had Xing "succeded" in keeping key secret and private then their player would not have worked at all.

                      With PKI the manufature private keys can be issued only within a tamper resistsant self-destructing chip. No one will be able to see this key. No one will be able to copy this key. All they need to do is mount this chip inside a 12-ton block of concrete (overkill, but quite doable) in their manufacturing plant and use it to
                    • Random: Nonsense. [] Even using Quantum Physics - it isn't random.

                      This is a totally irrelevant tangent, but essentially every physicist on earth says you're wrong. Quantum mechanics *DOES* inherently involve unpredictable and non-algorithmic randomness. This is excatly what prompted Einstein's famous objection that "God does not play dice with the universe".

                      But as I said, it is irrelevant. For our purposes merely tossing a coin is "random" in that no one can predict or use results unless I somehow tell t
                    • Ok. I give up! :-)

                      I know that (from the calculations) a 2048 key making 128 bit encryptions is 1.36054607784341261505197379778e+5472 (courtesy of MS's sci-calc). But that is the number of permutations and not the number of combinations which, when groups of these are put to one machine, begins to drop to the possible well below 16 million machines.

                      So I do believe it will be cracked and most probably before six months are up. But let's wait and see. If you are completely correct and no one can get arou
    • An analog signal is nessacary only for the step directly between the machine and us. Everything prior to that step, extending even to the speakers can be made digital and DRM'd. The increased quality of digital signals will push analog devices out of the market, and if MS, the *AA, etc. have their way, digital devices will be locked down with strong encryption-based DRM. So perfect DRM is possible, and by the time it comes analog copying will no longer be possible.

      </paranoia>
      • Re:Analog copying (Score:5, Insightful)

        by dgatwood ( 11270 ) on Friday August 27, 2004 @03:58PM (#10091718) Homepage Journal
        Never going to happen, for two reasons:

        1. We will never see audiophiles agreeing to replace their multi-thousand dollar speakers.
        2. There's no such thing as a digital speaker. They are, by their very nature, an analog device. An analog waveform causes the cone to move. Therefore, at the point where the signal enters the speaker's voice coil, it must, by necessity, be an analog signal. It takes a dollar's worth of hardware to adapt an 8 ohm impedance speaker signal into a line level input.
        If you can change the laws of physics to make a digital speaker possible, you -still- haven't solved the problem. Buy a good microphone, put it in front of a good (hypothetical) digital speaker. Record. What? You've made microphones illegal somehow? Well, I guess the recording industry won't be making any more recordings, either....

        The only way it would be possible to remove the analog hole would be to remove the human being from the mix---hardwire it into your brain somehow. I know I won't be the first to sign up if they try that.... Maybe it's just me....

        (Mutters something about always mounting a scratch monkey.)

        • We will never see audiophiles agreeing to replace their multi-thousand dollar speakers.

          Nope, but these people aren't the targets, either. Real audiophiles (the psychotic ones, not the ones that are wannabes) buy masters, not CDs.

          There's no such thing as a digital speaker. They are, by their very nature, an analog device. An analog waveform causes the cone to move. Therefore, at the point where the signal enters the speaker's voice coil, it must, by necessity, be an analog signal. It takes a dollar's wo
          • Not quite true (Score:1, Insightful)

            by Anonymous Coward
            While I agree in theory theat Sony would love to do as you describe, this sentence is simply impossible:

            analog speakers and mics will start to disappear from the market

            There is no such thing as a "digital speaker" to be in opposition to an analog speaker. There are digital-grade speakers, which are constructed and optimized to play the frequency range of a CD, but they are no more digital than the speaker in your 1930's vintage RCA Victor. There are PCM-based speakers, but their utter output is still t
            • Actually, there's also piezoelectrics. You could have a speaker which connected the membrane to a stack of 16 piezos which get zero or power-of-two voltages across them depending on input bits. Sure, it would be nuts, but it would be all digital (except for the air, of course) and not magnetic...
              • True. That's insane, but true. You could probably do the same thing with ions and an electric field as well, though I'm not 100% certain how you'd do it just yet.

                That said, those bits would not be encrypted at the final step, making that even -worse- for the industry as far as making it easy to copy the signal. With such a design, you could then get a bit-for-bit perfect copy by merely attaching a parallel-to-serial converter off the piezos (and figuring out how the heck to clock it....) :-)

            • Want to capture the sound? A 2 dollar inductor around the electromagnet will do the trick. Amplify, convert, record.

              Won't help much if the PCM loudspeaker's construction is tamper-evident, and the speaker feeds such evidence back to the DRM module on the player.

              • Won't help much if the PCM loudspeaker's construction is tamper-evident,

                Unless the enclosure was 100% effective magnetic shielding (whilst still letting the sound out) then you wouldn't even need to open it.

                and the speaker feeds such evidence back to the DRM module on the player.

                This would make the speaker considerably more complex and expensive. Especially since it would need to proof against a small hole drilled anywhere in the case.
                All of this complex engineering still being trivial to defeat with
    • by nkh ( 750837 )
      people will just make an analog copy

      Or people will stop buying CDs like I did two years ago. Computer-illiterate people accept a lot of things until something fuck with their own life. What will happen when they have no more consumers to lock? I hope it happens sooner than I think.
  • by Glock27 ( 446276 ) on Friday August 27, 2004 @03:20PM (#10091443)
    Any CD that's copy protected shouldn't be called a CD. Simple enough...
  • The regulators fight against market domination and the politicians influenced by those dominant companies want to legalize software patents. tglx
  • by Anonymous Luddite ( 808273 ) on Friday August 27, 2004 @03:21PM (#10091458)
    this wouldn't be around for very long. I doubt that's how it will work out, though. :-(

    ..."Contraband" by Velvet Revolver, a band newly formed by ex-members of Guns N' Roses and the former frontman of the Stone Temple Pilots, became a best seller in June despite heavy copy protection and a warning on the packaging.

    (above excerpt from the USA today article.)
    • by lothar97 ( 768215 ) * <owen@NOSPAm.smigelski.org> on Friday August 27, 2004 @03:42PM (#10091596) Homepage Journal
      We've seen over the years that people will pay for any kind of crap, from pet rocks, to "Catwoman" movie, to the next manufactured boy band. If it's the "cool thing," people will jump over cliffs like lemmings to obtain it.

      It would need to be a massively coordinated effort to get a huge band's copy protected CD boycotted. You'd need mass targeted media, such as MTV or P. Diddy, to lead the charge. I figured it would be bad for them to lead the fight, and I doubt most people would care.

      • It would need to be a massively coordinated effort to get a huge band's copy protected CD boycotted.

        That's exactly what I'm trying to do with Prodigy's last album. Spread the word and explain what's happening.
  • by speedfreak_5 ( 546044 ) on Friday August 27, 2004 @03:30PM (#10091526) Homepage Journal
    How about this?

    Set the copyright system back to the default 14+14 years. If the record companies decide to use DRM on their stuff, make it illegal for them to apply for the 2nd 14 years. That way people can make backups of their stuff unhindered by sh*tty copy protection, and they get to make a little more money.

    -=OR=-

    Let them keep their Life+70 terms and DRM. In turn file sharing must be legalized and royalty-free sampling and public performance made legal for everyone who buys a CD.

    • And what are the chances of that ever happening? In order to change laws, you need money for big campaign contributions. Who's going to donate to reduce IP rights? Certainly not any big corporations.

    • Set the copyright system back to the default 14+14 years.

      How is the United States going to get out of the Berne Convention in order for that to happen? In addition, doesn't the Fifth Amendment prohibit Congress from taking [google.com] private property such as so-called "intellectual property" for public use?

      • How is the United States going to get out of the Berne Convention in order for that to happen?

        The US manages to ignore all sorts of treaties anyway. What's one more...

        In addition, doesn't the Fifth Amendment prohibit Congress from taking private property such as so-called "intellectual property" for public use?

        AFAIK the US Constitution never makes use of the term "intellectual property" in the first place.
      • The Berne Conventions don't specify consistent copyright periods. The most important things they specify are (a) copyright is automatic upon creation (contrary to old US copyright law) and (b) signatories will recognise and give equal protection to copyrights held by persons from other signatory countries as to copyrights held by their own people and corporations.
  • by helmespc ( 807573 ) on Friday August 27, 2004 @03:32PM (#10091535)
    I ripped a copy to my hard drive before it rendered itself unplayable.
  • Previous judgement (Score:4, Informative)

    by dago ( 25724 ) on Friday August 27, 2004 @03:34PM (#10091551)
    I don't have time to search, but the consumer union UFC/Que Choisir previously won against record companies selling copyprotected CDs...

    I guess this is some followup to this judgment
    • by Anonymous Coward
      The judgement you are mentionning was about the fact that a "copy-protected" CD did not mention in any way this protection.

      The judgement was not at all about the fact that this "protection" took away the possibility for the user to make legitimate copies for his own (family) usage (which, in France, is accepted by the law even if it's not considered a right in the strictest sense).

      This investigation is all about fair use, and if it is won by the consumers (through UFC/Que Choisir) this may be a great vict
  • Experience with Fnac (Score:5, Informative)

    by spaceyhackerlady ( 462530 ) on Friday August 27, 2004 @03:37PM (#10091570)

    I recently bought a CD from Fnac - "Face A/Face B" by Axelle Red [axellered.com]. It says right on it that it incorporates copy-protection technology, though it also carries the official CD logo.

    The results:

    Linux: plays.

    Windows: loads their CD player without asking, crashes system.

    Car CD player: plays.

    Portable Discman-style CD player: doesn't play. Each track plays about 9 seconds in then gets stuck in a loop skipping back a couple of seconds.

    "My name is L...Laura..."

    Sorry. Friday afternoon. A bit punchy.

    ...laura

  • by Fortran IV ( 737299 ) on Friday August 27, 2004 @03:56PM (#10091695) Journal

    Let Microsoft get the monopoly! If MS is controlling DRM technology, then it's sure to be completely insecure and easily hacked.

    Still, I'm glad I've hung onto all my old LP's.

  • It's DGCCRF not DDCCRF
  • Palladium (Score:5, Interesting)

    by Steve Cowan ( 525271 ) on Friday August 27, 2004 @04:01PM (#10091757) Journal
    I may be missing something here, but is there anything new on the evil Microsoft master plan known as 'Palladium'? Is this ultimately what's under investigation?

    Seems to me that Palladium is the uber-DRM trump card that Microsoft has up its sleeve - just far enough off that it doesn't warrant "investigation" (yet), but still close enough that it makes me worry for the future of personal computing.
  • by H_Fisher ( 808597 ) <[h_v_fisher] [at] [yahoo.com]> on Friday August 27, 2004 @04:10PM (#10091841)
    I haven't met anyone who bought a new DRM'd album (read: Velvet Revolver) and then couldn't play it in his/her home or car equipment. I've known several who tried to listen on the computer; as most of them have Autoplay turned off on principle they didn't have problems either. My only experience with an allegedly DRM'd album was Steely Dan's Everything Must Go which ripped without a hitch and made me think the whole thing was just hype.

    So how big a problem is this at this moment? On most supposedly-DRM'd albums the protection doesn't work most of the time; most of the people who want to play the CD are able to do so. Not to be a tinfoil-hat theorist, but why should the government step in now unless it's to set a precedent of some sort? i.e. "Software DRM is obviously not working, so we need hardwired anti-copying chips mandatory in all systems by 2010..."

  • Wendy Grossman has a short article on the back story of Microsoft and ContentGuard. The patent portfolio comes from Mark Stefik at Xerox PARC. http://www.theinquirer.net/?article=18130 [theinquirer.net]
  • by El Cabri ( 13930 ) on Friday August 27, 2004 @05:52PM (#10092631) Journal
    Copy-protected audio CDs are much more present in Europe mostly because it is made of small, insulated markets where people are culturally much less litigious, and where the legal system often does not offer the possibility of class-action lawsuits.

    Imagine launching a copy-protected CD on the US market and ending up with a 1 or 2 million people demanding damages.

    This just shows how judicially insecure media companies feel on that subject.

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