theodp writes "Before iTunes, Netflix, MySpace, Facebook, and the Kindle, 17-year-old Shawn Fanning and 18-year-old Sean Parker gave the world Napster. And it was very good. The Observer's Tom Lamont reports on VH1's soon-to-premiere Downloaded, a documentary that tells the story of the rise and fall of the file-sharing software that started the digital music revolution, and shares remembrances of how Napster rocked his world. 'I was 17,' writes Lamont, 'and the owner of an irregular music collection that numbered about 20 albums, most of them a real shame (OMC's How Bizarre, the Grease 2 soundtrack). One day I had unsupervised access to the family PC and, for reasons forgotten, an urge to hear the campy orchestral number from the film Austin Powers. I was a model Napster user: internet-equipped, impatient and mostly ignorant of the ethical and legal particulars of peer-to-peer file-sharing. I installed the software, searched Napster's vast list of MP3 files, and soon had Soul Bossa Nova plinking kilobyte by kilobyte on to my hard drive.' Sound familiar?"
Check out the new SourceForge HTML5 internet speed test! No Flash necessary and runs on all devices. Also, Slashdot's Facebook page has a chat bot now. Message it for stories and more. ×
An anonymous reader writes "Dozens of fans attending a NASCAR race at Daytona Speedway were injured when a crash during the last lap triggered a chain reaction, culminating in the front section of Kyle Larson's car ricocheting into the fence in front of the stands (Larson escaped injury). While the footage accompanying the article is dramatic enough, an even more riveting clip showing the chaotic scene in the stands from up close was posted on YouTube, but was taken down after NASCAR claimed it violated their copyright . YouTube has since restored the fan's video. A NASCAR spokesman has issued a clarification, saying that the takedown request was done out of respect for those injured. The race was an opening act for the main event, the Daytona 500, which officials say will proceed as scheduled. 'With the fence being prepared tonight to our safety protocols, we expect to go racing tomorrow with no changes,' Speedway President Joie Chitwood told CNN."
Hugh Pickens writes "The rules for papal elections are steeped in tradition. John Paul II last codified them in 1996, and Benedict XVI left the rules largely untouched. The 'Universi Dominici Gregis on the Vacancy of the Apostolic See and the Election of the Roman Pontiff' is surprisingly detailed. Now as the College of Cardinals prepares to elect a new pope, security people like Bruce Schneier wonder about the process. How does it work, and just how hard would it be to hack the vote? First, the system is entirely manual, making it immune to the sorts of technological attacks that make modern voting systems so risky. Second, the small group of voters — all of whom know each other — makes it impossible for an outsider to affect the voting in any way. The chapel is cleared and locked before voting. No one is going to dress up as a cardinal and sneak into the Sistine Chapel. In short, the voter verification process is about as good as you're ever going to find. A cardinal can't stuff ballots when he votes. Then the complicated paten-and-chalice ritual ensures that each cardinal votes once — his ballot is visible — and also keeps his hand out of the chalice holding the other votes. Ballots from previous votes are burned, which makes it harder to use one to stuff the ballot box. What are the lessons here? First, open systems conducted within a known group make voting fraud much harder. Every step of the election process is observed by everyone, and everyone knows everyone, which makes it harder for someone to get away with anything. Second, small and simple elections are easier to secure. This kind of process works to elect a pope or a club president, but quickly becomes unwieldy for a large-scale election. And third: When an election process is left to develop over the course of a couple of thousand years, you end up with something surprisingly good."
cervesaebraciator writes "U.S. Representative Judy Chu (D-CA) will be starting a new caucus with the ostensible purpose of protecting the intellectual property rights of filmmakers, musicians and other artists. The new caucus, styled the Congressional Creative Rights Caucus, will be formed along with Rep. Howard Coble (R-NC). Chu's office released a statement, including the following: 'American innovation hinges on creativity – it is what allows our kids to dream big and our artists to create works that inspire us all. The jobs that result are thanks entirely to our willingness to foster creative talent, and an environment where it can thrive and prosper. [...] The Congressional Creative Rights Caucus will serve to educate Members of Congress and the general public about the importance of preserving and protecting the rights of the creative community in the U.S. American creators of motion pictures, music, software and other creative works rely on Congress to protect their copyrights, human rights, First Amendment rights and property rights.'"
hypnosec writes "Ex-LulzSec leader Hector Xavier Monsegur, aka Sabu, has been handed another sentencing delay, possibly because of his continued cooperation with the U.S. government that led to the arrest of several Lulzsec members. Sabu plead guilty to all counts of bank fraud and identity theft offenses, and was to receive up to 124 years of imprisonment — but was granted a six-month breather back in August 2012 after the U.S. government asked the District Attorney to consider adjournment of Monsegur's trial 'in light of the defendant's ongoing cooperation with the Government.' New reports indicate that Sabu has dodged sentencing for a second time, with no dates set for the next hearing."