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Rick Rubin Discloses Sony Rootkit Called Home 249

caffeinemessiah writes "Rick Rubin, the legendary music producer, recently signed on as co-head of Columbia Records, which is owned by Sony BMG. In a recent New York Times interview (on pg. 4 of the online version), he discloses, possibly accidentally: 'It was the highest debut of Neil [Diamond]'s career, off to a great start. But Columbia — it was some kind of corporate thing — had put spyware on the CD. That kept people from copying it, but it also somehow recorded information about whoever bought the record...' Seems like the rootkit might have been a little more than your vanilla invade-your-rights-DRM scheme."
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Rick Rubin Discloses Sony Rootkit Called Home

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  • by larry bagina ( 561269 ) on Monday September 03, 2007 @07:55PM (#20457639) Journal
    Rick Rubin is listening. A song by a new band called the Gossip is playing, and he is concentrating. He appears to be in a trance. His eyes are tightly closed and he is swaying back and forth to the beat, trying at once to hear what is right and wrong about the music. Rubin, who resembles a medium-size bear with a long, gray beard, is curled into the corner of a tufted velvet couch in the library of a house he owns but where he no longer lives. This three-story 1923 Spanish villa steeped in music history -- Johnny Cash recorded in the basement studio; Jakob Dylan is recording a solo album there now -- is used by Rubin for meetings. And ever since May, when he officially became co-head of Columbia Records, Rubin has been having nearly constant meetings. Beginning in 1984, when he started Def Jam Recordings, until his more recent occupation as a career-transforming, chart-topping, Grammy Award-winning producer for dozens of artists, as diverse as the Dixie Chicks, Slayer, Red Hot Chili Peppers and Neil Diamond, Rubin, who is 44, has never gone to an office of any kind. One of his conditions for taking the job at Sony, which owns Columbia, was that he wouldn't be required to have a desk or a phone in any of the corporate outposts. That wasn't a problem: Columbia didn't want Rubin to punch a clock. It wanted him to save the company. And just maybe the record business.

    What that means, most of all, is that the company wants him to listen. It is Columbia's belief that Rubin will hear the answers in the music -- that he will find the solution to its ever-increasing woes. The mighty music business is in free fall -- it has lost control of radio; retail outlets like Tower Records have shut down; MTV rarely broadcasts music videos; and the once lucrative album market has been overshadowed by downloaded singles, which mainly benefits Apple. "The music business, as a whole, has lost its faith in content," David Geffen, the legendary music mogul, told me recently. "Only 10 years ago, companies wanted to make records, presumably good records, and see if they sold. But panic has set in, and now it's no longer about making music, it's all about how to sell music. And there's no clear answer about how to fix that problem. But I still believe that the top priority at any record company has to be coming up with great music. And for that reason, Sony was very smart to hire Rick."

    Though Rubin maintains that his intention is simply to hear music with the fresh ears of a true fan, he has built his reputation on the simultaneously mystical and entirely decisive way he listens to a song. As the Gossip, which is fronted by a large, raucous woman named Beth Ditto, shouts to a stop, Rubin opens his eyes and nods yes. This is the first new band signed to Columbia that he has been enthralled by, but he is not yet sure how to organize the Gossip's future. "Let's hear something else," Rubin says to Kevin Kusatsu, who would, at any other record company, be called an A & R executive. (Traditionally, A & R executives spot, woo, recruit and oversee the talent of a record company.) "We don't have any titles at the new Columbia," Rubin explains, as Kusatsu, the first person Rubin hired, slips a disc out of its sleeve. "I don't want to create a new hierarchy to replace the old hierarchy."

    Rubin, wearing his usual uniform of loose khaki pants and billowing white T-shirt, his sunglasses in his pocket, his feet bare, fingers a string of lapis lazuli Buddhist prayer beads, believed to bring wisdom to the wearer. Since Rubin's beard and hair nearly cover his face, his voice, which is soft and reassuring, becomes that much more vivid. He seems to be one with the room, which is lined in floor-to-ceiling books, most of which are of a spiritual nature, whether about Buddhism, the Bible or New Age quests for enlightenment. The library and the house are filled with religious iconography mixed with mementos from the world of pop. A massive brass Buddha is flanked by equally enormous speakers; vintage cardboard cutouts of John, Paul, George a
  • Dup (Score:5, Informative)

    by astrosmash ( 3561 ) on Monday September 03, 2007 @08:00PM (#20457705) Journal
    There's an interesting discussion on the same topic over here [slashdot.org].
  • by Anonymous Coward on Monday September 03, 2007 @08:06PM (#20457771)
    No, he's correct. You're wrong.

    http://games.slashdot.org/games/05/11/07/1221209.s html [slashdot.org]

    Sony Rootkit Phones Home

    strider44 writes "Mark from Sysinternals has digged a little deeper into the Sony DRM and discovered it Phones Home with an ID for the CD being listened to. XCP Support claims that "The player has a standard rotating banner that connects the user to additional content (e.g. provides a link to the artist web site). The player simply looks online to see if another banner is available for rotation. The communication is one-way in that a banner is simply retrieved from the server if available. No information is ever fed back or collected about the consumer or their activities."
  • by Anonymous Coward on Monday September 03, 2007 @08:29PM (#20457981)
    The number of people (outside his supposed demographic) who'll listen to a Neil Diamond album (or Johnny Cash) because Rick Rubin producted it [wikipedia.org]: millions.
  • by Anonymous Coward on Monday September 03, 2007 @08:36PM (#20458037)
    Here's the thing, RR has been involved in creating some of the most innovative and exciting music of the past 25 years. The Black Crows is basically a secondrate coverband.
  • by Anonymous Coward on Monday September 03, 2007 @08:40PM (#20458073)
    Yabut, it was spyware installed with a rootkit to hide it, slick. Please keep up with foil hat styles.
  • Re:And yet (Score:2, Informative)

    by Anonymous Coward on Monday September 03, 2007 @09:02PM (#20458225)
    Neil Diamond is working for the Koreans? That's not amusing at all. The terrorists have won.
  • by Detritus ( 11846 ) on Monday September 03, 2007 @09:11PM (#20458287) Homepage
    Neil Diamond has more talent in his big toe than most of the artists that get airplay on American commercial radio. I'm not a fan of his style of music, but he is an excellent singer and songwriter.
  • by CheechWizz ( 886957 ) on Monday September 03, 2007 @11:09PM (#20459241)
    Simon Cowell may be a marketing genius but Rick Rubin is a musical genius and a pioneer who helped break dozens and dozens of acts with a whole lot more creative merit then Cowell's manufactured pop drivel. Almost all the albums Rubin produces end up being one of the, if not the best album of that particular band or artist. Don't get me wrong Cowell is good at what he does but Rubin is in a whole different ball game all together.
  • He's the Rick Rubin of the UK. Seriously.

    BWAHAHAHAHA

    Try [allmusic.com] again. [allmusic.com]

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