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Canada Responsible for 50% of Movie Piracy

Posted by Zonk on Fri Jan 26, 2007 03:23 PM
from the should-we-blame-the-government-or-blame-society dept.
westcoaster004 writes "Hollywood is blaming Canada as being the source for at least 50% of of the world's pirated movies. According to an investigation by Twentieth Century Fox, most of the recording is taking place in Montreal theatres where films are released in both English and French. This has led to consideration of delaying movie releases in Canada. Their problem is that the Canadian Copyright Act, as well as the policies of local police forces, makes it difficult to come down especially hard on perpetrators. Convicting someone is apparently rather difficult, almost requiring a law officer to have a 'smoking camcorder' in the hands of the accused. Hence, the consideration of more drastic measures."
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story

Related Stories

[+] News: Canadian Movie Piracy Claims Mostly Fiction? 151 comments
Justin Primus writes "Michael Geist's weekly column dismantles recent claims that Canada is the world's leading movie piracy haven. The article uses the industry's own data to demonstrate that the assertions about movie bootlegging and its economic impact are greatly exaggerated and that the MPAA's arguments about Canadian copyright law are misleading. I particularly liked how Geist dug up the fact that the MPAA itself says that there have only been 179 movies recorded with a camcorder over the past three years out of the 1,400 that the Hollywood studios released."
[+] Technology: US Group Wants Canada Blacklisted Over Piracy 585 comments
An anonymous reader writes "Following up on an earlier story, the IIAA wants to add Canada to a blacklist of the worst intellectual property offenders. A powerful coalition of U.S. software, movie and music producers is urging the Bush administration to put Canada on an infamous blacklist of intellectual property villains, alongside China, Russia and Belize. 'Canada's chronic failure to modernize its copyright regime has made it a global hub for bootleg movies, pirated software and tiny microchips that allow video-game users to bypass copyright protections', the International Intellectual Property Alliance complains in a submission to the U.S. government."
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  • Due South (Score:5, Funny)

    by aedan (196243) on Friday January 26 2007, @03:24PM (#17773484) Homepage
    Benton Frasier would never do this.
        • Re:Due South (Score:5, Interesting)

          by Anonymous Coward on Friday January 26 2007, @03:58PM (#17774218)
          There's also the fact they have to pay a "piracy tax" on blank media, which they quite rightly resent. Of course it backfires by leading them to think "well, I might as well get my money's worth" which *AA execs were somehow too stupid to see would happen.
  • South Park (Score:5, Funny)

    by jours (663228) on Friday January 26 2007, @03:26PM (#17773506) Homepage
    Looks like the South Park gang was right after all.
  • Problem (Score:5, Insightful)

    by tomstdenis (446163) <`moc.liamg' `ta' `sinedtsmot'> on Friday January 26 2007, @03:26PM (#17773518) Homepage
    Ain't the "pirates" it's the 19th century business model they're clinging to.

    Tip: Actors/Execs aren't worth the millions they're paid, and the everyday copyright infringement is proving that.

    Tom
    • Re:Problem (Score:5, Interesting)

      by BewireNomali (618969) on Friday January 26 2007, @03:56PM (#17774176)
      Wow, this isn't insightful at all.

      In fact, actors and execs in the film industry are only paid what the market will bear - and what previous box office success warrants. for example, to say that peter jackson isn't worth what he's being paid for the LOTR franchise and ensuing going forward is absurd - because that franchise is verging on 5 billion, if not billions more. I'd wager that Peter's take is in the area of 250 million. I'd wager he's worth more than his take and then some.

      infringement proves the opposite, actually - that the brands and content in question is of value that people are willing to take the moderate risk in STEALING IT.

      and your point about sticking to a 19th century business model is moot - everyone complains about the business model but no one offers a viable alternative that won't result in a significant contraction/reshuffling of the industry.

      • Re:Problem (Score:5, Insightful)

        by drinkypoo (153816) <martin.espinoza@gmail.com> on Friday January 26 2007, @04:08PM (#17774414) Homepage Journal

        infringement proves the opposite, actually - that the brands and content in question is of value that people are willing to take the moderate risk in STEALING IT.

        That's not the opposite. These people don't really believe there's any risk that they will be busted. Therefore they are weighing only the monetary cost of illegally copied content (nothing) vs. the retail price (something) and deciding on copyright infringement. That doesn't mean they would pay for the content if they couldn't download it. There's lots of things I'll watch if they just "come on" (although I can't get broadcast TV where I live at all, so that is pretty much over until I move someplace that's not true) but I won't pay to see them.

        and your point about sticking to a 19th century business model is moot - everyone complains about the business model but no one offers a viable alternative that won't result in a significant contraction/reshuffling of the industry.

        Your point about a significant contraction/reshuffling of the industry is irrelevant. These people don't have a right to have a profitable business. Period.

          • Re:Problem (Score:5, Insightful)

            by DeusExMalex (776652) on Friday January 26 2007, @04:36PM (#17774972)
            I would say that illegal copying of movies and music proves the cost of these media to be, in fact, more than the market will bear. If the market would bear these prices then there wouldn't be (many) people trying to find ways to pay less. But because the current prices are so much higher than most are willing to pay for what they are receiving, they have found a way to get the content they want at a price they feel is reasonable (nothing). This seems to imply that something is wrong with the current business model of media providers. Instead of recognizing this fact, lawmakers have been duped into believing that media providers should be guaranteed a profitable business. The market seems to disagree with both.
      • Re:Problem (Score:5, Insightful)

        by Captain Splendid (673276) <capsplendid&gmail,com> on Friday January 26 2007, @04:15PM (#17774556) Homepage Journal
        The reason there is such a thing as "starving artists" is the nature of the beast, not due to piracy. No matter how hard you want to act, sing, paint, whatever, there's always the chance you're either going to be perenially crap at it, or just not what the paying public wants to see. Artists choose their fields based on desire, not money, and those that do deserve to get fucked over as they're clueless twats.
  • by Hobobo (231526) on Friday January 26 2007, @03:26PM (#17773522)
    They're going to delay movie releases to combat piracy? Brilliant!
    • by tomee (792877) on Friday January 26 2007, @03:34PM (#17773722)
      Precisely. I live in Germany, where for reasons beyond me they a movie is sometimes released 3 months after the US. For example, Saw III still isn't out here. A perfect DVD quality rip has been floating about for a long time now. This is what breeds piracy.
    • by $RANDOMLUSER (804576) on Friday January 26 2007, @03:51PM (#17774068)
      So by that logic, if they delayed the release EVERYWHERE by two weeks, they'd stamp out piracy alltogether?
  • by tkrotchko (124118) * on Friday January 26 2007, @03:27PM (#17773532) Homepage
    1) Hollywood says Canada is responsible for 50% of all piracy.

    2) So to "punish" the Canadians, they'll take away the legal avenue to purchase movies in Canada.

    3) And this leads to....????? Profit???? Less Piracy?????

    Presumably, the Canadian legislature will ask similar questions?
    • by gstoddart (321705) on Friday January 26 2007, @03:38PM (#17773810) Homepage

      Presumably, the Canadian legislature will ask similar questions?
      Possibly, but like everyone else's government, ours doesn't always get it either.

      See, part of the problem is our copyright law incorporates fair use explicitly. Since the *AAs couldn't get that part repealed, they managed to get themselves a levy on all blank media to counter the 'theft' which they are a victim of. Now, all recordable media that gets bought causes them to get paid a cut. Nice little scam from out perspective.

      Many people in Canada have basically said "fsck it, if you're gonna charge me for all of my blank media, I'm gonna use some of it to make copies of your crap -- you're already getting paid, so I'm getting me a movie".

      Mostly though, I'm absolutely shocked that many people are interested in seeing a camcorder recording of a movie. When I see a movie, I want a good picture quality -- not some friggin' hand-held recording of the movie.

      Oh well, the vast majority of movies coming out nowadays are dreck anyway, and the ones I'm looking forward to, I'll go to/buy as soon as they're available to me.

      Cheers
  • by zyl0x (987342) on Friday January 26 2007, @03:27PM (#17773534)
    ..we're not a real country anyway.
  • Brrrrr.... (Score:5, Funny)

    by Otter (3800) on Friday January 26 2007, @03:28PM (#17773564) Journal
    ...almost requiring a law officer to have a 'smoking camcorder' in the hands of the accused.

    Sorry, but I just arrived from a 15 minute walk between buildings and my brain is frozen. (Which, I believe, is also Canada's fault.) Could someone please make the appropriate Sony battery-related comment?

  • by scooviduvoctagon (801935) on Friday January 26 2007, @03:30PM (#17773616)
    We're obviously going to need to declare war on Canada. This aggression will not stand.

    Piracy is IP Terrorism.


  • Great. Now I'm going to have to watch a movie from behind some Canadian snow-back who slips over the border; his camcorder blocking half my view, and my only connection to the movie the flashes of the screen I get as his flopping head jib-jabbers "aboot" the militaristic nature of American culture.

    Blame Canada!
    Blame Canada!
    It seems that everything's gone wrong,
    since Canada came along!

    PS: Canada is my #1 favorite foreign country, I love to meet Canadians who come to the USA, and I always enjoy visiting Canada.
  • by 140Mandak262Jamuna (970587) on Friday January 26 2007, @03:34PM (#17773724) Journal
    So focussed on America, these guys dont consider rest of the world to be world. First off 50% of the world movies are not produced in America. India makes more movies.

    Singapore is the piracy capital for Tamil/Telugu movies. Dubai is the palce to go to get Bollywood movies. Hongkong is the piracy portal for China and Korea. Canada is probably a distant fourth when it comes to movie piracy.

  • by Jackie_Chan_Fan (730745) on Friday January 26 2007, @03:34PM (#17773736)
    Canada probably doesnt give a crap if their film releases get delayed. They will see them when they're released right? Hollywood needs Canada's money more than Canada needs Hollywood's film releaes in theaters. Besides.. by releasing the films later in Canada, more Canadians will be forced to download them illegally.

    Treat people like they're criminals, and they will become criminals.
  • by davecb (6526) * on Friday January 26 2007, @03:39PM (#17773828) Homepage Journal

    The Globe and Mail fell for this too, back on the 7th as Pirates of the Canadians [theglobeandmail.com]

    In fact, the majority of the actual copies are inside jobs, taken from "screeners" sent to reviewers and from copies made by distributors and projectionists. It's amazingly hard for a Montreal cop to catch a "camcorder" who isn't actually in the theater (;-))

    Many are copied from copies destined for Quebec, as they include both the english- and french-language versions, and can be identified by watermarks as being destined for or actually sent to, for example, Cineplex Entertainment. Which may explain why Fox was threatening that particular distributor...

    --dave

  • Incorrect facts? (Score:5, Informative)

    by HFShadow (530449) on Friday January 26 2007, @03:39PM (#17773832)
    Recent movies including Children of Men, Borat, Night at the Museum and Pirates of the Caribbean: Dead Man's Chest have been made available on the Internet days after they were released.

    Funny, Children of Men's release date was december 25th, whereas:
    11/16/2006 2006 Children Of Men .PROPER. MAVENSSUPPLIER [xx/50]

    Hardly days after they were released, more like a month before hand. This always happens around this time of year as prerelease dvd's get sent out to reviewers, so how the hell are they trying to blame us Canadians for this? Who the hell download's cams anyways? Certainly not I.
  • by sinij (911942) on Friday January 26 2007, @03:44PM (#17773916) Journal
    Did you know that 75% of all statistics are made-up on a spot and remaining 25% are highly misleading when taken out of context?

    Please, Canada? What about China, India or Eastern Europe where you can get movies before they released and where pirated disks openly sold on the street? Well, no, BLAME CANADA!

    This is nothing more than FUD spread by *AA in effort to influence upcoming bill.
  • by thatguywhoiam (524290) on Friday January 26 2007, @03:53PM (#17774122)
    Here's the deal. Bev Oda, who is our Heritage Minister (in charge of cultural things like copyright) is being hammered right now from a few different sides, mostly stirred up by her arch enemy, Ottawa copyfighter Prof. Michael Geist. She's in the pocket of all five big record labels, most of her political donations come directly from them (via CRIA). So I'm guessing this story is a plant.

    I mean, this statement:
    As much as 50 per cent of the world's pirated movies come from Canada, prompting the film industry to threaten to delay the release of new titles in this country.

    Worldwide?! There is just no fucking way. We don't even hold a tiny candle to what goes on in Asia.

    Also, as we know, the vast majority of movies leaked do not come from camcorder screeners, they are direct rips, leaked from the studios themselves by employees or connected people.

    What they are really mad about is - 1. fair use is basically intrinsically stated within Canadian law, so its almost impossible to appeal, and 2. it is actually LEGAL to bring a camcorder into a theatre in Canada. The establishment can certainly bar you from doing so - its their theatre - but there is no actual law against doing this. Its basically a FUD piece.

    • Re:I'm Canadian. (Score:5, Interesting)

      by kebes (861706) on Friday January 26 2007, @03:55PM (#17774160) Journal
      in Canada, it's not copyright infringement if it's for personal use

      Indeed, and that's what the U.S. movie industry so scared about. Quote from the article:

      But here's the catch. Under the Copyright Act, you have to prove that an individual camcording in the theatre is doing it for distribution purposes.
      Camcording a movie in Canada is not illegal (it could be for personal use). The illegal part is distributing the recording to others, but that is a completely separate event. Again from the article:

      We don't want to have to prove the economic loss from distribution. We want it to be a Criminal Code activity to be caught camcording. Period.
      Fantastic! Let's just assume everyone is a criminal if we even suspect that they don't support the status-quo monopoly!

      Personally I don't want Canadians giving up any of their freedoms just to maintain the current distribution monopolies. All Canadians in the audience should consider signing the petition against copyright extension: http://www.digital-copyright.ca/billc60/ [digital-copyright.ca].