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Music Industry Attacks Free Prince CD 667

Mike writes "You might not like Prince, but he's planning on giving away a free CD in a national British newspaper. Harmless publicity, right? The music industry disagrees. Executives are practically going insane over the idea and are threatening to 'retaliate'. 'The Artist Formerly Known as Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores. And I say that to all the other artists who may be tempted to dally with the Mail on Sunday,' said Entertainment Retailers Association spokesman Paul Quirk, who also said it would be 'an insult' to record stores. Shouldn't an artist be able to give away his own music if he wants to without fear of industry retaliation?"
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Music Industry Attacks Free Prince CD

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  • Please retaliate. (Score:5, Insightful)

    by daeg ( 828071 ) on Friday June 29, 2007 @02:04PM (#19691529)
    The more bad press you give us, the more ammunition bands have to never sign with you in the first place. Keep it up, you're doing a better job at killing yourselves than we music lovers could ever do!
  • by FictionPimp ( 712802 ) on Friday June 29, 2007 @02:05PM (#19691537) Homepage
    Prince should just open his own online store. Publicly announce he is no longer a member of the RIAA, and start selling his music online via his own channels. I'm sure he is rich enough to give them the finger.
  • where to start? (Score:5, Insightful)

    by yagu ( 721525 ) * <{yayagu} {at} {gmail.com}> on Friday June 29, 2007 @02:05PM (#19691545) Journal

    So an artist decides to share his music and give it away. Where to start with the ensuing anguish by the industry?

    • warning artist Formerly known as Prince he may become the artist formerly available in record stores? Is that a threat? (BTW, I believe he is once again the artist known as Prince... it'd be nice for the industry to keep better tabs on their talent).
    • disrespectful to record stores? Hwah? How? Because they don't get to sell the CDs Prince decided to give away? I recently gave a camera to a friend... should the local camera shop be angry? I dinged their sales!
    • the industry is threatening to "retaliate". Fork 'em. Let 'em. I'd be interested in how that plays out.

    If the RIAA and music industry could be anthropomorphized, they'd be that crazy uncle anybody would keep up in the attic.

  • Key line (Score:5, Insightful)

    by FuzzyDaddy ( 584528 ) on Friday June 29, 2007 @02:05PM (#19691547) Journal
    which is destroying any perception of value around recorded music

    "Perception of value"... that just about says it all, doesn't it?

  • by maillemaker ( 924053 ) on Friday June 29, 2007 @02:05PM (#19691549)
    In the public mind, digital music already is rapidly approaching zero economic value, and this scares the crap out of the Music Industry.

    Of course they are pissed at Prince - his action reaffirms the value of digital music in the public mind.
  • So what? (Score:5, Insightful)

    by sasdrtx ( 914842 ) on Friday June 29, 2007 @02:07PM (#19691591)
    Let the "industry" expose themselves for the idiots that they are. They're well on the way to irrelevance. Why would anyone want to slow them down?
  • by captainjaroslav ( 893479 ) on Friday June 29, 2007 @02:08PM (#19691595)
    But, if that is the case, you are insane. Seriously. Okay, the current stuff isn't that good, but if you don't like Prince, you probably don't actually know much about him. If you learn about this musical genius, who, unfortunately gets lumped in with a lot of talentless 80s hitmakers (I hope you read this, Madonna), you will, at least, respect him.
  • by Anonymous Coward on Friday June 29, 2007 @02:08PM (#19691601)

    Shouldn't an artist be able to give away his own music if he wants to without fear of industry retaliation?

    It depends. If he signed a legally-binding contract specifically saying he would allow some company to distribute his music, then he can't give away his music. The company poured their resources into making him a famous artist. Having made their investment, it's reasonable for them to expect Prince to honor his half of the contract.

  • No (Score:5, Insightful)

    by Oligonicella ( 659917 ) on Friday June 29, 2007 @02:09PM (#19691613)
    To actually answer the last question, "Shouldn't an artist be able to give away his own music if he wants to without fear of industry retaliation?". No.

    Just as Prince can do what he wishes with his business, so can they. They might just be shooting their own foot, but it is their right to do so.
  • An Insult? (Score:5, Insightful)

    by alanw ( 1822 ) * <alan@wylie.me.uk> on Friday June 29, 2007 @02:12PM (#19691661) Homepage

    ... Paul Quirk, who also said it would be 'an insult' to record stores.
    Record stores? If the recording industry is genuinely interested in record stores (as opposed to on-line sellers of bit-streams or supermarkets selling just the top 20), why has yet another chain of decent record shops closed [bbc.co.uk] today in the UK? Perhaps he really means "a danger to my company's profits".
  • In the public mind, digital music already is rapidly approaching zero economic value, and this scares the crap out of the Music Industry.

    Of course, it's the music industries' own fault. Instead of building up a digital distribution business to add value to customers, they've set out to hurt customers and to cripple their own products, thereby decreasing the value of (non-free) legal copies.

    If you want the "public mind" to value your service, make sure your service provides value to the public!

  • This is Prince (Score:5, Insightful)

    by Trailer Trash ( 60756 ) on Friday June 29, 2007 @02:13PM (#19691673) Homepage
    Everybody know him, he doesn't need record labels. He really doesn't. He understands that.

    I would imagine that the record labels are actually more fearful of other artists like him coming to this realization.
  • Re:Key line (Score:5, Insightful)

    by virgil_disgr4ce ( 909068 ) on Friday June 29, 2007 @02:15PM (#19691687) Homepage
    I want to scream in these executive's faces: "The value of music is not monetary."

    That's all there is to it. Music obviously can be bought and sold, and I don't care if you buy it or sell it. But the fact that these labels and businessmen cannot fathom a world in which it is not bought or sold is just disgusting.

    Markets change, douchebags. Everybody lives with it. But the real value of music isn't going to change as long as humans have ears.
  • by maillemaker ( 924053 ) on Friday June 29, 2007 @02:16PM (#19691703)
    From TFA:

    >The eagerly awaited new album by Prince is being launched as a free CD with a national Sunday
    >newspaper in a move that has drawn widespread criticism from music retailers.
    >.
    >.
    >.
    >Prince, whose Purple Rain sold more than 11m copies, also plans to give away a free copy
    >of his latest album with tickets for his forthcoming concerts in London

    Clearly, Prince gets it. Digital Content is no longer an object to sell itself, as it has no value anymore, but is merely an attraction to attract consumers to purchase other things.

    I think this is the mainstream start of the beginning of the end for people who have traditionally sold digital content to consumers. Those days are rapidly drawing to a close. With content so easily copyable, it's economic value is virtually zero. So there is no place for selling digital content to consumers anymore.

    BUT, you CAN sell your digital content to an advertising firm, who will use it as flypaper to attract consumers to buy physical things.

    This is precisely what Prince is doing. He isn't giving away his content for free. he's sold it to a newspaper company that will give it away to get people to buy (physical) newspapers, and he's giving them away to people who buy physical tickets to his concert.
  • Well... (Score:4, Insightful)

    by whisper_jeff ( 680366 ) on Friday June 29, 2007 @02:18PM (#19691743)
    'The Artist Formerly Known as Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores.

    Sure. Feel free to stop selling one of the more successful artists in the business. I'm sure that will encourage customers to come running to your store when they're looking to make a music purchase.

    Also, in case you haven't figured it out, Mr Quirk, Prince has figured out the dirty little secret of the music industry - he doesn't need you any more. In fact, he's been doing quite well ever since he told the music industry as a whole to get bent. In case you haven't been paying attention for the last few years...
  • by mythandros ( 973986 ) on Friday June 29, 2007 @02:19PM (#19691749)
    So you mean to say that it's morally reprehensible to give away that which you own? Can you comprehend how nonsensical your position is? Prince giving away his music has NOTHING to do with P2P networks. This is about one artist choosing to give away his music and that scares the music industry for some reason. If you decided to give your mother $20 for a cab ride somewhere and I threw you in prison because you didn't demand repayment or charge your mother interest, wouldn't you be pissed off? Of course you'd be pissed off -- because that $20 was your to do with as you damn well pleased. The same principle is at work here.
  • by AutopsyReport ( 856852 ) on Friday June 29, 2007 @02:21PM (#19691783)
    The more bad press you give us, the more ammunition bands have to never sign with you in the first place.

    Not so quick. Most artists don't have the luxury to go it alone because it's very hard to breakthrough without support (and thieving) from the industry. Especially for up-and-coming artists, it's much easier to sign with a label than it is to eek your way on to the main stage.

    Of course, for established artists like Prince it really doesn't matter if they butt heads with the industry because he's already made a fortune and has the luxury of doing things as he sees fit.
  • by Tmack ( 593755 ) on Friday June 29, 2007 @02:22PM (#19691817) Homepage Journal
    Anyone that knows Prince and the reason for his name change, knows he changed his name was because of the record labels. He did it in protest of their ability to control him and his music and his name. He wanted to free himself from that control so he could do what he wanted as an artist rather than as the label's shill. He has always been against the record labels after originally signing with one and finding out the hard way what they are all about. He changed his name back after his contract with them ended, but has continued as an independent and always fighting against the labels. This is just another example of his battle, and seems to have already accomplished part of its goal: expose the labels for what they truly are, greedy self-proclaimed overlords of all music.

    Tm

  • by budgenator ( 254554 ) on Friday June 29, 2007 @02:23PM (#19691829) Journal
    Well lets see, the RIAA gives a promotional copy of the CD to a radio station (at $14.95 + $9.95 shipping and handling), and the artist has to cover the cost at ($0.08 / sale) which means he has to sell 312 cd's for every one given away to cover costs! No wonder someone finally said fuck that shit I'd rather give them away!
    Still I wouldn't be surprised if Prince didn't end up selling more records to replace scratched freebie CD's
  • Unlawful (Score:3, Insightful)

    by Citizen of Earth ( 569446 ) on Friday June 29, 2007 @02:24PM (#19691857)

    Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores.

    Should these guys really be calling attention to the illegal actions an illegal monopoly may be taking in the future?

  • Re:No (Score:5, Insightful)

    by ceoyoyo ( 59147 ) on Friday June 29, 2007 @02:26PM (#19691883)
    It's fine if they want to not invite him to the RIAA BBQ or something. Even tear up his membership card. It is not okay if they use their cartel to put pressure on other businesses, like retail stores and radio stations. That's pretty much exactly the behaviour that antitrust laws are designed to prevent.
  • by Rinikusu ( 28164 ) on Friday June 29, 2007 @02:27PM (#19691923)
    Why would he announce he is no longer a member of the RIAA? I mean, other than their lack of due-diligence in going after filesharers, they do serve a perfectly legitimate purpose in protecting works from real, honest-to-goodness unauthorized duplication factories. The RIAA would still be beneficial to Prince to prevent unauthorized publication/distribution no matter how he decides to distribute his music (digital and/or physical, etc). I'm not sure that Prince is actually a member of the RIAA, though, so there's no "withdrawing" for him to do. The RIAA represents the labels, not the artists.

    I agree that Prince should start his own label and do whatever the hell he wants to with his music.
  • by Stamen ( 745223 ) on Friday June 29, 2007 @02:31PM (#19691981)
    Yeah, I agree. I don't particularly like his music, but I'm inclined to buy a CD just to support him. If an artist with Prince's power, can't create some art, and give it away (or do whatever else they darn well please), then what hope is there for "lesser" artists to be able to enjoy their freedoms.

    I wasn't a fan before, but I am now.
  • In a word, no. (Score:5, Insightful)

    by Weaselmancer ( 533834 ) on Friday June 29, 2007 @02:35PM (#19692041)

    Shouldn't an artist be able to give away his own music if he wants to without fear of industry retaliation?

    If you're asking this question, then you don't understand who you are really dealing with.

    The music industry thinks they own ALL music. Not just the RIAA affiliated bands - all music, EVERYWHERE. My proof? SoundExchange. [dailykos.com] They are demanding royalty fees for all music streamed over the net from net radio - and get this - from EVERYONE. Doesn't matter if you're a member or not, they will collect on your behalf in preparation for the glorious day you elect to join the Borg. Until then they're happy to bill people for all music, everywhere.

    The music industry thinks it owns all music. Everywhere. If there was a way to drill a tap into your head and bill you every time you think of a song, they'd do it.

    So yeah, Prince, having the audacity to make a song and give it away clearly goes against everything these morons believe. I wouldn't be surprised to see them ban him completely.

    In response - we, the public - should buy every single thing Prince makes. After he releases it over the net independently. Money straight to the artist with no insane middlemen. This could be where it starts.

  • by russ1337 ( 938915 ) on Friday June 29, 2007 @02:37PM (#19692079)
    >>Prince should just open his own online store

    Giving his music away FREE by this particular method of distribution likely means those agencies that try to collect fees from 'transmission / broadcast' cannot do so. (if it was streamed, then media sentry (or equivilent) might try to charge him for distribution). Bundling with the sunday news means he can do it for the cost of the actual media which might actually be free for him if an advertiser picks up the tab.

    If he gives this away free, then sharing it on p2p might not* be against the law. If this sells more Prince CD's, then other artists might follow making it pretty untidy for the record companies and their 'illegal to share music even if its Public domain or Copy-left etc.

    [* depending on any shrink-wrap agreement on the cover of the CD. ]
  • The RIAA would still be beneficial to Prince

    Are you sure? In this aspect at least, Prince seems smart to save his money. It's not like it's difficult to get pirated CDs or pirated mp3s now is it? Which would seem to indicate that the RIAA has no clue, expertise or anything else for that matter when it comes to unauthorised copying and ditribution.
  • by the_fat_kid ( 1094399 ) on Friday June 29, 2007 @02:41PM (#19692175)
    I think that The Purple One knows that he is/can be a slave to a record company.
    Remember a few years back when he changed his name to an unpronounceable symbol?
    How about writing "slave" on his head?
    Ringing any bells?

    He has the luxury of not needing the RIAA's or Warner's or whoevers money any more. That's as close as any recording artist can hope to get to beeing "free"

    If the strongest threat that these companies can come up with is "stop it or we'll stop making money off selling your old records in our stores" than they are well and truely fscked.

    good for him.
  • Re:War of Words (Score:2, Insightful)

    by zarkill ( 1100367 ) on Friday June 29, 2007 @02:42PM (#19692191)
    Seriously, if he's giving his music away for free anyway, what the hell does he care if you can buy it in a record store?
  • So there is no place for selling digital content to consumers anymore.

    Almost. There is one final bit of value that people will be willing to pay for: finding what you want. Most people won't want to spend hours sifting through all the rubbish to find the one MP3 copy that doesn't sound like crud. Most people won't want to go through the work of discovering unknown musicians. They'll pay for someone else to filter the content and recommend certain musicians and certain digital recordings as being superior.

    What the equilibrium price is for this service, I don't know. I suspect it is lower than the current price, in general, but potentially much higher for especially good "editors" whose for-you tailored recommendations are outstanding. As far as I can see, this is the only remaining way anyone can hope to charge money for digital copies of music.

  • by Ken Hall ( 40554 ) on Friday June 29, 2007 @02:50PM (#19692297)
    Many many years ago, the president of the Solo Cup Company (they make paper cups and plates) had a wife who had aspirations as a singer. She wasn't very good, but he tried to jump start her career by including copies of her records in packages of his paper cups. I think I still have some of them. Wouldn't surprise me if they were collector's items now.

    Somewhat fewer years ago, Wordperfect gave away a demo CD with a demo version of Wordperfect 6.0, and the rest of the CD filled with original music.

    Musicians give music away all the time. Did the music industry scream over either of these? No. Then why over this? Because Prince's music sells, and the others really didn't.

    Real musicians see music as an expression of art. They make it for their own purposes, and they'd do it even if they didn't get paid (as long as they can eat). I know plenty of indie bands that are happy to "cover their expenses". The music INDUSTRY, OTOH, sees music as a commodity to be sold, like soap. If someone gives away free soap, then real soap makers sell less, and they lose money.

    This perception is wrong-headed, but everyone is listening to the wrong people, with the wrong point of view. The sooner we give music back to real musicians, the better.
  • by MontyApollo ( 849862 ) on Friday June 29, 2007 @02:51PM (#19692319)
    Sony-BMG was not one of the quotes about going insane. It just mentioned that the UK arm would not be distributing that particular album to stores. There is kind of no point distributing to stores if it is being given away for free.
  • by zegota ( 1105649 ) <rpgfanatic @ g m a i l . com> on Friday June 29, 2007 @02:59PM (#19692441)
    The Beatles are the only band whose quality is sacrosanct.
  • Please smarten up (Score:4, Insightful)

    by Scrameustache ( 459504 ) on Friday June 29, 2007 @03:00PM (#19692453) Homepage Journal

    There is kind of no point distributing to stores if it is being given away for free.
    And there will be an infinite supply of free CDs? It's not a one-time promotional event then?
  • by Anonymous Coward on Friday June 29, 2007 @03:03PM (#19692509)
    to the labels and distributors; get on the bandwagon or be left in the dust. The direct to consumer approach will catch on and become the primary entertainment distribution model as soon as there is a profitable model for it.
  • by cwgmpls ( 853876 ) on Friday June 29, 2007 @03:06PM (#19692549) Journal
    Just a correction to your signature: "Piracy is ethically no different than finding a few nice items on the street that you weren't planning to buy for yourself, making an exact replica of those items, and taking the replicas with you, leaving the original items unharmed." That is a more accurate analogy, but quite a bit less clear-cut from an ethical point of view.
  • by Anonymous Coward on Friday June 29, 2007 @03:12PM (#19692631)
    $20 says that should he end up buying the cd, you'll never end up paying him the $20. That being said, buying a Prince CD to supports the record labels, not Prince.
  • by GraZZ ( 9716 ) <`ac.voninamkcaj' `ta' `kcaj'> on Friday June 29, 2007 @03:16PM (#19692687) Homepage Journal
    People that get called on stealing GPLed code typically are making money off it by doing so eg. bundling it with some piece of hardware, or sticking it into their proprietary software that they sell.

    Most pirates don't sell the music they pirate.
  • by Sique ( 173459 ) on Friday June 29, 2007 @03:20PM (#19692769) Homepage
    1. There are enough Slashdotters who don't like the GPL for exactly that reason: You can't just copy the code and build something new out of it, and then distribute it without disclosing not only the code you took, but also all the code you wrote solely by yourself (and which according to normal copyright you won't have to distribute). (Yes I know, there is always LGPL and also the "interface code" trick.) Those people tend to be in favor of the BSD License.

    2. People who defend the GPL normally argue that copying someone else's work, earning money either with it or a derivative work of it and not giving something back is unethical. That's a different type of fish.
  • by poopdeville ( 841677 ) on Friday June 29, 2007 @03:22PM (#19692799)
    I guess you missed the word "ethically" in my signature. I know you're attempting the tried-and-true "it's not theft because you're not physically taking anything" canard, but then why do all Slashdotters refer to "stolen GPL code" all the time?

    Equivocation. Likely because the people who talk about "Stolen GPL Code" aren't the same people who talk about piracy. If you're going to argue with someone, argue on the merits of their arguments, not the arguments of others.

    And he obviously didn't miss the word "ethically". His point was that ethically, piracy is not like stealing, since piracy is not like stealing in its essential character. Indeed, he came up with an analogy to piracy, and showed that stealing and piracy are ethically very different.

    You'll probably feign
  • by Mistlefoot ( 636417 ) on Friday June 29, 2007 @03:23PM (#19692817)
    I don't buy a lot of music from local retailers anymore either. Why bother when I can find much more of what I'm interested in online then I can locally. Part of that may be from be older and not as up to date on new releases or new bands as others are.

    I still buy though. Basically the way I see locals stores is this:
    They essentially 'ban' anything not very popular - hey, I realize you can't stock everything but when they don't carry music that I want I do look elsewhere. Local retailers in the UK ban Prince and do they really think that Prince fans will stop looking for Prince music? Prince fans will simply find another source for their music (iTunes or Amazon maybe) and quite possibly continue with that source in the future.

  • Re:Key line (Score:3, Insightful)

    by ThosLives ( 686517 ) on Friday June 29, 2007 @03:31PM (#19692945) Journal

    Depends on the value of what.

    Music: valuable.

    Music distribution and marketing services: Not so much any more.

    The latter is what scares the labels so much. They're not dumb; they know that in a battle between artists and distribution, distribution loses in the modern age because, while artists are scarce, distributors are not.

    The music distribution industry is, to borrow a cliché, already dead; it just hasn't stopped breathing yet.

  • by virgil_disgr4ce ( 909068 ) on Friday June 29, 2007 @03:52PM (#19693227) Homepage
    However they see fit. They can sell music, sell themselves, sell out, maybe quit and go into marketing, do whatever they can think of to live.

    My point is simply that there's this absurd expectation that music-as-product should somehow generate mountains of profits. IMO It's absurd to expect any profits at all. Don't get me wrong--I *want* musicians to live on music. I would love to live on my several music projects--who wouldn't? But when anyone starts demanding money--by litigation, lobbying congress, general whining, whatever--they seem to have completely forgotten that there's no magical guarantee for anyone to make money doing anything. This is what upsets me. Record stores bitching about a famous artist giving something away for free, when THEY could have been making money off of it? Boo-hoo! The gall just astounds me! If they want to go into the business of exploitation, why not be pros and start a child-labor camp?

    What is interesting to me is the European tendency toward goverment-artist subsidies (grants, etc) for bands and musicians. Have you ever toured in Italy? I HIGHLY recommend it--they're actually interested in maintaining and nourishing culture. As far as I can tell the idea of granting the talented to pursue and generate their talent benefits everyone except people whose sole existence in life is to generate money. And when an artist of any medium has the ability to execute their work without the pressure of their work as a commodity, I will cheerfully guarantee you nothing but good results.
  • by Tran ( 721196 ) on Friday June 29, 2007 @03:55PM (#19693259)
    Just because he is giving away CDs for free doesn't mean he is giving away his copyrights, so it doesn't automatically make it legal for anyone else to distribute the contents of the CD via, lets says P2P or streaming.
    If the copyright notice on this free CD says that anyone can copy and distribute, that is a different matter alltogether.
    I wonder if anyone would question that "shrink wrap" agreement?
  • by Miseph ( 979059 ) on Friday June 29, 2007 @04:00PM (#19693309) Journal
    The solution is to have a couple of good music stores in the area.

    It always baffles me when people say they can't find even slightly obscure music until I remember that I live in an awesome culture bubble; I grew up with both a very good new music and excellent used music store right in town, and could double or triple both numbers by driving an extra 10-15 minutes to the nearest (very small) city. Anything we really wanted and couldn't get right away we could have special ordered, and it was rare that such a thing needed doing. I still have trouble comprehending when places like Best Buy or FYE (to be fair, they aren't so bad for a national chain) only carry an artist's latest release, or when they forgo well-known and highly influential bands that broke up over a decade ago for some no-hit-wonder pop kid that everybody has already forgotten just because they weren't born yet when the former was in their prime.

    Anyway, if anyone out there is in the Amherst/Northampton, MA area and doesn't know any good music stores, check out Mystery Train (used) and Newbury Comics in Amherst, or Turn It Up! in Northampton. In Buffalo I also used to go to New World record on Elmwood, I recall it being next to a Spot Coffee.

    The internet is great and all, but there's nothing quite like browsing through a local B&M for music.
  • Propose an alternative, then. For all it's faults, the RIAA is the only game in town if you want to have your works protected from unauthorized distribution/duplication. Maybe there's money to be made in creating a competitor to the RIAA.

    There's your problem of perception right there: The RIAA is not some startup with a better product or service than its competitors, it's a cartel formed by all the major players in the business. I could no more drum up an alternative to it than I could stop a mack truck from rolling over me.

    The truth of the matter is that the RIAA and its constituents have basically been accreting power for almost a century now, which as we all know, is both a positive and a negative for them, ie they're the only game in town, so everything flows to them, but they've become slow and sluggish, and unable to prepare and react to the threats that face them.

    Maybe once they've been whittled down to a more managable size, competition might actually occur, and buying/acquiring music cheaply, easily and legally will become the norm, but right now, we're in the moment right after David hit Goliath, but before he falls to the ground dead. A lot of dust needs to settle.
  • by Hatta ( 162192 ) on Friday June 29, 2007 @04:06PM (#19693407) Journal
    Here's the difference:

    Stolen music becomes more free.

    Stolen code becomes less free.

    What we care about is the freedom of information. The law is just an expedient to secure that freedom. When the law becomes injurious to that freedom we must break it.
  • by wishlish ( 581421 ) on Friday June 29, 2007 @04:08PM (#19693427) Homepage
    He did have his own music store for a while- NPGMusicClub.com. Problem was, he wasn't very good at it. First, he tried to sell the 4-CD set Crystal Ball, but ended up shipping the set very late, and he released it to stores at a lower price before sending it to the customers who pre-ordered it at a higher price. At times, he had a yearly fee of $100 for various goodies such as concert pre-orders and exclusive CDs. Finally, he ditched all that and sold DRM-laden files. In the end, he shut the store down.

    Interesting note- Prince is one of the most bootlegged artists I've ever seen. I have GIGS of live shows on my hard drive; his live shows are amazing. His aftershows are legendary. I'd love to see him sell those recordings through eMusic or in some sort of DRM-free format. I'd rebuy whatever I own just to make sure he got paid for music I've enjoyed throughout my life (I'm a big Prince fan).

    Now if only I knew how to get the newspaper in the US...
  • by arth1 ( 260657 ) on Friday June 29, 2007 @04:10PM (#19693455) Homepage Journal
    If the only way this CD is being distributed is bundled with a UK newspaper, I expect quite a few people will buy this CD, for far more than a CD normally costs. In any case, if there's anything at all distinguishing it from other CDs, it will become a collector's item.

    This is good marketing, and nothing new either. Do anyone else remember the record singles bundled with magazines back a few decades ago? I can't remember the record companies getting their panties in a twist over that -- they were the ones doing it!
    But now when someone independent wants to do the same, it's suddenly a horrible thing?
    It sure is, for them. This is yet another revelation showing the public that the record companies really aren't in it for the artist, but are a money grabbing and unneccessary oligopoly, working for themselves only. Spreading awareness of this is a good thing.
  • by kryptkpr ( 180196 ) on Friday June 29, 2007 @04:12PM (#19693475) Homepage
    I know I shouldn't feed the trolls.. but consider that he's on stage 5 while you are stuck somewhere between 3 and 4.

    Copyright holders have long ago broken their social contract with the people, nothing produced today will ever become public domain during your (or your children's, or possibly not even their children's) lifetime as per the original social contract that gave birth to copyright.
  • by Jeff DeMaagd ( 2015 ) on Friday June 29, 2007 @04:22PM (#19693587) Homepage Journal
    Shrinkwrap shminkwrap. That doesn't matter.

    In order for you to legally redistribute copies someone else's works, you need to have specific legal permission to do so, unless it is known to be public domain (this is not) or fair use (P2P is not). Note, I exclude personal copies or reselling the original CD. It doesn't matter what the sale price of the original work was. If the CD actually says that it's OK to redistribute copies, then no, it's not legal.
  • by poopdeville ( 841677 ) on Friday June 29, 2007 @04:40PM (#19693865)
    Making an exact replica of a 20 USD bill isn't illegal as such. Well, maybe, but still under copyright laws. Using it instead of real money is what you're hinting at. That, in your analogy would be selling counterfeit CDs. Which is not the point here.

    Actually, it is illegal. If you want to make a copy of a bill, it has to be either smaller than three-quarter size, or bigger than one and a half size, or look substantially different. Reproductions must be one-sided. The design of the bill is in the public domain. http://www.bep.treas.gov/document.cfm/18/117 [treas.gov]

    What I was trying to get at is that making an exact replica of money (say, using a Star Trek style replicator) can get you all the free music you want. And everybody involved would be happy, except for the Treasury Department. Your money would be real money to everybody involved, but using it would be morally questionable, because putting it in circulation would cause inflation.

    Similarly, making copies of music creates "Musical Inflation".
  • by cwgmpls ( 853876 ) on Friday June 29, 2007 @04:41PM (#19693875) Journal

    that person went through the work of designing and creating those items so that they were unique to him/her and planned to sell them for a living

    The vast majority of artists would not be upset in the slightest to know there are infinite digital copies of their work floating around the world. In fact, they would be quite flattered, and would look forward to the increased demand for paid live performances and other product sales that would be sure to follow. The small minority who would be upset about it are already rich enough to live out the rest of their life in comfort. I don't think they have been deprived of anything that could be considered ethically significant.

  • by servognome ( 738846 ) on Friday June 29, 2007 @04:42PM (#19693885)

    "Piracy is ethically no different than finding a few nice items on the street that you weren't planning to buy for yourself, making an exact replica of those items, and taking the replicas with you, leaving the original items unharmed." That is a more accurate analogy, but quite a bit less clear-cut from an ethical point of view.
    Piracy is like printing your own money and depositing it in the bank. It doesn't really hurt anybody if you do it, but if everybody does it then money becomes worthless.
  • by PopeRatzo ( 965947 ) * on Friday June 29, 2007 @04:53PM (#19694039) Journal
    I love this story. It shows just how insane the current system of ownership for creative work has become. An artist who wants to give his work away for free is considered to be attacking the industry. Well, what exactly is "the industry" if not a system put in place so artists can be rewarded for creating music? At least, that was the original idea. Who the hell is some music executive who believes he has some special claim on the work of someone else?

    The beauty of this story is that it's not only already-successful, rich artists like Prince who can be successful outside of the current system. With a little creativity (and after all, aren't musicians supposed to be creative?) a composer, band or producer can find ways to make a living that don't involve giving the lion's share of profits and control to some talentless turd with an MBA. I've found quite a few excellent examples of this on the web.

    I won't buy anything from the first, second or third tier of record labels, period. If I want to hear the music, I'll download a copy, and if it's any good, I'll go see the artist when he comes to town. Mainly, if I buy music, I'll do it directly from the artist, which is becoming increasingly common.

    I want to see the entertainment/industrial complex completely collapse. Then, I want the current model of intellectual property to fall apart. I know this makes me a crazy radical, but I think I've had just about enough of being pissed on and told that it's a shower of gold. It may be hopeless to expect the world to become more friendly to regular working people who aren't trying to scam, rob, or otherwise hurt others just so they can say they "won", but I've decided I'm not going to spend the rest of my life playing along with a system that is as corrupt, backwards and harmful as this one. Especially since I don't have to. I'm willing to trade having a device in my pocket that's delivering the latest offerings from Disney in my pocket for a little bit of fairness. And best of all, I don't have to lay down at night feeling like I've been fucked all day against my will.
  • by Pfhorrest ( 545131 ) on Friday June 29, 2007 @05:04PM (#19694163) Homepage Journal

    Stolen music becomes more free.

    Stolen code becomes less free.

    What we care about is the freedom of information. The law is just an expedient to secure that freedom. When the law becomes injurious to that freedom we must break it.
    The GPL equivalent for music would be giving it away with the sheet music, and allowing others to redistribute it or modify it as they pleased, so long as they also distributed the modified sheet music with it. Would you be happy with a "music license" like that? (Also note the parallel here, what if you only modify the binary/mp3 and not the code/sheet? Do you have to create code/sheet to match your modified binary/mp3 and distribute that, too?)
  • by mythar ( 1085839 ) on Friday June 29, 2007 @05:44PM (#19694587) Journal
    so, what part of the riaa isn't middle-men?
  • by eihab ( 823648 ) on Friday June 29, 2007 @05:53PM (#19694675)
    I'm from the first camp, but let me take this discussion one step further into the "Off topic" area and argue the second camp's point of view back.

    Not so long ago (it's still in my RSS feed) Marcus and Theo [slashdot.org] of the OpenBSD project were accused (mainly Marcus) of "stealing" GPL'ed code and porting it into the OpenBSD project. Regardless of how you feel about the whole fiasco, I'm pretty sure they weren't planning on making money off of the GPL'ed driver code.

    Sure, people can argue all they want about the possibility of BSD code being close sourced by an entity that will make money off of it, but I bet you a $1000 dollars that if I were to close source a GPL project and give it away for FREE (without even an ads supported site), I'll have the author knocking on my door the next day demanding the enhanced (or not) source code.

    Heck, some people [slashdot.org] (Referencing an AC.. brilliant!) argue that Google is unethical because they [allegedly] didn't distribute the GPL license (which any kid in kindergarten can find online in under 10 seconds [google.com]) with their GSAs despite the fact that the source code is available on code.google.com.

    Copying music is (in my opinion) exactly like copying GPL code and not adhering to the license. You may not like the rules but you have to play by them.

    The music guys want money to allow you to obtain copies of their songs, the GPL guys want credit and source code enhancements back.

    Rules are rules, and no matter how low your "enemy" is (not GPL in this sentence, spare my Karma :P), you don't sink to their level and break the rules as well.

    GBTW.. GBTW... GBTW...
  • by Anonymous Coward on Friday June 29, 2007 @06:03PM (#19694775)
    Ah yes. It's evil only when you are making money doing it. By the way, try taking GPL'd code, bundling it into your application and distributing it as freeware but in binary form, but refusing to provide the source code. I don't think that GPL crowd would take to it kindly.
  • by Eternauta3k ( 680157 ) on Friday June 29, 2007 @06:43PM (#19695105) Homepage Journal

    True enough. When the marginal cost of producing another unit is essentially zero, "too much" is anything greater than essentially zero.
    Who pays the artist, editing, advertising and distribution?
  • by MightyMartian ( 840721 ) on Friday June 29, 2007 @07:34PM (#19695551) Journal
    I have a hunch that Prince owns his own masters, so if he wants to flush them down the toilet, there's not a damn thing a distributor can do. I can't believe that after the rather messy war he had with his old record company that he would sign any kind of truly and infinitely binding exclusivity deals.
  • Look at history (Score:2, Insightful)

    by John Garvin ( 229844 ) on Friday June 29, 2007 @08:49PM (#19696021) Homepage
    Yet another example of Why the Recording Industry Doesn't Get It.

    Music as music has been around for thousands and thousands of years, but music as a bunch of salable mass-produced physical artifacts is less than a century old. If your business model is failing, it doesn't mean the Big Bad Pirates are stealing from you. It's not an attack on Music Itself. Make no mistake: they are not defending artists, which they treat as indentured servants. They're defending their threatened business model.
  • by AdamD1 ( 221690 ) <<moc.burniarb> <ta> <mada>> on Saturday June 30, 2007 @01:38PM (#19700475) Homepage
    People (especially this retail support organization) seem to forget that Prince gave away copies of his last cd with every ticket sold to see his live show as well. That was two years ago and there was some debate over whether these CD's counted as "copies sold" from a Billboard chart point of view. I seem to remember Prince saying in an interview at the time that he didn't care whether it meant he got on a chart, that it was good for exposing the music, period.

    Retailers fail to innovate and then complain when an artist does. I don't get it.

    It's not their right to profit from his CD's, it's their privilege. If they were smart, rather than not carrying the cd, they should offer a deep discount on it. The newspaper thing is a one-off, it's not like every single copy of every daily paper is including a copy.

    They should also keep in mind that if Prince can afford to do this out of his own pocket, imagine competing for the same amount of advertising dollars from him. Why isn't any single retail operation thinking this way?

    They wonder why the major retailers are suffering. They keep front-racking the same crap against which Prince knows he has no chance of competing. (He's not 17 nor is he female and hot, he's 50 and an accomplished musician with a serious history, something no label or retailer cares to promote.)

    Further: Not everybody who gets that paper is going to be a Prince fan. So his market penetration isn't going to be to his main target audience, though probably many fans will shell out for the paper. (Keep in mind he just sold out several dates in the UK at the O2 Arena, with several more still on sale.)

    I challenge any retailer to claim that they could sell as many cd's as this giveaway would total. I really doubt they'd care to. They wouldn't rack it with the same exposure as Nelly Furtado, Justin Timberlake or Rihanna. It's not in their best interests to do so.

    I haven't shopped at a brick-and-mortar retail store for my music in several years now and it's crap like this that makes me feel like it's probably just as well. Music retailers don't care about talent, they care about widgets. They should be the ones coming up with stunts like this (or the labels and their marketing divisions.)

    I'm sick of hearing retailers complain whenever someone does something purely musical like this. Sure it's a stunt but it shows he wants the music to get out there, which is more than I could say for any label or retailer these days.

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