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Music Media Privacy Businesses Software Apple Linux

Playing CDs a Privilege Not A Right 661

Brett writes "Tommi Kyyrä, of IFPI Finland has said that being able to play music on a Linux or Apple computer is a privilege not a right, and that those that can't because of DRM'd CDs should just go out and buy a CD player. Is switching the debate to rights and privileges really where they want to go when we're talking about something we pay for?" From the article: "If the public and 'their' politicians believe that the entertainment industry is on the verge of collapse, they'll be much more likely to accept restrictions on use of content that they've paid for. For this reason, most industry talking heads keep their comments in check when talking about DRM schemes, but from time to time we've seen people truly speak their mind."
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Playing CDs a Privilege Not A Right

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  • by KingSkippus ( 799657 ) * on Friday September 23, 2005 @11:12AM (#13629656) Homepage Journal

    According to TFA, his translated quote is:

    Now, we need to understand that listening to music on your computer is an extra privilege. Normally, people listen to music on their car or through their home stereos. If you are a Linux or Mac user, you should consider purchasing a regular CD player.

    Funny, I was just thinking something kind of similar, but slightly different:

    Now, we need to understand that listening to music in your car or through your home stereos is an extra privilege. Normally, people listen to music on your computer. If you are a car or home stereo user, you should consider purchasing a regular CD player.

    Given that when I pay for a CD, I'm paying for the music, not the plastic and mylar, can any RIAA person please explain to me why my position is any less valid than Tommi Kyyrä's?

    • Er, I mean in my quote, "Normally, people listen to music on their computers. If you are a car or home stereo user, you should consider purchasing a computer."

      Damn, those people who don't hit Preview and re-read their messages before posting!

      • I mean in my quote, "Normally, people listen to music on their computers. If you are a car or home stereo user, you should consider purchasing a computer."

        No, really: you didn't. The point was conveyed much more vigorously by referring to it as "a regular CD player" rather than "a computer".

    • by Daniel Dvorkin ( 106857 ) * on Friday September 23, 2005 @11:19AM (#13629737) Homepage Journal
      No, they can't.

      It's a generational thing, I suppose. The people who make up the RIAA (and equivalent organizations in other countries) and -- more importantly -- the politicians they buy, are of an age to think in terms of listening to music on a stereo, just as they think in terms of watching programs on a TV; the idea of a computer as a general-purpose device that can take over all of the entertainment functions previously fulfilled by special-purpose devices is still kind of alien to them. Specifically, it's something "those damn kids" do; which means that of course it's a privilege, not a right, because you know, it's kids. And I suspect that we'll have to wait 20+ years for the generation which currently sees computers as entertainment hubs to reach the age where they'll have enough clout to change this attitude.
      • by Anonymous Coward on Friday September 23, 2005 @11:44AM (#13629980)
        Sorry, you should read the whole statement, which specifically states that you CAN listen to it on M$, but if you have anything else, you should buy a CD player.

        wb
      • by Alex P Keaton in da ( 882660 ) on Friday September 23, 2005 @11:54AM (#13630082) Homepage
        My purchased music folder on itunes has around 1000 songs in it, from a couple years of purchasing. (Damn one click downloading/buying combined with alcohol)
        Sometimes I feel like a sucker for paying when I could have just gotten the songs free, but usually I can justify it by saying at least the artist gets a penny or two of my 99 cents.
        Comments like this one about how if I buy the music I am "privledged" make me feel more like a sucker for paying for music. Seriously- free/stolen depending on your position have zero DRM.
        If I can't listen to a CD on my computer, or can't load it into iTunes, I am likely to say FUCK YOu to the RIAA and get it for free online. The RIAA needs to be very careful not to alienate paying customers.
      • by miskatonic alumnus ( 668722 ) on Friday September 23, 2005 @12:17PM (#13630348)
        I'll preface what I have to say with the following:

        I don't download or traffic in copyrighted music for free, nor do I sell it to others.

        Not because it's against the law, or because I'm concerned for corporate pricks that think we should pay for the very air we breathe. I pay for my music because I think it is right and proper to recompense my favorite musicians for producing music that brings a smile to my face, or makes me want to bang my head, whatever the case may be.

        That being said, the government in my country (the USA) and the mega-corporations need to sit back and drink a nice big cup of S.T.F.U. as it slowly dawns on them that I, the taxpayer and purchaser of their wares pay for their room and board, and that they need me more than I need them.
        • by Foobar of Borg ( 690622 ) on Friday September 23, 2005 @12:42PM (#13630618)
          That being said, the government in my country (the USA) and the mega-corporations need to sit back and drink a nice big cup of S.T.F.U. as it slowly dawns on them that I, the taxpayer and purchaser of their wares pay for their room and board, and that they need me more than I need them.

          True, but the monarchs of old needed the peasants much more than the peasants needed them. Who else would build their castles, grow their food, and make their clothes?

        • by 0biter ( 915407 ) on Friday September 23, 2005 @02:03PM (#13631608) Homepage
          indeed. if their modus operandi is so overwhelmed by notions of "property" (the art of exclusion) rather than "culture" (the art of communication), i think they need to stop and think of the following truths that are no longer as self-evident as they ought to be:

          (1) music and culture existed before corporations;
          (2) no one actually needs a corporation to make music;
          (3) no one actually needs a corporation to promote their music anymore;
          (4) no one actually needs a corporation to distribute their music globally anymore;
          (5) i don't need a corporation to tell me what music i like, or which is good.

          Seems more likely to me that the corporate mouthpiece's insulting and condescending *existence* is a privlege, and not a right...
      • "Anything that is in the world when you're born is normal and ordinary and is just a natural part of the way the world works. Anything that's invented between when you're fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it. Anything invented after you're thirty-five is against the natural order of things."

        -- Douglas Adams, personal quote (and nicely included in the Quintessential Phase radio shows)

        it fits, doesn't it? stereos were part of these men's natural order of things; cds were invented when they were under 35 so they got a career in it; mp3s were invented while they were fat old execs and therefore are against their particular natural order of things.

        i'm sure its evolutionarilly necessary for our survival as a species for such short-sightedness to reign in the long run, but in the short run, it simply pisses me off.

        oh, by the way, i'm 35 as of saturday. so nobody better go invent anything, ok?
      • by Anonymous Coward on Friday September 23, 2005 @01:00PM (#13630790)
        It's sad that so many of us think that we can't make a difference right now in the way our politicians think. You want clout? Go to your next party caucus meeting with 10-15 of your friends (all from the same neighborhood). Even with only that many people you're likely to be able to vote all of your friends in as convention delegates, precinct officers, etc. Suddenly your small group of friends represent 1000s of votes from your neighborhood at convention, and that's a big chunk of a US Congressman's constituency. He or she will be much more interested in what you have to say.

        Of course, this applies to US states that use the caucus/convention system, but representative democracy everywhere starts with just a handful of votes.
    • Given that when I pay for a CD, I'm paying for the music, not the plastic and mylar, can any RIAA person please explain to me why my position is any less valid than Tommi Kyyrä's?

      These companies obviously don't want my business as a linux or mac user, therefore they don't foresee any losses as a result of me just pirating their music now do they? After all, if I'm just listening to it on my computer, no on my home stereo or in my car, then they must not feel like they are missing out.

      /end broken logic.

      Seems justified to me.
      • I used to buy a lot more music before the whole Napster thing. I don't buy much music today because I get an unpleasent feeling when I think about the fact that the RIAA is behind much of this. I still get indie music (mostly from folk singers who own their own record lables), but I buy a whole lot less music.

        Why should I feel guilty when I buy the latest Andrea Bocelli album? Isn't it better simply not to buy it?

        I don't pirate music either for the same reason. I would rather give mindshare to independant artists.

        So, most of the losses aren't due to piracy, they are due to people making a decision not to support the RIAA.

        Hello RIAA: Getting my money is a privilege, not a right. You are not entitled to get my money simply because you think that I should buy your product. I don't buy Microsoft software either for the same reason-- that they treat their customers as criminals for the simple reason that they use their product.
        • by WindBourne ( 631190 ) on Friday September 23, 2005 @12:36PM (#13630549) Journal
          I agree. We have over a 1000 CDs in this house. But we quit buying when RIAA got nasty. I already support idiots that were forced on me. I will not spend my money on these ones.
        • by dpilot ( 134227 ) on Friday September 23, 2005 @12:53PM (#13630720) Homepage Journal
          >Hello RIAA: Getting my money is a privilege, not a right. You are not entitled to get my money simply
          >because you think that I should buy your product. I don't buy Microsoft software either for the same
          >reason-- that they treat their customers as criminals for the simple reason that they use their product.

          To begin, look at something lots of people are doing and say, "What if I had a piece of all of that?" That's OK for a starting point, but it's where you go from there when things get can get nasty. The "good" way would be to come up with some way to help those people do what they're doing, more conveniently, better, or whatever. Then they'd be glad to give you some money as fair exchange for helping them. Unfortunately the current US business model seems to be focused on the "tax" model. ie, find a way to skim the revenue without doing commensurate work. In this model, they also tend to look at an activity and say, "I *deserve* a piece of every bit of that!" What they fail to realize is that people will follow a law of pricing. Music downloaders have lots of music because it's "free." The moment they have to pay for it, then the quantity of music becomes a cost factor balanced with food, clothing, and other such stuff. But somehow the RIAA looks at it as if they were "denied" that much revenue, and had they been charging, they would have gotten that amount of money.

          We were out walking the causway through the Bay yesterday, and I had a terrible thought. Someone's probably looking at all those people walking, and saying "What if I had a piece of all of that?" The next step would be to "privatize" bike and walking trails, the then Private Enterprise can run them for a modest fee, and instead of Government paying maintenance, (no doubt doing it incompetently, and government supposedly does with EVERYTHING) they'd be collecting revenue from the initial sale, and tax revenue from the walkers/riders.

          Me, I'd be walking somewhere else, and wishing I still had the views.

          As for music, I buy as little as I can, because I feel dirty buying label music. I do some shoppig at the indies on cdbaby, also.
        • by robogun ( 466062 ) on Friday September 23, 2005 @01:42PM (#13631263)
          Hello RIAA: Getting my money is a privilege, not a right.

          Great point. Consider that RIAA "pirates" money in a multiplicity of ways.

          -If you buy ANYTHING advertised on radio, part of your purchase price goes to RIAA and the labels, because the station has to pay ASCAP licensing in order to play music. Therefore, you pay and kiss rapstar ass EVEN IF YOU HATE THE MUSIC.

          -A similar scenario exists in stores which play background music. The store has to pay for a license and when you buy anything in there, you kiss RIAA ass, EVEN IF YOU HATE THE MISIC.

          -Furthermore, when you go to clubs and restaurants, part of your bill goes into RIAA pockets. At least here you have a choice to go to places which play music you like. But still, a disproportionate amount of money is diverted away from productive local businesses.

          -RIAA thinks you should buy recordings over and over because there is no replacement policy. For instance, I bought Pink Floyd on vinyl LP, and again when it scratched, then cassette tape, (anyone remember the RIAA freak-out in the 70s about tape), then CD, then CD again when it no longer played, then CD again as they came out with the Gold Edition and then the Millenium Edition and then the Aluminum Edition and there is no end in sight. Pardon me if I download a copy because I am too lazy to rip.

          Of course the RIAA doesn't think any of this is gravy, and that is why they don't live and think like normal people. It was a beuatiful business model for the 1950s, when the equivalent of megabytes could only be delivered via fragile media, but times have changed and quite simply they don't do enough to justify charging $15 for albums any more. I'm not saying their product should be free. What I am saying is them need to be satisfied with less cocaine, uglier hookers and last year's Bentley.
      • I didn't know Linux and Mac users listened to music. I was under the impression it was just a Windows thing.
    • In relation to the article, let me be the first to say, "Whiskey Tango Foxtrot". You pay for the disk. The disk is yours and you should be allowed to do whatever you want with it. The disk can be resold, cut into pieces, used as a frisbee, whatever. It's still your disk, and that copy of the content is still yours. (Note that this is artificial scarcity, so copying the data isn't allowed. The copy of data you have is supposed to be considered indivisible as if it were a physical product.) Once I have the disk, the only "rights" I don't have are the ones explicity restricted by copyright law. i.e. Copying.

      Of course, this is a Finish comment, so their law may work differently. But this idea of "privledges" sure as hell doesn't jive with US law.
    • by amichalo ( 132545 ) on Friday September 23, 2005 @11:24AM (#13629794)
      we need to understand that listening to music on your computer is an extra privilege.

      This is such a BS stance on the issue. So if your electronic device has an OS it's a computer and shoudn't play DRM-CDs, but if the device is straight circuits it's cool?

      Now, we need to understand that listening to music in your car or through your home stereos is an extra privilege. Normally, people listen to music on your computer. If you are a car or home stereo user, you should consider purchasing a regular CD player.

      Awesome point. Think about this too - many new car DVD/Navigation systems have embedded OSes - are they computers? What about high end home theaters? Where is the line for these people?

      One day (soon) there will be on-line movie stores and then people will have computers as PVRs in their home theaters - then what?
      • by KUHurdler ( 584689 ) on Friday September 23, 2005 @12:00PM (#13630147) Homepage
        I was loaned a DVD of the movie "Hitch" from a neighbor last weekend. I tried to pop the movie into my xbox (XBMC rules!!!) to watch it. But for some reason it wouldn't play because of some type of DRM.

        Since my wife and I didn't want to sit at my computer to watch the whole movie, I ripped the movie to my hard drive and encoded an xvid video (AutoGK rules too!). We enjoyed watching the movie on my xbox, and now I have a copy I can watch again any time we feel like it.

        I enjoy the humor in the fact that I wouldn't have ripped a copy if there were no DRM to begin with.
    • by hackstraw ( 262471 ) * on Friday September 23, 2005 @11:34AM (#13629891)
      Given that when I pay for a CD, I'm paying for the music, not the plastic and mylar

      If that were the case than you would have the right to download an MP3 or another type of encoding of the music for a lifetime once you bought a CD. Even after your CD is lost, stolen, scratched to hell, or sold or even given to someone else.

      I think you bought the plastic and mylar.
    • Examples: (Score:4, Interesting)

      by goombah99 ( 560566 ) on Friday September 23, 2005 @11:41AM (#13629954)
      Case I: You buy a movie theater ticket. You have purchased the avility to view the movie. But because you can't make it to the theater that night, you instead set up a video camera on your seat, so you can time shift your viewing of the movie. Are you entitled to do that? No.

      Case II: You buy some ephedrine, some lithuim batteries, some drano and some Acetone. They are your property to use as you wish. You decide to whip up a batch of Crack. Are you allowed to do this? NO.

      Case III: You own your car. You decide it would be cool to remove the windshield wipers and seatbelts. Can you do that? only if you don't put it on the road or try to sell it for such a use.

      case IV: you own some swapland. You want to drain it. can you do that? Not if it's considered a protected wetland.

      case V: you own a CD. You trade it to someone else for another CD. Can you do that. Yes. You own a peice of DRM'd music for which you contracted to play on a single computer. Can you sell that to someone else. NO. you contracted for that.

      In fact that is the single most compelling argument both for and against DRM. If you are forced to contract for something in a take-it-or-leave-it fashion, there is precedent in some situations that says you cannot be forced to contract to give up consumer rights. However if you are offered something at a lower price in return for giving up a right then you can lose a standard right. Thus one thing you could ask is the folloowing. When you bought the DRM'd music, did you ask if you could pay more and not have it DRM'd. If not then tough luck, you accepted the contract. If so, and were refused, you might just barely possibly have a case.

      Case VI: Your a farmer and the govenement tells you you can grow so many bushells on your land. You grow more but you plan to use them only for internal consumption on the property. Can you do that? seems like you could but infact you can't (read the case of Wicard Wheat). That case in fact IS the entire basis of 90% of federal law. The goverment has the right to regulate how anything is consumed or used if there is even tangentially some affect on interstate commerce. in the case of Wickard, the Supreme court ruled that if he had not grown the crops for his own use, he might possibly have purhcased them on the open market.

      The point is that No you can't do what you please even if you own property. Don't like that? change 200 Years of case law, otherwise stop whining.

      • Re:Examples: (Score:5, Insightful)

        by ivan256 ( 17499 ) on Friday September 23, 2005 @12:00PM (#13630143)
        Those are all lovely examples. Except for the one that's wrong.

        People don't enter into the contracts you describe when they purchase CDs, books, movies, or most any other creative media, because if they did you'd have a point. The power content providers wield over consumers comes from something other than contract law...

        The problem here is that congress passed a law that made it illegal to circumvent DRM, and in the process gave away their power to determine what rights content owners have. As soon as congress figures out that they gave away some of their power things will get fixed. How many decades will it take?
      • by sootman ( 158191 ) on Friday September 23, 2005 @12:01PM (#13630153) Homepage Journal
        Case II: You buy some ephedrine, some lithuim batteries, some drano and some Acetone. They are your property to use as you wish. You decide to whip up a batch of Crack.

        Link please. :-)
      • Re:Examples: (Score:5, Informative)

        by AKAImBatman ( 238306 ) * <<moc.liamg> <ta> <namtabmiaka>> on Friday September 23, 2005 @12:05PM (#13630206) Homepage Journal
        Case I: You buy a movie theater ticket. But because you can't make it to the theater that night, you instead set up a video camera on your seat

        You must note that you own nothing in this case. The movie theater sold you a service, not a product. Thus this case is not covered under copyright law. (Until you try to "steal" the movie, that is.)

        Case II: You buy some ephedrine, some lithuim batteries, some drano and some Acetone. You decide to whip up a batch of Crack. Are you allowed to do this? NO.

        Actually, I'm a little fuzzy on this one. I'm not certain that whipping up crack is so much the problem as to what your intent is with it. If you were using the resulting chemical for non-biological scientific experiments (not sure what you'd do with crack, but hey) you probably would not be liable for criminal actions. Of course, it always helps to get a hazmat license to prove the fact before you begin your experiments.

        Case III: You own your car. You decide it would be cool to remove the windshield wipers and seatbelts. Can you do that?

        YES!

        only if you don't put it on the road or try to sell it for such a use.

        Again, this is a matter of services provided. The public as a whole is providing you with a service (public roads) which comes with terms of use. You agree to those terms in exchange for use of public roads when you get your driver's license. That's why a cop can fine you for having a vehicle that isn't up to code.

        BTW, you can still sell the vehicle. You just can't claim it's road worthy. Otherwise, how do you think junk yards can take damaged cars?

        case IV: you own some swapland. You want to drain it. can you do that? Not if it's considered a protected wetland.

        This is probably a valid case, but it gets back to your rights ending when they begin to reasonably interfere with the rights of others. In the case of draining wetlands, the environmental impact will affect others. e.g. A bit like if you diverted a river farther up stream.

        You own a peice of DRM'd music for which you contracted to play on a single computer. Can you sell that to someone else. NO. you contracted for that.

        Actually, if you never signed a contract (or at least a click through agreement), you can sell it all you like. I remember a fellow attempting to sell his copy of an iTunes song just to prove he could do it. It's allowed by copyright law, so without a pre-existing agreement you are not restricted from sale.

        Case VI: Your a farmer and the govenement tells you you can grow so many bushells on your land. You grow more but you plan to use them only for internal consumption on the property. Can you do that? seems like you could but infact you can't

        I'll have to look up this case, but that is a rather serious issue if it's as simple as you state.
        • Re:Examples: (Score:4, Informative)

          by HunterZ ( 20035 ) on Friday September 23, 2005 @12:14PM (#13630308) Journal
          >> Case II: You buy some ephedrine, some lithuim batteries, some drano and some Acetone. You decide to whip up a batch of Crack. Are you allowed to do this? NO.

          > Actually, I'm a little fuzzy on this one. I'm not certain that whipping up crack is so much the problem as to what your intent is with it. If you were using the resulting chemical for non-biological scientific experiments (not sure what you'd do with crack, but hey) you probably would not be liable for criminal actions. Of course, it always helps to get a hazmat license to prove the fact before you begin your experiments.


          In many states, posession of certain ingredients with intent to manufacture certain controlled substances is a felony:
          http://www.leg.wa.gov/RCW/index.cfm?section=69.50. 440&fuseaction=section [wa.gov]
      • This issue is really calling for some regulatory protection measures.

        If we can make them put Parental Advisory stickers because some guy said the F*** word, then we certainly can make these guys put something that says, in large print:

        "WARNING! This CD will not play on many CD players."

        Mark
    • by justin12345 ( 846440 ) on Friday September 23, 2005 @11:45AM (#13629988)
      What is a "CD player"? Is that like an iPod or something?
  • by yagu ( 721525 ) * <yayagu@gmailDALI.com minus painter> on Friday September 23, 2005 @11:12AM (#13629658) Journal

    Re: the "go out and buy another CD player", I wonder what Philips' stance will be on all of this. Haven't they denied the right of DRM and copy-protected "CD" distributors to actually call them CDs? Call the new "machines" what they are, DRM/copy-protection capable CD-like players.

    All I can say is I am sorry for the next generation of people who are introduced to the entertainment marketplace. We who have so long been able to enjoy CDs as they were originally defined, CDs that would play in our cars, would play in our home entertainment centers, and on our computers. It seems that era may be ending. Sigh.

    I suggest a meme, (hate that word)... start calling "DRM'ed CDs" something else. Say, maybe non-standard-and-playable-only-on-certain-player-t hingies resembling CDs.

    • by madaxe42 ( 690151 ) on Friday September 23, 2005 @11:21AM (#13629754) Homepage
      I suggest a meme, (hate that word)... start calling "DRM'ed CDs" something else. Say, maybe non-standard-and-playable-only-on-certain-player-t hingies resembling CDs.

      Coasters.
    • by guygee ( 453727 ) on Friday September 23, 2005 @11:26AM (#13629821)
      Let's change DRM (Digital Rights Management) to DUM (Digitally Unusable Music), then we can call them "DUM CDs". Why accept the language of your opponent? Put it into plain terms people can understand.
      • Let's change DRM (Digital Rights Management) to DUM (Digitally Unusable Music), then we can call them "DUM CDs".

        Let's continue and call them DUMB CDs. Digitally Unusable Music Biatch.

        That more completely fills the acronym void into a real word, and keeps up with the times.
    • by Khomar ( 529552 ) on Friday September 23, 2005 @11:30AM (#13629854) Journal
      All I can say is I am sorry for the next generation of people who are introduced to the entertainment marketplace. We who have so long been able to enjoy CDs as they were originally defined, CDs that would play in our cars, would play in our home entertainment centers, and on our computers. It seems that era may be ending. Sigh.

      Not at all. The era that will be ending is the monopoly of the RIAA and the degradation of "mainstream" music. I really cannot see this effort they are trying to push through working in the marketplace. There are far too many CD players out in the market right now and far too little talent in the mainstream outlets for people to start wholesale replacement of their players so they can purchase and listen to DRM CD's. One of the problems for the industry is that the CD works too well. Other than the MP3 (which also is already out and popular in the wild), they cannot find a medium to make CD's obsolete. How do you get better than perfect sound (well, at least perfect for 99% of the population who can't tell the difference)?

      With the formation of iTunes and similar outlets along with the momentum of the marketplace, I cannot see their efforts succeeding long term. Eventually, the grassroots independent labels will rise to higher prominence in the market's eyes because their music will be more creative and people will be able to play their music on their existing systems. I don't know about you, but I will NOT be spending more money just to listen to CD's I don't really need -- especially when their are other options. And there is certainly a lot of money to be made here by those who don't want to follow the DRM path. Where there is demand, you know the supplies will be coming soon.

      We are likely seeing the end of an era. It is the end of the RIAA era.

    • by terrymr ( 316118 ) <terrymr@gmail.POLLOCKcom minus painter> on Friday September 23, 2005 @11:52AM (#13630073)
      you will notice that DRMed discs ... do not have the "Compact Disc - Digital Audio" logo anywhere on them or the packaging. CD players are not guaranteed to play them.
  • by TripMaster Monkey ( 862126 ) * on Friday September 23, 2005 @11:12AM (#13629660)

    Yet another sordid chapter in the DRM saga...the insulting attempt to redefine our relationship to content we have purchased as a "privilege."

    Here's the actual quote from Tommi Kyyrä himself:
    "Now, we need to understand that listening to music on your computer is an extra privilege. Normally people listen to music on their car or through their home stereos," said Kyyrä. "If you are a Linux or Mac user, you should consider purchasing a regular CD player."
    Tommi, don't you dare try to tell me that playing content I've purchased is a 'privilege'. I paid for that content, and I have the right to enjoy it. If your ridiculous DRM schemes get in the way of my legitimate use of my content, it's up to you and your cronies to remedy that, rather than try to redefine my rights as 'privileges'.

    By the way, Tommi, your site [www.ifpi.fi] seems to be down, but don't worry....I guess having a web site that's up all the time is a 'privilege' as well.
    • by 91degrees ( 207121 ) on Friday September 23, 2005 @11:25AM (#13629805) Journal
      rather than try to redefine my rights as 'privileges'.

      There's something to be said for this line of thought.

      50+ year copyrights are a privilege. Not a right.

      Long term musician contracts are a privilege. Not a right.

      Profits from CD sales are a privilege. Not a right!
    • by Fordiman ( 689627 ) * <fordiman.gmail@com> on Friday September 23, 2005 @11:32AM (#13629870) Homepage Journal
      "Now, we need to understand that listening to music on your computer is an extra privilege. Normally people listen to music on their car or through their home stereos," said Kyyr&#228;. "If you are a Linux or Mac user, you should consider purchasing a regular CD player."

      This is tantamount to:

      "Now we need to understand that, for computer users, owning physical media is an extra privelige - one that requires extra effort. Normally people listen to music via iTunes or on Hardware MP3 Players from files they've encoded from their CD collection. If you are a Linux user, since we're being assholes about it, we suggest you download our media illegally"
  • by overpayd ( 855430 ) * on Friday September 23, 2005 @11:12AM (#13629665)
    From http://www.musexfinland.fi/index.php?page=members& id=7 [musexfinland.fi]

    "IFPI Finland's goal is to ensure a favourable operational environment for the recording industry in Finland. This is achieved by improving recording industry's cultural political status, securing effective legislation to protect the recording industry's interests and improving the competitive environment."

    I hope that's a joke. Flamebait rantings like this one can't possibly be helping them "improve the recording industry's cultural political status."
  • Well, maybe they wouldn't be on the verge of collapse if they weren't a bunch of greedy a$$hats. they make Billions of dollars every year and yeah, they're gonna go out of business, they won't be able to keep their 6 houses, private jets, yachts, etc... boo hoo.


    First Post.
    • Yeah, and so what if they do collapse? Are there music listeners out there who really believe that if the record labels go down, we won't ever have any new music to listen to? Do these guys think any of us really care whether or not they make money? All these record exec's are doing is trying to justify their own greed. Probably somewhat for themselves, and probably also for the politicians, who tend to think along very similar lines. They're so out of touch with the everyday person's experiences, it's unre
  • by grub ( 11606 ) <slashdot@grub.net> on Friday September 23, 2005 @11:14AM (#13629678) Homepage Journal

    those that can't because of DRM'd CDs should just go out and buy a CD player.

    And they wonder why there is so much animosity directed at their cartel from consumers.
  • DRM (Score:5, Interesting)

    by trosenbl ( 191401 ) <trosenbl@gmaLIONil.com minus cat> on Friday September 23, 2005 @11:15AM (#13629687)
    No, it's not inherently a right.

    I'm suprised the RIAA isn't charging 25 cents a song for DRM "enabled" music, and subsidizing the cost of DRM players. That'll encourage market penetration, and once they've got a certian portion of the market unable to play anything else, they will finally have their freedoms.

    Not like their employees (Congress) will do much to stop them, at least for a while.
  • by amichalo ( 132545 ) on Friday September 23, 2005 @11:16AM (#13629695)
    Music industry execs need to remember this one simple thing: When they sell their music to us, only one side is bringing any money to the transaction. At the end of the day, it they don't offer something consumers will pay for, they will sell none of them. I don't own a Windows PC so I won't be purchasing any of their WMA only crap. Period.

    This discussion is very similar to the Jobs v. Music Industry debates over $0.99 song pricing and Jobs is right on the money - I am not going to pay more than a dollar for a song when I can get it for free using another application that is also on my computer.
  • The Real Problem (Score:5, Insightful)

    by rlp ( 11898 ) on Friday September 23, 2005 @11:17AM (#13629702)
    Customer sales for the recording industry is a privelege not a right. Profit is a privelege not a right. Just cause the recording industry has a failed business model and crappy product, doesn't mean government should create a 'right' for them to be profitable.
  • Fortunately... (Score:5, Insightful)

    by sH4RD ( 749216 ) on Friday September 23, 2005 @11:17AM (#13629705) Homepage
    It's also my RIGHT not to buy that DRM'd crap.
    • Re:Fortunately... (Score:3, Interesting)

      by iamlucky13 ( 795185 )
      I've only bought 1 CD in the past year. There are a couple major bands I'm currently seriously considering buying CD's from, but one of the things holding me back is DRM and the other stupid crap pulled by the major labels. If others are willing to live without the latest big hits for a little while, I'm more than game for a boycott to teach the RIAA a lesson in the free market economy.
  • Maybe he has a point. After all, it must be wrong since it feels so right.
  • by hackstraw ( 262471 ) * on Friday September 23, 2005 @11:18AM (#13629715)
    From the redbook standard information from wikipedia:

    Recently, some major recording publishers have begun to sell CDs that violate the Red Book standard for the purposes of copy prevention, using systems like Copy control, or extra features such as DualDisc, which features a CD-layer and a DVD-layer. The CD-layer is much thinner, 0.9mm, than required by the Red Book, which stipulates 1.2mm. Philips and many other companies have warned them that including the Compact Disc Digital Audio logo on such non-conforming discs may constitute trademark infringement; either in anticipation or in response, the long-familiar logo is no longer to be seen on many recent CDs.

    Any company can make any product and sell it for how much they like, but if they are going to make a "CD" then it must be a CD, which in turn will play on a Mac or Linux or any CD player with the CD logo on it. If a company wants to create something else, say SACD, DVD-A, it must be labeled and sold as such, and not as a CD.

    End of story.
    • by thatguywhoiam ( 524290 ) on Friday September 23, 2005 @11:56AM (#13630107)
      Any company can make any product and sell it for how much they like, but if they are going to make a "CD" then it must be a CD, which in turn will play on a Mac or Linux or any CD player with the CD logo on it. If a company wants to create something else, say SACD, DVD-A, it must be labeled and sold as such, and not as a CD.

      See, the thing is, they (the RIAA etc) have quietly been dropping the CD logo for some time now. It used to be fairly prominent on the exterior packaging and on the disc itself. Then, they started embossing it on the inside of the case (top right/lower left corners around the disc inlay). Now, they just leave it out entirely in many cases.

      What you may see instead is the Copy Protected Disc logo, as seen here. [macobserver.com]

      So it is no longer a Compact Disc, red book standard. It is a Copy Protected Disc.

      On another note - that copy protected logo is a terrible piece of logo design. When I look at it I think "Play Record Play Record"... probably not the message they want to be sending...

  • Nope! (Score:4, Interesting)

    by TheRealMindChild ( 743925 ) on Friday September 23, 2005 @11:18AM (#13629720) Homepage Journal
    I've GOT alternatives... MP3 player and an online store. Take that away from me? MP3 player and my local p2p app. Shut that down? I can still get vinyl AND cassette tapes. Put two bowls of tomato soup in front of me... one looks great, but I am only allowed to eat it with chopsticks, and the other is a bit cold, but I can eat it with a spoon or whatever I want... guess which one Ill take.
  • Well, golly, one of the RIAA members just happens to produce CD players as well -- Sony.

    Something about a monopoly is ringing in the back of my head...not sure what that's all about....
  • by tjstork ( 137384 ) <todd...bandrowsky@@@gmail...com> on Friday September 23, 2005 @11:20AM (#13629746) Homepage Journal
    That's pretty cut and dry. They won't give me a product that I want, I will not buy it. It's not as if music and movies are the only form of entertainment out there. I can live without them, but they can't live without me, and if they all starve, I don't care and I don't have to care. Sorry music industry.
  • Fuck them (Score:5, Interesting)

    by Cally ( 10873 ) on Friday September 23, 2005 @11:20AM (#13629748) Homepage
    No, seriously, I mean it. Fuck them and their stinking business model that's based around parasiting off talent and screwing the pressure down on young artists to be as commercially successful as possible. BTW I speak as someone who worked at a music publisher for a couple of years. I thought I was pretty cynical when I started there, by the time I left I was a physical and emotional wreck (this was partly caused by my trying to live on 140 quid a week in Notting Hill Gate [expensive & flash area of West London] and partly by trying to reconcile their world view with my own and manage to build myself a career in the industry that didn't involve fucking artists over, lying, cheating, and generally behaving like a dick. (This was over ten years ago, by the way. )
  • by vijayiyer ( 728590 ) on Friday September 23, 2005 @11:21AM (#13629761)
    Because CDs, by definition, follow a standard, and play on all devices that conform to that standard.
    He should say "Playing music on a Mac from silver coasters that happen to play music in some CD players isn't a right."
  • by mysqlrocks ( 783488 ) on Friday September 23, 2005 @11:21AM (#13629764) Homepage Journal
    It has consistently been my position that technologies like "Digital Rights Management" are less about preventing piracy, and more about finding new ways to nickel-and-dime customers.

    This is so true. Also, one thing that doesn't come up a lot is how much of this money actually makes it back to the artists? Artists have to constantly audit the record labels to get their fare share. They're not just nickel-and-diming the customers, they're nickel-and-diming the artists on the other end.
  • Sure... (Score:5, Interesting)

    by mark-t ( 151149 ) <markt AT nerdflat DOT com> on Friday September 23, 2005 @11:23AM (#13629774) Journal
    Is Tommi Kyyrä gonna buy everyone a new CD player?

    No?

    Then perhaps Mr. Kyyrä should keep his nose out of other people's brand choice purchases.

    Anyways...

    I don't go around ripping CD's and sharing them with my friends, in spite of the fact that I not only can, but in fact actually *DO* go around regularly ripping CD's (and DVD's too, for that matter) that I've legally purchased, so that I can play them on my laptop.

    I do not in any way shape or form distribute the content that I obtain, and according to good old Copyright Law, copying for personal and private use does not and can not in any way be considered copyright infringement, regardless of the DMCA or other DMCA-like laws.

  • by El_Muerte_TDS ( 592157 ) on Friday September 23, 2005 @11:23AM (#13629775) Homepage
    ... customers will no longer take this shit and will stop buying CDs.

    wait a minute ...
  • by ViX44 ( 893232 ) on Friday September 23, 2005 @11:23AM (#13629783)
    Stance 1: They're selling you a CD.
    If you buy a CD, you buy the limitation that it only plays on limited devices. You can't play it on your phonograph or eight-track, and it may not work on hardware that isn't Trusted. However, anything you can do with it (under fair use) you must be able to. Play it on your walkman, with audio out to the audio in of your linux box, and wash it through Audacity to get it on an MP3, if you like. You have that right because it's YOUR CD, and format-shifting is fair use.

    Stance 2: They're selling you a limited license to listen to a collection of music.
    If you buy a license to music, you have the right to hear that music. Copy protection that prevents your accessing your licensed music on devices that are Audio CD compatible (note the little "compact disk" logo on all standards-meeting CD playback devices) is an infringement on your rights to access your licensed property.

    They don't want to sell you a CD, because they lose control over it, but they are not letting you use the material you are legally licensed to when you 'buy' a CD's content for personal use. It'd be nice if they'd make up their minds beyond "give us your money, and up yours."
  • Just a thought... (Score:4, Interesting)

    by Karyyk ( 910994 ) on Friday September 23, 2005 @11:23AM (#13629784) Homepage
    So, if I buy a CD and can't rip the music to my computer due to the industry copy protection, is it then legal for me to download that same music using a P2P device? If I'm truly buying access to those songs (regardless of the medium of delivery), do I then have the rights to those song regardless of the means I am then forced to procure it in the medium I then want? Why wouldn't I be?
  • privilege? (Score:4, Interesting)

    by Bandman ( 86149 ) <bandmanNO@SPAMgmail.com> on Friday September 23, 2005 @11:24AM (#13629789) Homepage
    Hrm. Having your CDs bought by the public isn't a right, either. It's a privilege, too, and one that asshats who take this stance might have revoked.

    After all, according to our RIAA, it's a license, anyway, right?
  • DRM is a pipe-dream (Score:4, Informative)

    by Ceriel Nosforit ( 682174 ) on Friday September 23, 2005 @11:26AM (#13629809)
    DRM is a pipe-dream. As long as I can get music out of my speakers I can record the sound and distribute it online. Most CD drives you install in your computer come with an analogue-out port which you can connect to your sound card, and all you have to do to rip past the copy hinderace is record from that source. IIRC newer SoundBlaster cards come with a native function that lets you record exactly what you hear from your speakers.
  • Wrong way around (Score:5, Insightful)

    by Alioth ( 221270 ) <no@spam> on Friday September 23, 2005 @11:26AM (#13629812) Journal
    No, they have it the wrong way around.

    The record companies receiving my money is a privilege they have - not a right.
    The moment they make music that I can't play on my chosen CD playing device (whether that be a car stereo, a non-Windows computer or my old CD player that may not understand non-RedBook CDs) they lose the privilege of receiving my money.
    The moment they put music for download that I cannot trivially remove the DRM from is the moment that I stop buying music from them online.

    I still buy regular CDs and music from iTMS because the former I can play on all my machines, and the latter I can trivially remove the DRM with JHymn. I buy unencrypted MP3s from places like Magnatune for the same reasons. I'm happy to buy DVDs because the DRM is trivially removed and I can put the movie I bought on my server so I can play it on whatever device is most convenient. The moment I can no longer do this is the moment I stop buying DVDs.

    If in 20 years time, I cannot get music/video I can play on any of my chosen devices, so be it - I won't buy music or movies. I don't need them - I can do other activities instead such as read a website, go to the pub with my friends (and see a local live band), or go on a bike ride. I can happily get by without entertainment on plastic disks. The record companies must understand that mine and many others music purchases are discretionary spending they do NOT have a right to have - instead they have the privilege of having. A privilege that can be easily revoked.
  • by Stumbles ( 602007 ) on Friday September 23, 2005 @11:26AM (#13629815)
    Idiot.
  • by scharkalvin ( 72228 ) on Friday September 23, 2005 @11:27AM (#13629827) Homepage
    ...and the only thing that will save it is DRM and the reduction of
    my rights, then
    LET THE INDUSTRY COLLAPSE!!!!!

    Something better will fill the vacuum.
  • by zbuffered ( 125292 ) on Friday September 23, 2005 @11:32AM (#13629869)
    If the public and 'their' politicians believe that the entertainment industry is on the verge of collapse, they'll be much more likely to accept restrictions on use of content that they've paid for.

    Nah. We don't really like you enough. Maybe if the entertainment industry does collapse, maybe then we'll realize. But before? Nah. You keep it up with your doomsday predictions... I don't see Universal Studios or Paramount closing up shop, and I don't care about your problem.
  • by LWATCDR ( 28044 ) on Friday September 23, 2005 @11:36AM (#13629914) Homepage Journal
    1. My computer is my CD-Player. It should play any Compact Disk. To be a Compact Disk or CD it must follow that standards laid out by Phillips. If it does not the it must be clearly labeled.
    2. Any company that uses any method that may intentionally or unintentionally cause confusion as to if the said music storage medium is or is not a Compact Disk is guilt of a violating the trademark and unfair business practices. IE like Lindows vs Windows. I can see far more customer confusion caused buy a music disk displayed with real CDs in a store with no clear label than would ever be caused by the confusion of Lindows and Windows.
    3. If I purchase an item their is the assumption that I may do with the item what I want.
    So if I can make the disk play in my computer then that is fine. If can rip the disk then I can put it on my music player. If I want to use it to tile my living room so be it.
    4. If I do not own the CD but instead just licencing it. Said company must get a signed license from me and keep it on record.
    5. If I just own a license to the music and I am not allowed to back it up then the providing company must replace the media forever if it ever fails or is damages. Since I forbidden to protect my investment to protect the Music provider the music provider must protect it for me at no cost and forever.

    I can live with rules. I think it is time to stop supporting the record companies.
  • by CodeBuster ( 516420 ) on Friday September 23, 2005 @11:38AM (#13629927)
    Although it has been said before in similar discussions, it would be perhaps be pertinent to the present discussion to remind people that the entertainment business in general and the music business in particular is guilty of manipulating interpretations of what the user actually owns when they purchase media. The essential question is whether I purchased the physical media and thus have the right to dispose of it in any manner that I see fit or did I instead purchase the rights to listen to the tracks on the media, subject to the restrictions of public performance or charging admission as per the contract of copyright, in perpetuity on my own private property (house, car, MP3 player, etc). The music industry, in past litigation, prefers to change the definition or reinterpret the distinction as and when it suits them, but it seems to me and others as well that they should not be able to have it both ways. Either the disc is physical property or the disc is immaterial and I have purchased instead the right to listen whenever I wish in perpetuity. If the former is true then I should be able to make as many copies as I want and distribute them in any way that I want for any amount that I wish to resell them for, just as I would with any other piece of real property. On the other hand, if the later is true then I should be able to make as many copies as I wish, in whatever format(s) I chose, so long as I do not violate the distribution or public performance provisions of the agreement under which the music was purchased (ie copyright). The purpose of copyright was to secure, for a limited time the sole right of reproduction to the original author or owner with the understanding that the public would ultimately benefit when the work entered the public domain, not to protect the profits of the rights holder. The increasingly skewed interpretations of our nations copyright laws have arguably tipped the balance so far in favor of the rights holder that the public now has little or no incentive to play by the rules because the benefits to which they were supposedly entitled under the social contract of copyright have become hopelessly captive to the whims of the rights holders. Is it any wonder then that people take matters into their own hands with circumvention devices to enable their rightful use of the copyrighted works that they paid for on platforms of their choosing when faced with such onerous terms?
  • by msauve ( 701917 ) on Friday September 23, 2005 @11:41AM (#13629951)
    If they want to play the game of unintended consequences, try this...

    Rip and burn from one of these DRM'd pieces of plastic, then make lots of copies on audio CD-Rs, which can be purchased for less than $1 each. Give (do not sell) those copies to all of your friends. It's all perfectly legal in the US.

    When you buy audio CD-R media, you're automatically paying a royalty tax (3% of wholesale) by law. The RIAA should be more careful about what it wishes for - they pushed for the legislation which allows this.

    18 USC, Chapter 10, Subchapter A, Section 1008 specifically states:

    No action may be brought under this title alleging infringement of copyright based on the manufacture, importation, or distribution of a digital audio recording device, a digital audio recording medium, an analog recording device, or an analog recording medium, or based on the noncommercial use by a consumer of such a device or medium for making digital musical recordings or analog musical recordings.

    [emphasis added]

    So, copy and distribute (noncommercially) all you want!

  • I wonder whether record shops should be allowed to sell discs which loook similar to CDs interleaved with CDs? One could take the view that they are guilty of misrepresentation: they should have a separate section where they clearly display notices telling potential purchasers that the discs in that section don't comply with the CD standards.

    Alternatively, they should advise customers at the till that the disc they are about to purchase isn't a CD, despite having been packaged as one.
  • by KoshClassic ( 325934 ) on Friday September 23, 2005 @11:51AM (#13630052)
    Doesn't the "DISC" logo on the front of my CD-ROM, my Walkman, my home stereo etc. identify the player as a certified CD player based on some consortium of manufacturers??? When one of the RIAA member companies sells me the a CD, and they call it a "Compact Disc" or a "CD", aren't they vouching that it will be compatible with any device that has the "DISC" logo on it?

    The RIAA member companies should feel "privileged" that I choose to give them any money for any of their (mostly) lousey products to begin with. That is the only "privilege" involved in any of this.
  • More privilages (Score:3, Insightful)

    by ezweave ( 584517 ) on Friday September 23, 2005 @11:52AM (#13630063) Homepage

    It seems like he forgot a few "privilages"

    • We need to understand that being able to drive your own car is a privilage not a right. Normal people have chauffeurs.
    • We need to understand that being able to eat a sandwich is a privilage not a right. Normal people date and number sandwiches and store them in plastic bags in boxes, between Punisher War Journal 1 and Spiderman 100.
    • We need to understand that voting is a privilage not a right. Normal people don't vote.

    Do you really think that you should be allowed to misuse something you own? Shoot, I need to get home throw out some AOL discs, otherwise the consumer-police may arrest me for using them as coasters.

  • by Namronorman ( 901664 ) on Friday September 23, 2005 @11:56AM (#13630104)
    If you buy a DRMed CD that does not appear to be DRMed before you even play it, return it. I don't care if it hurts the stores initially, the RIAA will eventually feel it. We have to fight this utter bullshit.

    I know we can just boycott whatever these mega-corps push out, but that doesn't tell them our exact meaning, who even says they're listening? I personally think it would be better to be selective on what to not purcahse, if it's DRMed, return it, if it's not DRMed and you want it, let them know.
  • by mr.dreadful ( 758768 ) on Friday September 23, 2005 @12:11PM (#13630281)
    Copy-protection and media format are really not that important to me. If I want it bad enough, I can find a way around either, but frankly there is so much media being created that it's much easier to just find something that does work on my Mac.

    My spending money on your product is a privilige, not a right, and I will take my ball and go home if you don't offer me a product I want to buy.

    The media world is changing, and while I'm sure the RIAA will squeeze some more cash out of their decaying system, there are plenty of media creators at there who are hungry for my cash and will create the products I want to consume at the price and format that I want.

    Funny how that "free-market" argument can bite you in the ass...

  • by ewhac ( 5844 ) on Friday September 23, 2005 @12:32PM (#13630507) Homepage Journal
    Repeat after me:

    "Right to Use is concomitant with purchase."

    What does "use" mean? Any damn thing the customer defines it to mean. The vendor gave up all rights to constrain the customer when s/he sold the item (and yes, you sold it despite what that flimsly little piece of paper inside the shrinkwrap may say).

    To placate the IP Fundamentalists, we may agree, for the moment, that "use" should not include the making and distribution of copies to others. Anything outside of that should be perfectly okay. Meaningful counterexamples welcome.

    Schwab

  • by idlake ( 850372 ) on Friday September 23, 2005 @12:42PM (#13630619)
    Copyright is a pretty clear deal: people publish content, they get certain guarantees from the government for a limited time, and then the content becomes public domain. The emphasis here is on "publish", that is "make public". Any form of DRM actually violates this deal: if a company uses technological measures to prevent copying, they should not also be able to claim copyright because, among other things, the content will never become public domain. In different words, using DRM violates the agreement and constitutional basis on which copyright is based in the first place.

    So, the question to ask is not whether I should be able to play copyrighted content on my Linux computer. Rather, it is clear that we need to resolve the conflict between DRM and copyright law in a way that is constitutionally and socially acceptable. And the only way I see is to eliminate all copyright protection for content that prevents copying through technological measures, including DRM or use of proprietary formats.
  • by vuori ( 917198 ) on Friday September 23, 2005 @01:20PM (#13630985)
    The interview from which this was quoted is about the new Finnish copyright law, which is basically a Finnish version of the DMCA, following the EU directive on national copyright laws. (The interview was originally published in the Tietokone magazine; rumor has it that Mr. Kyyrä was less than amused at being quoted verbatim, and a cleaned up version was put up a few hours later.)

    The high points of the law include (these are mostly quoted from Electronic Frontier Finland's FAQ on the law at http://www.effi.org/tekijanoikeus/laki/tekijanoike us-faq.html [effi.org] (Finnish only)):
    - prohibition on sale, distribution, possession and "organized discussion" (yes, it says this; no, "organized discussion" is not defined; yes, it's hard to see how this isn't against the Finnish constituion) of products whose purpose is the circumvention of DRM (this would include all non-sanctioned DVD players using something like libdvdcss);
    - prohibition on copying of "efficiently" protected music or other copyrighted material to, for example, MP3 players; this is sort of allowed in one clause and expressly prohibited in another (this has been the major point seen in public discussion in the last few days);
    - prohibition of "parallel" import of goods from outside the EFTA; individuals can still order goods from outside the EFTA, but all (including private) resale is prohibited; it doesn't actually matter whether the import is "parallel" or the only import, it must still be sanctioned by the copyright holder;
    - possibility of expansion of the "cassette tax" (currently paid for recording media such as audio tapes and CD/DVD-Rs sold in Finland; money goes to the record labels based on how many records they sell, IIRC) to other media that "may be used to store copyrighted material"; this potentially includes all hard drives.

    "Efficient protection" is a key concept in the law, but is not actually defined. According to the committee responsible for the law, protection is "efficient" if it was "meant to protect the copyrighted work from being copied". So it could be said that this law makes the shift key an illegal circumvention device.

    The law was written pretty much behind closed doors, with only "experts" from the record label trade bodies and similar organizations heard. Also the head of the committee, Jukka Liedes, sits on the board of ESEK, a sub-organization of Gramex (a trade association which represents record labels in Finland). The Ministry of Education, which is the ministry responsible for the law, has also been forwarding press releases penned by the abovementioned organizations pretty much verbatim and quoting them in interviews.

    It is a matter of discussion whether the committee responsible for the law is actually evil and corrupt, or just so incompetent that they have no actual idea what the rules proposed by the industry actually mean in practice.

    The law was accepted in its current form today, with an official (but not having any power of law) note attached effectively saying that "there's some stuff in there that should be fixed". I understand that the law will be headed for the final yes/no vote in the parliament in the near future. In my opinion, it's very likely that it will be pushed through; the recording industry has put their rather powerful propaganda machine in high gear and (I assume) also their lobbying machinery after the outcry from the public began.

    The minister of culture Tanja Karpela (who is the "owner" of the law) has refused to admit that there are any problems with the current version of the law, even though it has obvious internal contradictions as well as contradicting the constitution. When opposition to the law first started making headlines, she stated her suspicion that it was a result of "machinations by certain parties" (that's a pretty much literal and verbatim translation). It would appear that she is mostly repeating statements prepared by someone else regar
  • a brief response (Score:3, Insightful)

    by poot_rootbeer ( 188613 ) on Friday September 23, 2005 @01:23PM (#13631013)
    "If you are a Linux or Mac user, you should consider purchasing a regular CD player."

    The CD drive in my Linux or Mac computer has a "Compact Disc Digital Audio" logo on its door. Its firmware contains full support for the Red Book specifications.

    MY COMPUTER IS A REGULAR CD PLAYER.

It's hard to think of you as the end result of millions of years of evolution.

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