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Puretracks Music Store Drops DRM
Posted by
kdawson
on Thu Feb 22, 2007 11:15 AM
from the apple-could-do-this dept.
from the apple-could-do-this dept.
khendron writes "The Canadian online music store Puretracks (a store I have generally avoided because of their Microsoft-specific solutions) has announced that it will immediately start selling part of its catalog as DRM-free MP3 files. The site's unprotected catalog, which includes artists such as The Barenaked Ladies and Sarah McLachlan, will initially feature only 50,000 of its 1.3 million tracks, but their number will grow weekly. The Globe and Mail says the move will likely profit Puretracks because its DRM-free-music will be playable on iPods. It quotes one industry watcher saying 'We're seeing the death of DRM.'" Essentially Puretracks is relaxing the major-label mandated DRM rules that it had initially applied to all labels, even the indies that wanted no part of DRM.
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Puretracks Music Store Drops DRM
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Yes, Apple "could do this"... (Score:5, Interesting)
(http://das.doit.wisc.edu/)
And while we're at it, let's fix the title of this submission:
Puretracks drops DRM from less than 4% of its tracks; even less when you consider well known commercial artists on major labels; changes format and delivery mechanism for such songs
Let's face it: like it or not, that's important.
I do agree that Apple should aggressively work toward this, and they should absolutely drop the "all-or-nothing" mentality with DRM on the iTunes store, because dropping all DRM at once won't work. They definitely need to start somewhere, even if it's with relatively unknown artists and/or labels. Consider, too, that some of Apple's existing contracts may have stipulations that all other music sold on the same store or via the same mechanisms have the same protections.
The article notes:
Essentially Puretracks is relaxing the major-label mandated DRM rules that it had initially applied to all labels, even the indies that wanted no part of DRM.
What if Apple isn't currently in a legal, technical, business, and/or support position to do that? What if it is, in fact, planning to do just that, but can't move quite as quickly as people seem to think it should be able to. This isn't a "2-3 day" operation as some people think it should be. It may be months before any fruits of this are seen on the iTunes Store.
Consider further that Apple may not want to sell, e.g., MP3 format specifically, for a variety of reasons. If a label (like EMI, which is talking to everyone BUT Apple about its possible no-DRM experiment - perhaps some ulterior motives of their own?), specifically wants "unprotected MP3", what if Apple's format of choice is "unprotected AAC"? Should Apple start selling multiple formats as well as multiple protection levels? How much of the years-proven consistency of operation and ease of use should Apple sacrifice on the iTunes Store?
There are a lot of unknowns here that don't automatically mean that Apple "doesn't really want to drop DRM."[1] Yes, actions speak louder than words, but Jobs' landmark statement on DRM, concisely shredding any arguments in favor of DRM, is, in fact, a pretty big action in itself. But Apple has a lot invested in the iTunes Store ecosystem, and they're not going to make rash decisions, screw things up, break support models, confuse customers, or do anything that would cause them to lose one or more large commercial content providers.
So while other fringe and marginally known stores may be able to make moves in this direction, it's a delicate situation for Apple. Hopefully Jobs' strong words, which have already caused a firestorm of circling wagons among some pro-DRM entities, and other stores with the luxury of being able to move more quickly into experimental areas, will push the balance toward "no-DRM". Regardless of what the bloggers and pundits think, who instantly came out with all of these "Apple doesn't really want to get rid of DRM" arguments believing this was a carefully crafted PR play, Jobs' DRM statement is the strongest stance from anyone at such a high level in music and media, and that's exactly what it will take to move the industry forward.
[1] Also, Apple doesn't use "DRM" or trusted computing/TPM on Mac OS X, in any way [osxbook.com]. The restriction is a manifestly a licensing one, and any technical difficulties of running Mac OS X on non-Apple hardware are incidental (even if intended to make it non-trivial).
Re:Time to put your money where your mouth is (Score:5, Informative)
EMusic [emusic.com] has been around for years. Everything on the site is MP3.
They don't seem to be having any business difficulties. And for the record, I've been a subscriber for years.
Re:Time to put your money where your mouth is (Score:4, Informative)
(Last Journal: Thursday October 11, @12:00PM)
But eMusic wasn't just his company. Hoffman cofounded the company with Bob Kohn [wikipedia.org]. Before that, both of them served on the board for Pretty Good Privacy [wikipedia.org]. I know. Total "asshats".
Either way, the current CEO [emusic.com] is David Pakman who has been speaking out against DRM [typepad.com] since long before Steve Jobs did.
While I agree with boycotting companies for their beliefs and behavior (I don't buy major label music or anything Sony), I have to call bullshit in this case. eMusic provides distribution for many small record labels in a way that lets their users play the music whenever, and on whatever digital music player they want. They are priced fairly (I pay ~ $.18 a song). They have a good business model, and they're legal.
I'm sure it is possible to rationalize not paying for music no matter how it is provided to you. And if the option to obtain it for free exists, you certainly can take advantage of it. But criticizing a good company in a public forum based on outdated information to justify your refusal to pay for music only makes you look like an asshat.
Re:Time to put your money where your mouth is (Score:5, Insightful)
(http://snarlydwarf.org/)
That makes me a hypocrite because I am not buying from one specific store? Do I have to buy milk at every store in town to prove I believe in a free market?
They are not the first: Emusic was first to sell (mostly) indy music in a large-scale DRM-free way.
Re:Time to put your money where your mouth is (Score:4, Insightful)
Re:Time to put your money where your mouth is (Score:4, Interesting)
(http://www.adamwelling.com/)
"The point of copyright is that the creators of intellectual property should be the ones who decide how their work is distributed."
This statement actually hurt me to read. The point of copyright is not to control the distribution of media, the point of copyright is to compensate the producer for their work - thus giving a monetary reason for them to continue producing something we as a society find beneficial. The arts aren't required for human life like food and water is, however, as a society we have created things like copyright to help promote something that we find valuable.
This debate should not be about if copying for free is right or wrong, it should be about compensating the artist for their hard work. Piracy doesn't do that, but honestly the majority of labels don't much either... it's obviously time we rethought our strategy altogether.
Re:Time to put your money where your mouth is (Score:5, Insightful)
WE: Son why did you copy all these songs we didn't buy?
Son: I wanted them dad.
WE: Well son, you need to apologize and get rid of them and we'll call things square even tho we are suing dead people, people that don't own computers, and computer novices every day. It's an important lesson son- the rules don't apply to you because your in a "better" class of people.
Son: Ah dad, I get it! (Goes off to secretly download songs but now nows to do it more discretely).
Re:Time to put your money where your mouth is (Score:4, Insightful)
What "charges"? Theft? Nothing was stolen. Trademark? If the guy made it himself and didn't sell it, no. So what?
Just say no to car analogies.
Re:Time to put your money where your mouth is (Score:5, Informative)
actually, one of them - magnatune - was recently integrated in amarok.
after that, there have been several interested parties in such integration, all of them providing unencumbered tracks in free formats.
an amarok developer is working on a generic music store interface, so it should be even easier to purchase such music and increase music available.
of course, this unified interface is still some time away, but until that everybody can go to magnatune or any other shop that is not only selling non-drm stuff, but also providing it in open an high-quality formats
is not available for Mac OS. (Score:4, Informative)
What's the point, other than some site smaller than Balmer's nuts trying to gain more exposure...?
Setting up a strawman (Score:5, Interesting)
1. Drop DRM on a bunch of music that nobody cares about
2. Collect sales figures for 6 months
3. Issue a report saying that sales did not increase for non-DRM'd music - "See, removing DRM doesn't make people want to buy more music!"
This old dog may actually now try something new (Score:5, Interesting)
DRM-free music may actually motivate me to get excited about buying music again. It may also, however, hasten the death of CD-based commercial music sales. Ability to rip from a CD and yield DRM-free content seems to be one of the few remaining advantages of this format. Why the heck would I drop $14.99 for a CD now if I can just grab the one or two tracks that I like for a fraction of that price? Sure, I may not discover deep tracks that do not enjoy radio play, but this still does sound like a major advantage to me. How many of us have CDs that seem like a collection of marginal tracks surrounding the one or two that we actually like?
Don't believe the hype (Score:5, Informative)
(Last Journal: Monday October 22, @04:01PM)
Re:Don't believe the hype (Score:4, Informative)
Re:Don't believe the hype (Score:5, Informative)
Not True (Score:2, Informative)
Re:Not True (Score:5, Informative)
There's nothing to see here... Move along.... (Score:2)
Re:There's nothing to see here... Move along.... (Score:4, Interesting)
Not so fast (Score:2, Informative)
(http://slashdot.org/ | Last Journal: Thursday July 29 2004, @08:47AM)
Either they aren't doing this "immediately" or someone screwed up. I can't find a single BNL song that is available in anything other than WMA from Puretracks.
Re:Not so fast (Score:5, Informative)
If you go to the Canadian site and you're not in Canada it moves you on to the US site.
So we need someone in Canada to verify the story.
Re:Not so fast (Score:5, Informative)
(http://wandership.ca/ | Last Journal: Tuesday February 01 2005, @08:03PM)
I followed your link, and got this error page [puretracks.com].
I suppose it might be the case that this system for auto-redirecting all Mac users to an error page dates from the time when all their songs were DRMed, and hasn't been updated. But it certainly doesn't convey the impression that they've changed anything.
I am in Canada, btw.
No DRM iPods? etc. (Score:2)
(http://slashdot.org/)
I was given an iPod shuffle at a company party last year, and am probably in the minority because I haven't gone hog wild downloading my favorite music from iTunes -- specifically because of the DRM restrictions. Now then, let's say that eventually Puretracks offers me those same tunes without DRM, and I can put them on my iPod for when I am out walking/jogging/etc., or convert the songs I paid for into one copy of a CD that I can play in my PC at work, or at home, etc. On my WinXX system or my Linux system or my car stereo. Let's even say that I put together my greatest hits anthology on CDs that I paid for the tracks for, but get tired of them and give my collection to my kid, or sell it at a yard sale, and then I delete all my copies. Still legal, still one paid for copy -- vs. DRM restricted usage.
Guess who gets my money?
DRM is a stopgap against obsalesence (Score:1)
(http://sobrique.livejournal.com/)
It's just not true any more. You can still go and buy a CD with the lastest stuff on it, but ... well, MP3s are infinitely replicatable at minimal cost to the distributor.
DRM is giving a locked box and the keys to it. You can make the key and box as complicated as you like (and lets face it, they probably have) and it's _still_ not going to work, as long as I can point a camera at my display screen, or sit a mic next to my loudspeaker.
iPOD (And their ilk) have demonstrated that there _is_ a market for easily accessible music, with a pricetag. What the 'media thugs' _should_ be doing is concentrating on implementing a new model for distribution of media, rather than trying to enforce the unenforcible. I'd be prepared to bet they'd get a _lot_ more sales if 'everything' was distributed as a function of bandwith needed to transfer + a small license fee. Price per unit down, but with negligable manufacturing and shipping costs, free publicity and 'easy access' I'd be of the opinion that it'd pay for itself.
Of course, it'd be nigh on impossible to turn back the tide once the floodgates open, so they probably never will.
I call BS. (Score:2, Informative)
Microsoft-specific solutions? (Score:2, Informative)
Do you mean Microsoft-specific DRM solutions? Because if you're avoiding them simply because they've chosen to build their website/infrastructure with ASP and
My wife tried puretracks. (Score:4, Interesting)
"I'd rather get my music illegally, and have them work on my MP3 player," she said.
From The F'in Web Site (Score:3, Informative)
FTFWS:
http://www.puretracks.com/res/img/macsplash.gif [puretracks.com]
Ah, you're on a Mac. Here's the thing about that.
Thanks for visiting.
Our current music sotre uses Windows Media technology to play our music files. Unfortunately that means our songs are incompatible with your operating system. Furthermore, Aple's iTunes FairPlay system is currently not available to us for use with iPods.
We'd love to offer our music to Mac users, and we are currently working to offer content in new formats.
Ah, comme ça vous êtes sur Mac. Sauf que...
Merci de votre visite.
Notre magasin de musique utilise présentement la technologie Windows Media pour jouer nos fichiers musicaux. Malheureusement, cela signifie [sic] que nos fichiers musicaux sont incompatibles avec votre système d'exploitation. De plus, le système iTunes FairPlay de Apple [sic] ne nous est présentement pas [sic] disponible pour fins d'utilisation avec des [sic] iPods.
Nous aimerions offrir notre musique aux utilisateurs [des] Mac[s], et nous sommes en train de travailler sur la possibilité d'offrir notre nouveau contenu sous de nouveaux formats.
This is nearly worthless unless... (Score:3, Insightful)
(Last Journal: Tuesday October 23, @09:24AM)
Even if 90% of their music was DRM free, if I don't find out until I get to the song in question, it's going to be a very aggravating browsing and shopping experience. Imagine finding a song you want to here, only to discover you can't use it. Unless they offer a way to filter out the stuff I can't use, why should I waste my time looking through their stuff? It would be bad enough if it was mostly DRM-free - but given that it's mostly stuff I can't listen to, why would I waste my time?
Re:This is nearly worthless unless... (Score:4, Informative)
Wrong. Click the "MP3" link (4th item on the menu bar at the top of the page). Although I suppose I have to take into consideration that you may not be aware that MP3s contain no DRM.
Or, if that's too much work, click here: http://www.puretracks.com/content/viewer.aspx?cid
Come off it (Score:2)
(http://www.whitepost.org.uk/)
As soon as any of the music stores start selling RIAA-covered music without DRM, expect the RIAA to come down on them like a ton of lawyers.
Re:Come off it (Score:5, Informative)
Remind me again... (Score:2)
DRM or mp3 makes no difference (Score:1)
(http://tom2tec.hopto.org/ | Last Journal: Monday February 13 2006, @05:48PM)
The way I see it, artists need to dump the middlemen and sell directly to the public. Neither artists, nor audiences need anything to be between them at all, in fact.
Canadians only, the story is NOT bogus (Score:5, Informative)
(http://www.bobsroom.com/ | Last Journal: Wednesday April 05 2006, @03:03PM)
I live in Canada and we're seeing the links. I suspect that since the RIAA rules your dominion, you guys are stuck living in a DRM world for Puretracks but for Canadians, we're finally seeing some MP3's on this site.
You guys gotta stop flaming other people and claiming the story is bullshit until you do a little research. Just because you live in the US doesn't mean that you can get to it. It's the same thing that pisses me off about American websites that advertise the ability to stream TV shows but the moment I try it, no luck because I live in Canada.
BTW, since I have bought stuff from Puretracks in the past, I received an email from them just prior to reading the post on Slashdot. Here's a copy of the letter.
----
Thank you for being a Puretracks customer. We are very excited to announce that as of today Puretracks will be offering MP3 files for sale on our site at Puretracks.com: http://www.puretracks.com/content/viewer.aspx?cid
And as the first North American digital service provider to launch 'a la carte' MP3 music downloads, we're happy to offer you a free MP3 track from the popular Canadian band The Barenaked Ladies.
The track, called 'The Sound of Your Voice,' will be delivered along with the February 27th Puretracks newsletter. You will need to be a registered newsletter subscriber to be eligible to download this track.
If you don't currently receive our newsletter (filled with weekly free tracks and exclusive content), click here to register.
MP3s at Puretracks
MP3 tracks are easy to download (no licenses required) and can be played on all digital audio devices. Puretracks currently offers over 50,000 tracks in French and English from popular artists such as: Sarah McLachlan, Broken Social Scene, Feist, The Barenaked Ladies, Jean Leloup and Richard Seguin. Track prices starting at $ 0.79 each.
Be sure to register now for the Puretracks newsletter to get your free MP3 track from The Barenaked Ladies! Click here to register. If you are already registered, watch for your February 27th Puretracks newsletter to get your free track.
Regards,
Alistair Mitchell,
CEO
so what happens to vista (Score:1)
(http://www.minor3rd.com/m3h)
Can't go there with a Mac. (Score:1)
Ding, dong.. (Score:2)
Not the Only One (Score:2, Informative)
(http://www.pundit.ca/)
This is NOT new! (Score:2)
(http://www.zunior.com/)
re: DRM free MP3s - Verified (Score:1)
http://www.puretracks.com/content/viewer.aspx?cid
Theres actually a decent selection - Jimi Hendrix, Bare naked ladies, anthrax, prodigy etc...
Although I still like ripping my cds. I would sue one of these sites if I could get MP3s in true stereo, 112-320 VBR. I could care less if my iPod can hold 1000 songs that I wont even listen to in ok quality, because I would rather have 100-200 songs in near CD quality. Just my opinion
PureTracks MP3 FAQ (Score:2)
(http://kalgash.geek-night.com/ | Last Journal: Monday January 15 2007, @09:36AM)
Yea! (Score:2)
(http://www.kickthebobo.com/erotech/index.html | Last Journal: Friday October 26, @11:51AM)
Use DRM where its useful... (Score:2)
(http://programmers.malfunct.net/)
Here is our chance! (Score:2)
(Last Journal: Saturday March 08 2003, @03:00PM)
Go vote with your dollars, people. If a decent percentage of the Slashdot population buys DRM-free music from Puretracks, it will bolster the message that we do not want encumbered music in a big way.
EU puretracks? Please? (Score:2)
(http://slashdot.org/)
oh Canada (Score:3, Informative)
(Last Journal: Wednesday June 09 2004, @01:13PM)
http://www.werkshop.com/ [werkshop.com]. I just wrote about this today: DRM and legal music in Canada [typepad.com]
From the Conspiracy Dept. (Score:1)
So, is Warner making the move to buy EMI to head off the gang at the DRM pass? From Warner's perspective, DRM is a we-all-stick-together proposition; the only way it can fly is if all the major labels, and hence all the major artists, close ranks and enforce DRM. Does Warner think that if EMI breaks rank, it's over? Are they willing to spend $USD 4.4 Billion to try to ensure the future of DRM?
EMWTK!
Too little, too late. (Score:2)
(http://www.pontifier.com/)
Re:This isn't Slashdot's Fault (Score:3, Informative)