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EMI Considers Abandoning DRM on CDs
Posted by
Zonk
on Tue Jan 09, 2007 10:37 AM
from the wisdom-comes-with-experience dept.
from the wisdom-comes-with-experience dept.
jOmill writes "EMI Netherlands has announced that it is considering no longer using DRM on CDs, because it isn't worth the cost.
According to Reuters the company is still reviewing the decision. From the article: 'Critics have argued that the system has not worked as consumers could be driven to illegal sites to download music to the popular iPod instead. A spokeswoman for EMI said it had not manufactured any new disks with DRM, which restricts consumers from making copies of songs and films they have purchased legally, for the last few months.'"
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EMI — Ditching DRM is Going To Cost You 220 comments
33rpm writes "EMI has told online music stores that selling its catalog without DRM is going to cost them a lot of money. 'EMI is the only major record label to seriously consider abandoning the disaster that is DRM, but earlier reports that focused on the company's reformist attitude apparently missed the mark: EMI is willing to lose the DRM, but they demand a considerable advance payment to make it happen. EMI has backed out of talks for now because no one will pay what they're asking.'"
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EMI Considers Abandoning DRM on CDs
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Good... (Score:5, Insightful)
(http://das.doit.wisc.edu/)
Intrinsic to a Red Book Audio CD is the ability to extract the audio in its pristine digital form. While content owners may not appreciate that in today's digital marketplace, that's what an audio CD is. If labels want to add DRM or anything else not in the Red Book Audio specification to these discs, they are obligated to make it clear that they're not really audio CDs, and indeed, consumers have found the belated warning that they "may not play in all CD players" only too true, resulting in practical decisions like this one from EMI Netherlands. This is what you get when you screw with established international standards.
Especially humorous is that, any amount of DRM aside, all of this music will always be widely available on file sharing networks, mostly as lossy MP3s. Who is affected most, then, by not being able to extract audio from discs within one's own physical possession, given that the music is invariably already available any number of file sharing networks many times over? The individual consumer who simply wants to enjoy his purchase on another device, such as a computer or portable music player. While DRM is intended to prevent or reduce casual copyright infringement, it never will stop content from being copied, and DRM on "audio CDs" is just one of those wrongheaded ideas, given that it toys with a standard that has already been established for two and a half decades.
Until someone figures out how to alter properties of nature in such a way that physical property of audio or video being able to be in an analog state via sound waves or the electromagnetic spectrum can be eliminated, there will always be mechanisms for those who wish to violate copyright to violate it. In the meantime, DRM will mostly affect and inconvenience legitimate, paying consumers of content.
Re:Good... (Score:5, Insightful)
(http://www.a4fs.net/blog/)
I'd like to point out -- though most people here probably know -- that casual copyright infringement very likely improves the bottom line of the music publisher. E.g. my friend casually gives me a mix CD of tunes he thinks I'd like, I'm X% more likely to buy one of those artists' discs later. That X% increase has a monetary value in the aggregate. I'd love a link to a scientific study of that value.
Re:Good... (Score:5, Funny)
I have two copies of the album and to this day I have only heard it via an mp3 downloaded illegally. In this case they just prevented me from legal fair use and its the last sony album I'll every buy.
Re:Good... (Score:5, Insightful)
While DRM is intended to prevent or reduce casual copyright infringement...
I disagree with this. In my opinion DRM is intended to prevent lawful use of copyrighted material and motivate people to buy multiple copies of the same work by intentionally breaking interoperability with other devices. That is to say, content producers would like their customers to buy one copy for their home CD player another copy for the tape player in the car and another copy for their portable player. The industry is used to income from people periodically re-buying their favorite media in the new format or to replace the copy they have broken. They are terrified of the idea that a person could buy one copy and use it forever, handing it down to their children.
Media companies claim that they are trying to stop illegal copyright infringement, but they also claim accidentally posting a song on a file sharing network costs them hundreds of thousands of dollars in lost revenue, and if not for file sharing networks 90% of the gross national income would be spent on music. Why anyone would believe such obvious liars is beyond my understanding.
Great Day (Score:5, Insightful)
(http://www.a4fs.net/blog/)
Re:Great Day (Score:5, Informative)
(http://www.sigsegv.cx/)
The wife wanted to listed to them on the MP3 player in her car and her Mac at work. None could play them. Even the "proper" Sony CD player had problems with 2 out of 3.
I ended up researching the matter and buying a DVD rewriter model with a known firmware bug (or feature depends how you look at it) which can rip through most current DRM with flying colours. So the "could not rip" lasted for 3 days in total. After that it was ripped and encoded in the suitable formats for usage on the devices used for listening in the house.
Frankly, Virgin and Macromedia can take their DRM and shovel it where sun does not shine and rotate it at 48x CD speed until they the torque pushes their heads out of their arse. What really pissed me off was the fact that I have purchased it legally, 2 out of 3 had a "CD digital audio" on them and they were unuseable on all devices in the house.
From the point of view of the average consumer this is perceived as "shitty and unuseable product" so I am not surprised EMI is considering abandoning the practice. It is costing them lost sales and handling returns from pissed of customers who after that go to "illegal" networks or AllOfMP3.
Foo Fighters: One by One (Score:4, Interesting)
I've never seen one that I couldn't easily rip songs from....
I had a Foo Fighters CD that I got as a gift which was labeled as an "enhanced" CD. The first time I put it in my PC at home, I forgot to hold down the shift key, and I wasn't able to rip it on that computer (although the software on the CD wanted to "give" me a set of protected files for all of the songs, which I would only be able to listen to with their proprietary player). I ripped the CD under Linux on my laptop, then again on my work PC in Windows. Also with this CD, it was supposed to have some kind of bonus content that would connect to 'somebody' over the Internet to authenticate the CD in order to unlock the bonus content. That never worked on any PC I tried it on, the authentication always failed.
So there were two disappointments on that disc: 1) If you don't hold down the shift key, you won't be able to rip it (under Windows) and 2) the broken bonus content. I like the music on the CD, though... it's too bad that they have to muck it all up with DRM under the guise of extra features that don't work.
Yay! (Score:3, Funny)
(Last Journal: Tuesday December 19 2006, @05:12PM)
Which is it? (Score:2, Insightful)
Riiiiiiight, downloads... (Score:2)
(Last Journal: Monday April 03 2006, @07:23PM)
Who needs to illegally download? DRM'd "CDs" have a much more serious flaw, from EMI's perspective - They don't actually stop anyone from ripping them (and as a perk, they don't play in some audio CD players, particularly car CD players), meaning users need to rip and reburn them just to use as intended.
Good to see them giving up, though, regardless of the reason.
I know it has been cold outside recently... (Score:5, Interesting)
Finally, they're starting to get a clue. I do not advocate pirating music in any way. However, I think it's equally, if not more insidious, that commercial interests are making it very difficult for consumers to *want* to do the right thing. This is a step in the right direction. *AA....are you listening?
Re:I know it has been cold outside recently... (Score:5, Insightful)
(http://www.gemstate.net/friends | Last Journal: Tuesday September 11, @10:32AM)
1. DRM costs money.
2. Current DRM didn't stop the music from showing up on file shareing networks.
3. Current DRM is a waste of money.
4. Stop paying for DRM that doesn't work.
5. More Profit.
Now if they ever get effective DRM it will be back.
Duh (Score:3, Insightful)
We could have told you that, but since when did you guys ever listen to your customers?
From the article: 'Critics have argued that the system has not worked as consumers could be driven to illegal sites to download music to the popular iPod instead. A spokeswoman for EMI said it had not manufactured any new disks with DRM, which restricts consumers from making copies of songs and films they have purchased legally, for the last few months.'"
Did you ever think we, as consumers, when buying a CD, want to make backups, import the CD to our Ipod or other MP3 player?
It's amazing how management runs these companies. How can you deliver a product your customer wants when you don't even listen to what they WANT?
Soo... (Score:1)
Joda (Score:1)
(http://www.cad.cx/ | Last Journal: Saturday October 27, @09:56AM)
Really? (Score:1, Redundant)
(http://www.moogr.com/ | Last Journal: Friday October 31 2003, @12:16PM)
DRM on cd's us futile anyhow.
Well done EMI, have a duh tag (Score:1)
(http://www.britwood.co.uk/)
How about ditching all these lame attempts to stop 'casual copying' like CSS, DVD regions and macrovision, and then pass the savings on to the customer?
If not then don't be surprised when the customers casually downloads it from a torrent. With freedom from DRM shit, torrents would still be good value at twice the price.
Let's think of the consequences here... (Score:2, Funny)
Everything is DRM now (Score:1, Insightful)
(http://tron.lir.dk/ | Last Journal: Friday November 02 2001, @02:17PM)
The term has lost all meaning. People are throwing it around whenever they stumble upon any bug, missing feature, or technical limitation that causes them grief. "I can't use my iPod with multiple computers, I hate DRM." "Internet Explorer crashed, DRM strikes again." "This website requires registration, DRM is out of control."
In other news... (Score:3, Funny)
In other, other news, numerous airlines worldwide have banned the usage of all media disks during flight.
Perhaps Forced By Globalization? (Score:3, Interesting)
(http://bluezhift.proliphus.com/ | Last Journal: Wednesday January 31 2007, @10:25AM)
EMI Artist list (Score:4, Informative)
(Last Journal: Tuesday February 06 2007, @09:13AM)
*NOTE: The site is flash so I can't copy and paste, these are hand copied, sorry for misspellings*
Auf Der Maur
Badly Drawn Boy
Beth Orton
Captain
Corinne Bailey Ray
David Gilmore
Faith Evans
Faultline
FischerSpooner
Hot Chip
Iron Maiden
John Cale
Kate Bush
Keren Ann
Kraftwerk
Pink Floyd
Radio 4
Robbie Williams
Saosin
Shawn Emanuel
Sigur Ros
Starsailor
Telepopmusik
The Aliens
The Concrete
Vincent Van and the Villans
Dove
Ed Hardcourt
The Little Ones
The Magic Numbers
The Vines
Black Dice
Delia Gonzalz & Gavin Russom
The Juan Maclean
Deep Dish
Ferry Corsten
Paul Van Dyk
Soul Avengerz
Soul Seekers
The Shapeshifters
Remy
Logical (Score:4, Insightful)
(Last Journal: Monday February 13 2006, @07:11PM)
a DOH! revelation in the netherlands (Score:2)
(http://slashdot.org/ | Last Journal: Monday April 16 2007, @01:18PM)
I think they pretty much given up a few years ago (Score:3, Interesting)
(http://www.myspace.com/stripeymiata)
Ithink that the last major UK EMI release with DRM was Coldplay's X&Y back in 2005, any other releases I noticed on EMI was on the budget/reissue EMI Gold label, which was usually sold at about £2.99 in the bargain bin's at Sainsburys (a posher version of Walmart for our American chums
Why they kept it on the cheap stuff and not the latest releases I don't know, I suspect they were trying to see how many returns as "faulty" they would get on the budget range, maybe it was too high a percentage and they decided the cost of the returns on a big selling CD was too high.
They used to have a pro-drm site at http://www.emimusic.info/uk/ [emimusic.info] printed on the DRM'd CD's but they seem to have pulled it.
Funny to see how cocky the record companies were back in 2002 compared to now - http://www.theregister.co.uk/2002/11/21/all_cds_w
Jonathan
Too little too late (Score:1)
Im not your bitch anymore. You are not special, and I have no reason to give you any of my money. I havent bought a single new CD in the last 8 years from a store - but I did buy few used [DRM free] Jazz, Blues and few indie at the concerts.
Fuck you, if you think I will come back.
Not CDs (Score:1, Redundant)
I always look for the little "CD" logo on plastic discs in stores, and if that logo isn't there, there's no way I will buy the disc.
Swift, like buffalo; cunning, like microwave. (Score:2)
"We're as surprised as anyone," said one EMI representative.
Just as a reminder (Score:2)
Maybe they realised... (Score:3, Interesting)
(http://www.beezly.org.uk/)
This may just be my experience, but I haven't come across a single CD (including some which are explicitly marked as having some sort of "Copy Protection" on them) which didn't rip first time in my PC. There's nothing special about my drive (I've used an old Matsushita DVD drive and a Plextor DVD Re-writer). Maybe it's because I am running Linux, but as far as I can tell, CD-Ex on Windows would work equally well as anything I am using under Linux.
because modern CD players are DATA players (Score:5, Informative)
but data DVD has sectors and format information in the data on top of the red book specification.
and the Orange Book specification give details of multisession formats.
most of the "copy protection" systems used worked by wrapping the session information to impossible combinations that were impossible to read. or degrading the galois based CRC information that was used to recover bad data. neither of these methods were fatal to a Red Book player that only played audio disks as it ignored all other formats happily.
but these days most CD players can play MP3's also, and hence are data players not audio players - this means they are exactly the systems that the copy protection was designed to disrupt.
so the CD manufacturers found themselves in a situation where the new hifi's being built were being disrupted by they copy protection and hence unable to play any of the CDs. its a question of the physiscal data path built into the decoder IC on most MP3/Audio CD players.
in short, I'm not suprised they stopped including it - I'm just suprised they waited so long.
Good (Score:1, Interesting)
consumers could be driven to illegal sites to download music
My favourite band are signed to EMI, and their last album was DRM-infested. I emailed them to tell them that, although I had bought all their previous albums, I'd be downloading their new one illegally because it works better. They intentionally crippled their own product to the point where unpaid pirates actually delivered a better service than the multi-billion pound international corporation.
history repeats (Score:2)
As it turned out they were talking rubbish.
Record companies trying to spindoctor the truth... (Score:3, Insightful)
Considering. Hmm. (Score:2, Insightful)
EMI stops DRM in the Netherlands! (Score:2)
(Last Journal: Saturday October 27, @04:36PM)
(or, alternatively...)
Continues to fund RIAA lawsuits!
Yea i noticed that no-drm thing too actually (Score:2)
(http://www.webgeekworld.com/ | Last Journal: Thursday April 27 2006, @07:47AM)
this is the way to make a happy customer.
Maybe they're wising up a little (Score:2)
EMI Brazil also stop producing them (Score:2)
(http://www.samba-choro.com.br)