Become a fan of Slashdot on Facebook

 



Forgot your password?
typodupeerror
×
Technology Your Rights Online

More Copy Protected CDs? 406

Mahonrimoriancumer writes "There are a lot of CDs that have been released recently which can't be played on the computer or *laugh* ripped. Apparently only a few markets have the 'copy protected' CDs while the rest don't. Here is a list of some that are 'protected.' Does anyone know of other CDs with this problem?" I own at least one CD on that list and it ripped just fine, so perhaps that are different versions of the CDs on the market
This discussion has been archived. No new comments can be posted.

More Copy Protected CDs?

Comments Filter:
  • CD rips (Score:3, Interesting)

    by Anarchos ( 122228 ) on Sunday November 11, 2001 @12:27PM (#2550873) Homepage
    The System of a Down cd ripped fine for me, although I have Jimmy Eat World: Bleed American and I can't rip it. Musicmatch Jukebox gives an error of "buffer too large, switch to analog mode" when using DAE and in analog mode it just crashes.
  • Interesting article (Score:4, Interesting)

    by Burritos ( 535298 ) on Sunday November 11, 2001 @12:28PM (#2550875) Homepage
    Here [perkigoth.com] is an interesting article about Copy Protected CDs..

    I remember reading somewhere that there was a copy protected cd released, that you could play on your computer, it had propeitary software and 128 kbps mp3s.

  • by Helevius ( 456392 ) on Sunday November 11, 2001 @12:29PM (#2550877) Homepage
    This doesn't involve music, but it's related. Has anyone successfully made a backup copy of Civilization III?

    What sort of anti-backup protection exists for CD-ROMs? Are corrupted sectors used, as was the case with magentic media?

    Helevius

  • by Cheesy_Poof_Man ( 473060 ) on Sunday November 11, 2001 @12:34PM (#2550893)
    I can't get Bush's new cd "Golden State" to play in Winamp. It only works when i press play on my cd-rom drive. Hum, wierd.
  • Re:CD rips (Score:1, Interesting)

    by Anonymous Coward on Sunday November 11, 2001 @12:48PM (#2550932)
    There are two versions of the System of a Down disc. There's a full-color cover version [amazon.com] and a 'Limited-Edition' red cover version [amazon.com].

    I have the red cover version. I just ripped it with cdparanoia on a panasonic CW-7502. It sounds fine.

  • by unformed ( 225214 ) on Sunday November 11, 2001 @12:53PM (#2550948)
    [This is directly copied from: http://cdprot.cjb.net/ ... I'm copying it here so it doesn't get /.'ed]

    Let me start off by saying that I don't even know for sure if the protection I am talking about is indeed MediaCloQ(TM)....... The symptoms look like it, but I read that MediaCloQ(TM) protected CD's would transfer you to the MediaCloQ(TM) website automatically (as soon as you insert the CD into a CD-ROM drive) where you can download music files.

    I recently wanted to make a personal backup of my own CD called "The Loveparade Compilation 2001". CD2 copied fine, but CD1 could not be read by any CD-ROM player or CD burner. It would however play in any normal audio CD player. Now as a decent reverser you must understand my frustration ;-) A friend tried copying this CD with a custom audio CD copier (Philips CDR 765) which actually worked. But if you haven't patched yours to be able to write low-cost non-copyrighted CD-R's with it this is quite expensive. This copy will be able to be grabbed on a normal way.

    So, next evenings I spend trying to understand what was going on here. I found out that after insertion the laser first goes to the center of the CD (the TOC or Table Of Contents where the index of the CD is stored). After this the laser went to somewhere on the outer side of the disc and started to try to read there. This is where the reader would never stop doing this and some players will hang forever in this phase.....

    So what idea could be easier than to prevent the reader from reading this outer part? I made 3 paper stickers of about 25 x 20 mm and placed them on the outer side of the CD. Now the reader would read the inner TOC, then go to the outside again and after not being able to read anything there because of the stickers, the reader would be 'smart' enough to decide to stick with the inner TOC, go back to the center and read this TOC as the one and only TOC :-)

    I am certainly not an expert on CD readers but I think this is what is going on here. If anyone has better ideas, let me know. This protected CD has a so called Multi Session TOC. This is the same when you burn a CD-R and set it to MODE2 / Multi Session when you burn an empty CD-R for the first time. After this a MODE2 CD-R can have multi sessions appended afterwards. For every new session a new TOC is written (with the old data about the files already on the CD-R included). My theory is that this protected CD has also a MODE2 / Multi Session TOC which makes a CD-ROM player and burner decide to search for the latest TOC from the outside to the inner side. With the placed stickers it will not be able to and most CD-ROM players will decide to stick with the center TOC.

    So now the CD-ROM player will read the CD but unfortunately it will not be able to read the last tracks because my stickers are placed there. So now a second trick is needed. I used a paperclip to push into the little hole on the front of my CD-ROM player to open the door manually. The reader has no idea at all I was doing this so it came out spinning :-) Then I removed the stickers and pushed the CD back in. The last part I had to push a bit harder to make sure the CD would be totally inserted and fit on the spindle again.

    Guess what? I could now play and grab all tracks as I would do with any non-protected CD! I must say that on one CD-ROM player (TEAC) I had to skip the first block (or 0.01 seconds) in Easy CD-DA Extractor for the first track only (still have no clue why). My Plextor 16/10/40A burner and another CD-ROM player had no problem with this first track.

    I did try to move the stickers to the outside of the CD until my audio CD player would just be able to play the last track until the last second but the CD-ROM player would not read it anymore. In fact, I would have to move the stickers a whole lot more to the center of the CD before it would be able to read it again. It might be possible that there is no TOC at all on the outside; the inner TOC just points to some music track which will of course not be understood by the CD-ROM player as a valid MODE2 TOC...... The reason why this CD does not automatically transfer you to the MediaCloQ(TM) website like a MediaCloQ(TM) protected CD would do could be that the protection I discuss here isn't MediaCloQ(TM) at all. But it could also be due to the fact that this CD was almost full and that there was simply no space left for a real TOC and a valid data section where an autorun.inf file could be stored which transfers you to their website.

    Now to summarize this little trick:

    Place 3 (or maybe more on better CD-ROM players / burners) non-transparent stickers of about 25 x 20 mm on the outside of your CD along the edge. Make sure that they wont stick outside of the CD and press them well, otherwise your CD-ROM player will start making funny noises ;-)

    Insert the CD into your CD-ROM player and see if the CD-ROM player accepts it (you can see the tracks in your Explorer). If not you can try to move the stickers a bit to the center or place more stickers. Note that my laptop CD-ROM player and one burner I've seen would not be able to read it at all so no guarantees are given here......

    Now we have to wait until we are sure that the CD is not spinning anymore. After the CD-ROM player accepted the CD it can still be spinning for a few minutes (my TEAC stopped after more than 3 minutes). I guess to be sure, wait about 5 minutes. If you are impatient here you risk to eject it while it is still spinning and this could damage your CD and who knows the laser of your CD-ROM player, so be warned!

    Now using a fine screw driver or a paper clip push into the little hole in the door of your CD-ROM player. The trays of some CD-ROM players can be opened totally without the CD-ROM player noticing but I saw one that would re-read the CD after closing the tray again so I would have to open it until halfway, until I was just able to get the CD out. Push your paper clip into the hole until the tray opens. Then pull it out manually (be careful and do it slowly!).

    Now remove the CD, remove the stickers and place it back.

    Now push the tray to close it again. Do it carefully. At the end you have to push a little faster to make sure the CD will be inserted entirely. If not, take it out again and try again.

    Now you can play it and grab it like you would normally do :-) If the first track will play but not grab skip the first 0.01 seconds or the first block. I use Easy CD-DA Extractor which offers this option (at the bottom of the extract window).

    Enjoy and be happy !
  • Class Action Suit (Score:5, Interesting)

    by CMiYC ( 6473 ) on Sunday November 11, 2001 @12:54PM (#2550953) Homepage
    So I am starting to wonder. If it hasn't begun to occur already, what has to be done to bring a class action suit to the offending record companies? There are three things I see as a defense on our side.

    1. It seems to me that someone would be able to find equipment that the CDs actually sound worse in.

    2. Prove the lost ability to make a backup copy.

    3. Show how you are suddenly limited to where you can play the $20 cd at.

    Without a warning, I just can't believe its possible for them to do this. However, at the same time, I'm uncertain what law says "this cd must play in all cd players." I understand it isn't our right to play the cd anywhere, but at the same time, it is also our consumer right to know what we are buying can and can not do.
  • Hmm... (Score:3, Interesting)

    by Greyfox ( 87712 ) on Sunday November 11, 2001 @01:00PM (#2550969) Homepage Journal
    Lets see... when was the last time I bought a CD... can't recall...

    I seem to be getting less and less tolerant to commercials too. The radio in my car is tuned to NPR, which is commercial free 50 weeks out of the year. Even if it is the all Afghanistan all the time network these days. I'm about 99% RIAA free these days, I think. They'll probably get that declared an act of treason soon... feh... bastards.

    Speaking of which, how much did they give your guys this year? [opensecrets.org] We should get a petition going for a constitutional ammendment forbiding any incorporated entity from giving money to any politician.

  • by tempfile ( 528337 ) on Sunday November 11, 2001 @01:04PM (#2550974)
    Yes, unless you got a CD player that sets a copy protection bit in the stream and a sound card that won't record if that bit is set.
  • What we need to do (Score:2, Interesting)

    by dapcook ( 517006 ) on Sunday November 11, 2001 @01:09PM (#2550985)
    Is go out to kazaa and to Morpheous and download all the music we want, then write a check and mail it directly to the artist themselves! This RIAA and DCMA stuff is getting so out of line it's not funny! How can a industry get away with isolating millions and millions of their customers??? I say go out and buy everything from 2nd hand music stores! Isn't it our legal rights to use a CD as we want? I can make copies for my use, I should be allowed to play this music on any CD player I have? So how about a class action lawsuit for depriving us of our rights??
  • by InShadows ( 103008 ) on Sunday November 11, 2001 @01:12PM (#2550993)
    It might have been this article [theregister.co.uk] on theregister [theregister.co.uk] about Natlie Imbruglia's cd.

    The cd contains a Windows only application that will allow the user to listen to all the songs on their computer in an mp3 format without them able to rip the cd. Therefore computers with anything but Windows will not be able to run the program.

    How's that for being able to choose the medium you wish to listen to music?

    InShadows
  • flawed list (Score:2, Interesting)

    by rlwhite ( 219604 ) <rogerwh.gmail@com> on Sunday November 11, 2001 @01:15PM (#2551006)
    I don't think the list is very trust-worthy. DCTalk's Supernatural has been out for 3 years, and I have copies, both legally bought and ripped. Maybe they added protection on a recent production run, but that seems unlikely because any "piracy" damage is already done. Not to mention DCTalk is a Christian band; they want their message spread as wide as possible, even if it means losing some money.

    I think some people are just reporting any disc they have trouble with, without investigating things like bad hardware or scratched discs. Just spreading paranoia.
  • by YouAreFatMan ( 470882 ) on Sunday November 11, 2001 @01:16PM (#2551010) Homepage
    This seems like a foolish move to do. It seems safe to say that it has been established that it is legal to rip CDs. Also, MP3s are more widespread than, say, DVDs ripped to DivX. Therefore it will be much harder to demonize people who break the copy prevention measures (or make tools to do so) on these CDs. With DVDs, it requires that I assert a new right never granted me by the MPAA (not that I really need them to grant me that right). However, with CDs, the RIAA is taking away a right I have been enjoying. A much harder thing to do.

    I have a feeling this will backfire in one of two ways: 1) they will drop the copy prevention after a public outcry, or 2) there will be new drivers or tools published that make it possible to rip/play these CDs, and they become common enough to make the copy prevention irrelevant. This will mean that the only people truly affected will be innocent people with limited technical expertise (mom goes and buys a PC, puts her new CD in the tray, and it doesn't play; mom gets mad and calls you). This will only further giving a black eye to the RIAA.

    A third possibility is the nightmare of DeCSS -- that someone publishes a method to defeat this copy prevention, gets sued, goes to court, etc. But as we've seen with DeCSS, it's pretty hard to stop it once it's out.

  • by Cow4263 ( 312716 ) <mike@b o x 1 . o rg> on Sunday November 11, 2001 @01:36PM (#2551052)
    I whole heartly agree. You could argue that the mp3 rage these days is all because of the media attention Napster was getting during its trial. Every night on the evening news, Napster was the main story, so some guy says "that sounds cool" and downloads the client and leeches the night away. And now that napster is all but completely useless, most people have moved onto other p2p communities (probably Morpheus \KaZaA).

    Even in a post napster world, the media likes publicizing(sp?) alternate ways of getting stuff. For example, I was watching CNBC of all channels and they were discussing napster, and one anchor said "nah, napster is dead. Mourpeus is the good one now."

    Once you educate the masses, its impossible to unlearn them.
  • A question (Score:5, Interesting)

    by famazza ( 398147 ) <[moc.liamg] [ta] [onirazzam.oibaf]> on Sunday November 11, 2001 @01:39PM (#2551062) Homepage Journal

    I question follows me everytime I hear anything about copy protected CDs.:

    • Are these CDs compatible with Compact Disc Digital Audio? (that small trade marked logo that must appear in all CD players and Audio CDs

    Does the owner of this technology (AFAIK Philips owns the patent) have any kind of official opinion about this? Is it allowed to modify the technology and keep using the compatible logo?

    Can anybody help me with this question? (thanks in advance)

  • A working system? (Score:2, Interesting)

    by rockwood ( 141675 ) on Sunday November 11, 2001 @01:46PM (#2551081) Homepage Journal
    I have thought about this and believe that this would allow for both sides to get want they want. No distribution of music while allowing the consumer to play anywhere and back up as much as they wish.

    The recording companies will sell high capacity memory cards @ the cost of manufacturing them. Each card has a random identification number embedded in it which will also be 'salt' for the encryption.

    Any location re/selling music will be equipped with a digital recorder. When you purchase music you take your high capacity card with you. (You don't actually purchase tangible media). You give them your memory card and they load your purchased music on it, whish is also being encrypted while being stored (using the embedded ID#). The music store then stores your ID# and the music selection to their database.

    You take your memory card home to your home stereo system and upload the music from the card to the radio's internal drives. You can also upload the music to your computer, car radio (also equipped with an internal drive) etc... And in order to play the music stored on ANY of these items, all you need to do is pop in your memory card.. the id number on the memory card is used to decode the stored music and then played if it decodes correctly.

    Optionally if you want to play music on a system that does not have your music in it, simple copy the music selection(s) you wish to here to you memory card before leaving your home and play it anywhere right from the memory card. If you copy the music from the card to someone elses drives... their card won't decode your music because the ID that is read from their card is different from the the code used to encrypt the your music.

    In the event of a total loss of music, you can go back to the store where you purchased the music from and tell them you need the selections again.. and give them your card.. (Remember earlier I mentioned they stored your ID number and music selection) and then they could give you back ALL of your music at not cost to you - Providing the card you give them has the same ID number that they have in their system.

    I am not saying this is fool proof, as nothing is! But I believe this would satisfy everyone and put music distribution back to what it was in the days of cassettes.

    This concept could also be used for dvd and game purchases also.

    Any thoughts?

    Oh and btw.. IF this would be used.. I hereby announce this MY idea on this day 11/11/2001 ;)
    Hey! - You never know!
  • by ichimunki ( 194887 ) on Sunday November 11, 2001 @01:57PM (#2551104)
    I don't like the idea of leaving the word "copy" in there. The public is already used to hearing that word in the context of "piracy" and "theft". Why don't we call it what it is, "fucking up the CD to prevent ethical reuse?".

    RIAA, you can kiss my behind, I have started my boycott of your CDs. Total loss so far? $20. Since I have purchased, on average, 75-100 musical releases a year for the past several years, consider your potential annual "loss" to be anywhere from $1000-$2000. To the artists: this also means I won't be going to your shows, since I probably won't have heard your latest album enough to care.
  • Re:I heard of Sting (Score:4, Interesting)

    by rosewood ( 99925 ) <<ur.tahc> <ta> <doowesor>> on Sunday November 11, 2001 @02:09PM (#2551130) Homepage Journal
    I dont think it really matters. The radio station I work at gets the CDs weeks (if not months) before the release date. We also receive a single of what we are forced to play, of course. The CDs we normally get (with some exceptions) are not the same you buy in the store. The ones we get to give away are, but not the first sample we get in. Since we may need to copy all of the tracks for an album show (every saturday at 1am we play through a new cd) to our system, if it was copy-protected, we couldn't do dick with it. That also means that I get a copy for myself, and then soon so does the world.
  • Re:A question (Score:3, Interesting)

    by Biedermann ( 70142 ) on Sunday November 11, 2001 @02:54PM (#2551237)
    According to this [slashdot.org] recent comment (by me), the answer is no. The logo is owned by Sony and Philips (inventors/promotors of CD audio). According to a recent article in German c't [heise.de] magazine, Philips is looking into the violation of the Red Book [neu.edu] / IEC 908 standard.
  • by issachar ( 170323 ) on Sunday November 11, 2001 @02:54PM (#2551238) Homepage
    Interesting thought, but what would stop the RIAA from putting some sort of canary trap in place on randomly selected discs?

    If you don't know, the paper version of the canary trap is the idea of altering the punctuation, but not the text of a document in a certain way uniquely for each copy of the document you give out, and keeping track of who gets what. Then, if a copy of your document is leaked to the media, and they show text from the document, you can find the snitch in your organisation.

    Couldn't something similar be done with music? Not that it wouldn't be possible to undo, but if you don't know exactly what's been done, it's difficult to be 100% sure that you've undone the trap. Then the RIAA couldn't threaten very serious penalties. First off, you'd be certain to lose your job, but they couldn't also conceivably go after you for lost revenue for every copy of the song derived from the copy you originally made. And they'd have a method to prove that they came from your copy too. That'd be enough to bankrupt anyone.

  • CD corruption (Score:2, Interesting)

    by neurojab ( 15737 ) on Sunday November 11, 2001 @03:24PM (#2551306)
    The article uses the phrase CD corruption. I'd rather see THAT come into common use than "copy prevention". It's more meaningful to consumers who might not realize that "copy prevention" is bad or what it might mean to them. Do you think they're going to knowingly buy a "corrupted" CD? No way. When the answer as to why it won't play on their equipment is "the CD is corrupted", they're not going to stand for it. No one cares WHY it's corrupted. If the term "corrupted tape" had come into common usage during the height of the VHS Macrovision fiasco, it's quite possible that your DVD player today might send a proper signal to your TV instead of a corrupted Macrovision signal. Then you'd see the same clear, steady picture I do with my hacked Apex 600A ;)
  • by parabyte ( 61793 ) on Sunday November 11, 2001 @03:44PM (#2551384) Homepage
    According to the german magazine telepolis a music fan charged Bertelsmann with fraud and intentationally causing malfunction of a data processing device [heise.de], which is a felony under German law.

    From the artical (my Translation:)

    "Possibly soon German judges will have to deal with the question whether intentional violation of the Red Book Standard by manipulating the TOC is a criminal use of 'incorrect or incomplete data'. It will be also important wether digitally reading an Audio CD into computer memory is considered as data processing."

    The German Criminal Law has in the section "fraud" a the special Paragraph 263a about "computer fraud", which I translate as follows(IANAL, but I am married to one):

    263a StGB Computer fraud

    (1) Who damages the assets of another person with the intention of providing himself or a third person an illegal pecuniary advantage by the fact that he affects the result of a data processing procedure by incorrect design of the program, by use of incorrect or incomplete data, by unauthorized use of data or otherwise by unauthorized interference with the process is punished with imprisonment up to five years or with fine.

    This paragraph is usually used against people tampering with ATMs or a company's computer systems, but I see no reason why my personal computer should not be protected by this law, and for me it is unquestionable that all these CD copy prevention systems are feeding incomplete an incorrect data to my computer, and reading a CD into the memory of my computer is definitely a data processing procedure.

    As I know the courts, proving damage is often the crucial point. I think that a clear label stating "This CD is intentionally damaged so that it does not play on most computers and some CD players." would probably save the publisher, but anything short of this IMO constitutes fraud.

    In this case there was no warning sign on the CD, so when I buy such a CD I do not get what I pay for. If I bought the CD just to listen to it on my MP3 Player or use a duplicate in my car stereo (my CDs do not last very long when using them in the car), then the value of the CD is zero. And even if I get a refund, it probably takes more than an hour to manage it all, which is a significant amount that easily surmounts the value of the CD: I am tricked, my assets are damaged. This is even simple fraud under 263 StGB, and even a particularly serious case under subsection 3 (repeatedly defrauding a large number of people), which is punished with imprisonement up to ten years.

    I am very curious about the outcome of this case, but I would be happy if courts would stop greedy corporations trying to screw me with intentionally damaged products.

    If not, I will react like many people: I will stop to buy any music at all; I will fill up a terabyte disk with enough music for the rest of my life in one afternoon, and those record companies can fuck themself.

    p.

  • by Anonymous Coward on Sunday November 11, 2001 @04:15PM (#2551478)
    Yeah, it's a sneaky trick by spiking only some of the CDs. This might be to track returns by market or to target specific areas (college towns) or some other nefarious reason.

    Although the whole thing just has 'backfire' written all over it. Can't make a legal rip and most will fire up the filesharing client and search for it. Filesharing then gets more popular.
  • Re:Class Action Suit (Score:2, Interesting)

    by lazytiger ( 170873 ) on Sunday November 11, 2001 @05:16PM (#2551655)
    As I understand it, these CDs potentially won't play on CD-ROM equipment, whether it's in a computer or ultra-expensive stereo gear. Who owns ultra-expensive stereo gear? People with money. People with sufficient amounts of money typically have power. What can people with power do? Influence others - like record company execs. This whole thing seems so stupid. If George Lucas goes home with his new Michael Jackson CD and can't play the damn thing on his $100,000 THX Ultra-certified home theater system, you think he's gonna say "Oh well." Hell no! He's gonna be making some calls over to Sony music (or whoever) asking "Why the hell can't I play your stupid CD on the best equipment money can buy?!"

    Nevermind computers... this scenario is why I cannot comprehend why record companies would risk implementing such a stupid and inferior copy prevention scheme.
  • by innocent_white_lamb ( 151825 ) on Sunday November 11, 2001 @06:30PM (#2551870)
    the paper version of the canary trap is the idea of altering the punctuation, but not the text of a document in a certain way uniquely for each copy of the document you give out, and keeping track of who gets what. Then, if a copy of your document is leaked to the media, and they show text from the document, you can find the snitch in your organisation.

    As a point of interest, it is my understanding that film studios already do this with movies. Each theatrical print (35mm film) has an individual serial number and each print is somehow slightly different than any of the others. Therefore, when a print gets hijacked and pirated, the studio can tell which print serial number it is, and can then trace that print back through all of the theatres where it has been played, theoretically being able to isolate the "culprit" who leaked that print.

    On the other hand, prints have been flat-out STOLEN from theatres or from shipping depots (bus stations, airports, warehouses) on occasion. Some prints of high-profile movies are even deliberately mis-labelled on the outside of the shipping cans. For example, Godzilla was "The Big One" according to the sticker on the can as I recall.
  • by Sentry21 ( 8183 ) on Sunday November 11, 2001 @06:48PM (#2551913) Journal
    Interesting thought, but what would stop the RIAA from putting some sort of canary trap in place on randomly selected discs?

    It's an interesting idea, but the problem lies thusly:

    CDs are pressed, not burned. The manufacturing plants get a master, press x thousand discs, and ship them all. Each unique copy of a disc would need a separate master, which would be a pain in the ass (I would imagine), considering how many copies they sell.

    If they did two masters and sold 80,000 copies, then they would be able to limit the search to 40,000 of those users.

    Now, if they, say, did this in two ways - one for radio stations, music videos (with the advent of MTV being broadcast digitally in Canada, we can record CD-quality audio from MTV now), etc, and one for 'the rest of us', they'd be able to find out if it was ripped by end-listeners or radio stations.

    Of course, lots of people rip CDs as soon as they get home - I know I do, iTunes makes my life easier, since I have one playlist with all Garbage songs (even the B-Sides! mwaha!) - and the majority of people who use napter/aimster/gnutella/wangshare/whatever share the dir they rip their MP3s to, so the point becomes moot as the signal-to-noise ratio goes all to hell as soon as the CD is released.

    Oh well. Still, a neat idea.

    --Dan
  • by Lysander Luddite ( 64349 ) on Sunday November 11, 2001 @06:51PM (#2551923)
    So what do you do when the only option is to receive another copy of the CD in question? That's the return policy in 99% of the stores I have bought CDs from.
  • by Anonymous Coward on Sunday November 11, 2001 @08:42PM (#2552139)
    There are various copy-protection attempts made to software, but the vast majority of them can by completely bypassed with software like CloneCD. You can read about what specific copy protections exist in this game here [gamecopyworld.com], as well as get patches that break cd-rom checks when starting up the game.

    Its funny that we have to resort to these hacks even when we OWN the games.
  • by wakebrdr ( 13565 ) on Sunday November 11, 2001 @08:48PM (#2552152)
    Right, and those crazy blokes who threw all that tea into Boston Harbor were way out of line as well!!!
  • by xixax ( 44677 ) on Sunday November 11, 2001 @09:05PM (#2552185)
    A concrete example of ths [google.com], where the artist doesn't even have a CD yet (let alone Joe Public) and you can download it.

    Xix.

"Ninety percent of baseball is half mental." -- Yogi Berra

Working...