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Music Industry Attacks Free Prince CD

Posted by Zonk on Fri Jun 29, 2007 01:02 PM
from the money-for-nothing dept.
Mike writes "You might not like Prince, but he's planning on giving away a free CD in a national British newspaper. Harmless publicity, right? The music industry disagrees. Executives are practically going insane over the idea and are threatening to 'retaliate'. 'The Artist Formerly Known as Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores. And I say that to all the other artists who may be tempted to dally with the Mail on Sunday,' said Entertainment Retailers Association spokesman Paul Quirk, who also said it would be 'an insult' to record stores. Shouldn't an artist be able to give away his own music if he wants to without fear of industry retaliation?"
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  • Please retaliate. (Score:5, Insightful)

    by daeg (828071) on Friday June 29 2007, @01:04PM (#19691529)
    The more bad press you give us, the more ammunition bands have to never sign with you in the first place. Keep it up, you're doing a better job at killing yourselves than we music lovers could ever do!
    • by Adambomb (118938) on Friday June 29 2007, @01:11PM (#19691631) Journal
      So what you're saying is the more they tighten their grip, the more stars will slip through their fingers? =D
        • by Adambomb (118938) on Friday June 29 2007, @05:51PM (#19695181) Journal
          Perhaps not, they've had time to review the mistakes of the past long long ago. You'll have to catch it under construction, blow up the shield generator.

          And if they start focusing unknown weapons of hip-hop music, be sure to shout "ITS A RAP"
    • Re:Please retaliate. (Score:5, Interesting)

      by Ngarrang (1023425) on Friday June 29 2007, @01:16PM (#19691699) Journal
      Prince is rich. He is content with his career. He was already in one tizzy with the labels and bolted, which made him more money. He became Prince again, made more money. He already owns his own recording studio. Okay, so he may lose a distributor or two. Prince has never shown himself to care about the NORMAL way of doing things.
      • by Stamen (745223) on Friday June 29 2007, @01:31PM (#19691981)
        Yeah, I agree. I don't particularly like his music, but I'm inclined to buy a CD just to support him. If an artist with Prince's power, can't create some art, and give it away (or do whatever else they darn well please), then what hope is there for "lesser" artists to be able to enjoy their freedoms.

        I wasn't a fan before, but I am now.
        • Re:Please retaliate. (Score:5, Interesting)

          by Ungrounded Lightning (62228) on Friday June 29 2007, @01:44PM (#19692229) Journal
          I don't particularly like his music, but I'm inclined to buy a CD just to support him.

          I, on the other hand, haven't been buying (or downloading) much if any music for years. But not long ago I hit a Prince video on the cable and was impressed by how good (IMHO) the music was. (The stage show was a separate issue - but doesn't come across on the audio-only CD. B-) ) Tastes vary.

          This gives me an excuse to go out and buy a CD I can expect to be decent, supporting a good artist AND tweaking the RIAA's nose simultaneously.
          • by Mistlefoot (636417) on Friday June 29 2007, @02:23PM (#19692817)
            I don't buy a lot of music from local retailers anymore either. Why bother when I can find much more of what I'm interested in online then I can locally. Part of that may be from be older and not as up to date on new releases or new bands as others are.

            I still buy though. Basically the way I see locals stores is this:
            They essentially 'ban' anything not very popular - hey, I realize you can't stock everything but when they don't carry music that I want I do look elsewhere. Local retailers in the UK ban Prince and do they really think that Prince fans will stop looking for Prince music? Prince fans will simply find another source for their music (iTunes or Amazon maybe) and quite possibly continue with that source in the future.

            • by enjerth (892959) on Friday June 29 2007, @02:59PM (#19693299)

              Prince fans will simply find another source for their music (iTunes or Amazon maybe)
              ... or maybe to the Sunday paper.
            • by Miseph (979059) on Friday June 29 2007, @03:00PM (#19693309) Journal
              The solution is to have a couple of good music stores in the area.

              It always baffles me when people say they can't find even slightly obscure music until I remember that I live in an awesome culture bubble; I grew up with both a very good new music and excellent used music store right in town, and could double or triple both numbers by driving an extra 10-15 minutes to the nearest (very small) city. Anything we really wanted and couldn't get right away we could have special ordered, and it was rare that such a thing needed doing. I still have trouble comprehending when places like Best Buy or FYE (to be fair, they aren't so bad for a national chain) only carry an artist's latest release, or when they forgo well-known and highly influential bands that broke up over a decade ago for some no-hit-wonder pop kid that everybody has already forgotten just because they weren't born yet when the former was in their prime.

              Anyway, if anyone out there is in the Amherst/Northampton, MA area and doesn't know any good music stores, check out Mystery Train (used) and Newbury Comics in Amherst, or Turn It Up! in Northampton. In Buffalo I also used to go to New World record on Elmwood, I recall it being next to a Spot Coffee.

              The internet is great and all, but there's nothing quite like browsing through a local B&M for music.
          • Re:Please retaliate. (Score:5, Informative)

            by sh00z (206503) <sh00z@yaho[ ]om ['o.c' in gap]> on Friday June 29 2007, @03:53PM (#19694041) Journal

            This gives me an excuse to go out and buy a CD I can expect to be decent, supporting a good artist AND tweaking the RIAA's nose simultaneously.
            It's not the RIAA (or the UK equivalent) that's protesting. It's the Entertainment Retailers Association, which stands to lose their "cut" of the profits arising from the sale of the CD's. I know the article saya "music industry," but it's not the usual part of the music industry that we all hate so much. It's the middle-men, whining.
        • by brjndr (313083) on Friday June 29 2007, @02:07PM (#19692581)
          I don't particularly like his music, but I'm inclined to buy a CD just to support him.

          Yes, I too will buy this free CD.
          • by arth1 (260657) on Friday June 29 2007, @03:10PM (#19693455) Homepage Journal
            If the only way this CD is being distributed is bundled with a UK newspaper, I expect quite a few people will buy this CD, for far more than a CD normally costs. In any case, if there's anything at all distinguishing it from other CDs, it will become a collector's item.

            This is good marketing, and nothing new either. Do anyone else remember the record singles bundled with magazines back a few decades ago? I can't remember the record companies getting their panties in a twist over that -- they were the ones doing it!
            But now when someone independent wants to do the same, it's suddenly a horrible thing?
            It sure is, for them. This is yet another revelation showing the public that the record companies really aren't in it for the artist, but are a money grabbing and unneccessary oligopoly, working for themselves only. Spreading awareness of this is a good thing.
        • by PopeRatzo (965947) * on Friday June 29 2007, @03:53PM (#19694039) Homepage Journal
          I love this story. It shows just how insane the current system of ownership for creative work has become. An artist who wants to give his work away for free is considered to be attacking the industry. Well, what exactly is "the industry" if not a system put in place so artists can be rewarded for creating music? At least, that was the original idea. Who the hell is some music executive who believes he has some special claim on the work of someone else?

          The beauty of this story is that it's not only already-successful, rich artists like Prince who can be successful outside of the current system. With a little creativity (and after all, aren't musicians supposed to be creative?) a composer, band or producer can find ways to make a living that don't involve giving the lion's share of profits and control to some talentless turd with an MBA. I've found quite a few excellent examples of this on the web.

          I won't buy anything from the first, second or third tier of record labels, period. If I want to hear the music, I'll download a copy, and if it's any good, I'll go see the artist when he comes to town. Mainly, if I buy music, I'll do it directly from the artist, which is becoming increasingly common.

          I want to see the entertainment/industrial complex completely collapse. Then, I want the current model of intellectual property to fall apart. I know this makes me a crazy radical, but I think I've had just about enough of being pissed on and told that it's a shower of gold. It may be hopeless to expect the world to become more friendly to regular working people who aren't trying to scam, rob, or otherwise hurt others just so they can say they "won", but I've decided I'm not going to spend the rest of my life playing along with a system that is as corrupt, backwards and harmful as this one. Especially since I don't have to. I'm willing to trade having a device in my pocket that's delivering the latest offerings from Disney in my pocket for a little bit of fairness. And best of all, I don't have to lay down at night feeling like I've been fucked all day against my will.
          • by cwgmpls (853876) on Friday June 29 2007, @02:06PM (#19692549) Journal
            Just a correction to your signature: "Piracy is ethically no different than finding a few nice items on the street that you weren't planning to buy for yourself, making an exact replica of those items, and taking the replicas with you, leaving the original items unharmed." That is a more accurate analogy, but quite a bit less clear-cut from an ethical point of view.
    • Re:Please retaliate. (Score:5, Interesting)

      by sogoodsofarsowhat (662830) on Friday June 29 2007, @01:53PM (#19692359)
      Exactly. Who would not read this and think: 1) Big business record companies crying about this? 2) Little ole Prince...who is a man of the people. (He really has looked out for his fellow recording artists...and helped many escape the trap that is the RECORDING companies contracts.) 3) How will this tantrum help the record companies...it wont. Prince who was already a hero in my book for fighting the record companies and kickin their asses. (over his name / music)....is now approaching GOD status. I hope he does this again and again...and continues to PISS on the record companies. They have everything to fear from him. he does not NEED THEM AT ALL!!! and he is gathering new artists to the cause. He is getting their music made without the contracts for ownership of the musicians soul and he is breaking the mold. You may not like his music but as far as the man goes...there is little not to like. A lot think he was just an oversexed pop star...but truth is he is quite talented and very smart. Go Prince Go. I will do what i can to buy your music and your produced music. One last thing about the big record companies...you would think they would have learned that squaring off against Prince has been nothing but a dismal loss for them...yet they continue to act in ways that destroy them. As for the retaliation....BRING IT ON MFer's....I know Prince aint scared of you...and in a caged death match my moneys on Prince.
  • by FictionPimp (712802) on Friday June 29 2007, @01:05PM (#19691537)
    Prince should just open his own online store. Publicly announce he is no longer a member of the RIAA, and start selling his music online via his own channels. I'm sure he is rich enough to give them the finger.
  • where to start? (Score:5, Insightful)

    by yagu (721525) * <yayagu@gmail.cDEGASom minus painter> on Friday June 29 2007, @01:05PM (#19691545) Journal

    So an artist decides to share his music and give it away. Where to start with the ensuing anguish by the industry?

    • warning artist Formerly known as Prince he may become the artist formerly available in record stores? Is that a threat? (BTW, I believe he is once again the artist known as Prince... it'd be nice for the industry to keep better tabs on their talent).
    • disrespectful to record stores? Hwah? How? Because they don't get to sell the CDs Prince decided to give away? I recently gave a camera to a friend... should the local camera shop be angry? I dinged their sales!
    • the industry is threatening to "retaliate". Fork 'em. Let 'em. I'd be interested in how that plays out.

    If the RIAA and music industry could be anthropomorphized, they'd be that crazy uncle anybody would keep up in the attic.

    • by cunamara (937584) on Friday June 29 2007, @01:56PM (#19692389) Homepage

      (BTW, I believe he is once again the artist known as Prince... it'd be nice for the industry to keep better tabs on their talent)

      Yes, he is now The Artist Fomerly Known As The Artist Formerly Known As Prince. He's now called "Prince" for short.

    • Re:where to start? (Score:5, Interesting)

      by Kadin2048 (468275) * <slashdot@kadin.xoxy@net> on Friday June 29 2007, @03:17PM (#19693537) Homepage Journal
      disrespectful to record stores? Hwah? How? Because they don't get to sell the CDs Prince decided to give away? I recently gave a camera to a friend... should the local camera shop be angry? I dinged their sales!

      Replace "camera" with "music," and "local camera shop" with "giant media conglomerate," and the answer, I think, is yes.

      It seems that in the past 10 years or so, many corporations have decided to treat anything that denies them revenue as if it's identical to actually taking something they already had. Personally, I think it's an effect of the type of cash-flow accounting and projection that's now overwhelmingly popular, where the entire worth of your business (read: stock price) is based on how much money you think you're going to make. When it turns out that, oops, you didn't actually make that much money, they go absolutely berzerk and start looking for anyone to pin the blame on. Because, to them, they've already made that money, in some weird way, as soon as they started projecting it.
  • Key line (Score:5, Insightful)

    by FuzzyDaddy (584528) on Friday June 29 2007, @01:05PM (#19691547) Journal
    which is destroying any perception of value around recorded music

    "Perception of value"... that just about says it all, doesn't it?

    • Re:Key line (Score:5, Insightful)

      by virgil_disgr4ce (909068) on Friday June 29 2007, @01:15PM (#19691687) Homepage
      I want to scream in these executive's faces: "The value of music is not monetary."

      That's all there is to it. Music obviously can be bought and sold, and I don't care if you buy it or sell it. But the fact that these labels and businessmen cannot fathom a world in which it is not bought or sold is just disgusting.

      Markets change, douchebags. Everybody lives with it. But the real value of music isn't going to change as long as humans have ears.
      • Re:Key line (Score:5, Interesting)

        by Rinikusu (28164) on Friday June 29 2007, @01:57PM (#19692409)
        Disclaimer: I'm a musician. I'd prefer people to buy my music rather than just download it for free because, obviously, I can use that money that they pay to do things like pay my rent, eat something other than ramen noodles, fix/replace equipment, and put gas in the van (not to mention maintenance). Touring is "where the money's" at, so people keep saying, and I keep seeing "touring" as a break-even proposition at *best*, and most artists, if you bother to ask them, will tell you they're losing money by touring. Unless you're pulling in thousands of people to see you where economies of scale work better for you, merch sales are "pleasant bonuses" which means I might can eat something that's not on the 99 cent value menu for a meal. Not to mention that this is with a pretty decent network of people to give up couches and floors to save on Motel costs. Now, at age 34, it's harder and harder to do these kind of tours. Let's face it: I'm not in the next Green Day or Metallica or whatever. Those guys are the exceptions. Even Fugazi (who make a small mint touring and on record sales) are exceptions to the rule. The vast majority of working artists are not rich. We rely upon our friendships and networks to keep us fed and sheltered when we're out on the road. We all have to quit jobs after saving up a small wad of cash just to tour, and once we get back, we come back to stacks of unpaid bills, eviction notices, storage room fees, unfaithful significant others, and the realization that the drummer (guitarist/bassist/etc) is a fucking prick and have to kick him out and look for a new one. Touring bands rarely keep jobs for more than a few months (imagine how that looks when you're applying anywhere), rarely have time to "improve skills" for better paying jobs (say, programming), and generally have a really tough time. Many bands break up during tours due to the fact that once you're in close proximity with your bandmates 24/7 for months at a time, stuffed in a van, sleeping next to each other on a cold, hard floor, and that every character flaw is magnified due to lack of proper sleep, nutrition, and stress. Not everyone can hack touring constantly.

        And those of us who can, well, we generally love what we're doing. It's worth it.

        So, from the artist's standpoint, I want you to buy my music. I want you to pay the $5-$10 we charge at the door and come see us because that $5-$10 really just gets us to the next show. Hell, I want you to buy a T-Shirt for $10 (HA!), a bunch of stickers ($1), a button ($1.50), and give the band a blowjob, because, well, I'm selfish that way.

        But, if it comes down to strictly exposure, I want everyone to experience my music, whether they pay for it or not. If someone finds my music on Limewire, I want them to get it and hear it. You'll find most musicians have the same notion. /ranting at work (at least I have a decent paying tech job to support my losing effort)

        • Re:Key line (Score:5, Funny)

          by Mr Krinkle (112489) on Friday June 29 2007, @02:55PM (#19693255) Homepage
          "and give the band a blowjob, because, well, I'm selfish that way."

          Dude.
          You are asking for a bunch of fat male geeks on /. to give you a blow job?
          And in the same post you complain about "unfaithful significant others,"
          Hmmm
          I'm not sure what bothers me more, hypocrisies or that you have a disturbing attraction to fat male geeks. I'm just going to wander off to the pub to enjoy a pint.

          Disturbing.

        • by virgil_disgr4ce (909068) on Friday June 29 2007, @02:52PM (#19693227) Homepage
          However they see fit. They can sell music, sell themselves, sell out, maybe quit and go into marketing, do whatever they can think of to live.

          My point is simply that there's this absurd expectation that music-as-product should somehow generate mountains of profits. IMO It's absurd to expect any profits at all. Don't get me wrong--I *want* musicians to live on music. I would love to live on my several music projects--who wouldn't? But when anyone starts demanding money--by litigation, lobbying congress, general whining, whatever--they seem to have completely forgotten that there's no magical guarantee for anyone to make money doing anything. This is what upsets me. Record stores bitching about a famous artist giving something away for free, when THEY could have been making money off of it? Boo-hoo! The gall just astounds me! If they want to go into the business of exploitation, why not be pros and start a child-labor camp?

          What is interesting to me is the European tendency toward goverment-artist subsidies (grants, etc) for bands and musicians. Have you ever toured in Italy? I HIGHLY recommend it--they're actually interested in maintaining and nourishing culture. As far as I can tell the idea of granting the talented to pursue and generate their talent benefits everyone except people whose sole existence in life is to generate money. And when an artist of any medium has the ability to execute their work without the pressure of their work as a commodity, I will cheerfully guarantee you nothing but good results.
    • Re:Key line (Score:5, Funny)

      by hxnwix (652290) on Friday June 29 2007, @01:27PM (#19691917) Journal
      Your flippant comment adds insult to injury. Prince did not get where he is today by standing out or taking chances - he needs to stay within the reservation, abide by his contract and avoid this sort of publicity.

      Desperation is a stinky cologne, Prince.

      -The RIAA
  • by maillemaker (924053) on Friday June 29 2007, @01:05PM (#19691549)
    In the public mind, digital music already is rapidly approaching zero economic value, and this scares the crap out of the Music Industry.

    Of course they are pissed at Prince - his action reaffirms the value of digital music in the public mind.
    • In the public mind, digital music already is rapidly approaching zero economic value, and this scares the crap out of the Music Industry.

      Of course, it's the music industries' own fault. Instead of building up a digital distribution business to add value to customers, they've set out to hurt customers and to cripple their own products, thereby decreasing the value of (non-free) legal copies.

      If you want the "public mind" to value your service, make sure your service provides value to the public!

    • Well lets see, the RIAA gives a promotional copy of the CD to a radio station (at $14.95 + $9.95 shipping and handling), and the artist has to cover the cost at ($0.08 / sale) which means he has to sell 312 cd's for every one given away to cover costs! No wonder someone finally said fuck that shit I'd rather give them away!
      Still I wouldn't be surprised if Prince didn't end up selling more records to replace scratched freebie CD's
  • by Bombula (670389) on Friday June 29 2007, @01:06PM (#19691561)
    'The Artist Formerly Known as Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores.

    "The executive with an attitude like this should know that his outlets will soon be The Buildings That Used To Be Record Stores"

    Fixed that for ya.

  • by overshoot (39700) on Friday June 29 2007, @01:07PM (#19691583)
    I love it -- they're actually foaming mad enough to publicly admit that they're engaged in a conspiracy in restraint of trade based on blocking artists' access to radio and retail.

    Should make for utterly gripping testimony in the antitrust lawsuit under Sherman Act Part One.

  • So what? (Score:5, Insightful)

    by sasdrtx (914842) on Friday June 29 2007, @01:07PM (#19691591)
    Let the "industry" expose themselves for the idiots that they are. They're well on the way to irrelevance. Why would anyone want to slow them down?
  • No (Score:5, Insightful)

    by Oligonicella (659917) on Friday June 29 2007, @01:09PM (#19691613)
    To actually answer the last question, "Shouldn't an artist be able to give away his own music if he wants to without fear of industry retaliation?". No.

    Just as Prince can do what he wishes with his business, so can they. They might just be shooting their own foot, but it is their right to do so.
    • Re:No (Score:5, Insightful)

      by ceoyoyo (59147) on Friday June 29 2007, @01:26PM (#19691883)
      It's fine if they want to not invite him to the RIAA BBQ or something. Even tear up his membership card. It is not okay if they use their cartel to put pressure on other businesses, like retail stores and radio stations. That's pretty much exactly the behaviour that antitrust laws are designed to prevent.
  • by OutOnARock (935713) on Friday June 29 2007, @01:12PM (#19691655)


    We could of our own free will send Prince $1 for each free CD he gives us!

    Do RIAA execs throw chairs?

    Disclaimer: I love Prince's work, have seen him live many times, and his guitar is amazing and every bit as good as Eddie Van Halen or Eric Clapton, who yes, I've also seen live.
  • by A10Mechanic (1056868) on Friday June 29 2007, @01:12PM (#19691657)
    We're going to party like it's on sale for $19.99 !! Thank you, come again!
  • An Insult? (Score:5, Insightful)

    by alanw (1822) * <alan@wylie.me.uk> on Friday June 29 2007, @01:12PM (#19691661) Homepage

    ... Paul Quirk, who also said it would be 'an insult' to record stores.
    Record stores? If the recording industry is genuinely interested in record stores (as opposed to on-line sellers of bit-streams or supermarkets selling just the top 20), why has yet another chain of decent record shops closed [bbc.co.uk] today in the UK? Perhaps he really means "a danger to my company's profits".
  • This is Prince (Score:5, Insightful)

    by Trailer Trash (60756) on Friday June 29 2007, @01:13PM (#19691673) Homepage
    Everybody know him, he doesn't need record labels. He really doesn't. He understands that.

    I would imagine that the record labels are actually more fearful of other artists like him coming to this realization.
  • by maillemaker (924053) on Friday June 29 2007, @01:16PM (#19691703)
    From TFA:

    >The eagerly awaited new album by Prince is being launched as a free CD with a national Sunday
    >newspaper in a move that has drawn widespread criticism from music retailers.
    >.
    >.
    >.
    >Prince, whose Purple Rain sold more than 11m copies, also plans to give away a free copy
    >of his latest album with tickets for his forthcoming concerts in London

    Clearly, Prince gets it. Digital Content is no longer an object to sell itself, as it has no value anymore, but is merely an attraction to attract consumers to purchase other things.

    I think this is the mainstream start of the beginning of the end for people who have traditionally sold digital content to consumers. Those days are rapidly drawing to a close. With content so easily copyable, it's economic value is virtually zero. So there is no place for selling digital content to consumers anymore.

    BUT, you CAN sell your digital content to an advertising firm, who will use it as flypaper to attract consumers to buy physical things.

    This is precisely what Prince is doing. He isn't giving away his content for free. he's sold it to a newspaper company that will give it away to get people to buy (physical) newspapers, and he's giving them away to people who buy physical tickets to his concert.
  • Well... (Score:4, Insightful)

    by whisper_jeff (680366) on Friday June 29 2007, @01:18PM (#19691743)
    'The Artist Formerly Known as Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores.

    Sure. Feel free to stop selling one of the more successful artists in the business. I'm sure that will encourage customers to come running to your store when they're looking to make a music purchase.

    Also, in case you haven't figured it out, Mr Quirk, Prince has figured out the dirty little secret of the music industry - he doesn't need you any more. In fact, he's been doing quite well ever since he told the music industry as a whole to get bent. In case you haven't been paying attention for the last few years...
  • by ettlz (639203) on Friday June 29 2007, @01:20PM (#19691769) Homepage Journal

    "The Artist Formerly Known as Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores."

    Might The Artist Formerly Known as Prince then become, in response, The Artist Formerly Giving A Flying Fuck?

  • by Tmack (593755) on Friday June 29 2007, @01:22PM (#19691817) Homepage Journal
    Anyone that knows Prince and the reason for his name change, knows he changed his name was because of the record labels. He did it in protest of their ability to control him and his music and his name. He wanted to free himself from that control so he could do what he wanted as an artist rather than as the label's shill. He has always been against the record labels after originally signing with one and finding out the hard way what they are all about. He changed his name back after his contract with them ended, but has continued as an independent and always fighting against the labels. This is just another example of his battle, and seems to have already accomplished part of its goal: expose the labels for what they truly are, greedy self-proclaimed overlords of all music.

    Tm

  • I have very strong feelings on this issue and I'm very impressed with Prince's intentions here.

    The day music started becoming easily traded online was the day music became monetarily worthless. The cat is out of the bag and will never go back in. Whether this is immoral is irrelevant because the morals have been rewritten for the 21st century. The music industry's only hope is to embrace this fact and make their money from "NOT music" - albums with nice art, books, t-shirts, concerts, and other services and widgets that are related to music and cannot be duplicated.

    I highly respect artists like Prince who give their music away for free and allow people to purchase it after the fact. I also highly respect artists like Nine Inch Nails who release their songs and samples under a Creative Commons license to allow fans to remix their works. It's going to happen whether the industry likes it or not, so why not embrace it today and show the world you're a pioneer full of good will?

    If anyone is interested I blogged on this topic [demodulated.com] last week. I spoke primarily about DJ Amber [iamthedj.com] from San Francisco who sells CDs for cheap but also gives the same music away for free in MP3 format. For $10 she sent me a beautiful CD, autographed, within a week of sending her the money via PayPal. I had the pleasure of dealing with the artist personally and all my money went directly to her.

    The internet empowers everyone but those who fight it. RIP music industry.
  • In a word, no. (Score:5, Insightful)

    by Weaselmancer (533834) on Friday June 29 2007, @01:35PM (#19692041)

    Shouldn't an artist be able to give away his own music if he wants to without fear of industry retaliation?

    If you're asking this question, then you don't understand who you are really dealing with.

    The music industry thinks they own ALL music. Not just the RIAA affiliated bands - all music, EVERYWHERE. My proof? SoundExchange. [dailykos.com] They are demanding royalty fees for all music streamed over the net from net radio - and get this - from EVERYONE. Doesn't matter if you're a member or not, they will collect on your behalf in preparation for the glorious day you elect to join the Borg. Until then they're happy to bill people for all music, everywhere.

    The music industry thinks it owns all music. Everywhere. If there was a way to drill a tap into your head and bill you every time you think of a song, they'd do it.

    So yeah, Prince, having the audacity to make a song and give it away clearly goes against everything these morons believe. I wouldn't be surprised to see them ban him completely.

    In response - we, the public - should buy every single thing Prince makes. After he releases it over the net independently. Money straight to the artist with no insane middlemen. This could be where it starts.

      • by Weaselmancer (533834) on Friday June 29 2007, @03:48PM (#19693967)

        It's easy, and fun! Here we go:

        It ain't SoundExchange that's deciding they should collect those royalties, it's the *government* deciding they should, and it's actually not a bad idea.

        Of course it's not a bad idea - if you're the one collecting the checks. And just because the government says it should, that doesn't mean it represents what the people want. Let me introduce you to a concept called a Lobbying Group. [somafm.com] Just because you can lay down big bucks and effect a change in the legal system does NOT mean it's what the people want. It's what the industry wants, and they are radically different things.

        They can simply sign some forms and demand their cheque.

        It's as simple as that! No...actually it's more like this. [soundexchange.com] You must join to collect your money. Resistance...is useless.

        It is, as it happens, *particularly* good for the small and independant artists, as radio stations would have a hell of a time tracking down and dealing with every random garage band they decided to play.It is, as it happens, *particularly* good for the small and independant artists, as radio stations would have a hell of a time tracking down and dealing with every random garage band they decided to play.

        Provided of course that the band in question actually wanted to get paid. Some of us make music just because we like it, you know. It was art before it was a business. Some folks think of it still as art. Not everything amounts to a "cash flow opportunity".

        Without compulsory licensing, I'd bet the vast bulk of college, independant, and web-based radio stations would shut down completely, thanks to the overhead of negotiating licensing deals.

        And yet, these are the exact same groups compulsory licensing are shutting down. Wow, what a surprise! The people who promote indie music are the ones being nailed, all the while the shill says that these are the people he's trying to help.

        Sure, pal. Sure.

  • by Ken Hall (40554) on Friday June 29 2007, @01:50PM (#19692297)
    Many many years ago, the president of the Solo Cup Company (they make paper cups and plates) had a wife who had aspirations as a singer. She wasn't very good, but he tried to jump start her career by including copies of her records in packages of his paper cups. I think I still have some of them. Wouldn't surprise me if they were collector's items now.

    Somewhat fewer years ago, Wordperfect gave away a demo CD with a demo version of Wordperfect 6.0, and the rest of the CD filled with original music.

    Musicians give music away all the time. Did the music industry scream over either of these? No. Then why over this? Because Prince's music sells, and the others really didn't.

    Real musicians see music as an expression of art. They make it for their own purposes, and they'd do it even if they didn't get paid (as long as they can eat). I know plenty of indie bands that are happy to "cover their expenses". The music INDUSTRY, OTOH, sees music as a commodity to be sold, like soap. If someone gives away free soap, then real soap makers sell less, and they lose money.

    This perception is wrong-headed, but everyone is listening to the wrong people, with the wrong point of view. The sooner we give music back to real musicians, the better.