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RIAA Argues That MP3s From CDs Are Unauthorized

Posted by kdawson on Tue Dec 11, 2007 04:09 AM
from the no-fair dept.
NewYorkCountryLawyer writes "In an Arizona case against a defendant who has no legal representation, Atlantic v. Howell, the RIAA is now arguing — contrary to its lawyers' statements to the United States Supreme Court in 2005 MGM v. Grokster — that the defendant's ripping of personal MP3 copies onto his computer is a copyright infringement. At page 15 of its brief (PDF) it states the following: 'It is undisputed that Defendant possessed unauthorized copies... Virtually all of the sound recordings... are in the ".mp3" format for his and his wife's use... Once Defendant converted Plaintiffs' recordings into the compressed .mp3 format and they are in his shared folder, they are no longer the authorized copies...'"

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[+] Record Labels Change Minds About Sharing MP3s 243 comments
Mass Defect writes "While the RIAA continues to sue people for p2p file sharing, the record labels have made an about-face and given their blessing to users sharing MP3s via the social networking site imeem.com. In May this year the site was being sued by Warner for allowing users to upload photos, videos, and music to share. However to everyone's amazement, instead of being flattened, imeem.com managed to convince the label that this free promotion was a good thing. In July imeem.com signed a deal with the label. Since then the site has added Sony, BMG, EMI, and now the biggest fish of them all, Universal. Imeem now has the royal flush of record labels supporting its media-sharing service, each getting a cut of the advertising revenues generated by their catalog. Finally someone has figured out a way to do 'YouTube for MP3s' without getting sued out of existence."
[+] Investors, "Beware" of Record Companies 301 comments
NewYorkCountryLawyer writes "The Motley Fool investment Web site warns investors to beware of 'Sony, BMG, Warner Music Group, Vivendi Universal, and EMI.' In an article entitled 'We're All Thieves to the RIAA,' a Motley Fool columnist, referring to the RIAA's pronouncement in early December in Atlantic v. Howell, that the copies which Mr. Howell had ripped from his CDs to MP3s in a shared files folder on his computer were 'unauthorized,' writer Alyce Lomax said 'a good sign of a dying industry that investors might want to avoid is when it would rather litigate than innovate, signaling a potential destroyer of value.'"
[+] EFF Takes On RIAA "Making Available" Theory 366 comments
NewYorkCountryLawyer writes "In Atlantic v. Howell, the Phoenix, Arizona, case in which a defendant who has no legal representation has been battling the RIAA over its theory that merely 'making files available for distribution' is in and of itself a copyright infringement, Mr. Howell has received some help from an outside source. On the last day allowed for the filing of supplemental briefs, the Electronic Frontier Foundation filed an amicus curiae brief agreeing with Mr. Howell, and refuting the RIAA's motion for summary judgment. The brief (PDF), which is recommended reading for anyone who wants to know what US copyright law really says, points out that 'contrary to Plaintiffs' arguments, an infringement of the distribution right requires the unauthorized, actual dissemination of copies of a copyrighted work.' This is the same case in which the RIAA claimed that Mr. Howell's MP3s, copied from his CDs, were themselves unlawful."
[+] News: Arizona Judge Shoots Down RIAA Theories 197 comments
NewYorkCountryLawyer writes "In Atlantic v. Howell, the judge has totally eviscerated the RIAA's theories of 'making available' and 'offering to distribute.' In a 17-page opinion (PDF), District Judge Neil V. Wake carefully analyzed the statute and case law, and based on a 'plain reading of the statute' concluded that 'Unless a copy of the work changes hands in one of the designated ways, a "distribution" under [sec.] 106(3) has not taken place.' The judge also questioned the sufficiency of the RIAA's evidence pointing towards defendant, as opposed to other members of his household. This is the Phoenix, Arizona, case in which the defendant is representing himself, but received some timely help from his friends. And it's the same case in which the RIAA suggested that Mr. Howell's MP3s, copied from his CDs, were unlawful. One commentator calls today's decision 'Another bad day for the RIAA.'"
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  • Fair use!!! (Score:5, Insightful)

    by BWJones (18351) * on Tuesday December 11, @04:11AM (#21652755) Homepage Journal
    OK, here is the deal... I just bought over $200 worth of music on CD and I absolutely guarantee that this will be the last music purchase I make from any RIAA backed artist unless they start recognizing fair use. In fact, in the MGM vs Grokster case, the RIAA suggested that iPods have a substantial and legitimate commercial use in contrast to Grokster.

    This case appears to be an absolutely clear fair use case. This individual, like hundreds of thousands of others *purchase* music from legal sources and while I just spent the last ten minutes typing out an explanation for why this may be the case, I have realized that we've all heard this ad nauseum. What is it going to take for the shareholders of all these companies to stand up and say enough? What is it going to take before all consumers simply say "enough of this hassle, no more music purchases?" What is it going to take before these people wake up, realize that they need to stop treating their paying customers like criminals? When are they going to realize that rather than litigate against the pirates, they should simply realize that they should compete against them by offering great service for reasonable prices and get rid of all the DRM? There is a reason that music sales are dropping (actually a dozen or so), but if the RIAA and their associated represented companies simply started going back to basics, finding and promoting good talent (there is lots out there) rather than promoting the engineered bands, or what they think should be popular, they could go back to making money. Look, Long Tail economics gives them everything they need to start making more money, even from music in the public domain. Hey, I'd buy music if made available from a huge variety of artists that are currently out of print or have entered the public domain, but are no longer available.

    • Re:Fair use!!! (Score:5, Insightful)

      by IBBoard (1128019) on Tuesday December 11, @04:45AM (#21652921) Homepage

      What is it going to take for the shareholders of all these companies to stand up and say enough?

      Erm, maybe when their shares stop making them money? People will invest in all sorts of things and ignore moral/ethical dilemmas, as long as it is making them money. Such is human greed and capitalism.

      What is it going to take before all consumers simply say "enough of this hassle, no more music purchases"?

      That'll only happen when Joe Public who buys the random, mass-produced crap that makes it into the charts feels he is affected. For the moment it is only the comparative minority who rip and share MP3s en-mass who really worry, and those geeks who keep track of the news who can see where it will end up.

      What is it going to take before these people wake up, realize that they need to stop treating their paying customers like criminals?

      Maybe when their business model finally bites the dust and some other group using online distribution without DRM is still going strong. Even then it is only a maybe.

      When are they going to realize that rather than litigate against the pirates, they should simply realize that they should compete against them by offering great service for reasonable prices and get rid of all the DRM?

      Again, it'll cost money to do that. They can sue lots of people for tens of thousands or they can spend millions restructuring and working on a better model. Which one seems better in the corporate world?
      • Re:Fair use!!! (Score:5, Insightful)

        by CRCulver (715279) <crculver@christopherculver.com> on Tuesday December 11, @04:58AM (#21652981) Homepage

        That'll only happen when Joe Public who buys the random, mass-produced crap that makes it into the charts feels he is affected.

        The RIAA-affiliated labels don't produce only mass-produced crap. The big classical labels, including the ones like DG that have issued low-selling avant-garde records, are members of the RIAA.

    • Re:Fair use!!! (Score:5, Insightful)

      by Thunderbird1 (39829) on Tuesday December 11, @05:00AM (#21652991)
      What we are seeing here is a classic case of the death of an obsolete business model. The RIAA is part of the old guard and the whole reason for their existence is the current business model of selling and distributing music. They are fighting for their very existence. There will always be music and musicians and long may they prosper.

      "The true triumph of reason is that it enables us to get along with those who do not possess it." Voltaire
    • Re:Fair use!!! (Score:5, Insightful)

      by qzjul (944600) on Tuesday December 11, @05:12AM (#21653039)
      Part of the problem is the RIAA thinks that fair use isn't fair. And they're bound to be able to change a few people's minds to their side with the way they throw around money; let's hope they don't change too many (more) politicians minds on that before people stand up as you suggest, because by that point it may simply be too late.
    • labeling? (Score:5, Insightful)

      by m2943 (1140797) on Tuesday December 11, @05:43AM (#21653187)
      How can you tell whether music is from an artist represented by the RIAA?

      Maybe we should ask for a labeling requirement on all music (CD, on-line, radio) indicating whether the music comes from an RIAA artist or not.
  • by bigHairyDog (686475) on Tuesday December 11, @04:15AM (#21652771)

    Once Defendant converted Plaintiffs' recording into the compressed .mp3 format and they are in his shared folder, they are no longer the authorized copies distributed by Plaintiffs. Moreover, Defendant had no authorization to distribute Plaintiffs' copyrighted recordings from his KaZaA shared folder.

    In other words, they're complaining about sharing the MP3s, not making them. The fight against corporate copyright bullies will not be helped by intellectual dishonesty and exaggeration.

    • Fair enough... (Score:5, Insightful)

      by SanityInAnarchy (655584) <ninja@slaphack.com> on Tuesday December 11, @04:26AM (#21652823) Journal
      Except that they are claiming that mp3s outside your shared folder are yours, but they are no longer authorized copies once they enter your shared folder?

      That's a step beyond claiming that "making available" is piracy, which is a step beyond what most of us accept as piracy.

      I do agree with your assessment, though. Nothing is helped by intellectual dishonesty and exaggeration.
    • by Typoboy (61087) * on Tuesday December 11, @04:28AM (#21652835) Homepage
      There is an 'and' there. But, line 3 of that page says: "It is undisputed that Defendant possessed unauthorized copies of Plaintiffs' copyrighted sound recordings on his computer." and then states that that refers to copies which were made from their original format. So it does seem that they are claiming that possession of mp3s of CDs you own is unauthorized. Unless (and it is a big if) they are saying that possession of mp3s in his shared folder is an unauthorized format. But I can't quite follow that. Page 8 says that space shifting fair use is invalid when it involves distribution to the public. Presumably it could be fair use otherwise?
    • by Jumperalex (185007) on Tuesday December 11, @05:11AM (#21653035)
      That is not how I read it and I believe you are being fooled by their deliberate word play. Lets break it down:

      "they [the mp3s] are no longer the authorized copies distributed by Plaintiffs"

      Don't be fooled by the usage of distributed here. They are not talking about the defendant distributing yet ... that is why the last word is Plaintiffs not Defendants. They are only talking about the copies which he possesses, that happen to be in his shared folder, and claiming that those copies are no longer authorized copies provided by the Plaintiff. In short the only copies authorized are therefore the ones on the CD, and not the ones converted into the compressed .mp3 format.

      Now looking at the SECOND part they say:

      "Moreover, Defendant had no authorization to distribute Plaintiffs' copyrighted recordings from his KaZaA shared folder."

      The key here is first the usage of "Moreover" which is additive as in, 'A'=bad AND 'B'=bad. Not, as you assert, 'A' + 'B' = bad but 'A'bad.

      The trick here, IMO is that they crafted this very specifically so as to introduce the idea that the mere production of mp3s is the production of an unauthorized copy. Distribution is also unauthorized. Notice how they didn't say distribution of THOSE mp3s was unauthorized. That is implied from their larger statement that he wasn't allowed to distribute copyrighted recordings regardless of the "authenticity" of the recording. So they have set up two arguments which I will reorder to make it clearer that they are separate:

      1) The defendant isn't authorized to distribute copyrighted recordings
      2) The defendant was in possession of unauthorized copies of those copyrighted recordings which are unauthorized by the mere fact that they are compressed mp3 copies; regardless of the fact that he owned the CD those copies were generated from.

      The end result of this being, the only authorized way to procure and possess "compressed mp3s" would be for them to be distributed by the Plaintiff. That is the implication of the words "they are no longer the authorized copies distributed by Plaintiffs." Because if you buy into that statement it begs the question: how do you get an authorized compressed mp3 version of their copyrighted works.
  • by Per Abrahamsen (1397) on Tuesday December 11, @04:18AM (#21652785) Homepage
    They almost certainly were unauthorized. But that doesn't matter, as copyright law does grant you some limited rights to make copies without authorization.

    In most jurisdictions these rights would include transferring cd's to mp3's for personal use.

  • by deniable (76198) on Tuesday December 11, @04:21AM (#21652811)
    Mr RIAA lawyer better not have any audio files on his laptop. Better have the judge make sure he has a note from every rights holder. Check his car too. Got an iPod, Mr. Lawyer? How about your kids? Unauthorized ring-tones on your phone?

    Let he who is without sin cast the first stone. I'm sure we could find violations by the RIAA and it's members and staff.

    Can't touch this? It's discovery time.
  • by harlows_monkeys (106428) on Tuesday December 11, @04:31AM (#21652857) Homepage
    Actually, if you read the document, I think you'll see that it says making MP3s and putting them in the shared folder is unauthorized. It doesn't say it would be unauthorized to make MP3s and put them in a non-shared folder.
      • by EvanED (569694) <evaned@NoSpaM.gmail.com> on Tuesday December 11, @05:24AM (#21653097)
        If they were talking about sharing with random people on the Internet they would have a valid point.

        Gee, I wonder if that was what they were doing:

        Exhibit B to Plaintiffs' Complaint is a series of screen shots showing the sound recording and other files found in the KaZaA shared folder on Defendant's computer on January 30, 2006. ... Once Defendant converted Plaintiffs' recording into the compressed .mp3 format and they are in his shared folder, they are no longer the authorized copies distributed by Plaintiffs. Moreover, Defendant had no authorization to distribute Plaintiffs' copyrighted recordings from his KaZaA shared folder.

        Each of the 11 sound recordings on Exhibit A to Plaintiffs' Complaint were stored in the .mp3 format in the shared folder on Defendant's computer hard drive, and each of these eleven files were actually disseminated from Defendant's computer. ... In addition, Defendant unlawfully distributed all 54 of Plaintiffs' Sound Recordings by making unauthorized copies of the recordings available to other KaZaA users for download.


        Just because /. says it's true doesn't make it so... and this is just another instance of the submitter being either stupid, careless, or actively dishonest. The "shared folder" was Kazaa.
  • by Anonymous Coward on Tuesday December 11, @04:37AM (#21652883)
    Just to get people to respond and say how stupid and misleading the article is ... is getting quite old. But heck it works and people come back for more every day spitting out the same tired responses again and again and again. It really makes me feel good about wanting to continue reading and posting tired articles/responses on slashdot. Keep up the *fine* work guys.

    The RIAAs problem is they made ripped copies *avaliable* via a shared folder. It does not say the act of ripping is illegal.

    What I did find interesting was the description of MP3 as a perfect copy. Niquist aside MP3 is a lossy format. Songs in MP3 format are most certainly not a perfect copy of the origional work but they don't degrade unless re-encoded which I think was the real point they were trying to make.

  • up next (Score:5, Insightful)

    by TRRosen (720617) on Tuesday December 11, @05:25AM (#21653099)
    "once the plaintiff stored the CD's in a unlocked cabinet they were no longer authorized copies"...

    Makes you wonder why they haven't gone after libraries for "making available" yet...

  • by Ungulate (146381) on Tuesday December 11, @05:30AM (#21653135)
    Yet another misleading kdawson post. I haven't had the urge to filter by editor since the JonKatz days, but I think I'm about there again.
  • by Stanislav_J (947290) on Tuesday December 11, @05:32AM (#21653141)

    Unless I can no longer read and correctly understand and interpret English, this is not anything to get excited over. (But most of y'all will, cos otherwise Slashdot would be no fun at all, right?) That one sentence, in context, links the ripping to mp3 format and the "making available" in a shared folder as being one "unauthorized" process. Yes, I would say the sentence is poorly worded and potentially ambiguous, but the intent is clear. If he had ripped the tracks for his own use, and not made them available to others, no one would know or care, and there would be no case here.

    Leave it to the denizens of this board, however, to twist bad syntax into something sinister. You would think that we are suddenly in danger of having the mp3 format declared illegal and ripping software impounded. There are plenty of reasons to despise the RIAA, and they are a sufficiently evil organization as it is -- we don't need to paint them as even more of an asshat than they already are.

  • Clear cut case (Score:5, Insightful)

    by TheThiefMaster (992038) on Tuesday December 11, @05:35AM (#21653159)
    FTPDF (From The PDF):

    First, Defendant actually distributed the 11 sound recordings listed on Exhibit A to Plaintiffs' Complaint from the KaZaA shared folder on his computer to Plaintiffs' investigator, MediaSentry.

    Finally, Defendant acknowledges that he saw evidence of other KaZaA users downloading files from the shared folder on his computer.
    Seems pretty clear cut to me. He shared the files in his KaZaA share, and they downloaded some and busted him for it. He even seems to have admitted it.

    Though I don't like this:

    Second, because online "piracy typically takes place behind closed doors and beyond the watchful eyes of a copyright holder," Warner Bros. Records, Inc. v. Payne, Case No. W-06-CA-051, slip opinion at 7 (W.D. Texas July 17, 2006) (Exhibit B hereto), Plaintiffs should be allowed to prove actual distribution based on circumstantial evidence.
    Proof based on circumstantial evidence!?
  • by lusid1 (759898) on Tuesday December 11, @05:39AM (#21653173)
    I don't think I can make this any simpler: Stop Buying Music from RIAA Members. Its easy, they don't seem to want you to buy their product anyway. Music CDs might or might not play, just like they might or might not infect your PC with rootkits. Legal downloads might or might not play on whatever portable device you have, and they probably wont play on your next one, or your next PC, so what are you spending your money on anyway? Stop Buying Music from RIAA Members.

    The RIAA gets its funding from the big labels in addition to these racketeering activities. As SCO has so thoroughly demonstrated, suing your customers is not a sustainable business plan. Cut off the other source of revenue: Music Sales, and they will eventually wither away and die. I am not condoning piracy here, and as a musician its hard to advocate intentionally killing off an industry I've spent a significant part of my life studying, but it simply must be done. It is the only way to rid the planet of what has become a blight on the world. Only then can something better rise up to fill the void. It is a sacrifice we all have to make for the greater good.

    Theres a theme here: Stop Buying Music from RIAA Members.