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Government Media The Media

Regulator Blocks BBC DRM Plans 177

TheRaven64 writes "The BBC's plans to introduce DRM for over-the-air digital broadcasts were today dealt a setback when the regulator, Ofcom, asked them the same question that has been asked of many DRM systems: 'How does this benefit the consumer?' The letter to the BBC is quoted in the article as saying that 'Ofcom received a large number of responses to this consultation, in particular from consumers and consumer groups, who raised a number of potentially significant consumer "fair use" and competition issues that were not addressed in our original consultation.' This does not end the chance of the BBC being allowed to introduce DRM in the future, but it at least delays their opportunity to do so."
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Regulator Blocks BBC DRM Plans

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  • Consumer? Pah. (Score:5, Insightful)

    by wiggys ( 621350 ) on Tuesday November 10, 2009 @10:40AM (#30045368)
    DRM was never about the consumer. The only people who benefit from DRM are content providers. They use DRM as a way of unfairly controlling what you can do with the content you paid good money for.
  • by eldavojohn ( 898314 ) * <eldavojohn@noSpAM.gmail.com> on Tuesday November 10, 2009 @10:47AM (#30045462) Journal
    It surprises me how often people submit arguments to something (even here on Slashdot) and fail to anticipate the opposing view's points. I have read a few of the responses and have found virtually no alternative suggestions to combating piracy than DRM. Everyone just offers up reasons why it is wrong. Well, if you can't offer an alternative then you are condemned to fighting an uphill battle of why your specific qualms are worse for the consumer than the reduction of piracy. Of course, you can argue that a reduction in piracy does nothing for the end consumer but the BBC and UK Gov are singing a different tune apparently. The premium HD content providers to the BBC are interested in this so you'll need a different strategy than just saying, "wrong wrong wrong."

    One particular fellow [ofcom.org.uk] doesn't even seem to put two and two together (or spell correctly) and realize that his exact situation is just what they intend to block:

    While I appreciate the BBC is keen to retain third party content providers for their HD channels I think compromising the rights of their viewers is not an acceptable solution to achieve this. I believe that it is in contravention of the BBC's responsibilty to provide unencumbered content to TV licence payers.

    Personally third party content is of little importance to me, certainly not worth the risk of losing my ability to watch television on my computer via my DVB capture card; I use an open source operating system which will be highly unlikely to obtain a licence for the BBC's proprietary compression tables.

    It amazes me that none of these responses addresses the basic needs or the fact that the BBC may be faced with losing some premium content providers if this doesn't go into effect. It's bad alright but what's your suggested solution to this (perceived) problem? That's why it will be eventually put into place if you don't proffer an alternative. Attack the problem at the root of its source and work to show that piracy really isn't a big deal, that's your only choice. Fundamentally, DRM is the only other alternative the market has to offer right now.

  • Why? (Score:5, Insightful)

    by Anonymous Coward on Tuesday November 10, 2009 @10:50AM (#30045498)

    "I have read a few of the responses and have found virtually no alternative suggestions to combating piracy than DRM."

    Piracy is the only response of the market to a fiat monopoly.

    With commodities you can "vote with your dollars". But with copyright, it's hobson's choice.

    So why must piracy be solved here?

    Sell cheap enough to maximise ROI. And they are the only ones who can do this.

  • by alecto ( 42429 ) on Tuesday November 10, 2009 @10:53AM (#30045538) Homepage

    Then let the "content providers" take their ball and go home. If they think they're not leaving money on the table, their call. But keep your digital restrictions out of my living room.

  • by TheRaven64 ( 641858 ) on Tuesday November 10, 2009 @10:57AM (#30045590) Journal
    The BBC is publicly funded. Their mandate to work in the public interest should trump all other concerns. If a studio wishes to make DRM a condition of licensing their content, then the BBC should walk away. It will harm the studio a lot more than it will harm the BBC. They should put the money that they save by not licensing the content into producing original content.
  • by Anonymous Coward on Tuesday November 10, 2009 @11:01AM (#30045628)

    The premium HD content providers to the BBC are interested in this so you'll need a different strategy than just saying, "wrong wrong wrong."

    The BBC should not be buying in premium content. The reason why all UK TV owners have to buy a license is to provide financing for the BBC, to enable them to provide quality programming other channels consider money losers. The UK already has 100s of channels showing crap from all over the world, including so-called premium TV shows.

    DRM has nothing to do with piracy, that's just BS. The sole reason for DRM is to take the industry and consumer over to pay per view/listen models.

  • by Lemming Mark ( 849014 ) on Tuesday November 10, 2009 @11:01AM (#30045634) Homepage

    The BBC argues that content providers expect that DRM be provided. Ignore, for a moment, all other strong arguments against the use of DRM (and against it doing any good anyhow).

    The BBC is funded by public money, so they get the opportunity to do stuff without being pushed about by commercial interests - for this reason they are already expected to include programming that is for the benefit of society and the public. I'd say that this is another excellent reason that they should be pressured to take a stand against the erosion of fair use rights. Similarly to certain types of programming, this is too important to leave up to commercial stations - in fact, commercial stations seem likely to push their own DRM agenda based on connections to vested interests.

    Fundamentally, the BBC is funded by the public and it ought to limit the extent to which it makes itself and its viewers beholden to commercial interests. If content providers won't play ball, the BBC has the clout (currently one of the only UK broadcasters who are actually doing well) to make them see sense, or do without them and take stuff in-house. If the BBC are going to allow themselves to be directed by private content producers then we might as well just leave it to the commercial broadcasters and save ourselves the money.

  • by Bert64 ( 520050 ) <bert@[ ]shdot.fi ... m ['sla' in gap]> on Tuesday November 10, 2009 @11:02AM (#30045656) Homepage

    DRM is broken by design, the user has to have a way of decrypting the content in order to view it, so the keys have to be given out...
    All DRM will do is stop "casual piracy", that is people making copies for their friends, or recording to view later etc... The serious piracy groups who produce copies and sell them will quickly work out ways to bypass any protection being used. Go on thepiratebay, there is a lot of content available there which has been ripped from DRM encumbered sources, and the pirate versions are better because they have consumer-hostile things removed.

  • by alecto ( 42429 ) on Tuesday November 10, 2009 @11:04AM (#30045686) Homepage

    The consumer (nay, customer, or better yet, citizen) loses nothing but his chains by resisting and refusing to pay into DRM schemes (with tax money in the case of UK citizens and the BBC). But if these schemes gain acceptability, then all content will eventually be locked down, so all "consumers" lose--even those who were willing to accept that some "premium 'content'" would be digitally restricted. Fortunately, if a human can see or hear something, a human can copy it so it's ultimately all a moot point: pervasive digital restrictions management will only serve to fuel a vast digital "underground" that will be underground only in name as social acceptability of its circumvention outweighs the shrill voice of the shills, the content "industry," and the politicians.

  • by ericrost ( 1049312 ) on Tuesday November 10, 2009 @11:10AM (#30045748) Homepage Journal

    Alright eldavo, here you go: DRM does nothing to combat piracy and only inconveniences legitimate consumers who have duly paid to use said content. Look at Blu-Ray, look at DVD's, look at SecuROM, look at DirecTV, look at TiVo, every single one of these schemes have been broken open by "pirates" who produce more convenient to use products than the locked down "legitimate" versions.

    DRM is simply a waste of money, resources, time, and it insults legitimate consumers who are willing to pay and does absolutely nothing to deter copying and piracy, in fact, for some, it only encourages it as its seen as a challenge.

  • Re:Consumer? Pah. (Score:5, Insightful)

    by ScentCone ( 795499 ) on Tuesday November 10, 2009 @11:12AM (#30045764)
    The only people who benefit from DRM are content providers.

    Well, then, maybe all of the people who want content, and who are always complaining about the quality of content, should look for a way to get what they want without there being any content creators/providers who do what they do with any prospect of earning a living. If we can just dispense with this whole notion of creative professionals, and just settle for entertainment created by junior high school vampire romance fangurlz, Bon Jovi tribute bar bands, street mimes, and hippes who want everyone to have their vegan curry recipes (for free!) then everything would just settle down nicely. There's absolutely no need for people who work for years on recording or film projects. It's pointless to expect people to work off and on for a decade on a novel. Those people should never be able to sell their works, they should instead focus on t-shirt sales and readings in coffee houses, where they are compensated with a share of the barista's tip jar. After all, it's absurd for anyone to make a single penny the week after they've spent a year doing the actual work of creating something. All entertainment should be paid for in advance by fans. Selling your work, on your own terms, after you invest the time to create it: that's, like, totally fascism.

    Here's an idea: just don't do business with DRM-centric content creators or the distribution networks/agents with whom they've chosen to do business. Give your business to people who want to give away their work for free. If that really is the way to earn a living as a creative person, then truth of that notion will be plain for all to see. Put your money (or the lack of spending it) where your mouth is. If having a say in how your creative work is reproduced strikes you as eeeevil, then you surely wouldn't want to enjoy entertainment or information produced by someone who embraces the idea anyway, right? Right? Because, you know, that would be intellectually dishonest.
  • Re:Consumer? Pah. (Score:4, Insightful)

    by Mr_Silver ( 213637 ) on Tuesday November 10, 2009 @11:16AM (#30045800)

    DRM was never about the consumer. The only people who benefit from DRM are content providers.

    At the risk of being burned at the stake, I can think of two scenarios where DRM would benefit the customer:

    1. Try before you buy - This allows customers to get content for free for a limited period of time to determine whether or not they want to purchase it. Note that I'm talking about the DRM on the sample piece of content, not the final product. For example, try a ringtone on your phone for 2 days. If you like it, then you can buy the full (DRM free) version.
    2. Rentals - The rental market is based on the basis that you borrow the content for a limited period of time at a significantly reduced rate on the understanding that it will expire.

    In both cases, however, note that both parties get something out of the transaction and the terms and conditions are understood and agreed in advance. They get my money, I don't pay full price and they don't get me keeping the content.

    Personally I wouldn't want to see rentals disappear. I'm happy with the fact that it's only mine for a couple of days on the basis that I pay only a quarter of the purchase price.

    I won't shed a tear for the other forms of DRM.

  • Re:Consumer? Pah. (Score:3, Insightful)

    by thisnamestoolong ( 1584383 ) on Tuesday November 10, 2009 @11:36AM (#30046100)
    I think the biggest problem is that we no longer have 'art', we have 'content'. When our collective creative output becomes commercialized to this point, is it any wonder that DRM is as prevalent as it is?
  • by Sterculius ( 1675612 ) on Tuesday November 10, 2009 @11:53AM (#30046348)
    To me, the real problem is greed. If the content providers were content to simply make a profit and live like normal human beings, then prices would be reasonable and pirating would be even more uncommon than it is already. But no, everybody has to try and become a millionaire (ah, so old-fashioned, I mean billionaire of course!). The current thinking is that it is a corporation's job to maximize profit. That makes corporations necessarily hostile to society and civilization as a whole. This type of thinking dictates that they must gouge, hype, stifle competition, and use monopolistic practices to victimize the consumer for maximum gain. In the United States, we can't even pass health care reform because corporations don't want it. These corporations bribe, intimidate, and use the media they control to turn public opinion against the public good. For as long as we continue to believe that greed is good, and that the goal of business is to maximize profits, our societies will continue to decline, and our jobs will go elsewhere, and our governments will work against us.
  • by shentino ( 1139071 ) <shentino@gmail.com> on Tuesday November 10, 2009 @11:58AM (#30046424)

    Not all pirates are plain shit broke.

    Many pirate simply because they are cheapskates, and many more as of late do it simply out of spite/revenge against the RIAA. It's cheating. As wikipedia calls it, it's "getting more for less"

    Bottom line is that pirates are willfully defying the law. Someone with a "devil may care" attitude like that almost certainly isn't going to have clean hands, so to speak, when his true motivations are put under a microscope.

    Both sides are sleazy. Big Content indeed has its ethical problems.

    But any pirate who says they deserve what they get, rightly or not, is just a pot calling a kettle black.

  • by DinDaddy ( 1168147 ) on Tuesday November 10, 2009 @12:02PM (#30046464)

    You're ignoring the alternative response you don't like.

    The alternative response is what it has always been. Ignore consumer copying, and only go after those who are criminally counterfeiting copies for money. The situation would be the same as it is right now for the content industry, since the content is being pirated anyway. You might even see a small reduction in that since the content owners would no longer be reviled.

  • by FreeUser ( 11483 ) on Tuesday November 10, 2009 @12:04PM (#30046498)

    I'd rather watch both sides of an argument (FOX and MSNBC) rather than assume I can trust a single source.

    Ahem. On most topics, FOX and MSNBC are on the same side of the argument, or close enough not to matter much. The American political spectrum has become so narrow, and so far skewed to the right, that differentiating between the American "left" and American "right" seems to be more about trying to decide who is further to the right, Gengis Khan or Benito Mousselini, than discussing any real differences.

    Then along comes Hillary Clinton and Barack Obama, who would be considered to the right in any other part of the developed world, proposing sweeping (and belated) healthcare reform, and from the myopic and illiterate perspective of most Americans, they are seen as radically left.

    It's amazing. To anyone else in the developed world, MSNBC and FOX are equally far out in right field, both bordering on unabashed extremism. As is most of America, for that matter. The fact that America is still struggling to sort out its medical system, 60-90 years after everyone else did, is telling in and of itself. For a bunch of creationists, the American right sure does seem to believe in Social Darwinism.

    The sad thing is, most Americans don't even know enough to be ashamed of the rhetoric that is accepted as normal in politics over there, whether it's on defense, healthcare, women's rights, racial equality, or the so-called war on terror.

    It has gotten to the point where "left wing" in America is not packing a pistol to an event where the president is expected to appear. Pathetic...and I don't see MSNBC, or CNN, as reporting these events all that differently than FOX these days. The do seem to be less tasteless in the talk shows they broadcast, but that's a far cry from broadcasting content that contains any real substance or concrete information, much less reporting balanced news a la the BBC.

    But then, I'm an American lucky enough to be living elsewhere for the time being, and able to get relatively unbiased information without having to jump through a million hoops, or listen to Hannity screaming on my televison set.

  • Re:Consumer? Pah. (Score:4, Insightful)

    by icebraining ( 1313345 ) on Tuesday November 10, 2009 @01:35PM (#30048132) Homepage

    But the point is exactly that: forget the pirates. They're not your costumers; don't screw those who are based on hypothetical sales that DRM would bring, because you'll only end up with more pirates.

  • by Finallyjoined!!! ( 1158431 ) on Tuesday November 10, 2009 @01:49PM (#30048402)
    That's essentially what it boils down to. If I paint a wall in a neighbours house, I charge for the time it takes to paint it. I don't expect to "earn" money every time the poor sods look at the bloody wall, now do I?

    It's about time we sat down & looked at this copyright/DRM lark seriously. In no other profession can you expect to earn money, 70 sodding years after you are dead, for 3 hours work.
  • by ScentCone ( 795499 ) on Tuesday November 10, 2009 @02:03PM (#30048664)
    That's essentially what it boils down to. If I paint a wall in a neighbours house, I charge for the time it takes to paint it. I don't expect to "earn" money every time the poor sods look at the bloody wall, now do I?

    Are you even listening to yourself?

    1) You're comparing a service (like wall painting), which is arranged for in advance and with terms understood to both parties, to - for example - a novel. Which the author risks his time to write, with no known buyers necessarily lined up (unless a publisher really wants to front some money, against future sales, just to keep in the author's good graces).

    2) An author doesn't make money every time you read his book, he makes money when you buy it. If he makes the mistake of only selling it in a way that some readers will find very inconvenient, then he's lost a customer, and has to live with the consequences. But you don't pay a musician every time you pop that same CD in the car's player, or pay a cookbook maker or gourmet magazine publisher every time you make a dish while looing at a printed recipe you bought.

    3) The author doesn't make a penny unless he can find himself some customers that will agree to the terms under which he's selling the book. He may not find such a customer for days, or even years after he has invested the time to do the work. He may not find his second (or second millionth) customer until years more have gone by. But he risked the time it took to create the work in anticipation of finding those customers, later. Are you implying that there's a moral difference between selling a novel week after you finish it, and selling it three weeks after you finish it? How bout 30 weeks? Has the author's investment in his own work suddenly become unimportant to you based on which day it is on the calendar?

    4) "for 3 hours work." Really. That's what you think is involved in producing, say, a documentary, or a symphony, or a graphic novel, and so on? I suppose you think that because a concert pianist only performs for 45 minutes during a concert, that she's only done 45 minutes worth of work in order to deliver that performance? Are you really that obtuse?
  • by Anonymous Coward on Tuesday November 10, 2009 @05:58PM (#30052194)

    So what you're saying is, the consumer should set the price based on how much they're willing to pay?

    For digital distribution? Sure. It doesn't have to be all or nothing. And don't forget, in a properly setup system, the seller could always say no and make a counter-offer to whatever price the buyer offered.

    For real world, physical goods? Happens all the time. Or why do you think stores have clearance sells? Not enough people are buying at the higher price, so they reduce the price that is (hopefully) much more palatable. Individuals barter when they buy a house or a car or any other big ticket item. Even with less expensive items like power tools, or computers you can often talk the salesman into throwing in a few "freebies", or reducing the price of the item (especially if it is an open-box item) These are all forms of bartering.

    That you think this is how it should work is simply amazing.

    Why do you think that this is odd? Bartering is the worlds oldest form of commerce. Millions of people all over the world make bartered transactions everyday (see above for some examples. Others include: "I'll do a tuneup on your car if you fix my hot water heater). Business such as Priceline makes their fortune by operating under this business model. The only thing amazing about this concept is that people think that this is an amazing (unworkable?) concept.

    That you posted this as AC points to what you really think about it.

    I think it is a good idea, and would like to see more content providers try this.

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