In Paul Theroux's dystopian novel O-Zone, wearing masks in public is simply a fact of life, because of the network of cameras that covers the inhabited parts of earth. Earthquake Retrofit writes with a story at the New York Times describing a life-imitating-art reaction to the perception (and reality) that cameras are watching more of your life than you might prefer: clothing that obscures your electronic presence. "[Adam Harvey] exhibited a number of his stealth-wear designs and prototypes in an art show this year in London. His work includes a series of hoodies and cloaks that use reflective, metallic fabric — like the kind used in protective gear for firefighters — that he has repurposed to reduce a person’s thermal footprint. In theory, this limits one’s visibility to aerial surveillance vehicles employing heat-imaging cameras to track people on the ground. He also developed a purse with extra-bright LEDs that can be activated when someone is taking unwanted pictures; the effect is to reduce an intrusive photograph to a washed-out blur. In addition, he created a guide for hairstyling and makeup application that might keep a camera from recognizing the person beneath the elaborate get-up. The technique is called CV Dazzle — a riff on 'computer vision' and 'dazzle,' a type of camouflage used during World War II to make it hard to detect the size and shape of warships."