Interview with Jim Griffin 76
mpawlo writes "I just finished a Greplaw interview with Jim Griffin. Griffin, of Pholist fame, gives his thoughts on copyright and digital distribution of music. Learn also why copyright should be renamed copy risk. Griffin was once - at Geffen - behind the online release of a full-length song by Aerosmith. In 1994! He is, however, not a John Perry Barlow School of Thought devotee."
He wants an "internet tax" to support artists (Score:5, Insightful)
Unless you like Soviet hymns to tractor production statistics, that probably isn't such a great idea.
Re:He wants an "internet tax" to support artists (Score:4, Insightful)
Concerns For Distribution (Score:5, Insightful)
I have no particular take on QTFairUse. I simply acknowledge, accept and find delight in digits -- especially those carrying art, knowledge and creativity -- bionomically finding the shortest, most efficient and effective path from source to destination.
Yeah, that's the biggest cop out to a serious question ever.
I wish he'd just come out and say it in plain English:
Our path to progress is clear: Tolerate risk, but anticipate its consequences and address them through actuarial means, by pooling fees and allocating their rewards to risk takers such as artists and rights holders. Paying into actuarial network funds should be no more voluntary than ought be automobile insurance.
In other words, everyone should pay a "music listening tax" regardless of how much music they listen to. Those who listen to a lot get great value from the taxation and those who listen to less just...shut up and pay the bill.
As fabulous and socialist as this all sounds, the part about pooling the fees and paying the "risk takers such as artists and rights holders" scares the shit out of me. Are we willing, for the sake of putting rights management out of our minds, to trust a huge payment distribution system to reward our artists? I'm not. I'm terrified that the little guys are going to fall through the cracks. This plan sounds exactly like the payment of royalties for non-profit radio stations--like the one [kser.org] I work for--where we pay a lump sum and the distribution companies like ASCAP dole out the payments based on "play statistics." Massive Habit [massivehabit.com] and Jump Little Children [jumplittlechildren.com] aren't getting a single nickel from what we pay. It's my responsibility as a fan of their music to go outside the payment system that sees them as insignificant and give my money directly to them in the form of CD purchases and show attendance.
Re:He wants an "internet tax" to support artists (Score:4, Insightful)
We all want artists to be supported in their efforts, but I think part of what composes the integrity of many forms of creative expression is the lack of a clear subsidizing/transactional relationship.
In other words, true artists could care less about DRM.
The Road to Hell is paved with good intentions .. (Score:4, Insightful)
I might sound simplistic, but isn't this the road to socialism - Compensating all media when most of them deserve to die an unsung death?
Americans pay a TV tax, too (Score:3, Insightful)
Every time we buy a product that was advertised on TV, the cost of the TV advertisements is being passed on to us. Fortunately for Americans, thanks to the free market that money goes to corporate boards that aren't accountable to us, rather than to some silly "public broadcasting concern".