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Canadian Minister Promises to Fix Copyright Law 569

Mashiki writes "In Canada, we can download Mp3's and their assorted goodness without too much of a hassle, recently the CRIA and their friends lost the court case. Well, it would appear that the new Federal Heritage Minister Helene Scherre, has spoken and those words were: 'As minister of Canadian Heritage, I will, as quickly as possible, make changes to our copyright law.'"
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Canadian Minister Promises to Fix Copyright Law

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  • CDR Tax (Score:5, Interesting)

    by Alternate Interior ( 725192 ) * <slashdot.alternateinterior@com> on Sunday April 04, 2004 @02:56AM (#8760181) Homepage
    So does that mean the CD-R Tax disappears?

    /not canadian
  • by barc0001 ( 173002 ) on Sunday April 04, 2004 @03:04AM (#8760208)
    That a federal election isn't that far off... And slogans like "Helene Scherre wants to put your kids in prison" look great on T-shirts and the news...
  • The battle rages (Score:5, Interesting)

    by ites ( 600337 ) on Sunday April 04, 2004 @03:06AM (#8760213) Journal
    Between governments and the people. Already countries have to compete for the best citizens. Eventually they will realize this means making laws people _like_ as well. I'll postpone my departure to Canada until the dust has settled.
  • by silvaran ( 214334 ) on Sunday April 04, 2004 @03:06AM (#8760215)
    Fair enough. Some people download music, some people don't. But consider his quote:

    "I think it's a challenge for the industry, to try and find a new way to survive."

    This lends creedence to many a /.'ers comment that the music industry is holding onto a failing business. We don't need them anymore. Despite being wrapped up in the industry by being the winner of a [cheap knock-off] American Idol* contest, he sees the Industry's role as "a new way to survive," as opposed to some criminal challenge that they must overcome.

    My hats off to him, especially given his previous quote, "Whether people download or not, as long as they're listening to music."

    * Yes, I'm a Canadian. Paul Martin has yet to earn my respect.
  • Wow (Score:5, Interesting)

    by Zakabog ( 603757 ) <john&jmaug,com> on Sunday April 04, 2004 @03:09AM (#8760223)
    Canadian Idol winner Ryan Malcolm expressed skepticism, and suggested the Canadian music biz find a way to live with file-sharers.

    "Whether people download or not, as long as they're listening to music," he said.

    "I think it's a challenge for the industry, to try and find a new way to survive."


    Wow I've never heard that from someone outside of slashdot, now we just need american idol singers to say that, and maybe nsync and britney spears, then MAYBE (doubtfull) people would listen.

    What really kills me is that Bill Mahr (I think he's really funny and I love his show on HBO) calls downloading music stealing just like tons and tons of other people. It isn't stealing, you can't steal something by copying it, I wish more people would understand that. It's copyright infringment, not stealing.
  • WTF???? (Score:5, Interesting)

    by mark-t ( 151149 ) <markt AT nerdflat DOT com> on Sunday April 04, 2004 @03:10AM (#8760231) Journal
    FTA:
    Justice Konrad von Finckenstein ruled that the Canadian Recording Industry Association didn't prove file-sharing constituted copyright violation - and artists and producers have no legal right to sue those who swap files without paying.
    Okay... copyright means that the author has the absolutely exclusive _rights_ to copy the work and others can only obtain _permission_ to copy the work by authorization from the copyright holder. Fair use, btw, is granted permission by the copyright act and the copyright holder has no choice but to implicitly grant that permission.

    So in what world is putting a file that you do _NOT_ own the copyright on, and have not actually obtained permission from the copyright holder to copy for purposes beyond fair use, in a publicly shared folder for others to obtain _not_ a violation of the copyright act?

    Downloading copyrighted materials may be perfectly legal in Canada (albeit unethical IMO, since one is aiding another in violating copyright), but it makes no sense to even _BEGIN_ to tolerate uploading whenever and wherever you can positively ascertain that it is occurring.

  • Good call, except... (Score:3, Interesting)

    by meisenst ( 104896 ) on Sunday April 04, 2004 @03:13AM (#8760245) Homepage

    The court decision inspired panic in the Canadian music industry; industry spokesmen were predicting the collapse of copyright control would cause severe financial hardship for people making their living from music.

    If only the people making their living weren't suffering at the hands of labels and record companies/associations already, I might even agree with the people on this side (the CRIA) of the fence.

    We all know that artists who don't make enough drama or news to get endorsements, major deals and huge publicity, already have a difficult time making their money from their music alone.

  • by LostCluster ( 625375 ) * on Sunday April 04, 2004 @03:14AM (#8760246)
    The key part of the Canadian ruling was that sharing files is perfectly legal. They didn't say distributing was.

    Basically, if you leave a copy machine in a room full of copyrighted books, no copyright violation has been comitted. Now, that copy machine could certainly be used in infriging ways, and it can also be used in a few ways that are okay under fair use. But if the machine just sits there and nobody uses it at all... then there's no way there's any infinging use could have happened.

    Translated to the digital world, a server that is offering files up for download can't infringe any copyright until somebody actually accesses the files to make an illegal copy. And this brings up a Catch 22 for the "copyright police"... see, in order to actually prove that there was a download they either have to either intercept a download in progress (good luck doing that...) or they have to initiate a download themselves, but whoops... if the copyright owner tries to download their own work, they can't possibly infringe on themselves!

    So, basically, there's a problem in the law that's driving the "copyright police" crazy... short of the copyright pirate confessing, how are they gonna prove that an actual violation took place?
  • Re:No power. (Score:5, Interesting)

    by janbjurstrom ( 652025 ) <<moc.liamg> <ta> <raeenoni>> on Sunday April 04, 2004 @03:25AM (#8760296)
    The bottom line is that we pay levies now to download music, and the music industry shouldn't be able to make us pay levies and buy music.

    This is very bizarre, isn't it. In my country, alcohol is treated in this way: artificially high taxes (meant, in this case, to keep consumption down - for national health reasons, they say), and laws against making your own (for the same reasons, manage consumption).

    Ok, the analogy might not be perfect - but shall we treat music as a barely legal drug?

  • Re:WTF???? (Score:3, Interesting)

    by mark-t ( 151149 ) <markt AT nerdflat DOT com> on Sunday April 04, 2004 @03:30AM (#8760309) Journal
    But tell me, in a library where there is a photocopier amidst thousands of copyrighted books, is the library actually _distributing_ any copyrighted content without authorization? While it's arguable that they are enabling such action, are they actually participating in it? No? Good. We're on the same page.

    But putting a copyrighted file that you have not received permission to distribute in your shared folder *IS* unauthorized distribution, no matter how you slice it. It becomes illegal the moment you publically share the file, even if nobody has yet downloaded it because you have assumed for yourself a right or permission that can only be granted by the copyright holder.

  • Re:WTF???? (Score:5, Interesting)

    by pla ( 258480 ) on Sunday April 04, 2004 @03:31AM (#8760314) Journal
    So in what world is putting a file ... in a publicly shared folder for others to obtain _not_ a violation of the copyright act?

    The actual ruling read more like an extreme interpretation of "plausible deniability". Basically, while we geeks might laugh at the idea of "accidentally" leaving files in a shared directory, the masses of computer users often really don't understand the difference between what makes the choice of where to keep their music legal or illegal. Additionally, as several of the RIAA's suits showed, some people believe that paying for Kazaa means they have paid for access to the music.

    Sounds stupid? Sure, to us. But if the majority of people doing this honestly do not understand whether or not they have broken the law, the law becomes essentially unenforceable. As one possible Devil's Advocate situation, I can imagine someone installing Kazaa for some random legal purpose, then deciding to store all their own legally ripped music in the directory Kazaa conveniently made for them.


    Downloading copyrighted materials may be perfectly legal in Canada (albeit unethical

    Actually, I'd disagree about the "unethical". Canada has really quite high taxes on all blank recording media, a sort of "we assume you'll copy our stuff, so get your money in the blanks" approach to piracy. Thus, since the punishment comes built-in to the media itself (whether or not they use it to pirate music doesn't change the "tax"), you could reasonably call it perfectly moral to go ahead and commit a crime already paid for.
  • Re:Share and Care (Score:3, Interesting)

    by shark72 ( 702619 ) on Sunday April 04, 2004 @03:33AM (#8760320)

    "However, at the same time, it must be noted that more c90% of proceedings from CD sales go to the record labels."

    For what it's worth, it's a little different down here in the US. A CD that you see in the store for US$12.50 was sold into distribution for about $8.00 -- so about a third of the price you pay goes to the channel.

    You're correct that the record label collects that roughly $8.00 at which the CD is sold into the sales channel, but in most cases, 100% of that $8.00 ends up going to somebody's salary, whether they work at the CD pressing plant or they're the engineer behind the board or they're the graphic artist that did the artwork. When you phrase it in the form "sales go to the record labels" it may give the impression of going into some vault somewhere. The distribution, sales and marketing of hard goods may be inefficient, but inefficiency != evil.

    "The vast majority of artistes vehemently support electronic means of music distribution over the CD method."

    Interesting, I didn't know somebody'd taken a poll. Do you have a citation for that statistic? Does that count signed as well as unsigned artists? The A&R guys see so many demo CDs -- from more artists than they could possibly sign -- that I just don't see the math working here.

  • Here's what I just told her:

    Record labels and stores make most of the money from CD sales in stores while most musicians make their money from CD's and merchendise sold at the side of the stage at live events. Attendance is determined by the popularity of the band and without p2p filesharing, many Canadian bands wouldn't be as well known as they are. Canada is a sparsely populated landmass and it's expensive to tour. mp3's are the best way to reach the most people to boost attendance. So are you truly looking out for my best interests (I'm a Canadian musician with 3 Cd's in stores) or are you catering to the labels lobbying for legislation?
  • Re:Gee... (Score:5, Interesting)

    by Phekko ( 619272 ) on Sunday April 04, 2004 @03:45AM (#8760356)
    Haven't you ever heard of price fixing? This should be something along the same lines ;)

    From the beginning of CD times, the price to manufacture a CD record has gone down all the time. Yet I haven't witnessed a single price drop in CD prices. Somehow the laws of supply and demand don't work in the record industry and I fail to see how this is not a monopoly/cartel. Think about it: Same companies all over the world. About the same price levels everywhere, regardless of record company or country.

    Yes, I do believe politicians are indeed "fixing" things for the record industry. What else is new? Recording industry is just too powerful. The real question is what to do about it. My ignorant answer is that bands should become independent entreprenours and forget about the record companies altogether. 100% is a lot more than 5% or 10% even if you lower your prices a bit. I don't know what the current percentage of profits for the bands is but I do believe some the OSS principles could be applied to the music industry and the rest would be pretty simple to work out with common sense. Or then I'm puffing on the wrong ciggie again.
  • Watch Out... (Score:2, Interesting)

    by spoonboy42 ( 146048 ) on Sunday April 04, 2004 @03:47AM (#8760362)

    You guys are this close to getting voted off the continent. Yeah, I saw Mexico's confessional the other week, and they're just itchin' to cut you Canucks off.

    In all seriousness, for as fun as it is to rip on Canadians, being a (United States of) American myself, in the last few years I've come to appreciate Canada a lot more. Despite the fact that we share so much of our culture (Quebec residents excluded), this only serves to highlight some of the differences in our attitudes and our social and political systems. Sure, Americans find a lot of little things about Canada weird (mounties, mooses, and Manitoba, to name a few), but I think Canadians have been a great check on our sanity as of late. A lot of Americans like myself look to those funny guys up north and think, you know, if they go for public health care and sit out aggressive invasions, there's hope for us, too.

    Which brings us to copyright law. The recent ruling seemed an inspiring victory, not necessarily for filesharing, but for users' right to privacy on the Internet. I really hope that all you Canadians out there manage to fend off this current threat. Ideally, I'd like to see Larry Lessig's system, wherein musicians are paid directly a share of general royalties collected based on their popularity (a la ASCAP), implemented somewhere (you could even start funding the royalty pool with the levy on blank CDRs). Who knows, if it works out well enough, maybe we'll even steal the idea (a la Lorne Michaels, Dan Akroyd, Mike Myers, etc.). Good luck, my Canadian friends.

    (Just a side note: I'm a Michigander, which is about as close to a half-breed as you can get. If any statements seem incongruous, consider them sufficiently explained.)

  • Re:CDR Tax (Score:3, Interesting)

    by Colymbosathon ecplec ( 729842 ) on Sunday April 04, 2004 @03:50AM (#8760377) Homepage
    I notice that whenever a government makes a tax or levy on something, bootleggers, smugglers, and others (like cops, lawyers, judges, et. al) profit. Other than ordinary citizen made criminals by laws and regulation, not a damn thing is changed.
  • by Kwil ( 53679 ) on Sunday April 04, 2004 @03:51AM (#8760385)
    Her email address: Scherrer.H@parl.gc.ca
    Paul Martin's email: Martin.P@parl.gc.ca

    Honourable Ms. Scherrer;

    I have heard your recent comments about seeking to change the Copyright Act.
    I would urge you to consider very carefully what steps are taken in any changes to this act. As the act stands, Canadians pay a levy on
    recordable media, money from which specifically goes to the music industry in compensation for supposed lost revenues.

    As such if the law is changed, I would also expect any media levies to be immediately lifted, as the proper method for handling any cases
    of copyright infringement would then fall to the music industry and the legal system of Canada, and not to a discriminatory levy applied
    to the majority of law-abiding citizens.

    Beyond this, the issue of whether revenues are lost at all is entirely debatable, as you can see in this story from the Washington Post
    citing a study done by two university researchers specializing in economics:
    http://news.yahoo.com/news?tmpl=story& u=/washpost/ 20040330/tc_washpost/a34300_2004mar29

    I realize that I am not of your riding, but I have been a Liberal voter for many years now, even though I live in Calgary, Alberta. I
    am probably one of the few Liberal voters here.

    However, this issue of copyright is a very important one to me because those countries that address the issue properly stand to be at the
    fore-front of the information economy. Limiting information flow to prop up business models that simply are no longer feasible is not the
    way to go about this. While I do not support the policies of the Conservatives, your actions on this issue will certainly be enough to
    determine whether I decide to place my vote in a party other than the Liberals in the coming election.

    I do not feel that I am alone.

    Thank you for your time.

    Name & Address Stuff
  • by NanoGator ( 522640 ) on Sunday April 04, 2004 @03:54AM (#8760402) Homepage Journal
    "This lends creedence to many a /.'ers comment that the music industry is holding onto a failing business. "

    This doesn't really negate your point, but I did want to offer a small correction here. The business itself is relatively sound. People want music. The RIAA and similar organizations provide the music. What's in danger is not this business, it's the distribution of it. Selling entire albums at a premium price is dying. That doesn't mean the music industry is going to go with it, though.

    If they're smart enough to embrace the change, rapidly, they'd already have the artists, money, and channels to get it off the ground so fast that somebody else wouldn't be able to easily worm their way in.

    Again, not trying to negate your point here. I just don't think the RIAA's going to disappear any time soon unless they keep suing their customers.
  • by _Shorty-dammit ( 555739 ) on Sunday April 04, 2004 @04:04AM (#8760433)
    http://cb-cda.gc.ca/news/c20032004fs-e.html
  • by melikamp ( 631205 ) on Sunday April 04, 2004 @04:46AM (#8760509) Homepage Journal

    I think that those who compared the sharing with installing a photocopier in the library are on to something. The trick questions is: what is distribution? IMHO, we should re-evaluate what consitutes a "distribution", given that it became so cheap an simple with the advent of the Internet.

    Just like people noted before, when I share a file on a p2p network, I'm not really distributing it. Every downloader had to 1. get a computer 2. get an Internet connection 3. get a p2p client 4. find the file 5. initiate the downloading. Understandably, there's an illusion of a distribution here, because a p2p network beats any library by its size, and all of them put together by its content, but I am still willing to argue that downloaders do more for the "distributing" than the sharers.

    Sharing was made possible by a technology that could not be envisioned when the copyright law was created, and we won't get far by suing people who engage in it. A legal change is what we desperatly need: a kind of a copyright law that would allow artists to get paid, while all people are able to share the information in an unrestricted manner, for non-commercial purposes. I'm am of opinion that art will survive even if we go all the way and declare information free, but heck, I'll settle for a voluntary collective licensing [eff.org] scheme too.

    Having said all that, the minister seems to be moving in just the opposite direction, but after I've seen RIAA, I'm not surprised anymore...

  • s it expensive to tour in Canada, or is it just not relatively worth it, because there are only about 8 "major" cities (Vancouver, Toronto, Montreal, Calgary, Edmonton, Winnipeg, Saskatoon, Ottawa)..

    Don't forget about the mritimes, too. There are a few big cities there and they're VERY receptive to anyone from outside the maritimes who tours there because they're kinda isolated in some ways. But yeah, a "big" city in the maritimes isn't like a "big" city in ON or PQ so I can see how they didn't make your list.
  • Re:Slashdot (Score:3, Interesting)

    by zcat_NZ ( 267672 ) <zcat@wired.net.nz> on Sunday April 04, 2004 @05:04AM (#8760542) Homepage
    I respect "copyright" in the original sense; something about promoting the sciences and useful arts, remember?

    I do not respect the disgusting perversion of copyright that greatly restricts new art based on the old (How many of Walt's classic movies are an entirely new storyline and NOT based on fairy tales, legends, or other earlier works? Steamboat Bill Jr, anyone?). Most art, and perhaps all science, builds on what has been done before. To quote Einstein; "If I have seen further than other men, it is only because I have stood on the shoulders of giants"

    I do not respect the "Mickey Mouse Protection Act" (Sonny Bono, etc), a 'copyright' extended so far that any work you see created in your lifetime will not enter the public domain until long after you die.

    And I do not respect the DMCA, a disgusting perversion of 'copyright' that restricts what has traditionally been 'unregulated' use. Not just fair use, but 'unregulated use' completely unrelated to the act of 'copying' in any traditional sense. Studying and understanding something that I legitimately bought, or even using something that I OWN in unconventional ways.

    I know what I believe in. There's no contradiction here.

  • by davew2040 ( 300953 ) on Sunday April 04, 2004 @05:14AM (#8760561) Journal
    After reading this post, I was left more sympathetic for the Copyright Goon. Why, pray tell, is the Judge so hell-bent on ignoring the obvious conclusion?
  • by Kierthos ( 225954 ) on Sunday April 04, 2004 @06:30AM (#8760703) Homepage
    Oh, come on. According to the RIAA shills, p2p software is cutting heavily into their profits. But I don't recall seeing any music execs out begging for loose change. And I daresay most of the sound technicians could probably find similar work doing radio/tv/movie sound production (in fact, some of them probably do this as well). And hey, if the music industry does go south, it means that Britney, Christina, Beyonce, and all the other pop-tarts can do porno movies.

    And independent musicians (by this I mean those that are not distributing through the RIAA, whether then have 'made it' or not) will stay around regardless of whether the big music companies go under or not.

    Kierthos
  • Re:CDR Tax (Score:3, Interesting)

    by txviking ( 768200 ) on Sunday April 04, 2004 @07:15AM (#8760809)
    Because democraty is out and feudalism is in. Now it is just time to name the principles of today's feudalitistic system. I would say politicians and Managers of multi-national company are pretty high on the list. The other question ... How will the revolution against this kind of feudalism look like??? I hope it will not get as bloody as the French revolution or the US Independence...
  • by 1337 Battousai ( 738672 ) on Sunday April 04, 2004 @07:45AM (#8760869) Journal
    I thought I'd share what I wrote to the Canadian Heritage Minister.

    To: The Honourable Helene Chalifour Scherrer, Minister of Canadian Heritage

    Greetings Honourable Minister,

    I recently read with great dismay your new initiative to make file sharing of music over the internet illegal. I'm sorry to use such harsh language, but that is the stupidest idea ever. I understand your intent to protect Canadian music, after all that is the very purpose of your office, but what you are proposing will create thousands upon thousands of Canadian criminals overnight.

    Your initiative is also something that criminologists call an "unenforceable law." There are potentially more than a million Canadians currently sharing music files on the internet, it would be utterly impossible for any law enforcement agency to ever enforce such a ridiculous and freedom stripping law.

    Pierre Trudeau once said that the government has no business being in the bedrooms of the nation. I would take that sentiment further: The government has NO business or right to tell me what I can or cannot do with files that are on my computer.

    Your suggested changes to the law would not help protect Canadian heritage or music in any way shape or form; it will simply ensure more profit for huge American record companies. Last time I checked, the name of the ministry you are the head of is "Ministry of Canadian Heritage" not "The Ministry of Protecting American Economic Interests in Canada."

    If you persist in attempting to draft such a law I will campaign against you specifically, and your party in general with as much strength as I can muster. I'm quite certain that Prime Minister and Liberal Party Leader Paul Martin would not like the campaign slogan "Helene Chalifour Scherrer wants to put your children in prison" plastered everywhere during the upcoming election.

    Hoping you give this a sober second thought,

    X
  • by jcsehak ( 559709 ) on Sunday April 04, 2004 @12:23PM (#8761833) Homepage
    Please stop thinking the music industry is this great cash cow. Yes, the artists get (for the most part) a pittance and usually wind up owing the record label money (which the label tends to "forgive" if the record sells well), but the rest of that vast majority does not go to line the pockets of those big execs. Profit margins are slim, anywhere from 0.5 to 15%, depending on the label. You want to talk about corpulent assholes, take a look at cable companies, whose profits are more along the lines of 40%. And they still make me pay for channels I don't want...
  • Reply from an author (Score:3, Interesting)

    by davecb ( 6526 ) * <davecb@spamcop.net> on Sunday April 04, 2004 @12:41PM (#8761942) Homepage Journal
    The Honourable Ms. Scherrer:

    You were quoted as saying " I will, as quickly as possible, make changes to our
    copyright law", in response to concerns expressed by the Canadian music industry.

    As an author, I strongly support strong copyright protection against professional
    thieves, but you should be aware that the so-called "sharing" on the internet has
    increased the sales of my book and others. Readers go out and buy the printed
    version, as it's far more convenient and portable than a computer.

    I therefor support having my book available to "share", as it's to my financial
    benefit, and that of my publisher.

    I see the same thing happening with music. I strongly suspect that playing
    music on the internet is financially advantageous to the artists and publishers.

    As I'm elderly I don't download music: I listen to the CBC and buy CDs I like.
    My younger friends say they listen on-line and then buy CDs. I don't have sales
    figures for CDs that I do for my book, but a recent study by two academics who
    do have the figures showed that the downloading has not done any detectable
    harm.

    The study, "The Effect of File Sharing on Record Sales An Empirical Analysis",
    by Felix Oberholzer and Koleman Strumpf concluded "Downloads have an effect
    on sales which is statistically indistinguishable from zero ... and are inconsistent
    with claims that file sharing is the primary reason for the recent decline in music
    sales." That reports is available at
    http://www.unc.edu/~cigar/papers/FileSharing_M arch 2004.pdf

    I would like to see continuing stringent protection for authors, but suspect
    that playing music on the internet is about as dangerous to the artists and
    their publishers as playing it on the radio.

    I suspect this is much like the furor over VCRs and CD burners, and should
    be dealt with the same way, with a levy on blank CDs. I would be quite
    supportive of levies, including additional levies, on the CD media and
    burners I use.

    Sincerely, David Collier-Brown
  • by darkCanuck ( 751748 ) on Sunday April 04, 2004 @01:22PM (#8762148)

    I've sent my response to Scherrer:

    Honourable Helene Chalifour Scherrer,

    I moved to Canada from the United States in 1997. For the first few years, my Canadian wife and friends had to occasionally put up with my inherently ignorant American comments and beliefs of (American) superiority and (Canadian) inferiority. It took a few more years before I began to realize how much more forward-thinking, socially responsible and globally respected (through compassion rather than fear) Canada is over our southern neighbour. Now I would never return to the States.

    It is, then, with great concern I write to you to complain of your recent comments about file-sharing, or "music pirating." As a user of the Linux operating system, I download and burn many different distributions of Linux, which is 100% legal and encouraged - it's 90% of why Linux is succeeding - but I'm paying a portion of the cost of those blank CDs I purchase to the Recording Industry through the Canadian Copyright Act. Why? Because They think I could be a thief. We are levied on goods for the reason, nay excuse, that an industry has made unsubstantiated claims it is being financially hurt.

    In the last few years I have purchased very few music CDs for two reasons: disgust at the industry (certainly for their business model, and artistically as of late) and because I cannot afford to. Instead, I listen to online, independant radio stations that play music I don't hear on the terrible local radio stations (CBC excluded).

    Canadians are already taxed so highly (and with the exchange rate) many flock to the United States to have a better (financial) living at the same salary. Many do so with regrets. And as Heritage Minister, you may want to consider what that says about our culture and the future of Canadian heritage, unless there will be a future Heritage Moment called the "Great Exodus of the Canadian People in the Early 21st Century".

    There has been absolutely NO proof that file-sharing has hurt the recording industry. In fact, a recent study proved precisely the opposite:
    http://news.yahoo.com/news?tmpl=story&u =/washpost/ 20040330/tc_washpost/a34300_2004mar29

    The Australian Recording Industry Association has been attacking the rights of Australians for a few years now over this issue and yet their profit last year was the largest ever, growing steadily:
    http://www.smh.com.au/articles/2004/03/ 28/1080412234274.html

    Do you want to be known by the people of Canada as the Protector of greedy corporations? Will that be part of your legacy?

    I urge you to reconsider your position on this issue. Do more research, do not let your power by wielded by rich lobbyists. Two months ago I applied for my Citizenship, an honour that I've withheld myself this long because my family has always had more pressing things to spend $200 on. But now that I'm a father, and issues of special treatment for big business are becoming more frequent, I feel it necessary to acquire the right to vote, the right to replace representatives who have not done their jobs as protectors of Canadian Citizen's rights. I should have my citizenship and the right to vote by the upcoming election. I am greatly looking forward to using this power of vote to the benefit of my (future) fellow Canadians, what about you?
  • Re:CDR Tax (Score:2, Interesting)

    by His Shadow ( 689816 ) on Sunday April 04, 2004 @01:46PM (#8762259) Homepage Journal
    It's not a troll. It's a fair comment. There is no way any government will willingly give up any revenue stream. We Canadians now pay a surcharge on the hard drives of devices like the iPod, which, like the CD-R tax, assumes that the average consumer is a copyright criminal and must be fined in advance. Any changes to the copyright law that prevent any copying for personal use will not be used to abolish the surcharges, as the average consumer will still be considered a criminal who should be fined accordingly. Only a class action suit IMO, would get rid of the tax, but no consumer will ever be reimbursed.
  • by eww ( 211414 ) on Sunday April 04, 2004 @02:31PM (#8762509) Journal
    Does anyone know the average age of the downloaders? Are there any studies out there?

    I might be wrong but I think people who make these laws are going to be in for a ruff ride when it comes to enforcement. They might have to put a lot of minors in jail.

    First off I know a lot of youth (14-18 years old) and I visit some web forums for various topics. Now what suprises me is the age of a lot of the people on them. There are a lot of youth. They don't have money, but they have time and access to a computer. They spend a great deal of time on MSN (Hardly any of them have heard of ICQ) chatting, web forums and guess what downloading music.

    I also propose that these Music exec's who complain about copyright infrigement should check under their own noses. Are their kids or grandkids engaging in this activity? I can almost certianly say so. Who isn't that is under the age of 25-20 and has a net connection?

    What is the average age of a music sharer? I propose that a 80% of the file sharing is done by people under the age of 30 and that 40% or more occurs with people who are under 18 years of age. Especially in Canada where broadband has been around for a long time (6 years where I live).

    The other problem with these laws and stuff is that music sharing has been going on for a long time. I was in high school when I was first exposed to it all. I remember what the first version of Internet Explorer looks like. Windows 95 had just come out! Whoo! At the time everyone who was in Visual Communications or who knew about comptuers was into downloading music and making MP3's! This was over 7 years ago! It's been going on a long time. It's embeded into our culture all ready. It's almost too late to change the laws now.

    Back when this all started my friends where into Warez as well. I don't know what else to call it. But they downloaded software just for the sake of downloading it. A friend of mine had over 200 applications. Some like lightwave, windows, office, and oddles of games. Probably worth MILLIONS OF DOLLARS if bought retail. He probably had over 20 burned CD's at the time (7 years ago). I don't remember how many MP3 CD's he had but I know it was over 11. When your young you have the time to download all sorts of stuff and learn how computers ect. work.

    The other problem is ignorance. Parents have no idea what their kids are doing on their computers. If they can hardly run Word and fight with their printers and don't understand email how can they understand what P2P is or how it works? Let alone know enough to enforce any rules. Removing young people from a computer with a net connection can be very challenging.

    I hope someone does a study on the age of the average downloader/uploader. I am sure some interesting stats would come out.
  • And people Wonder (Score:3, Interesting)

    by Microsofts slave ( 522033 ) on Sunday April 04, 2004 @03:01PM (#8762688) Homepage Journal
    And people wonder why i'm not a freaking liberal. Just like any politician, its all "We promise X, We promise Y." Post Election.... X and Y never happen.

    Our government wonders why the 18-25 voting range has such low turn out: It's because we are young, cynical and have lost faith in the way that our political system is supposed to work. No one wants to vote, because there are no good parties to vote for. (Well, for me, the closest i go for is NDP). Now that Paul has decided to take away our electronic freedoms, i wonder how much longer the liberal party will stay in power. My best bet: Until all the older voters die. Best be pumping money into health care Mr.Martin, because your best voting base is dying.

    Paul Martin is a FINK
  • by microbox ( 704317 ) on Sunday April 04, 2004 @03:21PM (#8762819)
    About 100 new CDs were released in St John's (pop 150,000) in 2003. Almost none of them were supported by major record labels...

    ergo

    Diversity in record stores will flourish without major record labels.

    100 CDs were produced because you can now record a CD on a government grant, and then pay a 3rd party to print it. For about $4000 you can set up your own studio (providing you already have the space). Some local stores happily retail the CDs, with the exception of Walmart and Zellers and similar. The big boyz only deal with other big boyz, and try to keep the independent artist out of the loop.

    Try asking Walmart to carry your CD... on the one hand they'll tell you they try to support local industries, but when it comes down to it, they only buy from Handlemans, a major distributor. Handlemans will take their cut, and sell your CD if you meet their requirements, which independent artists invariably can't.

    The major players want all the profits for themselves, and are manipulating the media and the rules. Unless you've already made it, a major record label won't do a thing for you unless you sign over all your IP. They then get you in a debt trap, that even TLC couldn't get out of with 10million CD sales world wide. When they learn the truth, most people are horrified by the raw deal that artists get.
    Think about exactly why Canadians need record labels. What's the point? All they do is advertise and push products, and screw musicians out of a fair share of the profits.

    p2p hurts record labels, well, that's what they say. Personally, I think that the real damage p2p does to record labels is far less than they say, but quantifiable none the less. p2p is good for many artists... most artists make money by having people pay $10 to see them. If 100 people come, then you've made $750 after you pay the sound guy.

  • Firstly, since cd sales do not appear to have suffered ANY ill effects in the 5 or so years that mp3s have been available to the public at large through file swapping services, I think its highly unlikely that the music industry will feel compelled to slash prices.

    Good point. However: WalMart, iTunes, Starbucks.. as these things(*) start to gain momentum and p2p downloading becomes even more popular than it already is, I think we're going to start seeing a very slow erosion of prices in stores and a shift that will put power back in the hands of musicians. I never said it was happening already, nor did I say it would happen overnight. All I said, really, was that downloading will have an effect on the CD sales industry. I believe it's quite a positive one for consumers and for musicians.

    The record companies, however, already have a very high markup so they can absorb a bit of a loss pretty easily which will slow the decline in prices as well.

    If anything, I think the reason the music industry fights file sharing so hard is not because it hurts cd sales (we already know otherwise) but because it works against their efforts to create those "safe bets" you mentioned.

    Another excellent point and I stand corrected. Hopefully, this will cause the record companies to start promoting the bands people are downloading and not the crap they tell us we want to hear. For the record companies to change their ways will take a massive revolution.

    (*) Yes, I am aware that these things are paid services, but they will still have an effect on record stores if not record labels.
  • by Anonymous Coward on Sunday April 04, 2004 @10:14PM (#8765338)
    I am disappointed and disgusted (but not shocked) by the statement by Federal Heritage Minister Helene Scherre that she will "as quickly as possible, make changes to our copyright law." This is just another classic example of politicians being swayed through pressure from corporations to do their bidding, rather than protecting the rights of the citizens they were elected to represent. The music industry has claimed to be losing money over the last few years, and say that the cause is the internet and file-swapping. This is, in reality nothing but an opportunistic scapegoat for their failing business model. The real reason they have lost money is that the economy is weaker now compared to the one from 5 years ago. They have also lost money through bad investments in musicians that have not profited. So, of course when comparing todays market to a booming market, it seems plausible that filesharing could be the reason, but it is in fact due to their inability and lack of interest in adapting. They view filesharing as a threat and are using this as a tactic to cajole politicians into reforms to the copyright law to squash filesharing and in the process relieve the music industry of the need to change the way it does business. I am nothing less than disgusted that our politicians are bending over backwards for an industry that refuses to change its business model and instead infringe on my privacy and rights as a Canadian citizen. Even the RCMP can't spy on me as easily as the music industry is permitted to. This is clearly unacceptable. We as Canadians, need to stand up for our rights, contact our elected representatives, and demand that our rights take priority over the minority of people in this country that are affected by the music industry's unwillingness to change. Did our politicians make reforms when Nortel lost money because of their mistakes? No, so why should they for the music industry? One thing is for certain, I'm am NEVER going to give my money to an industry that chooses to terrorize me, spy on me, and invade my privacy and rights in their pursuit of a profit. This is one less customer for LIFE.

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