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CNET's Crave has up a detailed interview with Last.fm's Matthew Ogle, the company's head of Web development. Reader CNETNate notes that Last.fm has streamed 275,000 years of audio around the world. From the interview: "We stream all music directly off our servers in London. We have a cluster of streaming nodes including a bunch of powerful machines with solid-state hard drives. We have a process that runs daily which finds the hottest music and pushes those tracks on to the SSDs streamers that sit in front of our regular platter-based streaming machines. That way, if someone is listening to one of our more popular stations, the chances are really good that these songs are coming off our high-speed SSD machines. They're fast because every song is sitting in memory instead of being on a slow, spinning platter." The interview is actually on two pages but pretends it's on three.

Shokaster writes "The Register reports that Virgin Media are to begin monitoring file sharing using a deep packet inspection system, CView, provided by Deltica, a BAE subsidiary. The trial will cover about 40% of customers, although those involved will not be informed. CView's deep packet inspection is the same technology that powered Phorm's advertising system. Initially Virgin Media's implementation will focus on music sharing and will inspect packets to determine whether the content is licensed or unlicensed, based on data provided by the record industry. Virgin Media emphasised that records will not be kept on individual customers and that data on the level of copyright infringement will be aggregated and anonymised."

eldavojohn writes "Eufloria is a strategy game made by independent game company Dyson. I bought it on the Steam service this weekend for $20 and was impressed that it is a visually and aurally pleasing game. It's a real-time strategy game, but isn't a rehashed Civilization or Age of Empires — it employs a different kind of mechanic to conquer. Like a lot of games that rely on novel game mechanics (Braid & Spore come to mind), part of the game's experience relies on you learning as you progress through the 25 or so levels. They will definitely push you to utilize different strategies and tactics, so don't read this review if you're already planning to play this game, as it'll most likely be filled with spoilers about developing a strategy. I give the game an average 6 out of 10 and would like to say that with titles like Braid and Eufloria out there, 'independent' no longer equates to 'sucks.'" Read on for the rest of his thoughts.

EddieSpinola writes "Everyone knows that lossless codecs like FLAC produce better sounding music than lossy codecs like MP3. Well that's the theory anyway. The reality is that most of us can't tell the difference between MP3 and FLAC. In this quick and dirty test, a worrying preponderance of subjects rated the MP3 encodes higher than the FLAC files. Very interesting, if slightly disturbing reading!" Visiting with adblock and flashblock is highly recommended, lest you be blinded. The article is spread over 6 pages and there is no print version.

In September we discussed one isolated instance of the heirs of rights-holders filing for copyright termination. Now Wired discusses the general case — many copyrights from 1978 and before could come up for grabs in a few years. Some are already in play. "At a time when record labels and, to a lesser extent, music publishers, find themselves in the midst of an unprecedented contraction, the last thing they need is to start losing valuable copyrights to '50s, '60s, '70s and '80s music, much of which still sells as well or better than more recently released fare. Nonetheless, the wheels are already in motion. ... The Eagles plan to file grant termination notices by the end of the year.... 'It's going to happen,' said [an industry lawyer]. 'Just think of what the Eagles are doing when they get back their whole catalog. They don't need a record company now... You'll be able to go to Eagles.com (currently under construction) and get all their songs. They're going to do it; it's coming up.' ...If the labels' best strategy to avoid losing copyright grants or renegotiating them at an extreme disadvantage is the same one they're suing other companies for using, they're in for quite a bumpy — or, rather, an even bumpier — ride."

AtomicJake writes "As the World Intellectual Property Organization (WIPO) is known for a very rigid course combating counterfeiting and piracy in general, it comes as a surprise that during a meeting of the WIPO Advisory Committee on Enforcement, several presenters have shown nuanced views on the economics of enforcing intellectual property rights. Combating clothing piracy might not be beneficial for the welfare of a developing country. Most surprising is the presentation of WIPO Chief Economist (PDF) Carsten Fink, which says that illegal copies of software may actually be beneficial even for consumers of the original goods. Also the piracy of audio-visual goods creates not only losses but also benefits for e.g. hardware manufacturers. Maybe this is because Mr. Fink wrote the presentation before joining WIPO?"

jimicus writes "I'd like a multiroom audio system but I'm thoroughly confused by the options available — and the difference in prices is huge. For instance, Philips have a wireless system which starts at around £280 — and Russound have a product which comes in around £1,000. I've already got all my music as MP3s and it lives on a NAS box — I don't really want to repeat that process. I also have a perfectly capable amp and speakers in my living room, so I don't really need anything else there. Whatever I go for has to pass the wife test — so something which requires a separate amp, speakers and PC in each room and requires a keyboard to control is right out. I don't mind spending a little money but I don't really want to find that every little extra thing adds up to £thousands. Has anyone else dealt with a similar problem? How did you solve it?"

Hugh Pickens writes "Science Daily reports findings from a new study which suggest that infants begin picking up elements of what will be their first language in the womb, long before their first babble or coo, and are able to memorize sounds from the external world by the last trimester of pregnancy, with a particular sensitivity to melody contour in both music and language. Newborns prefer their mother's voice over other voices and perceive the emotional content of messages conveyed via intonation contours in maternal speech (a.k.a. 'motherese'). 'The dramatic finding of this study is that not only are human neonates capable of producing different cry melodies, but they prefer to produce those melody patterns that are typical for the ambient language they have heard during their fetal life, within the last trimester of gestation,' said Kathleen Wermke of the University of Würzburg in Germany. Wermke's team recorded and analyzed the cries of 60 healthy newborns, 30 born into French-speaking families and 30 born into German-speaking families, when they were three to five days old. The recordings of 2,500 cries as mothers changed babies' diapers, readied babies for feeding or otherwise interacted with the youngsters show an extremely early impact of native language, with analysis revealing clear differences in the shape of the newborns' cry melodies, based on their mother tongue."

Michael J. Ross writes "Of the leading content management systems used by developers for creating websites, Drupal is highly regarded for many characteristics, including a much smaller initial footprint, compared to Joomla and other CMSs. Yet some developers find this a disadvantage as well, because one of the most common criticisms leveled against Drupal is its lack of built-in support for images and multimedia elements — thereby forcing new Drupal developers to choose from the thousands of contributed Drupal modules those that would be optimal for implementing their websites' multimedia functionality. Aaron Winborn's book Drupal Multimedia is intended as a guide to help such developers." Keep reading for the rest of Michael's review.

blackest_k sends along a Wired piece on EMI's successful suit to get Beatles music off the Net. Here is the judge's ruling (PDF). "A federal judge on Thursday ordered a Santa Cruz company to immediately quit selling Beatles and other music on its online site, setting aside a preposterous argument that it had copyrights on songs via a process called 'psycho-acoustic simulation.' A Los Angeles federal judge set aside arguments from Hank Risan, owner of BlueBeat and other companies named as defendants in the lawsuit EMI filed on Tuesday. His novel defense to allegations he was unlawfully selling the entire stereo Beatles catalog without permission was that he — and not EMI or the Beatles' Apple Corp — owns these sound recordings, because he re-recorded new versions of the songs using what he termed 'psycho-acoustic simulation.' Risan faces perhaps millions of dollars in damages under the Copyright Act. And copyright attorneys said his defense was laughable and carries no weight."

brownerthanu writes "Engineers at the University of California, San Diego are developing a system to include an ignored sector of music, dubbed the 'long tail,' in music recommendations. It's well known that radio suffers from a popularity bias, where the most popular songs receive an inordinate amount of exposure. In Apple's music recommender system, iTunes' Genius, this bias is magnified. An underground artist will never be recommended in a playlist due to insufficient data. It's an artifact of the popular collaborative filtering recommender algorithm, which Genius is based on. In order to establish a more holistic model of the music world, Luke Barrington and researchers at the Computer Audition Laboratory have created a machine learning system which classifies songs in an automated, Pandora-like, fashion. Instead of using humans to explicitly categorize individual songs, they capture the wisdom of the crowds via a Facebook game, Herd It, and use the data to train statistical models. The machine can then 'listen to,' describe and recommend any song, popular or not. As more people play the game, the machines get smarter. Their experiments show that automatic recommendations work at least as well as Genius for recommending undiscovered music."

An anonymous reader writes "The music industry is still pushing Choruss, a controversial blanket-licensing scheme, but it is far less innovative than first described. Six colleges are setting it up now, but they refuse to have their names released because the issue is a political landmine — and who wants to be associated with the recording industry?"

Barence writes to share that the closure of The Pirate Bay seems to have done nothing to stem the flow of potentially copyrighted materials. In fact, there has been an estimated 300% increase in the number of sites providing access to copyright files, according to McAfee. "In August, Swedish courts ordered that all traffic be blocked from Pirate Bay, but any hope of scotching the piracy of music, software and films over the web vanished as copycat sites sprung up and the content took on a life of its own. 'This was a true "cloud computing" effort,' the company said in its Threats Report for the third quarter. 'The masses stepped up to make this database of torrents available to others.'"

Over at the BBC, music journalist John Harris speculates on what may become of the music business now that we have entered the golden age of infinite music. "I've just poured the music-related contents of my brain into a book, and I would imagine that 30-ish years worth of knowledge about everyone from Funkadelic to The Smiths has probably cost me a five-figure sum, a stupid amount spent on music publications, and endless embarrassed moments spent trying to have a conversation with those arrogant blokes who tend to work in record shops. Last weekend, by contrast, I had a long chat about music with the 16-year-old son of a friend, and my mind boggled. At virtually no cost, in precious little time and with zero embarrassment, he had become an expert on all kinds of artists, from English singer-songwriters like Nick Drake and John Martyn to such American indie-rock titans as Pavement and Dinosaur Jr. Though only a sixth-former, he seemingly knew as much about most of these people as any music writer. Like any rock-oriented youth, his appetite for music is endless, and so is the opportunity..."

An anonymous reader writes "A document, apparently a 'confidential House ethics committee report,' was recently leaked through file-sharing software to the Washington Post. According to the article, 'The committee's review of investigations became available on file-sharing networks because of a junior staff member's use of the software while working from home.' Of course, P2P software is entirely at fault for this incident. If you begin seeing more interest in DRM from Congress, you now know why." Reader GranTuring points out that the RIAA took the opportunity to make a ridiculous statement of their own. They said, "the disclosure was evidence of a need for controls on peer-to-peer software to block the improper or illegal exchange of music."

A team with members from Microsoft, the University of Toronto, and the University of Washington have developed an interface that uses electrodes to monitor muscle signals and translate those into commands or button presses, allowing a user to bypass a physical input device and even control a game or application while their hands are full. The video demonstration shows somebody playing Guitar Hero by making strumming motions and tapping his fingers together, a jogger changing his music without having to touch the device, and a man flexing a muscle to open the trunk of his car while he carries objects in both hands. The academic paper (PDF) is available online.

David Gerard writes "Lord Peter Mandelson has carefully ignored the Gowers Report and the Carter Report, instead taking the advice of his good friend David Geffen and announcing that 'three strikes and you're out' will become law in Britain. The Open Rights Group has, of course, hit the roof. Oh, and never mind MI5 and the police pointing out that widespread encryption will become normal, hampering their efforts to keep up with little things like impending terrorist atrocities. Still, worth it to stop a few Lily Allen tracks being shared, right?"

This editorial at Eurogamer examines how the games industry is dealing with the growth of digital distribution — a transition they're handling better than other entertainment industries, but not without a few stumbling blocks of their own. "The examples from other industries undergoing this transition are not promising, since they tend largely to focus on metaphors involving creeks and a distinct lack of paddles. Bricks-and-mortar retailers of music and movies have largely sat back and grumbled while their businesses were hijacked, first by online retailers of physical product and then by digital distribution services. ... Specialist games retailers who follow that model face little more than a decline into insolvency in their medium-term futures. Worse again, they face competing with far bigger companies to retain their slice of an already shrinking pie — as boxed game retail sales fall off in favor of digital distribution, supermarket chains are increasingly seeing high profile games as a worthwhile loss-leaders."

bennyboy64 writes "NewTeeVee reports on a criminal investigation that has been launched against senior executives of YouTube and parent company Google in Hamburg, Germany over allegations of copyright infringement. The case started after a complaint was filed by German music rights holders. Hamburg's prosecutor has formally requested assistance from US colleagues to compel YouTube to produce log files identifying who uploaded as well as who viewed 500 specific videos."

Over the past several years, MySpace has lost a significant amount of the social networking market to competitors like Facebook. Now, MySpace is trying to recapture lost interest by increasing the site's focus on games and music, as well as keeping an eye out for new technologies that would directly benefit their users. "[News Corp.'s Jonathan Miller] said he is 'obsessed' with real-time technology, such as the one Twitter has exploited in its social networking and microblogging service, and he wants to see MySpace incorporate it. He also said MySpace is lagging by having a platform that has been 'too closed' to external developers, something that he wants to see changed, especially for the sake of MySpace's gaming offerings. In addition, he wants to see MySpace push ahead in mobile."