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Eldred v. Ashcroft Oral Arguments 519

PMuse and others wrote in about the oral arguments held today in the Eldred v. Ashcroft case challenging the most recent 20-year retroactive extension of copyright terms. Google News will cover the mainstream news stories about it; transcripts of the arguments will eventually be posted; but as I write this the only first-hand reports appear to be LawMeme and the Associated Press. Reader McSpew adds a link to a piece by Steven Levy explaining the importance of Eldred v. Ashcroft and what's really at stake. Update: 10/09 19:12 GMT by T : khkramer links to his own summary of the arguments, writing "I have press credentials at the court, so I was able to take notes during the argument, and in the summary I tried to cover all of the major issues that the Justices asked about."
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Eldred v. Ashcroft Oral Arguments

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  • "The Court's current contract Courtroom reporter, Alderson Reporting Company, provides transcripts of oral arguments for posting on this Website within 10-15 days after the transcripts are complete."

    Hard to comment when the transcripts are at least 2 weeks out. Vapor transcripts!
  • by lunenburg ( 37393 ) on Wednesday October 09, 2002 @02:41PM (#4418311) Homepage
    As much as I don't want it to happen, I'm 99% convinced that the Supreme Court will side with Disney, et al. I just don't see them actually taking a reasonable view of the Constitution and understanding that unlimited extensions equal an unlimited time.

    And when they decide in Disney's favor, that will be a big flashing green light for Congress to sell out all other IP-related protections for the citizens without a second thought.

    Say goodbye to the Public Domain. It was fun while it lasted. :-/
    • by Moonshadow ( 84117 ) on Wednesday October 09, 2002 @02:47PM (#4418357)
      Sadly, I have to agree with you. These days, legal battles aren't about who's right, but who has more money to toss around. See the Nissan v. Nissan case.

      This is a very disturbing trend we're seeing - the eradication of public domain and fair use rights through one-sided court battles. The question is, how long till a) there's a large scale backlash, or b) we have no fair use rights at all.

      This is genuinely scary stuff.

      • Comment removed (Score:5, Informative)

        by account_deleted ( 4530225 ) on Wednesday October 09, 2002 @03:14PM (#4418584)
        Comment removed based on user account deletion
        • by Moonshadow ( 84117 ) on Wednesday October 09, 2002 @03:34PM (#4418784)
          I'm not talking so much about the laws themselves as the precedents of interpretation of those laws set by the courts. Precedent is an amazingly powerful tool in today's legal system, and while laws are passed, it's up to the courts to determine their scope and applicability when those laws are questioned. The outcome of those cases can have a massive effect on the future of our rights. If the courts today favor corporate interests over personal rights today, then in 10 years, a judge will look at this case and say "based on the ruling in case X, I find the defendent guilty of offense Y through precedent Z".

          This isn't about 1 ruling - it's about precedent.
        • by dachshund ( 300733 ) on Wednesday October 09, 2002 @04:09PM (#4419118)
          For each case you can name where money comes out on top, I can name a case where the party with more money came out on bottom

          Well, sure. Our justice system isn't 100% broken, but that's hardly a defense. If someone who's clearly in the wrong can triumph even 10% of the time simply because they've got lots of resources, then something's badly wrong; you don't need to see a 100% success rate before you cry foul.

          Courts are meant to be restrained. They are meant to take the word of the people (aka CONGRESS) unless the law is illegal

          Congress is also meant to be restrained. If it wasn't, the Framers wouldn't have written in so many checks and balances on its power. The constitution would be a whole lot shorter.

          Personally, I think the unlimited ability to retroactively extend copyright spits on the notion of "limited times", both as the Framers intended it and as the Court has previously ruled on such constitutional limitations (ie, if you can't point to a concrete limit on a Congressional power, you can't call it "limited".)

          Therefore the law is clearly illegal. And from that point, there's not much else to say to your argument.

    • by Xeriar ( 456730 ) on Wednesday October 09, 2002 @03:04PM (#4418500) Homepage
      I would disagree. When the Supreme Court finds the wording of the Constitution too vague, they look at the intent of the Founding Fathers, of whom Thomas Jefforson was quite clear on the issue - that one generation shall not have control over the next.

      My fingers are crossed, of course, but I am more hopeful.
      • by neocon ( 580579 ) on Wednesday October 09, 2002 @03:12PM (#4418569) Homepage Journal

        This is a very good point -- and is an example of why it is so important to have strict constructivist judges on the Supreme Court. As long as it is understood that the Founders meant something by the words they put on paper, it is possible to say that the law means something. There may still be plenty of disagreements as to what the Founders meant, but they can generally be resolved. When the Constitution does need to `evolve', or `change', this can be done through the mechanism the Founders provided for it to do so -- Constitutional Ammendments.

        In contrast, if we take the increasingly common, but frightening, view that the Constitution is a `living document', whose meaning `evolves' with the times, then the Constitution can be constantly reinterpreted to mean whatever each generation of judges think it would be best for society for it to mean.

        Some may be willing to trust that this reinterpretation will always be done honestly, without reference to special interests, ideological aims, or corrupt goals, but IMHO it is much better for the stability of our system of government that we not make such trust the basis of the rule of law.

      • by poopsie ( 320177 ) on Wednesday October 09, 2002 @03:18PM (#4418635)
        When the Supreme Court finds the wording of the Constitution too vague, they look at the intent of the Founding Fathers, of whom Thomas Jefforson was quite clear on the issue - that one generation shall not have control over the next.

        Um...Isn't looking to Jefferson for the definitive answer in effect having one generation control the next?
        • Um...Isn't looking to Jefferson for the definitive answer in effect having one generation control the next?

          When I find somebody presently living who's as wise as Jefferson was, I'll listen to him. Until then, the dead white male trumps.
    • understanding that unlimited extensions equal an unlimited time.

      Nah. the SC just needs to decide what the absolute limit to "reasonable time" is, and state that as their interpretation.

      And when they decide in Disney's favor, that will be a big flashing green light for Congress to sell out all other IP-related protections for the citizens without a second thought.

      Come again? (are you saying that IP protections are good or that they're bad? Hard to grammatically determine your meaning, even if I can guess it.)

      Let's look at the various forms of IP law:

      Trademarks: Allready long-term, with required renewal and defense. No real problems there.

      Patents: Limited term, no extension, and it makes "trade secrets" a matter of the public record after 20 (or so) years.

      Copyright: Good side -> artists and authors don't have to be paranoid about their work being stolen by shady producers. (Bad contracts, yes, but not simple theft.) Bad side -> it lasts so darn long...

      Personally, I predict that Disney et all will win, but the SC will render an opinion with language that implies or outright states that the current setup is the extreme maximum that should be permitted to copyright--or at least that it's approaching a constitionally breaching overextension.
    • by Eccles ( 932 ) on Wednesday October 09, 2002 @03:12PM (#4418574) Journal
      As much as I don't want it to happen, I'm 99% convinced that the Supreme Court will side with Disney, et al.

      There's a lot of things the SC could do. One reasonably likely possibility is that they disallow retroactive extensions -- thus placing "Steamboat Willie" and "Rhapsody in Blue" in the public domain -- but leave it up to Congress to decide what the limited time is. The argument that retroactive extensions don't "promote the arts and sciences" is a strong one; the argument that 75 years (or whatever it is now) is not a limited time isn't quite as strong.
    • OK, you believe in it 99%?

      Fine.

      Let's bet on it.

      I'll even give you better odds than you yourself want. 80-to-1. They side with Eldred, I get 80 dollars. They side with Ashcroft, I'll give you 1.

      The point being, don't use high percentages is you don't mean it. Learn some statistics, put up, or shut up.

  • by dcgaber ( 473400 ) on Wednesday October 09, 2002 @02:42PM (#4418316)
    I heard that Lessig did a superior job of presenting the Eldred's case that Solicitor General Olson presenting the Government's case. Also, the Justices were having a hard time reconciling how they can strike this law down w/o striking down the 76 term extension, which Lessig helped provide guidance on (unsure of what was said here). The point being, the Court seemed to be troubled not by the legal challenges, but how they strike down, what they seem to feel is a silly law, and not muddle the whole copyright issue up, esp with past extensions. This seems to be positive, and while a decision is not expected till June, indicates that they will strike down, some, parts, are all of the CTEA as unconstitutional.
    • by gorilla ( 36491 ) on Wednesday October 09, 2002 @02:46PM (#4418348)
      UPI says [upi.com]:
      From the bench, Justice Sandra Day O'Connor pointed out that, besides 1998, Congress extended copyrights in 1831, 1909 and 1976. "If you are right," O'Connor asked, "don't we run the risk of upsetting previous extensions of time?"

      Lessig conceded that under his argument those extensions could also be considered unconstitutional. But he argued that no one was challenging the earlier changes, and they were not in danger.

      • the solution is simple:

        petition congress for a contraction of time to counter balance the proposed extension.

        the precedent that congress can adjust copyright duration is not broken, but the proposition is, defacto, defeated.
      • by greenrd ( 47933 ) on Wednesday October 09, 2002 @04:12PM (#4419150) Homepage
        But he argued that no one was challenging the earlier changes, and they were not in danger.

        To add to this, I don't see how voiding the retroactive 1976 extensions, or any of the previous retroactive ones, would matter significantly - because all of the copyrights on the works benefitting from those extensions would have already expired by now anyway had the 1998 law not been passed! So declaring those previous retroactive extensions unconstitutional (even if anyone is asking for that, and Eldred certainly isn't) would not in itself affect the present-day copyright status of anything.

        It would only be relevant for people pursuing copyright violations committed when a work was under the protection of the 1976 extensions, I would think.

      • by dachshund ( 300733 ) on Wednesday October 09, 2002 @04:15PM (#4419177)
        From the bench, Justice Sandra Day O'Connor pointed out that, besides 1998, Congress extended copyrights in 1831, 1909 and 1976. "If you are right," O'Connor asked, "don't we run the risk of upsetting previous extensions of time?"

        I like her notion, though. We should potentially uphold an unconstitutional law because it would be too inconvenient to change it.

        Yes, that's the sound of the Framers spinning in their graves.

    • by dpilot ( 134227 ) on Wednesday October 09, 2002 @03:36PM (#4418803) Homepage Journal
      I'll fall back to a very simple difference though it makes the potential crime and (gasp!) invokes religion. The Biblical life span is "threescore and ten," or seventy years. Considering modern statistics, that's not a bad number, reaching widespread achievement in the US in the last century. So it can be said to have secular support, as well.

      Assuming standard lifespan, prior to Bono, material copyrighted about the same time I was born might expire before I die. Therefore, it's limited-term. After Bono, copyrights all live longer than me. From my perspective, or any but the oldest living people, that qualifies as "unlimited time."

      The hole in this argument is that it probably messes with the 76 term extension, as well. But that's probably good. I'd favor "threescore and nine" as a maximum copyright term over what we have, today.

      The trend itself needs to be considered, and the eventual damage. If this stands, we all expect another extension in just under 20 years. Are we ready to declare the Public Domain dead? Do we understand all that that means to our country?
      • You are exactly wrong. An illustrative example:

        You are terminally ill, and will die in one year. You can create a peice of artwork that will generate x amount of revenue for many years, or, you can expend less effort and create a peice of artwork that will generate x amount of revenue for only one year.

        Your argument suggests that the two options would be functionally equivalent. This is not true. The lasting artwork is of greater *present* value. You could sell your rights to it for more money. You could have much more cash *tomorrow*, not just after you die.

        I'm all for a non-automatic twenty eight year copyright, but let's get the economic effects straight: Extending copyright has diminishing returns to the creator. Extending copyright will, however, always increase the present value of the copyright. Extending copyright will always increase the economic incentive to create art. At some point that increase is so miniscule that it is smaller than a measurement error, but it's still there.
  • by RebornData ( 25811 ) on Wednesday October 09, 2002 @02:45PM (#4418342)
    The Lawmeme report was filed from an 802.11-enabled PDA using a warchalked access point in the vicinity of the Supreme court. How cool is that!

    -Robert
    • O.M.G (Score:3, Insightful)

      by Sanity ( 1431 )
      It really says something particularly sad about Slashdot when the highest-moderated comment on such an important issue is marvelling at the fact that some idiot in the Supreme court doesn't know how to secure their wireless router.
  • by TerryAtWork ( 598364 ) <research@aceretail.com> on Wednesday October 09, 2002 @02:47PM (#4418362)
    When DRM-free motherboards from Asia are going to be smuggled into the USA like drugs are now...
  • by sphealey ( 2855 ) on Wednesday October 09, 2002 @02:49PM (#4418385)
    LawMeme's summary was quite informative. However, Justices usually try to ask difficult questions of both sides - that is their job. And they often ask the toughest questions of the side they are leaning towards - that way they hear the best counter-argument. So you can't count up the tough questions and decide who will win that way.

    sPh

    • by GigsVT ( 208848 ) on Wednesday October 09, 2002 @06:58PM (#4420382) Journal
      I think Lessig did slip in his response to the question about the 76 extension. I heard a partial transcript on NPR, and he basically replied that "under his current theory, there is no difference between the 98 extension and the 76 one".

      An obvious answer to the 76 vs 98 question is that a pattern of continual renewal is emerging that could not be forseen before 1998. Copyright is hardly limited if congress has the power to renew it retroactively every time existing copyrights would begin to expire.

      It would be cool if Mr. Lessig would post in this thread, I'd like to know his thoughts on why he answered this way, but he's probably far too tired/busy to be reading Slashdot at a time like this.
  • Oral? (Score:3, Funny)

    by User 956 ( 568564 ) on Wednesday October 09, 2002 @02:50PM (#4418393) Homepage
    Use of the word "Oral" is in violation of a recent Presidential order made on the request of John Ashcroft, shortly after he decided that the Supreme Court building was indecent. [fredericksburg.com]
  • by bay43270 ( 267213 ) on Wednesday October 09, 2002 @02:51PM (#4418395) Homepage
    Having voted for a dead man, simply to see Ashcroft loose his Senate seat, I get a special feeling to see so many people (at least on paper) seem to be against Ashcroft. (I'm still waiting for Preditor v. Ashcroft and Aliens v. Ashcroft)

    In retrospect, however, I wish he had won his re-election bid for Senate. He's doing much more harm now than he ever did as a Senator.
    • The interesting thing is that Ashcroft actually spoke out for copyrights when he was a senator. Here's one of things he had to say:

      Product manufacturers should remain free to design and produce the best available products, without the threat of incurring liability for their design decisions. Technology and engineersnot lawyersshould dictate product design. This provision reflected the working assumption that this bill is aimed fundamentally at so-called 'black boxes' and not at legitimate products that have substantial non-infringing uses. . . making it crystal clear that nothing in this legislation should be interpreted to limit manufacturers of legitimate products with substantial non-infringing uses.

      Citation: EFF [eff.org]

      He seems to have done a 180 since he became AG.

    • by cje ( 33931 ) on Wednesday October 09, 2002 @03:20PM (#4418651) Homepage
      .. but this case really has nothing to do with him. It was originally filed as Eldred v. Reno. The reason that the defendant was Reno (and is now Ashcroft) is because as United States Attorney General, (s)he is the one who is (presumably) responsible for making sure that the law(s) in question will be enforced.

      This has nothing to do with personal statements or actions that have been made by either Reno or Ashcroft.
  • by photon317 ( 208409 ) on Wednesday October 09, 2002 @02:52PM (#4418407)

    We should all use some hacktivism points to start a grassroots campaign to get Lessig nominated by some party for a Supreme Court seat when one is up.
    • The president nominates justices for the supreme court. Do you see him nominating a leftist to something which will probably be his longest lasting legacy, the stacking of the supreme court?

      No matter the grassroots campaign, it might raise some notice, but you are falling on deaf (<cheap obvious joke>okay, and dumb </cheap obvious joke>) ears.
    • The President nominates Supreme Court candidates, which are then confirmed by the Senate. It's not a party-based thing.
  • by syrupMatt ( 248267 ) on Wednesday October 09, 2002 @02:53PM (#4418409) Homepage Journal
    The fact is that even if the Supreme Court agrees with the idea that unlimited extension means unlimited time, it must turn to Congress to police itself and enact a "limit on limits" for copyright extension (unless, of course, there is a constituional ammendmant in the works, which i dont see happening in this climate).

    However, once the matter goes back to Congress, we are presented with the same problem yet again. Congress now can pass a placation act which will satisfy the Supreme Courts demand, and then in the future extend the "limit on limits". Its a giant loophole whereas they are not actually extending the limits themselves, merely the amount of times the limits can be extended. IANAL, but there is a term for this kind of layered system of laws.

    In such a case another lawsuit may be brought, but what will the climate of the Supreme Court be at that point, after another x amount of years of corporate lobbying (or, for the positive thinking, of lobbying for the public domain)? A corporation thinking in the long term is probably not worried at all.

    • by mr_teem ( 126142 ) on Wednesday October 09, 2002 @03:11PM (#4418563) Journal
      It's not a loophole but there is a cyclic nature to the way that legislation is enacted, challenged, and refined. (And re-challenged, etc., etc.) This is a good thing.

      Federal legislation is often broad-brushed and implemented with big clumsy fists. Sometimes it's not enough. Sometimes it is enough. Sometimes it's a little too much but it's tolerated. And sometimes, it really stops something that "outta be allowed". So we have Eldred v. Ashcroft saying that the copyright law extensions are now really too long to be sensible.

      Given the relatively few cases the Supreme Court takes up, I think it's a really good sign that this one was. The corporations now have to hold their breath--you can't lobby the Supreme Court.
      And, although there are plenty of experts that can speculate, it's hard to say whether they will uphold the existing legislation or declare it unconstitutional (and for what reasons). Whatever the outcome, there's a newly painted guidepost in U.S. intellectual property law to work with.
  • Looping links (Score:2, Insightful)

    by bytor4232 ( 304582 )
    The first link listed at Google News is this slashdot article. Thats funny, looping links.
  • by loggia ( 309962 ) on Wednesday October 09, 2002 @02:54PM (#4418420)
    FYI, just in case anyone did not know, Disney is embroiled in a massive lawsuit over its use of Winnie the Pooh. Basically, they want to keep the billion dollars they have made in Pooh merchandise and films and not cough up to the estate that originally owned the rights (Disney says they meet their agreed upon obligations).

  • Mickey Mouse (Score:5, Insightful)

    by gpinzone ( 531794 ) on Wednesday October 09, 2002 @02:55PM (#4418425) Homepage Journal
    Before anyone starts up with the Mickey Mouse issue, this only affects the copyright on the "Steamboat Willie" cartoon itself, not the MM character. Mickey Mouse is a protected TRADEMARK and will continue to be protected under trademark law FOREVER.
  • by lobos ( 88359 ) on Wednesday October 09, 2002 @02:56PM (#4418434)
    From Levy article, "They can wrap it in the rhetoric of protecting copyright, but at the end of day they are trying to exert as much control over the marketplace as possible," says Greg Ballard, interim CEO of SonicBlue (which makes the Replay DVR.)
  • Another view (Score:3, Informative)

    by eclectro ( 227083 ) on Wednesday October 09, 2002 @02:58PM (#4418456)
    From this report here [upi.com] the justicew seemed concerned with the "chaos" invalidating the CTEA would have on previoous copyright extensions.

  • ...will never take Alice In Wonderland!
    • by yerricde ( 125198 ) on Wednesday October 09, 2002 @03:12PM (#4418570) Homepage Journal

      they will never take Alice In Wonderland!

      Correct. Alice's Adventures in Wonderland by Lewis Carroll has fallen into the public domain in the United States and is available through Project Gutenberg [promo.net]. Even if the Bono Act had been in effect since the time of its publication, the copyright would have expired in 1969 (1898 death of Carroll + 70 + end of the year) under the author rule or 1961 (1865 first publication + 95 + end of the year) under the work-for-hire/pre-1978 rule. But in the USA, copyright term extensions do not re-copyright works whose copyrights have already expired; thus, all works first published on or before December 31, 1922, are in the public domain in the USA.

      The EU is a different matter; copyright law was revised to fit the terms in effect in Germany (life plus 70); works that had been in PD for quite some time fell under copyright once again. In addition, some European countries have granted extensions for works published before World War I, for works published before World War II, and for works published by authors who died in World War I or World War II.

  • by MountainLogic ( 92466 ) on Wednesday October 09, 2002 @02:59PM (#4418468) Homepage
    Morning Edition [npr.org]
  • by khkramer ( 31219 ) on Wednesday October 09, 2002 @03:00PM (#4418474)

    I was at the oral arguments this morning, and since I have press credentials, I was able to take lots of notes.

    My summary [allafrica.com] tries to cover all of the main points the Justices raised in their questioning of both sides.

    I was a bit discouraged by how much attention the Justices paid to problems with Lessig's Article I arguments, and how little -- none at all -- they paid to the claim he makes in the brief (and mentioned briefly during the questioning) that the birth of a new technology regime (the Internet) should have a profound impact on how we craft copyright law.

    I don't think there's much grounds for guessing which way the court will go on this case. Certainly the people in the pressroom and in the lawyers' lounge today weren't making many predictions. Lessig's argument is so narrowly constructed, and the copyright clause of the constitution is both so clear in intent and non-specific in its wording, that the court really could go either way. Certainly four justices had to think the possibility is there to decide for the petitioners or the Court wouldn't have taken the case. But there was a lot of hard questioning of Lessig, today, and I didn't think he was able to definitively reframe any of the issues that the Justices were concerned about.

    • by kalidasa ( 577403 ) on Wednesday October 09, 2002 @03:58PM (#4419016) Journal

      how little -- none at all -- they paid to the claim he makes in the brief (and mentioned briefly during the questioning) that the birth of a new technology regime (the Internet) should have a profound impact on how we craft copyright law.

      For Ginsburg, at least, this should all be old hat; her daughter who wrote one of the classic treatments of it in a Representations article about 10 years ago: J. C. Ginsburg, "Copyright Without Walls ? Speculations on Literary Property in the Library of the future", Representations,42. On the assumptions that one's own daughter's works should be canon, I imagine she's familiar with it.

      See Jane C. Ginsburg's [columbia.edu] CV and this Ruth Bader Ginsburg Biography [findlaw.com].

    • by NMerriam ( 15122 ) <NMerriam@artboy.org> on Wednesday October 09, 2002 @04:20PM (#4419222) Homepage
      Don't be discouraged by tough questioning -- experienced court-watchers have said that they frequently give a harder time to the side they agree with, in part to see how well the arguments hold up and to ensure that they are comfortable they have examined any flaws well enough to rule in an unbiased manner.
  • by asmithmd1 ( 239950 ) on Wednesday October 09, 2002 @03:01PM (#4418482) Homepage Journal
    I was there this morning and in the hours before we were finally let in many discusions of the issues took place. I have always wondered why copyrights have been extended from the original 28 years, while patents have remained almost unchanged at 20 years. Of course the answer comes down to money. There are competeing monied interests on both sides of the patent issue, while the public domain is not contributing anything to congressmen to hold the expansion of copyright in check
    • Nope.

      An patentable drug, system, or mechanism -- or lack of it -- might have a /huge/ impact on society. Not being able, however, to create a derivative work of, oh, "Steamboat Willie" doesn't really hurt anybody unless they're so uncreative and obsessed enough to only be capable of churning out SW-based crap. Ditto for most other creative works.

      You could, actually, kill all the art and artistry in history, and society would still function -- albeit probably less happily. If you crippled medicine, engineering, and industry with 95-year limits and no compulsory licensing in the case of independent rediscovery, however, you'd still be living in -- at best, probably -- a wooden shack with no sanitation, and a dozen nasty strains of pathogens just waiting to infect you. That's a pretty big difference.
      • i sincerely hope that you are a troll...


        the idea that a society can continue on in anything that resembles a healthy fashion without art or creative work is insane. would they continue to operate physically? perhaps. but i doubt it.


        plenty of sociteties lasted quite well without aspirin, assembly lines or indoor plumbing but none that we know of have gone on without art.

  • by starseeker ( 141897 ) on Wednesday October 09, 2002 @03:09PM (#4418542) Homepage
    No, not for lobbyists. That's what we've got now. I mean the following:

    Undoubtedly, Disney would stand to lose $$$$$$$ if Mickey Mouse were released from copyright, and it is in their interests to do whatever it takes to preserve it. I can in fact sympathize with that. It is a huge corporate symbol for them, and losing it would hurt bad.

    But in order to keep Mickey Mouse, they utterly trash the copyright system, totally destroying the idea of public domain. Some would argue that this is intended, but I'm not quite that cynical. (Yet.)

    Why can't we have a sliding scale, where if a corporation wants to hold onto copyright longer than the default, they pay some nontrivial amount of money every few years past the default time in order to renew. That way symbols like Mickey Mouse, which are still viable moneymakers for corporations, can be maintained as long as they are profitable. And anything which isn't lapses into the public domain. Why should that bother them? A few tens of thousands wouldn't even make Disney blink.

    Really, I don't think we are out to grab Mickey Mouse away from Disney. What happened to finding a middle ground? I thought that's what American politics was all about.

    • Pooh, not Mickey. (Score:5, Interesting)

      by yerricde ( 125198 ) on Wednesday October 09, 2002 @03:17PM (#4418621) Homepage Journal

      Disney would stand to lose $$$$$$$ if Mickey Mouse were released from copyright

      The Bono Act wasn't designed to preserve the monopoly on Mickey Mouse as much as it was designed to preserve the monopoly on nu-skool Winnie-the-Pooh (a relatively recent Disney creation) and old-skool Winnie the Pooh (to which Disney bought the rights from the Milne family). Disney makes much more annually from sales of Pooh merchandise than from sales of Mickey merchandise.

      Why can't we have a sliding scale, where if a corporation wants to hold onto copyright longer than the default, they pay some nontrivial amount of money every few years past the default time in order to renew.

      Others have proposed similar plans on both Slashdot and Kuro5hin. An interesting plan would make the renewal fees increase exponentially for every subsequent re-extension.

      FREE THE BEAR!

    • How about going one step further?

      If copyrights are now effectively indefinite, copyright holders should have to pay taxes like real estate owners to keep works out of the public domain. A starting amount would be 3% per year of a self-assessed value, where anyone could pay the entire self-assessed value to the copyright owner to force the work to be placed immediately in the public domain.

  • by sssmashy ( 612587 ) on Wednesday October 09, 2002 @03:11PM (#4418557)
    The Constitution specifies that "to promote the progress of science and useful arts," Congress should secure "for limited times to authors and inventors the exclusive right to their respective writings and discoveries."

    It seems that the original intent of "copyrighting", as specified in the Constitution, has been mostly abandoned in the current debate. The writers of the Constitution weren't really concerned with the economic aspects and the rights of capitalists as they were with the welfare of society as a whole.

    Ted Olson's case seems to be mostly based in the economic rights of corporations and creators in our capitalist economy. The Supreme Court, who are supposed to use the Constitution as the final arbiter in their decisions, are mostly concerned with legal precedents and the equity of past and present copyright holders.

    Does society really benefit from a given legal entity (Disney Corp., for example) holding the rights to a cartoon mouse for eternity? Call me a socialist, but it seems to me that the welfare of society should be given at least an equal consideration to the individual rights of copyright-holders. That's what the founding fathers intended in the constitution, where "economic rights" are secondary to the "natural rights" of mankind.

    • IANACL, but it's my understanding that the intent with which a power is granted to a branch of government doesn't matter much. The problem is that the likely outcome of any given law is a matter of opinion. This is why we need legislatures to begin with: to decide what laws would be beneficial and which would be harmful. Clearly, the constitution does not intend to have congress pass bad laws, but it necessarily empowers them to do so. Once a power is in legislative hands, they can, in effect, use it for whatever purpose they want.

      That's why arguments that say excessive copyright and patent terms retard progress don't carry much weight. It's often a matter of opinion; any particular law is likely to have mixed results. The courts don't want to get into the business of deciding what kinds of laws are beneficial -- just which ones are legal.

      Copyright abuse opponents have to resort to careful parsing of the copyright clause to see if abusive copyright laws exceed the powers literally granted to congress. Lessig's approach is the most promising -- the clause doesn't say that congress has the power to modify copyright terms that have already been granted. I've heard other approaches, such as one judge who asserted that the nature of the power granted to congress was a specifically a power to promote progress. It's a bit of a stretch though. Accepting this argument brings the courts back into the business of judging whether a law is wise or not.

      As much as we in the US revere it, the Constitution has over the years been proven to be pretty poorly drafted in many places. The copyright clause is a perfect example. Clearly the framers wanted copyright to be limited and their perosnal experience would have shown them that long copyrights are bad. At the time of the US Revolution, copyrights on literary works were perpetual and held by booksellers. If you wanted Paradise Lost, you paid Tonson's whatever Tonson's wanted to charge you, and you accepted a copy with whatever printing errors they didn't feel like correction. Clearly, the men of learning among the framers intended to remedy this situation by limiting the copyright term.

      However, what they actually accomplished in article 2 was to effectively give Congress the power to grant perpetual copyrights. A term of a billion years is, literally speaking, limited, even though none of nor any of our descendents will ever see that term expire. Of course, such a law would be so obviously capricious and repulsive that the court would feel justified in stepping in.

      The problem with gradual copyright extension is that it ever so gradually conditions us to accept the absurd. At the outset, a copyright term of seventy five years would have been absurd. However over the course of two hundred years, gradual encroachment has got us here. Most importantly, the term of a copyright is now a full human lifespan. That means few people alive have experienced having works they remember from their youth becoming part of the public domain.

      Because of copyright extension, we have reached the point where the common person's experience doesn't provide him with any commonsensical checks on copyright terms at all.

      It's extremely important that Mr. Lessig win his case.
  • by _underSCORE ( 128392 ) on Wednesday October 09, 2002 @03:17PM (#4418618) Homepage Journal
    "if a limited time is extended for a limited time then it remains a limited time,"

    Yeah, guys, and this loop terminates:

    int limitedTime = 14;

    for ( int i=0;i<limitedTime;i++) {

    System.out.println("Copyright Protected");

    limitedTime += 50;

    }

    fools.
  • New amendment (Score:3, Interesting)

    by Dan D. ( 10998 ) <duhprey@tosos.BOYSENcom minus berry> on Wednesday October 09, 2002 @03:18PM (#4418629) Homepage
    No one should be allowed to run for re-election if they *EVER* voted in a bill that became an unconstitutional law. The president should be impeached (even if he doesn't get kicked out) for signing a new law which violates the highest in this country. Signing an unconstitutional law into being should be just as high if not higher on the list than bonking Monkey Lewinski.

    At the very least congress-persons should be suspended for a period immediately after. The state that loses their vote will think twice about being *stupid* in the future.

    Of course it would make congress-persons think at least twice whether or not the lobby money is worth it, but they'd probably just up their sellout price.

    Its not a checks and balances if anyone can do what they want until (and if ever) someone has enough money or time to actually fight a "silly" law. That's just chaos with an upper bounds.

  • by Captain Rotundo ( 165816 ) on Wednesday October 09, 2002 @03:19PM (#4418643) Homepage
    The yahoo article had some quote from AOL saying somehting about its copyrights on "Gone with the WInd" and "The Wizard of Oz" would be "threatened". as if thats a bad bad thing. THAT'S THE WHOLE POINT for crying out loud.

    Its insane. Absolutly insane that these people have zero regard for anything but themselves, I have to admitt, it disgusts me sometimes that I live in this society.
  • by DavidBrown ( 177261 ) on Wednesday October 09, 2002 @03:30PM (#4418735) Journal
    ...arging that the statute violates the Fifth Amendment prohibition against government takings without just compensation?

    Here's the theory: Because of existing copyright law, whenever a creator creates a work, the creator brings into being a bundle of property rights, analogous to the various rights associated with the ownership of real property. Essentially, the copyright is divided into two interests:

    1. A present interest owned by the creator of the work (and his assignees) for the duration of the period set forth in copyright law; and

    2. A future interest in the public domain.

    By extending copyright retroactively, Congress is taking a property right away from the public domain without any compensation in violation of the takings clause of the Fifth Amendment.

    There are hurdles to cross, such as whether or not the "public domain" has any rights. In the alternative, I would argue that the public domain is held in trust by the government for all the people, in the same way that the area between high tide and low tide is held in the public trust, and apply the law related to public trust land to the public domain rights created by copyright.

  • by jvmatthe ( 116058 ) on Wednesday October 09, 2002 @03:33PM (#4418778) Homepage
    Man, I've got the Law & Order blues...I want to hear the judges' decision NOW! If Jack McCoy had argued this case, instead of Lessig, I'm sure the Supes would be back in like 30 minutes with their decision. ;^)

    Ah well. At least cable is showing L&O every hour on the hour nowadays, so I can get home and get a fix then. GET 'EM JACK! :^D
  • by crow ( 16139 ) on Wednesday October 09, 2002 @03:52PM (#4418964) Homepage Journal
    If I were on the Supreme Court, I suspect I would want to rule that the big problem is the retroactive aspect of the extension. If a retroactive change is allowed, then the limit on copyrights isn't limited. Then there's the question of what's reasonable. More precisely, what is reasonable may change with time (hence, it's not fixed in the Constitution), but shouldn't the definition of "reasonable" be based on the time when the work was created?

    I don't see the Supreme Court getting into an argument with Congress over what is reasonable, so for new works, I wouldn't overturn the new limit. (I would instead work to overturn Congress at the ballot box, but that's another issue.)
  • by Dirtside ( 91468 ) on Wednesday October 09, 2002 @04:02PM (#4419061) Journal
    I imagine it's a matter of pride, just like for most humans, but why is it that no matter *what* the issue that someone's suing them over, the government always insists that it is absolutely right, and could not be wrong? Even the Executive Branch does this, when it's their job to enforce laws, not make them (Congress) or determine their rightness (SCOTUS). I remember seeing a quote from a DEA executive, saying that the DEA was opposed to any weakening of drug laws. Not that he was opposed, the DEA was opposed. Why is the DEA concerned about whether the laws change? Their job is to enforce existing laws, whatever they may be; there is no good reason for them to oppose changes in the law. (Naturally, they oppose any changes in the law that will make them have less power.)
  • I was there (Score:5, Informative)

    by Roast Beef ( 2298 ) on Wednesday October 09, 2002 @04:28PM (#4419311) Homepage
    My comments, also posted on my web site [tamboli.cx]:

    This was my first time at oral arguments, so I have to admit I don't have anything to compare them to. For example, I felt that the Justices were harder on Theodore Olson (Solicitor General, argued the case for the Government) than they were on Larry Lessig (lawyer for the petitioners). This may just be because the justices know him better, though. To make my life even more difficult, the seat I was assigned had a nice fat column between me and everybody of significance. I could see the back of Justice Ginsburg's chair before she sat down. I was able to identify some of the Justices from their voices, but it was difficult. Oh, Declan McCullagh was there in a leather jacket. Didn't wear it to the courtroom, though. He'll probably have pictures up on his site later today, and I've got a couple I'll put up here.

    On to the case: the first question came from Justice O'Connor, asking about the previous copyright extensions, which had not been challenged. Prof. Lessig pointed out that the 1790 Copyright law established a copyright for works already existing, but that was the first time such a law had been passed here -- before that existing works had no Federal copyright protection. That made the protection different from the extensions passed in the following years. Justices O'Connor and Rehnquist proceeded to press him on the significance that even the following extensions were unchallenged, and during Olson's time he pointed this out, saying that the petitioners therefore had a heavy burden challenging a law that had essentially stood for centuries. Prof. Lessig's response was that there has been a fundamental change, even since the copyright term changes made in 1976. In 1976, the copyright affected mainly commercial copyright producers and distributors, and they were the ones who benefitted from the laws. Now, however, the popularization of the Internet has made copyright an issue for many people. As an example, the primary petitioner in this case, Mr. Eldred, publishes public domain books on his web site, and he does it for free. Such a thing was unheard of in 1976. Mr. Eldred is only hurt by this copyright extension: he sees no benefit. The 1976 law would be unconstitutional if challenged now, but no one was seriously injured by it when it was passed, so it went unchallenged.

    A sense I got from several justices was that they didn't approve of the copyright terms, but didn't see a Constitutional argument against them. Justice O'Connor came right out and said, "I can find a lot of fault with what Congress did here," and Justice Breyer, when questioning Olson, cited some numbers showing how much money copyright owners gained from the extended terms, compared to the losses to the public due to copyright restrictions. The counter argument was that copyright terms provide an incentive for distributors to preserve their works. While it was conceded by Lessig that Congress could not grant a copyright on a work currently in the public domain, Congress could grant an extended term conditioned on a promise to preserve and actively distribute a work. This would allow works for which the copyright owner could not be identified (such as many of those sought by Mr. Eldred) to pass into the public domain.

    While I generally felt that the Justices were harder on Olson, they didn't seem to be too happy with the Consitutional arguments given by the petitioners. One point they did seem to like, and pressed Olson repeatedly with, was that, if the preambular part of the Copyright Clause is not read to be a limitation on copyright terms, and if the word "limited" does not mean "fixed" or "immutable," is there any limit on Congress's power to extend copyright terms? Olson's reponse was to point out that that is not the issue before this court, and I have to agree. While the Court is certainly free to say that the Congress's extensions are subject to judicial review on the grounds that "limited" need be reasonable or something like that, and establish some guidelines for that review, it has not been asked to do that in this case. More importantly, despite the Justices' feelings that there should be judicial review, lack of an explicit Constitutional limit on Congress's interpretation of "limited" does not create that power for the Court. It simply may be the case that Congress has the power to extend it however long it wants, as long as it is not "unlimited." The recourse for that, of course, is elections. Olson pointed out that the Framers had the power to put a specific length of time in the Constitution, and Jefferson actually encouraged it, but they eventually chose not to; they chose to give that power to Congress.

    Lessig cited a figure he claimed a group of economists calculated: the current copyright terms give copyright owners 99.8% of the benefits they would get under a perpetual term. I would guess that assumes the benefits converge, although I'm no economist. I'm also no Supreme Court scholar, but my gut feeling right now is that the Court is going to strike down CTEA and establish some guidelines for what is an acceptable copyright term. I personally don't agree from a Constitutional standpoint. We'll find out in a couple of months, I suppose.
    • by dachshund ( 300733 ) on Wednesday October 09, 2002 @05:27PM (#4419775)
      Olson's reponse was to point out that that is not the issue before this court, and I have to agree. While the Court is certainly free to say that the Congress's extensions are subject to judicial review on the grounds that "limited" need be reasonable or something like that, and establish some guidelines for that review, it has not been asked to do that in this case. More importantly, despite the Justices' feelings that there should be judicial review, lack of an explicit Constitutional limit on Congress's interpretation of "limited" does not create that power for the Court. It simply may be the case that Congress has the power to extend it however long it wants, as long as it is not "unlimited."

      The argument is pretty straightforward. The court has ruled that where the Constitution grants a limited Congressional power, there must be a demonstrable limit to Congress's authority. The Supreme Court has made this ruling in the past.

      In this case, there is no demonstrable limit. The government is arguing that it may extend copyright as many times as it wishes-- an unlimited number of times, if necessary. That interpretation clearly clashes with the straightforward requirement of "limited times". Thus there is no guaranteed limit on the power, and thus the law is not Constitutional. The notion of "reasonable" times doesn't really enter into it.

      The recourse for that, of course, is elections. Olson pointed out that the Framers had the power to put a specific length of time in the Constitution, and Jefferson actually encouraged it, but they eventually chose not to; they chose to give that power to Congress.

      You're going to have to fight that one out with the Framers. Clearly they did not feel that the political process provided a strong enough check on government power, so they wrote a strong constitution and created a Judicial branch to oversee it.

      If you agree with my interpretation of "limited", the court has all the legal and moral authority it needs to rule against the law. If you don't, then you'll probably feel that it's a political issue. The court is in the process of making this determination, so let's not jump the gun.

  • wrong arguments (Score:3, Insightful)

    by tmtresh ( 615002 ) on Wednesday October 09, 2002 @04:43PM (#4419433)
    If "The Constitution allows Congress to give authors and inventors the exclusive right to their works for a "limited" time." then why is it that the copyright extends beyond a person's death? It seems to me that if a copyright extends to the author or inventors death, then it is an unlimited time for that particular author or inventor. Also how can Congress constitutionally allow copyrights to be transferred to a 2nd or even 3rd party? Doesn't the word "exclusive" mean anything?

    Lessig is fighting with the wrong arguments. Why doesn't he actually use the constitution as it is written. I suppose if he does, it would have to overturn most, if not all of the 11 copyright extensions congress has passed over the years. I guess that's not really what he's fighting for, he just wants to overturn the 1998 extension without rocking the boat. He should be fighting the whole system of copyright extensions, instead of fighting them one at a time. Things need to be shaken up a bit so we can return to what the Founding Fathers intended.
    • by jaaron ( 551839 ) on Wednesday October 09, 2002 @05:50PM (#4419966) Homepage
      If copyrights are not extended beyond the author's death, then there is quite a bit of risk for a publisher or distributor to support the author. What if the day after I buy the rights for publishing, the author gets hit by a car? Unlikely? Yes. But if the copyright ends with his death, then I'm screwed. Therefore, copyrights which extend beyond the life of the author encourage investment to publish and distribute the copyrighted works. This may not be the best solution to the problem, but this is the rational behind the current law
  • by truthsearch ( 249536 ) on Wednesday October 09, 2002 @04:51PM (#4419498) Homepage Journal
    I didn't read every posting, so pardom me if this is redundant, but one of the sites I monitor is Larry Lessig's own site [stanford.edu]. He has someone who posts news regularly and it's also the source of his blog. By all accounts he seems to be a brilliant man, so it's worth reading his own words.
  • by lildogie ( 54998 ) on Wednesday October 09, 2002 @04:53PM (#4419514)
    Mr. Lessig now has experience going before the Supremes.

    I'm very grateful to Mr. Lessig for taking a good cause all the way to the top!

    Whether he wins or loses, I like his philosophy, and I hope he returns. (Ya know what they say, 3rd time's a charm, and by then he'll be more of a regular.)
  • Bad News. (Score:3, Interesting)

    by DaveWood ( 101146 ) on Wednesday October 09, 2002 @04:57PM (#4419548) Homepage
    It was always a long shot, but now the outcome seems clear. As I understand it from reading the reviews, Eldred is finished. I wouldn't be surprised to see a unanimous verdict against him, but I hope to be wrong, as I think reading the dissenting opinion will be the only joy that comes from this case.

    Not that there would have been much joy in an 11th hour reversal by the supremes anyway. The legislature has more than adequately demonstrated their ability to churn out bought-and-paid-for garbage much faster than any checks can cope. We need (I would say, we urgently need) to reform Congress.

    Anyone have any better ideas for helping prevent the next copyright extension from doing as well as this one did? Whatever we're doing now is obviously not working... People talk about campaign finance reform, but it seems like a band-aid on a bursting dam, not to mention the 1st amendment complications of trying to regulate political speech...

    The only thing I can think of is to work the corruption problem via the whole surveillance culture thing. I mean, everyone knows we're going towards a surveillance state, right? I figure turnabout is fair play. I bet you wouldn't see laws like this if there were mandatory 24/hour all-access surveillance of legislators, with (opposition-party approved) exceptions for national security. And I do mean surveiling everything - transcripts of phone calls, copies of letters, night vision camera in the bedroom, you name it, all available to the public in near-real-time. It'd be like Big Brother meets CSPAN.

    Crazy you say? But is it crazier than our federal government's present behavior? Hey, they don't call it the public life for nothing. I figure leading the country in the modern age comes at a price, and there's no better group of people I can think of to surveil than those in charge. Call it "Open Government."

    Actually, you could even start on it voluntarily. Some clever young turk could agree to "surveil" himself in office, and run on "honesty and openenness." If they were half-way sane and well-respected, a stunt like that could really dominate an election.

    Of course, watch out for the ones who don't record _everything_... because with this kind of thing, it's all or nothing.
  • by catfood ( 40112 ) on Wednesday October 09, 2002 @06:38PM (#4420269) Homepage

    khkramer's thoughtful and thorough summary said, in part:

    In Lessig's opening -- which lasted about thirty seconds before he was cut off by Justice O'Connor -- he said that "this is not a case" about the "general power" that Congress has over copyrights, but about "specific limits."

    Previously he'd written that he was troubled at the grilling the Justices gave Lessig. ISTR that O'Connor is known for doing that when she finds an argument particularly interesting and wants to know more about it. If in fact she was pushing Lessig to explain his case more precisely, that's a good sign.

  • by rossz ( 67331 ) <(ogre) (at) (geekbiker.net)> on Wednesday October 09, 2002 @06:45PM (#4420304) Journal
    The exact wording in the Constitution (Article I, Section 8):
    To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;
    Something left out of the arguments entirely is who these exclusive rights are intended for. It didn't say anything about a family, publishing company or factory. It said specifically the exclusive rights are for the authors and inventors. As stated by the Supreme Court on numerous occassions, the Constitution means what it says. Therefore, any extensions that go beyond the life of the author or inventor is clearly unconstitutional.

    One problem is when a copyright is made in the name of a corporation which has a theoretically unlimited lifespan. If the Supreme Court ruled that the maximum length of a copyright is the lifespan of the author, then you would see a mad rush to copyright everything in the name of a business. This would have to be prevented as it is an attempt to bypass a Constitutional limit.

    My personal solution is to automatically assign the lifespan of the current CEO of the business when the copyright is filed in the corporation's name - and changing the original name is not allowed. Most of them are old bastards who will die in 20 years from overwork or within 5 years during a prison gang rape (that was a joke - so laugh!).

  • by Elwood P Dowd ( 16933 ) <judgmentalist@gmail.com> on Wednesday October 09, 2002 @06:47PM (#4420324) Journal
    At the linked summary [allafrica.com], it sounds like Lessig failed to address an essential portion of his argument. According to his reply brief [harvard.edu], there is a huge difference between an equally applied retroactive extension and an equally applied proactive extension. He suggests, with references, that court precedent has shown that a retroactive extension requires a quid-pro-quo. If the law said copyrights were only extended for people that gave congress $5, or republished the work, or *something*, then the law would fly. Since there's no exchange, the law breaks judicial precedent.

    I have *no* idea if this argument is correct. Please do not rely on my description of it. Read the brief (they're not hard to read at all). Is there a lawyer out there that can tell us if his quid-pro-quo argument is obviously valid, obviously wrong, or open for debate?

    Does it make a difference if an essential point is only made in a brief, but not in oral arguments?

    Am I misunderstanding the argument, or how it applies?
  • by ethereal ( 13958 ) on Thursday October 10, 2002 @01:22AM (#4422128) Journal
    Chief Justice William H. Rehnquist seemed unsympathetic to those who want the law overturned.

    "You want the right to copy people's works verbatim," he told Eldred's lawyer.

    Why yes, sir, that's the whole point. That's what "public domain" means. Maybe if we can get past the knee-jerk incomprehension of "public domain", we can actually inject some sense into these proceedings. But probably not.

    Frankly, I wonder if maybe he shouldn't have stuck with his other job as an impeachment court robes designer [kausfiles.com].

  • by krouic ( 460022 ) on Thursday October 10, 2002 @02:58AM (#4422399)
    Most of the works concerned be the recent copyright extension have no commercial value. Their copyright owners would lose money if they wanted to publish and distribute them. But as there is no cost incurred by keeping the copyright and not releasing these works to the public domain, they prefer keeping it in the hypothetical case it would regain value in the future (like for instance Hollywood producing a movie based on an obscure pulp hero of the 30's).

    So basically, the copyright extension gives no incentive to the owner either to publish or to release these works in the public domain, having the net effect of depriving the public access to the vast majority of the works concerned by the extension. IMHO, this has the exact contrary effect of what the Constitution expected. It locks the vast majority of work from the public to protect the revenue of the fews that are commercially viable.

    A fair law would allow such an extension, but it would also force the copyright owners to periodically publish and distribute their works. Failure to do so would automatically put the works in the public domain.

    This would benefit the public by making these works available, either through the usual commercial channels or from the public domain, while the copyright owner would still be able to get revenue from the works that are still commercially viable.

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