An anonymous reader quotes a report from TechCrunch: After a week of silence amid intense backlash, Dungeons & Dragons publisher Wizards of the Coast (WoTC) has finally addressed its community's concerns about changes to the open gaming license. The open gaming license (OGL) has existed since 2000 and has made it possible for a diverse ecosystem of third-party creators to publish virtual tabletop software, expansion books and more. Many of these creators can make a living thanks to the OGL. But over the last week, a new version of the OGL leaked after WoTC sent it to some top creators. More than 66,000 Dungeons & Dragons fans signed an open letter under the name #OpenDnD ahead of an expected announcement, and waves of users deleted their subscriptions to D&D Beyond, WoTC's online platform. Now, WoTC admitted that "it's clear from the reaction that we rolled a 1." Or, in non-Dungeons and Dragons speak, they screwed up.

"We wanted to ensure that the OGL is for the content creator, the homebrewer, the aspiring designer, our players, and the community -- not major corporations to use for their own commercial and promotional purpose," the company wrote in a statement. But fans have critiqued this language, since WoTC -- a subsidiary of Hasbro -- is a "major corporation" in itself. Hasbro earned $1.68 billion in revenue during the third quarter of 2022. TechCrunch spoke to content creators who had received the unpublished OGL update from WoTC. The terms of this updated OGL would force any creator making more than $50,000 to report earnings to WoTC. Creators earning over $750,000 in gross revenue would have to pay a 25% royalty. The latter creators are the closest thing that third-party Dungeons & Dragons content has to "major corporations" -- but gross revenue is not a reflection of profit, so to refer to these companies in that way is a misnomer. [...] The fan community also worried about whether WoTC would be allowed to publish and profit off of third-party work without credit to the original creator. Noah Downs, a partner at Premack Rogers and a Dungeons & Dragons livestreamer, told TechCrunch that there was a clause in the document that granted WoTC a perpetual, royalty-free sublicense to all third-party content created under the OGL.

Now, WoTC appears to be walking back both the royalty clause and the perpetual license. "What [the next OGL] will not contain is any royalty structure. It also will not include the license back provision that some people were afraid was a means for us to steal work. That thought never crossed our minds," WoTC wrote in a statement. "Under any new OGL, you will own the content you create. We won't." WoTC claims that it included this language in the leaked version of the OGL to prevent creators from being able to "incorrectly allege" that WoTC stole their work. Throughout the document, WoTC refers to the document that certain creators received as a draft -- however, creators who received the document told TechCrunch that it was sent to them with the intention of getting them to sign off on it. The backlash against these terms was so severe that other tabletop roleplaying game (TTRPG) publishers took action. Paizo is the publisher of Pathfinder, a popular game covered under WoTC's original OGL. Paizo's owner and presidents were leaders at Wizards of the Coast at the time that the OGL was originally published in 2000, and wrote in a statement yesterday that the company was prepared to go to court over the idea that WoTC could suddenly revoke the OGL license from existing projects. Along with other publishers like Kobold Press, Chaosium and Legendary Games, Paizo announced it would release its own Open RPG Creative License (ORC). "Ultimately, the collective action of the signatures on the open letter and unsubscribing from D&D Beyond made a difference. We have seen that all they care about is profit, and we are hitting their bottom line," said Eric Silver, game master of Dungeons & Dragons podcast Join the Party. He told TechCrunch that WoTC's response on Friday is "just a PR statement."

"Until we see what they release in clear language, we can't let our foot off the gas pedal," Silver said. "The corporate playbook is wait it out until the people get bored; we can't and we won't."

Long-time Slashdot reader destinyland writes: 70 new text adventures are now online and available for playing — as a long-standing tradition continues. The 70 new games are the entries in the 28th annual Interactive Fiction Competition (now administered by the Interactive Fiction Technology Foundation, a charitable non-profit corporation).

With wacky titles like "Lazy Wizard's Guide" and "Elvish for Goodbye," each game offers its own original take on the classic choice-based text adventures, sometimes augumented with ambient background noises and even music. Each of the 70 games has some kind of fanciful "cover art" — one even generated using OpenAI's image-generating tool DALL-E.

And you're invited to help judge the games! Just create an account, and then play and rate at least five of the games by November 15...

Slashdot first covered the competition back in 2004. (And in 2006, Slashdot editor Hemos called interactive fiction games "some of the best I've ever played.") But this year the competition raised over $10,000 (so far!) to be distributed among the top two-thirds of entries, with the first-place finisher receiving $489 and each subsequent finisher receiving a little less, with the lowest-finishing prize recipient awarded $10. (And in addition, top entrants are each allowed to choose one prize from a pool of donations.)

Game on!

"Moria, along with Hack (1984) and Larn (1986), is considered to be the first roguelike game, and the first to include a town level," according to Wikipedia.

And long-time Slashdot reader neoRUR remembers: At the dawn of the computer era there were some games that borrowed from Lord of the Rings and Dungeons & Dragons to create an experience like no other. It brought you into the world and you could be one of those characters, roam around, fight monsters, level up your characters. One of the more popular ones that would add to that was Moria (As in the Mines of Moria from Lord of the Rings) You quest was to kill the Balrog at the end.

This week one of the creators, Robert Alan Koeneke, who wrote Moria because he wanted a Rogue like game to play while at school at the University of Oklahoma, passed away. It has inspired many games and RPG's since.

I played Moria on the Amiga for hours and hours. His contributions to computer game history will always be remembered.
"Koeneke was working on version 5.0 of Moria when he left the university for a job," remembers NME, "though he made Moria open source so others could work on the project." In an email posted by Koeneke to a mailing list for Angband (a subsequent popular roguelike derived from Moria) in 1996, the developer reflected on his legacy.

"I have since received thousands of letters from all over the world from players telling about their exploits, and from administrators cursing the day I was born... I received mail from behind the iron curtain (while it was still standing) talking about the game on VAX's [an early range of computers] (which supposedly couldn't be there due to export laws). I used to have a map with pins for every letter I received, but I gave up on that...!"

While Koeneke never developed another video game, his influence on the gaming industry cannot be understated as his work directly inspired games like the Diablo series.

Those interested in playing the original Moria can do so here.

Thursday the first trailer appeared online for Dungeons & Dragons: Honor Among Thieves — and 15 million people have watched it. "Here's the thing. We're a team of thieves..." actor Chris Pine says in a voiceover. "We didn't mean to unleash the greatest evil the world has ever known. But we're going to fix it."

The video's description explains that "A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Dungeons & Dragons: Honor Among Thieves brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure."

The trailer also features Michelle Rodriguez, Regé-Jean Page, Hugh Grant, and a Druid that can turn into an Owlbear.

But at Comic-Con's Gaslamp Quarter there were also photo ops inside the legendary gelatinous cube, at a pop-up tavern serving glow-in-the-dark Dragon's Brew. The official "Dungeons & Dragons: Honor Among Thieves Tavern Experience" drew this rave review from Esquire. "Rest assured, friends, if the actual Dungeons and Dragons movie is anything like the tavern, it'll be a rocking, hilarious, self-aware, and — most importantly! — a fun trip." The team behind Dungeons and Dragons rigged the bar so that it would rumble like hell and fill with smoke whenever a dragon appeared on a massive video screen at the front. (We were supposed to infer that the tavern was under attack....)

Save a grog for me.
"Based on what we've seen, this movie looks like it's going to be a whole lot of fun," writes CinemaBlend: If you're hyped up for the campaign Dungeons and Dragons: Honor Among Thieves is promising here, you can take your place at the metaphorical gaming table starting March 3, 2023.
As the movie's trailer asks, "Who needs heroes when you have thieves?"

Switzerland-based software developer Jean-Christophe Collet writes: A long time ago I got involved with the development of NetHack, a very early computer role playing game, and soon joined the DevTeam, as we've been known since the early days. I was very active for the first 10 years then progressively faded out even though I am still officially (or semi-officially as there is nothing much really "official" about NetHack, but more on that later) part of the team.

This is how, as we were closing on the 35th anniversary of the project, I learned that NetHack was being added to the collection of the Museum of Modern Art of New York. It had been selected by the Architecture and Design department for its small collection of video games, and was going to be displayed as part of the Never Alone exhibition this fall.
From its humble beginnings as a fork of the 1982 dungeon-exploring game "Hack" (based on the 1980 game Rogue), Nethack influenced both Diablo and Torchlight, Collet writes. But that's just the beginning: It is one of the oldest open-source projects still in activity. It actually predates the term "open-source" (it was "free software" back then) and even the GPL by a few years. It is also one of the first, if not the first software project to be developed entirely over the Internet by a team distributed across the globe (hence the "Net" in "NetHack").

In the same spirit, it is one of the first projects to take feedback, suggestions, bug reports and bug fixes from the online community (mostly over UseNet at the time) long, long before tools like GitHub (or Git for that matter), BugZilla or Discord were even a glimmer of an idea in the minds of their creators....

So what did I learn working as part of the NetHack DevTeam?

First, I learned that you should always write clean code that you won't be embarrassed by, 35 years later, when it ends up in a museum....
Collet praises things like asynchronous communication and distributed teams, before closing with the final lesson he learned. "Having fun is the best way to boost your creativity and productivity to the highest levels.

"There is no substitute.... I am incredibly grateful to have been part of that adventure."

An anonymous reader shares a report: In the late 1990s, Yoshitaka Murayama made a name for himself among a subset of video game fans by creating and directing Suikoden, a series of Japanese roleplaying games (RPGs) that became beloved for their scope and depth. A catchy way to think of them is "Game of Thrones" meets Pokemon. But in 2002, as the third Suikoden game was finishing development, Murayama quit his job at the game publisher Konami Holdings and went off on his own. In the two decades that followed, he didn't work on many games of note, leaving fans to wonder what had become of him. Eventually Konami abandoned the Suikoden franchise, perhaps believing that RPGs weren't lucrative enough. In the early 2010s, players started asking Murayama: why not fund a new RPG on Kickstarter?

In the summer of 2020, Murayama finally answered fans' wishes. He raised 481.6 million yen (around $4.5 million at the time) from more than 46,000 backers, with a Kickstarter for Eiyuden Chronicle: Hundred Heroes, a spiritual successor to the Suikoden series. It became the No. 1 video game on Kickstarter that year. Getting to that point was a long journey, Murayama told me in a recent interview. He said he only started seriously considering a Kickstarter after meeting up with some of his old collaborators, such as artist Junko Kawano, at a concert for Suikoden music. Murayama was also driven by the success of Nintendo's Octopath Traveler, which has sold more than 2.5 million copies since its release in 2018. The audience for turn-based RPGs had been "shrinking," Murayama said, but Octopath Traveler proved that âoethere is a promising marketâ for games like his.

Electronic Arts and Middle-earth Enterprises "announced on Monday an upcoming free mobile game called The Lord of the Rings: Heroes of Middle-earth," reports CNET: With the role-playing game, Lord of the Rings fans can look forward to experiencing the iconic universe in a whole new way.... The game will feature immersive storytelling with iconic plot lines, turn-based combat and a selection of characters from both The Lord of the Rings and The Hobbit to battle the evils of Middle-earth.

"The team is filled with fans of The Lord of the Rings and The Hobbit and each day they bring their tremendous passion and talents together to deliver an authentic experience for players," Malachi Boyle, vice president of mobile RPG for Electronic Arts, said in a statement. "The combination of high-fidelity graphics, cinematic animations, and stylized art immerses players in the fantasy of Middle-earth where they'll go head-to-head with their favorite characters."

Long-time Slashdot reader slack_justyb writes: IBM announces IBM i (some you of you may know it under the old name of AS/400) 7.5 the first new release in three years since the 7.4 release. One of the big headlines with the IBM i 7.5 announcement is Merlin which stands for the Modernization Engine for Lifecycle Integration....

With the Db2 product, IBM i is now receiving Boolean data types with support for this new type in RPG and JSON environments. Larger Indexes, the previous limit was 1.6TB indexes, that has now been increased to 16TB. And Db2 is now fully compliant with SQL:2016 the most recent publication of the SQL standard, beating Oracle to the punch on full support of the standard. And finally, QSYS2-based functions for using HTTP requests to publish or consume Web services, including the use of embedded SQL in REST services. These are enhanced versions of the functions that were seen in 7.3/7.4 where IBM removed the requirement for a JVM to use SQL to consume web services.
IT Jungle has many more details. Some of the highlights: Merlin provides a lightweight, browser-based development environment for creating new applications or modernizing existing RPG-based application. It's an alternative to Rational Developer for i (RDi) based on Eclipse, which many developers seem to hate. Developed in partnership with ARCAD Software, Merlin comes pre-loaded with tools like Git and Jenkins for DevOps-style code management, as well as an RPG code-converter. It runs in a Linux-based Red Hat OpenShift container running on the Power platform. While it's not technically tied to IBM i version 7.5 or 7.4 TR6, Merlin represents an important change in how IBM is packaging and delivering capabilities for IBM i shops, as well as a recognition that IBM should take a more active role in helping users modernize their codebases....

IBM is now enabling customers to buy subscriptions to IBM i for periods of one to five years. Allowing customers to use operating expenditure (Opex) budget lines instead of the dreaded capital expenditure (CapEx) accounting code for subscriptions. IBM is focusing on lower-end IBM i environments at the moment, so the subscription is limited to four-core P05 machines at this time. As part of this shift to software subscriptions, IBM is rethinking how it bundles ancillary products that are often used with IBM i. 11 packages are being moved into the core OS entitlement.

"Club Penguin Rewritten," a popular remake of Club Penguin enjoyed by thousands of gamers, has been seized by the City of London Police, with three people in connection with the site's shuttering reportedly arrested for allegedly distributing copyrighted material. "Over 140,000 users were members of a Discord server for the game until today, when every message on the Discord disappeared," reports TechCrunch. From the report: In 2007, Disney purchased Club Penguin -- the children's RPG that served as my first introduction to online fandom -- for a whopping $700 million. Even then, as a child with little context about tech industry acquisitions, the purchase seemed foreboding (at least my friends thought so on the Miniclip forums, where I fraudulently claimed to be 13). But eventually, those of us who were dedicated fans of virtual sledding games and dance parties grew out of it, and after once boasting 200 million users, the game was shut down due to lack of interest in 2017. Disney tried to shuttle remaining players to a new mobile game called Club Penguin Island, but it only lasted for a year. But ever since the end of Club Penguin -- when the iceberg finally tipped in a strangely emotional moment -- there have always been remakes out there for nostalgic adults to relive their days of collecting puffles, dancing in the pizza shop and speed-running bans.

Only one message on the Discord remains, posted early this morning by an admin: "CPRewritten is shutting down effective immediately due to a full request by Disney," the admin said. "We have voluntarily given control over the website to the police for them to continue their copyright investigation." TechCrunch reached out to the City of London Police and Disney to verify these claims but did not hear back before publication. In 2020, Disney shut down "Club Penguin Online," another copy of the game that acquired over a million new players during the pandemic.

An anonymous reader quotes a report from Polygon: The parent company of Dungeons & Dragons developer Wizards of the Coast, Hasbro, announced Wednesday it is acquiring D&D Beyond, one of the franchise's most popular officially licensed digital toolsets and online storefronts. Wizards said on its official website it has "no plans to stop supporting D&D Beyond," and all purchases made by consumers will be honored going forward.

D&D Beyond is the creation of Curse, and launched in 2017. The platform is, at its core, a web application and mobile app that provides players and Dungeon Masters (DMs) with the tools they need to play D&D in person or online. Features include a character builder, a character sheet, and a digital dice-rolling function. For DMs, it allows users to purchase official campaign books and other materials digitally for use inside the app. Prices for D&D books are traditionally more or less the same on D&D Beyond as they are on Amazon, Barnes & Noble, and at your local game store. D&D Beyond was purchased by Fandom in 2018 and, according to Hasbro, the relationship has been very lucrative since that time.

"Over the last three years, the royalty paid to Hasbro by D&D Beyond has represented a significant contribution to the fastest growing source of revenue for Dungeons & Dragons," Hasbro said. That is undoubtedly true, as financial disclosures show that Wizards -- and its attached digital properties, including Magic: The Gathering Arena -- earned more than $1 billion for the first time in 2021. [...] Wizards' new president, Cynthia Williams, has bigger goals in mind. "The strategic acquisition of D&D Beyond will deliver a direct relationship with fans, providing valuable, data-driven insights to unlock opportunities for growth in new product development, live services and tools, and regional expansions," Williams said in a news release. "As part of Wizards, the brand's leadership will soon be able to drive a unified, player-centric vision of the world's greatest role-playing game on all platforms."

"Lost Ark has comfortably passed 1 million concurrent players after just 24 hours, becoming the second most played game in Steam history by concurrent counts," reports the Verge: The Diablo-like MMO launched Friday in the West, after Amazon Games collaborated with Smilegate RPG to localize and translate Lost Ark and make it available in English. It has now passed concurrent records for both Counter-Strike: Global Offensive and Dota 2, which regularly dominate the top of Steam's most-played games.

Lost Ark is so popular right now that it has experienced server issues and there's a queue just to start playing. SteamDB lists concurrent players of Lost Ark at 1,311,842, passing CS:GO's record of 1,308,963 players and Dota 2's of 1,295,114. It's not clear exactly how many of those players are actually actively playing the game and not sitting in a server queue, though.

Either way, it's now second place on the top concurrent list behind only PUGB...
The article notes it's Amazon's second big hit after its game New World "set a concurrent record of 913,634 players four months ago."

GameSpot also spotted a playful clause in the game's terms of service. It specifies that while players must be human (and not AI), that doesn't apply if Earth is taken over by robots, simians, or aliens. "In that event, Amazon said these beings will be allowed to play Lost Ark and other games. 'We welcome our alien, robots, ape, or other overlords, as applicable,' Amazon said."

Vodeo Games, which was founded this year by Threes designer Asher Vollmer, has successfully unionized with CODE-CWA -- the Communication Workers of America's Campaign to Organize Digital Employees. Engadget reports: Operating out of various locations in the US and Canada, the all-remote team of 13 is an unusual case for a few reasons. Foremost, about half of the bargaining unit are independent contractors -- typically the exact sort of workers left out of, or deemed ineligible for, a union. And while much of the push to unionize digital workspaces in recent years has focused on curbing abuses by management and pay imbalances, Vodeo's does not appear to stem from a need to course-correct away from imminent disaster. Rather, their desire to unionize seems rooted in wanting to maintain an equitable workplace. "They're not organizing because there's some big scary boss, like Bobby Kotick or someone," campaign lead for CODE-CWA Emma Kinema told Polygon. "They're organizing because they care so much about the work they do, and they want more of a say over how it's done -- the conditions in which they work to actually make those games that they care about."

"All workers deserve a union and a say in how their workplace is run, no matter where they work, what their employment status is, or what kind of conditions they work under," Myriame Lachapelle, a producer at Vodeo Games, wrote in a statement to press. "We have been inspired by the growing worker organizing within the gaming industry and hope we can set a new precedent for industry-wide standards that will better our shared working conditions and inspire others to do the same." Vodeo released its first game, the Peggle-like RPG Beast Breaker, in September to largely positive reviews. It's available for PC, Mac and Switch.

Programmer Ryan C. Gordon (also known as icculus) is a former employee at Loki Software, one of the first companies to port videogames from Microsoft Windows to Linux, according to his Wikipedia page. He's still hosting many Loki software projects at icculus.org, "as well as several new projects created by himself and others."

He's also Slashdot reader #32,040, and dropped by this week with a very special announcement: I took Zork 1 and made it into a multiplayer game!

You can try it yourself by telnetting to multizork.icculus.org with some friends. Telnet seemed appropriate for a game from 1980, at least until I can figure out how to efficiently send everyone a 300 baud modem.

A detailed technical explanation about hacking the Z-Machine to make this work is over here and source code is, of course, available. Enjoy, and don't get eaten by a grue!

Vice reports: The AI-powered story generator AI Dungeon has come under fire from fans recently for changes to how the development team moderates content. Notably, the player base is worried that the AI Dungeon developers will be reading their porn stories in the game. Separately, a hacker recently revealed vulnerabilities in the game that show that roughly half of the game's content is porn.

AI Dungeon is a text based adventure game where, instead of playing through a scenario entirely designed by someone else, the responses to the prompts you type are generated by an AI... This week, AI Dungeon players noticed that more of their stories were being flagged by the content moderation system, and flagged more frequently. Latitude, the developers of AI Dungeon, released a blog post explaining that it had implemented a new algorithm for content moderation specifically to look for content that involves "sexual content involving minors... We did not communicate this test to the Community in advance, which created an environment where users and other members of our larger community, including platform moderators, were caught off guard... Latitude reviews content flagged by the model for the purposes of improving the model, to enforce our policies, and to comply with law."

Latitude later clarified in its Discord at what point a human moderator would read private stories on AI Dungeon. It said that if a story appears to be incorrectly flagged, human moderators would stop reading the inputs, but that if a story appeared to be correctly flagged then they "may look at the user's other stories for signs that the user may be using AI Dungeon for prohibited purposes." Latitude CEO Nick Walton told Motherboard that human moderators only look at stories in the "very few cases" that they violate the terms of service...

All of this has been compounded by the fact that a security researcher named AetherDevSecOpsjust published a lengthy report on security issues with AI Dungeon on GitHub, which included one that allowed them to look at all the user input data stored in AI Dungeon. About a solid third of stories on AI Dungeon are sexually explicit, and about half are marked as NSFW, AetherDevSecOpsjust estimated.

Four times in recent weeks, the White House press secretary was relayed questions from someone that Mediate describes as "a gag persona for a former Secretary of State made of Legos."

The reporters believed they were helping a real reporter who was prohibited by Covid protocols from attending. Politico reports: That colleague, who goes by the name Kacey Montagu, doesn't exist — at least not as an actual reporter. Since late last year, Montagu has taken on the identity of a White House correspondent extraordinaire with a fictional outlet to boot: White House News, shortened in emails to WHN... In communications with confidants, Montagu has posed as a member of White House Correspondents Association, claiming to be a reporter for The Daily Mail, the British tabloid known for its gossipy coverage of celebrities and political figures. Montagu also communicates regularly with top White House reporters and has had several exchanges with White House officials.

But Montagu never joined WHCA and The Daily Mail. There is no Kacey Montagu, except as a digital impersonation of a White House correspondent...

Montagu's activity is a remarkable illustration of how the online landscape, along with the age of pandemic-related virtual work, has opened up avenues for the mischievous-minded to infiltrate the top echelons of power. What's perhaps more remarkable is that he or she did it all without raising a solitary eyebrow... until Thursday.
Montagu had started a Twitter account showing the schedules of White House officials, which ultimately attracted a following by actual White House correspondents and even some minor government staffers, according to the article.

Acquaintances...believe Montagu's White House moonlighting began as something to boast about in the online global gaming platform called ROBLOX, where users jokingly call themselves "Legos." Within that platform is a role-playing group called nUSA, where people from across the world engage in a mock U.S. government exercise...

Another longtime member of the community in touch with Montagu said they suspected that they created the account "just for the memes" and never assumed things would progress this far.

During its fourth-quarter earnings announcement, Tesla unveiled the long-rumored refresh for its Model S sedan. CNET reports: On the outside, the Model S has a new front bumper with slightly different intakes, a tweaked rear diffuser and new 19- and 21-inch wheel designs. All of the exterior trim is now finished in black to match the Model Y, but the paint color palette remains the same, with white being the only no-cost option. The interior is the star of the show, though. It's been completely redesigned, marking the Model S' first major update since its debut in 2012. There's a large 17-inch central screen much like that of the Model 3 and Model Y, but the S retains a 12.3-inch digital gauge cluster in front of the driver, as well. Tesla says the new center screen is basically a gaming computer with 10 teraflops of processing power, and the released images show it running the popular fantasy RPG game Witcher 3.

Most radical is the new steering wheel. It isn't exactly a wheel anymore, instead looking like a yoke right out of Star Wars or Knight Rider. There are no stalks, either, meaning the turn signals, lights and other typical features are now controlled by touch buttons on the "wheel." There's more carbon fiber or wood trim covering parts of the dashboard and door panels, and the door cards and center console have been redesigned for more storage space and better looks. The rear seats look more sculpted and have a new fold-down armrest with cupholders. Rear-seat passengers get an 8-inch screen that offers the same infotainment and gaming functions as the main screen, and it even works with wireless gaming controllers. The Model S has three-zone climate control, a 22-speaker audio system, heated seats all around (and ventilated front seats), ambient lighting and a glass roof as standard. White, black and beige remain the only interior color options. The maxed-out "Plaid Plus" model, which comes in at $139,990, features over 1,100 hp and will hit 60 mph in under 2 seconds. "It also boats a sub-9-second quarter-mile time, a top speed of 200 mph and a range of over 520 miles," reports CNET.

It might have taken more than 20 years, but a game intended for the original PlayStation has at last made its way into the world. Engadget reports: A group of Japanese developers worked on Magic Castle for eight months in the late '90s. They used Sony's Net Yaroze, a system with which hobbyists could make games for the console. The team sent the RPG to several publishers, but most didn't bite. Sony showed interest, but it wanted the developers to ditch their game and move to a different project. The team rejected the offer and later disbanded. And so the unfinished Magic Castle stayed on the shelf for over 20 years. Until now.

One of the developers, who goes by PIROWO, rediscovered the Magic Castle source code a while back. They decided to finish and release it, four console generations later. Magic Castle has some interesting tricks up its sleeve, as EuroGamer notes. It features dynamic music and you can customize the position of the user interface. There are four character classes to choose from and 20 floors with randomized elements to make your way through. You can download the game from the Internet Archive and play it with an emulator.

Today a staff writer at Salon argues "The Mandalorian" has redeemed the Star Wars universe: The Disney+ series "The Mandalorian" has been both a critical triumph and commercial success. In my judgment, it's the most compelling live-action story in the "Star Wars" universe since 1983's "Return of The Jedi".

To that end, the story in "The Mandalorian's" first two seasons about a mysterious bounty hunter and "the child" (who is actually more than 50 years old) he's entrusted with as they navigate their way through a dangerous world — rife with "scum and villainy," where the remnants of the evil Empire still terrorize the galaxy — has accomplished something difficult in science fiction and other genre entertainment. Longtime and serious "Star Wars" aficionados are enthusiastic about "The Mandalorian's" attention to detail and obvious love and respect for George Lucas's "Star Wars" universe. More casual "Star Wars" fans can enjoy the series for its story of family, friendship and adventure, and of course for "baby Yoda," aka Grogu, "the Child," a character described by legendary film director Werner Herzog as "heartbreakingly beautiful...."

Where does "The Mandalorian" go next? Why is it such a compelling TV series and story? Is there such a thing as too much "fan service" in a genre film or TV series? Why has "The Mandalorian" been such a success, compared to the most recent "Star Wars" films? Disney and Lucasfilm have recently announced plans for 11 new TV series and at least three more feature films. At what point does "Star Wars" become overexposed and made into something common, a parody of itself?

In an effort to answer these questions I recently spoke with Bill Slavicsek, one of the writers and developers of the much-beloved "Star Wars" roleplaying game from West End Games. He is also the author of the "Star Wars Sourcebook," "A Guide to the Star Wars Universe," many guides to RPGs and, more recently, "Defining a Galaxy: 30 Years in a Galaxy Far, Far Away...." He was one of the main game designers for the Dungeons and Dragons RPGs and is currently the lead writer for the massively multi-player RPG Elder Scrolls Online. Fair warning: This conversation contains spoilers for Season Two of "The Mandalorian," which is now available on the Disney+ streaming service.
Meanwhile CinemaBlend shares some commentary from another source, writing that "We need more Star Wars discourse like this." No arguing about bloodlines, or one director undoing the plotlines laid down by another. Just all of us, being amused by a cat who delightfully thinks that he or she can catch the lightsaber that a brooding Kylo Ren is tossing away during a pivotal moment in J.J. Abrams' Star Wars: The Rise of Skywalker... And it even has Mark Hamill's seal of approval...

Kitty cats aside, it's a very good time to be a Star Wars fan. The Mandalorian just wrapped up an incredible season of television on Disney+ and Kathleen Kennedy recently ushered in a wave of new programming that will keep Star Wars on our radars for years to come.

Software developer/sys-admin Hawke Robinson is the CEO of RPG Research, a 501(c)3 non-profit, volunteer-run, charitable organization founded in 1977.

He's also long-time Slashdot reader kmleon, and shares this story from the gaming-news site The Gamer: RPG Research recently sent out an urgent call requesting more volunteers, more warehouse space, and more donations to help meet the overwhelming demand it is currently facing. In a truly good news/bad news situation, the organization has seen donations increase by 600% from previous years, while 2020 has increased demand for the organization's programs by more than 1,000%.

The increased demand is simply more than RPG Research is currently staffed and equipped to handle, resulting in the call for aid. Along with the need for more volunteers, RPGR is also seeking a sizeable warehouse to house office space, events, the RPG Museum, as well as to hold the RPG bus and trailers. The ideal warehouse being sought is "a 2,000 (minimum) to 4,000+ square foot warehouse" somewhere "in the greater Spokane Washington or Post Falls Idaho region...."

The international (six continents) organization began studying roleplaying games and their effects in 1983, and since then have presented their findings through various programs in educational settings, prison systems, and therapeutic medical settings.

AmiMoJo shares a report from Polygon: Dungeons & Dragons publisher Wizards of the Coast has acknowledged the existence of racist stereotypes in its sourcebooks, and pledged to make changes to ameliorate the issue. In a blog post published on June 17 titled "Diversity and Dungeons & Dragons," Wizards of the Coast said that depicting a diverse array of human beings -- beyond "fantasy versions of northern Europeans" -- is "one of the explicit design goals of 5th edition D&D." The developers noted that while they want to feature characters "who represent an array of ethnicities, gender identities, sexual orientations, and beliefs," the game still contains problematic depictions of fantasy races.

Among these races are the orcs, who are often characterized as a savage horde of creatures who lust for battle, and the drow, an evil dark-skinned subrace of elves who dwell in a subterranean matriarchy. Wizards of the Coast specifically addressed these two groups in laying out recent and future changes to D&D products: "We present orcs and drow in a new light in two of our most recent books, Eberron: Rising from the Last War and Explorer's Guide to Wildemount. In those books, orcs and drow are just as morally and culturally complex as other peoples. We will continue that approach in future books, portraying all the peoples of D&D in relatable ways and making it clear that they are as free as humans to decide who they are and what they do." They add: "Later this year, we will release a product (not yet announced) that offers a way for a player to customize their character's origin, including the option to change the ability score increases that come from being an elf, a dwarf, or one of D&D's many other playable folk. This option emphasizes that each person in the game is an individual with capabilities all their own." The publisher also said "it's adjusting material that maligns or stereotypes real-world ethnic groups like the Roma," reports Polygon. "The company has revised the adventure Curse of Strahd, which includes a people known as the Vistani that 'echoes some stereotypes associated with the Romani people in the real world.'"

"In addition, the publisher said two future books will be written with a Romani consultant so as to characterize the Vistani 'in a way that doesn't rely on reductive tropes.'"