Parody and Satire Videos, Which Is Fair Use? 286
Hugh Pickens writes "Ben Sheffner writes that both sides in Don Henley's lawsuit against California US Senate candidate Chuck DeVore (R) over campaign 'parody' videos that used Henley's tunes set to lyrics mocking Sen. Barbara Boxer (D) have now filed cross-motions for summary judgment, teeing up a case that will likely clarify the rules for political uses of third-party material. The motions focus largely on one issue: whether the videos, which use the compositions 'The Boys of Summer' and 'All She Wants to do is Dance,' are 'parodies,' and thus likely fair uses, or, rather, unprivileged 'satires.' The Supreme Court in Campbell v. Acuff-Rose Music, 510 U.S. 569 (1994), said that a parody comments on the work itself; a satire uses the work to comment on something else, so for Henley, this is a simple case: DeVore's videos do not comment on Henley's songs but use Henley's songs to mock Boxer. DeVore argues that his videos do indeed target Henley, who has long been identified with liberal and Democratic causes, and asserts that the campaign chose to use Henley's songs for precisely that reason. 'DeVore's videos target Henley only in the loosest sense,' writes Sheffner, 'and his brief's arguments ... sound dangerously close to the post hoc rationalizations dismissed as "pure shtick" and "completely unconvincing" by the Ninth Circuit in Dr. Seuss Enters. v. Penguin Books USA, Inc., 109 F.3d 1394 (1997).' The case also bears directly on the recent removal of the 'Downfall' clips from YouTube where many journalists have almost automatically labeled the removed videos 'parodies' while the vast majority aren't, says Sheffner."
Re:Weird Al (Score:3, Informative)
When I think of parody the first thing that comes to mind is Weird Al, and I can't really recall any of his songs commenting on the original work itself.
Many of his songs actually do - "This Song Is Just Six Words Long" and "Smells Like Nirvana" both come to mind right off the top of my head.
But that doesn't matter from a legal perspective because Yankovic and his label don't rely on legal definitions of Fair Use for his work. He actually goes out and gets permission from the rights holders before making a parody of their work. So you can't use what he does as an example of what you can do with Fair Use protections for parody works.
Re:I thought it was pretty simple (Score:4, Informative)
The problem here is that Copyright Law if just poorly thought out, ambiguous, and lacking common sense.
When is one piece of music copying another? When are two pieces of music "different enough" to be considered different pieces of intellectual property? These are actually much more complicated questions than you might think (and this is just talking about music copyright).
All music crosses lines with other music to a certain extent. Check out these two youtube videos for a quick and witty illustration by a couple musicians: http://www.youtube.com/watch?v=5pidokakU4I [youtube.com]
and
http://www.youtube.com/watch?v=JdxkVQy7QLM [youtube.com]
PS: Also, it's funny how everyone on Slashdot is all of a sudden on the side of the copyright enforcer.
Re:Republicans stealing music again? I'm shocked. (Score:4, Informative)
It's not quite so clear as far as accusations of "stealing" goes. There is something called compulsive licensing (for example, a radio station playing a music does not have to individually seek permission of the artist; it just has to pay a rate set by law). So, by law, anyone can play the music publicly as long as they pay the license fee set by law, no individualized permission from artists needed (and given the compulsive nature of this licensing, I doubt they can revoke this congress-granted permission; Lessig talks about this as being a case where Congress balanced the rights of copyright holders with public good).
Especially in the McCain campaign case, you will read about the artists returning the license fee—that's because McCain campaign played the music legally and paid the legally set license fee, as required by law. The artists can refuse the fee as a publicity thing if they want, but that doesn't change the fact that McCain campaign fulfilled all its obligations under the law.
Of course, why they would want to promote artists whose political views diverge so far from conservative views is baffling to me, but in any case, the only sense in which the campaign "stole music" is in the sense in which McCain campaign didn't seek permission that they didn't have to seek under the current law (but some people, like Weird Al, do seek such permission even if he doesn't have to, so you could argue it as a matter of courtesy—but not as a matter of law, as "stealing" implies).
Re:The whole question is based on a false assumpti (Score:3, Informative)
Re:Republicans stealing music again? I'm shocked. (Score:5, Informative)
Let me Google that for you [google.com].
In your defense, I did misspell it. It's "compulsory licensing", not "compulsive licensing". It's a well-established legal practice (it dates from late 19th and early 20th century, when faithful reproduction of a work became easy with radios, etc.).
Read Lessig's Free Culture, if you want to inform yourself properly. He'll explain it better than I can anyway.
Oh, right. Since you can't use Google, here's the link to Free Culture [free-culture.cc] (he has a PDF there).
Re:Republicans stealing music again? I'm shocked. (Score:3, Informative)
this:
http://mises.org/images4/ObamaProgress.jpg [mises.org]
Which is certainly a derivative of this:
http://cache.gawkerassets.com/assets/images/7/2008/05/340x_obama-progress-poster.jpg [gawkerassets.com]
and would not be protected because it's about the subject of the original rather than the original.
It certainly carries a very valid message.
That just strikes me as stifling since it effectively blocks the creation of satires which resonate with or which people associate with what you want to respond to.
Democrats getting a pass on theft? Yep. (Score:3, Informative)
The absence of evidence is not evidence of absence. Just because Democrats never get CAUGHT stealing music, doesn't mean they don't steal.
Actually, it's more like: Democrats get whatever they want from their good buddies at the RIAA and get a pass from lefty music artists. The charge never comes up because no lefty musician or music company EVER MAKES IT. (Ya don't eat your own, don't ya know.)
But the moment any Republican uses ANY music by any left-leaning musician, an army of lawyers and Old Media types scramble to find if they "stole" it. That just doesn't happen with Democrats.
Prime example: During the last Presidential election the McCain campaign was accused of "stealing" the song "Barracuda". The problem for the accusers was that the McCain campaign already had a contract with the company that held the rights to that song that allowed them to play it. Yet WEEKS of hay were made from a literal non-story because the original artist didn't like the McCain camp using it, despite them having met the legal requirements for use.
So forgive me if I take your "Republicans steal music" "evidence" with a MOUNTAIN of salt. History has taught me to deeply distrust leftist "news" sources.
Re:Democrats getting a pass on theft? Yep. (Score:3, Informative)
The absence of evidence is not evidence of absence. Just because Democrats never get CAUGHT stealing music, doesn't mean they don't steal.
Well until you have any actual examples of them stealing music rather than vague claims about how they must be, then your claims might actually carry some weight.
Actually, it's more like: Democrats get whatever they want from their good buddies at the RIAA and get a pass from lefty music artists.
Is this the same RIAA that has a well-known Republican staffer/lobbyist [wikipedia.org] as it's chairman and CEO? And the same RIAA who has made numerous donations to Republican senators and representatives for years? Yeah, let's ignore all that and just pretend that only the Democrats are allies of the RIAA.
Re:The Penny Arcade-Strawberry Shortcake comic? (Score:5, Informative)
Well, you, and the general public at large, might see them as different, legally they are not. If you take a Mickey Mouse comic from way back when, and just copy it with a new word bubble, obviously copyright violation, right? If you draw your own character that looks sort of like Mickey Mouse? That's just as much copyright violation, even if you drew every last pen stroke yourself. Fair use, which includes review and parody, is a defense against copyright violation via derivative work. Penny Arcade got in trouble because drawing Strawberry Shortcake is a copyright violation, and fair use is their only possible defense. However, fair use does not allow for making copies of one person's copyright to parody a third-party. Their own lawyers told them that, and they took it down. That's the law.
Mind you, the law is subject to change. Twenty years ago judges verbally berated Sega and Nintendo lawyers on separate occasions for abuse of copyright law. Nintendo tried to sue Game Genie for allowing owners to modify their game code. The judges said that people are free to enjoy their purchase any way they want, and artists have no right to dictate how their works are enjoyed. This opinion is now scoffed at, and artists very much do somehow have the right to dictate how purchasers of their works are allowed to enjoy them. Sega, on the other hand, like Nintendo, used early early DRM to lock out third party game carts on their consoles. They sued Accolade for copyright violation for cracking the DRM. A judge got very angry with them, calling them monopolists and dismissing with prejudice, saying no law permits them to lock people out of their hardware. Now of course, there is such a law, and nobody bats an eye at locked down systems. Crazy that only 20 years ago the very idea was disgusting, and now you're a madman for objecting.
That may seem off-topic, but both those cases were about derivative works. Game Genie was about the right of the consumer to create their own derivative works, which we're now told we do not have. Though we're told by RIAA/MPAA/TV execs, and might possibly still have that right, if you find a judge who will follow the law. And the Sega case was about the right to reverse engineer for compatibility, which we certainly no longer have. Well, except the DMCA, which outlawed it in the first place, has exceptions for compatibility, but those exemptions to not stop Nintendo, Sony, and Microsoft, from suing anyway. So, while parody defenses are pretty set, so were those rights, and they changed, though perhaps not legally... Precedent is just a suggestion. In the unlikely event that a judge allows wholesale copying of third-party copyright material in unrelated parodies, that's a hidden boon for The Pirate Bay, which would quickly be renamed to The Parody Bay, and totally legal! Just put a quick mockery of your political figure of choice into your torrent description, and the download along side it is protected as a fair use parody! ;)
Re:Republicans stealing music again? I'm shocked. (Score:3, Informative)
Copyright is part of the Constitution, Article I, Section 8, Clause 8. Copyright does not infringe on free speech. You can say whatever you like without having to use someone else's art to do so.
Re:Republicans stealing music again? I'm shocked. (Score:3, Informative)
No. Two separate issues. You do not need to use my art to express yourself, unless you are commenting or parodying it, which are protected. So, you can exercise your free speech without needing to use my works. Stopping you from using my works does not stop you from saying what you want to say.
Re:Republicans stealing music again? I'm shocked. (Score:3, Informative)
With one exception that I know of, Weird Al gets permission for all of his parodies (though not legally required, he does it anyway). In an interview many, many years ago when someone asked him about that he said with that one exception (can't recall who it was now) he said the usual response when he asks is something along the lines of them being upset that he took this long to make one of them.
Re:The Penny Arcade-Strawberry Shortcake comic? (Score:3, Informative)
An article about parody videos with music set to lyrics mocking someone, and the first thing you thought of was a comic strip? I immediately thought of Weird Al Yankovic and how screwed he'd be if they're found to be infringing. [youtube.com]
He's probably OK, as he does secure the necessary recording rights for the songs (which requires indirect payment to the songwriters through a clearinghouse).
If he then copies the look of the video, he's OK because he can then separately parody the video safely, since the audio portion is already either licensed or covered by a separate parody. Most of his non-original songs are of this double parody variety.
I suspect the main issue in this case was they didn't pay the fee that allows them to record the song. If you do that, any BMI or ASCAP songwriter has zero say over whether you can record "their" song, or perform it in public.
Re:Republicans stealing music again? I'm shocked. (Score:3, Informative)
Are you really saying that "All She Wants to do is Dance" and "Boys of Summer" are politically motivated works?
All She Wants to Do Is Dance is pretty obviously a commentary on US diplomacy.
Re:Republicans stealing music again? I'm shocked. (Score:3, Informative)
EFF says satire is fair use... (Score:2, Informative)
Re:Democrats getting a pass on theft? Yep. (Score:3, Informative)
Weeks of hay? I hadn't even heard of this until now, and I was paying some attention to the 2008 campaigns.
Further, now that I look it up, it doesn't seem to be the case that anyone was saying the McCain campaign stole the song, or even used it illegally; the hay was made over the fact that the artists just didn't agree with his political views, and as such requested that he not use it [ew.com]. Due to our wonderful copyright system, the people who created the song no longer had any sort of control over the actual usage of the song, and as such their request was ignored by the McCain campaign.
Indeed, as far as I can tell none of those "leftist 'news' sources" said or even implied that the McCain campaign used Barracuda illegally; all they cared about was that the band that created that song did not wish for it to be used in that way.
And yet despite this, you somehow managed to completely avoid addressing the three instances of potential Republican music-stealing that the GP actually brought up.
Judging from your signature, this seems to be a consistent pathology in your thinking.