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Music Media Your Rights Online

What Counts as Music and Why? 324

The Importance of writes "There has been much discussion about compulsory licensing schemes. Most of the debate has been about music. But what happens when any file can easily be converted into a sound file and back again? Can shareware authors convert their software to digital music and get paid for sharing it? Can pornographers get paid for turning images into sound? Scott Matthews has written a program (Ka-Blamo) that does the conversion. LawMeme looks at some of the issues. This raises the question, what should count as music and why?"
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What Counts as Music and Why?

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  • by Davak ( 526912 ) on Friday October 03, 2003 @07:52PM (#7129277) Homepage
    Really instead of thinking of changing things into music... we are really just looking at different mechanism to change things into a common format.

    Prose, news, music, poety, pictures, movies -- it is really just o's and 1's.

    If pictures were receiving the same laws, we could easily change pictures to music as well. We can change text to music without any difficulty.

    Everything goes down to binary... changing it from format to format is trivial.

    Davak

  • Program Renamed (Score:3, Insightful)

    by Vaevictis666 ( 680137 ) on Friday October 03, 2003 @07:52PM (#7129281)
    Seems the program has been renamed from Ka-Blammo to Baudio, and Not-Ka-Blammo to Baudio Decoder.
  • Re:Well, IMHO (Score:5, Insightful)

    by curtlewis ( 662976 ) on Friday October 03, 2003 @07:52PM (#7129286)
    While I can appreciate you displeasure with the RIAA, MPAA, etc, your approach is fundamentally flawed. Not to mention your language...

    If all you pay is at the concert, you are contributing to skyrocketing ticket costs for concerts. Composing, recording and producing an album takes time, talent and money. Artists and technicians involved in that process deserve to be paid for their work just as you are paid for yours.

    I do believe the system contains massive amounts of unnecessary overheat. The meat isn't very lean, so to speak. Record executives rake in huge salaries, while most artists, which pay those execs, are lucky to make gas money. This needs to change. It will be a long, slow and painful process, but I think we are in the beginning stages of that now. Just remember, the execs won't give up their fat salaries without a fight.

    I remember when concert tickets for a major act were $20 at a major venue. Going to a concert was affordable then. And I went to a fair number of concerts. Today, the major acts are pulling in $75 for those same seats. Sure, you can go to some shows for $35, but those are generally acts from the 80s or emerging bands. Even so, it's nearly double what it was less than 20 years ago.

    If concerts were affordable, I'd go far more often. Paying your fair share at every step of the process (not just for concerts, but for the CDs, too) will help.

    Piracy only makes the problems worse and it's a lame excuse to break the law.

  • by jdray ( 645332 ) on Friday October 03, 2003 @07:55PM (#7129308) Homepage Journal
    Okay, it's a heady subject, I'll admit. I read this article in Linux Format magazine [linuxformat.co.uk] about steganography, wherein the least significant n bits of an image's pixels are hijacked for hiding data. The image changes so little that the average viewer can't detect it, and heaps of data (pardon) can be hidden there. Will the next P2P app use steganography to hide (music, et al) files in very large graphics? I'd think that courts would have a hard time determining that the original file wasn't just coincidentally the same as the encoded bits.
  • by geekee ( 591277 ) on Friday October 03, 2003 @07:55PM (#7129314)
    This example just goes to show what a mess will be created if the govt. simply collects a pot of money from ISPs and then tries to divy it up to the recording inductry. Everybody and his lawyer will be in line for a piece of the action. In the Soviet Union people stood in lines too for similar reasons, and look how that turned out. The system is inherently unfair because the one who gets the most money will be the one with the best lawyer and the most lobbying money, instead of the person with the most talent and the ability to write something someone wants to hear.
  • by anthony_dipierro ( 543308 ) on Friday October 03, 2003 @08:00PM (#7129352) Journal

    Can shareware authors convert their software to digital music and get paid for sharing it?

    Why would they want to do that? It's better for a copyright holdere not to be forced to offer a compulsory license.

  • Re:Music is Music (Score:5, Insightful)

    by Yobgod Ababua ( 68687 ) on Friday October 03, 2003 @08:16PM (#7129436)
    Indeed, media type is (and should be) defined by content, not by encoding. The type reflects the manner in which the author intends the content to be enjoyed, and the manner in which the consumer intends to enjoy it.

    If I take a photograph of a tree and encode it into bits, those bits will always represent the content of an image, even if some stupid Baudio-like program presents those bits as though they were some other sort of media. Even if I'm the one pretending it's a .wav file, I intended it to be an image, and you probably intend to view it as an image. If you honestly intend to listen to my image file (which I suspect don't even follow the appropriate standards of the file formats they purport), then maybe we can talk about it's merits as music/line noise.

    This is crucially different from some of the examples he gives, which don't really apply to his "codec" at all.

    In steganography, two different works are combined into a single encoding. This does -not- make the resulting file a single work, nor does it make the included image a song, or the included song an image.

    The DeCSS song is a little more complicated, depending on whether you believe it is intended to (and can be) enjoyed as pure music, or whether it is merely intended as a vector for code. In any case, there is real audio content that's been provided.

    4'33" was meant to be enjoyed as audio content, so it is, even though the 'art' is actually in the lack of audio content. It's not like the silence (or in Baudio's case, noise) is really meant to be pornography.

    Hmm... I think a key differentiator might be what -analog- formats the content exists as. We live in an analog world and digital encoding can really only exist as a means of temporarily storing something inherently analog. Content is analog.

    This whole argument just seems... stupid.
    Stupid enough to make me actually post...
  • I know, I know. (Score:3, Insightful)

    by Ridge ( 37884 ) on Friday October 03, 2003 @08:17PM (#7129439)
    If you're being sued by the RIAA, it's 'music'.
  • by CoughDropAddict ( 40792 ) on Friday October 03, 2003 @08:23PM (#7129476) Homepage
    This example just goes to show what a mess will be created if the govt. simply collects a pot of money from ISPs and then tries to divy it up to the recording inductry.

    Who said this is what compulsory licensing will do?

    As I understand it, compulsory licensing means just that: publishers are compelled to offer licenses at a predetermined rate. That means I can download any song from anywhere, and as long as I send the predetermined license cost to the owner of the copyright, that copy is legal.

    What does this have to do with collecting money from ISPs?
  • Re:Music is Music (Score:2, Insightful)

    by gryface ( 702149 ) on Friday October 03, 2003 @08:28PM (#7129494)
    Compare the source media to a version run through a lossy compression algorithm. If the two are recognizably similar, then you have determined that media source's originally intended format.

    Running an audio file converted to an image through a JPEG or GIF compressor will result in irreversibly useless garbage. This has a lot to do with the vast differences in different media types' notions of space over time. Audio frames are much smaller than video frames.

    Considering there are entire musical genres consisting of people just talking (think poetry/spoken word), along with other non-musical copyrighted audio (very popular in reggae and dancehall, for example), I doubt the industry juggernauts would bother to flinch at the idea that audio valuable enough to trade in any significant amounts isn't worth manually examining and cataloguing.
  • by istartedi ( 132515 ) on Friday October 03, 2003 @08:39PM (#7129549) Journal

    Hey, guess what? You have to use judgement. In fact, they actually have people in court called judges. You know. Those guys and gals in the funny black dresses and/or wigs depending on where you hail from. Last I heard the judges--get this--actually have to judge things. They haven't been replaced by referees who simply follow the rules as written. We know that because they aren't wearing black and white striped shirts, and they don't blow whistles (or whatever it is refs do in other games and countries besides USA football).

    Of course there are guidelines. Personally I'd say anything that can be played live and sound enough like the recording for a jury to identify the tune as unique from other tunes, and to name that tune, is music.

    Thus, bit barf dumped to a .wav file is not music because nobody can play it on an instrument, and most bit barf would sound very similar to the jury.

    But of course you'd have to use judgement. Some wrapper stopping and starting bit barf while bragging about his sexual conquests might fall into the grey area, but if enough people testify that they find it entertaining and prefer Cornrow Groovy bit-barf fine ladies to other works of the same genre, then guess what: It's music.

    But the bottom line is that somebody will have to make up their minds, it may be subjective, and the loser will have to live with the answer.

    Yeah, that's tough. Nothing's perfect.

  • by vrmlguy ( 120854 ) <samwyse@nosPAM.gmail.com> on Friday October 03, 2003 @08:50PM (#7129599) Homepage Journal
    Several posters have commented that music is best defined similarly to obscenity ("I shall not today attempt further to define the kinds of material I understand to be embraced . . . [b]ut I know it when I see it . . . " [findlaw.com]), and thus the output of Ka-Blamo doesn't count as music. Allow me to provide a counter-example.

    In 1787, Mozart invented A Musical Dice Game for Composing a Minuet [univie.ac.at]. Given the results of the game, I assume that one can derive the dice numbers that created it. (If not, it shouldn't be hard to modify the game to possess that property.) Now, play the game using a fixed string of bits instead of a random number generator. The result is very definitely music, and it isn't steganography.

    The use of a Mozart encoder and decoder would be even more powerful than Ka-Blamo.

  • Re:Music is Music (Score:5, Insightful)

    by kfg ( 145172 ) on Friday October 03, 2003 @09:01PM (#7129635)
    In this light I might point out that copyright law does not refer to "music."

    It refers to sound recordings (that's how Shatner "got away with it").

    The story's question is phrased somewhat improperly improperly.

    Nor is the issue new. It's just more pressing now than before. Without using a computer at all I can convert light (and therefore photoimages) into sound and vice versa. I can turn mathmatics into music and music into mathmatics (Mozart was fond of doing this and developed a method using dice to develop themes). I can turn text into images, sound ( no, that's not a degenerate statement. I can turn text into arbitrarty sound. It's called "reading music" and any text can be used for such).

    What is needlepoint other than a set of Cartesian Coordinates with a color code translated into an image?

    How about this piece of paper I have here with some symbols on it? Is it my copywritable intellectual property, or is it a chess game? And if I can copywrite it what rights do the players have to it? It was their game, and thus their creation, after all.

    Computers just make the process faster, easier and more ubiquitous, but artists, scientists and home experimenters. . .and even some lawyers, have been dealing with all of this stuff for decades.

    And then there was Dr. Leary. Think about it.

    KFG

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