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Net Radio Wins Partial Reprieve
Posted by
Zonk
on Fri Jul 13, 2007 02:23 PM
from the axe-is-still-pretty-close dept.
from the axe-is-still-pretty-close dept.
Joren writes "Just a few hours after our last discussion on this topic, Wired News is reporting that Internet radio broadcasters have won a temporary reprieve from the new rates. Apparently the details are still being worked out. 'A coalition of webcasters have worked out a deal with the recording industry that could temporarily stave off a portion of crippling net radio royalties set to take effect Sunday, according to people familiar with the negotiations ... For now, the parties involved in what's described as ongoing negotiations have agreed to waive at least temporarily the minimum charge of $6,000 per channel required under a scheme created by the Copyright Royalty Board, or CRB. The deal, brokered late Thursday, is not final and could change. One person involved in the talks described the situation as a reprieve, and said that internet radio won't be saved until a workable royalty rate is set.'"
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U.S. Court Denies Webcasters' Stay Petition 264 comments
Michael Manoochehri writes "Reuters reports that a "federal appeals court has denied a petition by U.S. Internet radio stations seeking to delay a royalty rate hike due July 15 they say could kill the fledgling industry." This royalty rate hike, put forth by the US Copyright Royalty Board, will increase royalty rates for webcast music tremendously, in some cases to more per year than many webcasters bring in from revenue. Save Net Radio, a coalition of webcasters, is telling listeners that "We are appealing to the millions of Internet radio listeners out there, the webcasters they support and the artists and labels we treasure to rise up and make your voices heard again before this vibrant medium is silenced.""
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Would you really trust the Recording Industry (Score:5, Insightful)
This isn't a reprive-its a feint (Score:5, Insightful)
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Re:This isn't a reprive-its a feint (Score:4, Insightful)
Parent
No, it's subtrifuge. (Score:5, Insightful)
This is a blatant attempt to quash the issue through confusion. Most people don't know about the Copyright Review Board or what a bad deal it's just created for everyone. What they are hearing is a mixed signal. What people need to hear is, "Streaming music from your computer is about to be expensive and/or illegal for the benefit of big publishers." Corporate media, even Slashdot, are blaring out "Internet Radio Royalty Hikes Delayed" as if the RIAA had force of law and this temporary reprieve had any meaning.
They might as well have that. The whole thing is so unAmerican, most have a hard time believing it when they do learn. That a group of unelected could make such a fundamental decision boggles the mind. How is it that legislation has to be passed to keep an arm of government from creating an all encompassing monster like SoundExchange?
The end game is the destruction of Internet Radio and the internet itself. They want to go back to 1911 where you and me were not part of popular culture.
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Re: (Score:3, Insightful)
As I recall, the SoundExchange system means you have to only pay royalties to SoundExchange if you play any music that you don't have a separate license for. If the indie labels, en blo
no surprise there (Score:2, Interesting)
I can actually see this dragging out longer. Can you imagine the amount of paperwork they're burried in?
The goal IS to eliminate internet radio (Score:4, Insightful)
Adversity Leads to Innovation (Score:2, Insightful)
Consumers want to hear streaming music on the internet without annoying commercials. If there exists no legal, cost-effective way to do it, then the black market will find a way. It's time for the industry to wake up and realize that alienating the consumer base does not equal more profits.
Re: (Score:2)
Consumers want stuff for free. That does not justify any means of getting it.
If you want to try to stop the RIAA from silencing non-RIAA music, that is great. But once you tie it to rationalizing copyright violation, nobody will take you seriously.
Re: (Score:2, Insightful)
Raising the rates of internet streams above that of traditional radio in order to change consumer habits will not work. My point is that by ignoring what the customers want, the RIAA is in effect creating another Napster. This is almost just like the way the music i
the EFF or such... (Score:3, Interesting)
hell, I'd almost like to start some such thing myself. Might be more effective if I just give someone else money to do it though. There's certainly enough people who want such a thing...there's a market for it (if even just 1% of the anti-RIAA chickenhawks on
And as someone who has played in clubs for years because I love playing, and has turned down a couple contracts because I didn't want that sort of life - yes, damnit, there are musicians that would give their songs away for free, or close to free. That's precisely what happened to almost all music for the history of mankind until just a few decades ago.
They're just wearing us down (Score:2)
This is just a stall tactic. There will be several more edge-of-the-brink reprieves until the congress/general public are totally confused and the regular new outlets stop reporting. Then it will be as if millions of voices suddenly cried out in terror and were suddenly silenced, but only one person will have heard it.
Blood from a stone? (Score:2, Informative)
A stupid law is a stupid law (Score:2)
Why not just.. (Score:2)
Let them know their artists aren't so special and that even without them we'll get along with our music needs just fine.
Sure probably every one likes at least one artist they've got their stupid hands on, but there's tons of other people who have nothing to do with the RIAA waiting to take their place.
Acting like we need them is what gives them any power at all. If I make a radio station of a bunch of local bands, surel
Re: (Score:2, Informative)
You have to pay SoundExchange a yearly membership as an artist/label to receive money they do collect and they don't say what they do with the money they collect for artists that have no label and dont sign up for membership, apparently this is free money for their coffers.
Why a rate at all? (Score:2)
After all it's just free advertising for them.
US only (Score:5, Insightful)
What is the big deal? (Score:2)
This whole thing boils down to two interacting business groups, each of whom wants to maximize their profits. The music industry would like to be paid a massive amount of money in royalties. Clearly that isn't going to happen. The broadcasters would like to have zero royalties, or better yet be paid by the RIAA for playing the music. That's not going to happen either.
While the RIAA has temporary gotten a high royalty rate, the broa
Re:SoundExchange changed its mind? (Score:5, Insightful)
Parent
Re:SoundExchange changed its mind? (Score:4, Insightful)
Instead, they are using what I have heard called the "Soviet negotiation model," in which you make an unreasonable first demand; Then it seems a lot more reasonable when you lower it a little. It works quite well, especially when you have the upperhand to begin with.
When soundexchange halves their demands, they'll look like heroes to congress and the public, and still be making a lot more money. Genius...
Parent
Net radio will just offshore. (Score:2)
Granted some businesses will fail but in the end the record companies will learn yet again that they are SOL.
The record companies only think they have an upper hand. They'll be broke soon enough.
Re: (Score:2, Interesting)
Really? heard a saying a numbetr of years ago, which I shall paraphrase: "Never underestimate the power of a human being to stare at reality full on and yet still ignore it". I dont' believe for one minute that the people who pull the strings for SoundExchange see the internet as anything but a threat, which they either need to eliminate or control. The reality of internet music distribution may have been explained to them ad nau
Re: (Score:2, Interesting)
First, consider SoundExchange's (SE) position. They represent the mainstream creators (MSC). Now while there are many layers between SE and the MSC, ultimately SE does represent the MSC. Their concern with the streaming is that they consider it an easy way for listeners to capture, digitally, the audio that is being streamed. It can then easily be moved onto a dig
Re:Respones: (Score:5, Informative)
Free to you maybe, but the internet radio stations have always payed a licensing fee. The big change here is that in the past internet radio had the same basic fee structure as a traditional broadcast radio station, in which the station paid a flat rate for a blanket license to play music from the RIAA's catalog (don't remember, but I think it may have been a small per song charge). The change is that they want to go to a payment system that charges not only per song, but per listener, which will grossly inflate the fees these stations will need to pay. Never mind the technical feasibility of tracking the number of unique listeners to any given station, but simply multiplying the .8 cent fee per song by even a thousand listeners brings the cost per song to 8 dollars, and there's no way these small broadcasters can recoup that cost in advertising fees. The RIAA actually knows this, but they don't care, they want control of the whole thing, so they've set it up where only a few companies can actually afford to provide internet radio, and they're just fine with that, less chance for anyone not already under the RIAA's thumb to get any sort of air time.
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