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RIAA: Ripping CDs to iPod not 'Fair Use'
Posted by
samzenpus
on Thu Feb 16, 2006 07:53 AM
from the buy-another-copy dept.
from the buy-another-copy dept.
dotpavan writes "EFF has this article about RIAA saying that ripping CDs and backing them up does not come under Fair use.
Ars Technica also reports on this, by quoting, "The [submitted arguments in favor of granting exemptions to the DMCA] provide no arguments or legal authority that making back up copies of CDs is a noninfringing use. In addition, the submissions provide no evidence that access controls are currently preventing them from making back up copies of CDs or that they are likely to do so in the future. Myriad online downloading services are available and offer varying types of digital rights management alternatives. For example, the Apple FairPlay technology allows users to make a limited number of copies for personal use. Presumably, consumers concerned with the ability to make back up copies would choose to purchase music from a service that allowed such copying. Even if CDs do become damaged, replacements are readily available at affordable prices. Similar to the motion picture industry, the recording industry has faced, in online piracy, a direct attack on its ability to enjoy its copyrights.""
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Big surprise (Score:5, Interesting)
Re:Big surprise (Score:5, Insightful)
Which is exactly what the RIAA wants; they make far more off a download than a CD, at least on a per-track basis. Ringtones even more so. And for a lower quality product.
TWW
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Re:Big surprise (Score:5, Insightful)
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Re:Big surprise (Score:5, Insightful)
In my understadnding, once you buy a CD, you have a license to play it's songs in any format, in as many devices as you want and as many cars you have.
Another problem is iTunes proprietary format not being compatible with all media devices(or devices not compatible with DRMed media in general).
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Re:Big surprise (Score:5, Insightful)
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Re:Big surprise (Score:5, Insightful)
The **AA has spent the past 20 years trying to change the rules. You used to be able to send back cassettes or albums for replacements when damaged; the only charge was shipping.
Now they tell you it can't be replaced, because that version has been replaced by a "new" release, even with relatively-recently purchased media.
Currently they're trying to cut it back further, so that it's not even legal for you to listen to your media on a portable device without paying yet again.
To hell with the greedy bastards. Once or twice at the trough was more than enough -- no more.
Parent
Re:Big surprise (Score:5, Insightful)
If they treat it as a license to listen to something (like Windows CDs), then they MUST replace a damaged CD.
They can't have it both ways.
Courts have ruled for past 150 years that the concept of reselling something is sacred. In other words if RIAA sells something to me, i have every right to make a second sale of it to someone i like. RIAA loses the right to dictate whether i can sell it or not once they have sold it to me.
On the other hand, if they license it to me, then we ALL should send back Akon CDs to them (even perfectly good ones) and ask for replacement. That would bankrupts them.
Parent
Re:Big surprise (Score:5, Insightful)
And why do I want to own CD's instead of songs from iTMS? Several reasons. One, its a physical copy that can be resold. And two, because legally purchased music from online stores such as iTMS have DRM built in. Sure, Apple's Fair Play DRM is the least restrictive measure of DRM there is. But its still restrictive. How? Try playing your music through TiVo's desktop software. It can't play DRM'd AAC files. But every CD player in the world can play a true CD. And that CD can be legally ripped to a format of my liking regardless of what the RIAA's lawyers want to say. And the Fair Play DRM is also on Apple's videos on iTMS. But guess what, unlike the music, they won't let you copy these videos. So, essentially, you are locked into using iTunes and Quicktime for these videos. Which brings up the real reason for DRM. Vendor lock-in.
Sure, the RIAA pretty much insisted that Apple use DRM when they opened iTMS. But it has screwed the RIAA ever since. Had they not insisted on DRM, iTMS would not have the upper hand in their battle with the RIAA. Apple may not have wanted DRM then, but I guarantee you they want it now. Why? Because if the music on iTMS doesn't have DRM, then it would be much easier for you to purchase music from iTMS and play it on any player out there. With the DRM, you are pretty much forced into using the iPod. Do you think that Apple would give up the vendor lock-in now? And what if an independent artist wanted to put their music on iTMS but didn't want any DRM. I wonder if Apple would go along with that or would Apple insist on DRM. Has anybody tried this? I'd be interested to know what Apple said. This would tell once and for all Apple's stance on the DRM issue.
Parent
Baloney. How did that get modded up? (Score:5, Interesting)
Your whole point about CDs costing less than iTunes is also bunk. Nearly every album on iTunes that can be bought as an album costs quite a bit LESS than any copy I can find in the stores on CD unless they are clearencing them out.
Your DRM tin foil hat theory is disturbing.
Parent
Buy it again, Sam. (Score:5, Insightful)
Thanks, so I'll just buy another copy. Great solution.
Re:Buy it again, Sam. (Score:5, Funny)
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Re:Buy it again, Sam. (Score:5, Insightful)
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Re:Buy it again, Sam. (Score:5, Informative)
So unless you buy nothing but popular crap, you had better back up your recordings or they will be lost to everyone forever if the RIAA wins this fight.
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Re:Buy it again, Sam. (Score:5, Funny)
As we say in Joisy, if a member of the RIAA board becomes, shall we say, "damaged", replacements are available at a reasonable cost...
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Re:Buy it again, Sam. (Score:5, Funny)
I feel so sorry for the poor RIAA, having to deal with you tightwads with limited storage space, and welcome the day when they can download whatever they want directly into the back of your brain and charge it to your bank account.
Parent
No CDs (Score:5, Interesting)
you FUD-spreading tool (Score:5, Informative)
Parent
What about... (Score:5, Insightful)
Backup and preservation of investment? (Score:5, Interesting)
Re:Backup and preservation of investment? (Score:5, Insightful)
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Re:Backup and preservation of investment? (Score:5, Interesting)
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I hope this comes to court (Score:5, Interesting)
The only question that remains then is "which of the two statements is perjury?".
Re:I hope this comes to court (Score:5, Informative)
Parent
Let me get this straight (Score:5, Insightful)
I thought I was "licensing the content," not "buying the CD." Shouldn't I be able to put my licensed content wherever I want?
Until the companies offer free download replacement of the music I am (ahem) licensing, so I can store that content on a blank CD or wherever else I want, why should I care what they consider "affordable"?
Re:Let me get this straight (Score:5, Funny)
CDs are like particle waves.
CD's obviously have 2 mutually exclusive, but simultanious behaviours - just like photons.
If you do the math one way, photons are a wave. Use different criteria, and poof they are particles.
CD's are no different, we substitute law for math, liscense for wave, objects for particles, and CD's for photons.
The result: if you do the law one way, CD's are a liscence. Use different criteria, and poof they are objects.
WHOOT - PATENT TIME: Quantum Law.
Now if I can only work out a theory of relativity that shows how software is relavent to patents...
Parent
What rights? (Score:5, Insightful)
Sorry guys, but I think the age of "my music" or "owning music" is dead, and currently in the process of being burried. This is just the latest shovel of dirt.
Re:What rights? (Score:5, Insightful)
Last shovel of dirt, yes - But on the RIAA, not on our right to own our culture.
Slashdotters (and all people) need to keep in mind the difference between a major country's legal systems saying "fair use does not include a right to backups" and the RIAA spewing yet another round of customer-repelling male cow feces. The former means a lot of people turn into criminals overnight by the wave of the magic wand-of-exclusive-law. The latter means... Nothing at all.
Parent
Audio Home Recording Act of 1992 (Score:5, Informative)
That's simply not true (Score:5, Insightful)
I have several CDs that I couldn't replace easily. Sometimes they go out of print.
Re:That's simply not true (Score:5, Insightful)
These are perfectly legal, but some of the companies which distributed them no longer exist, so I cannot get copies from them even if I wanted to pay full price.
Sometimes entire companies go "out of print" too!
Parent
What a ripoff... (Score:5, Funny)
RIAA Goon 2: Let's sell CDs covered with heroin! Then they'll need to keep buying more CDs to get their fix!
G1: Although we're above the law, I don't wanna use heroin. It's expensive.
G2: Hmm... I've got it! Let's charge them for something they ALREADY OWN!
G1: Great Scott!! Like what?
G2: We'll tell those suckers that ripping CDs to MP3 players (especially iPods!!) is illegal and that they'll need to buy DIGITAL (ooooh the d-word) music for their MP3 players.
G1: Brilliant! Except, we already said that was legal when we sued Grokster.
G2: Well, say now it isn't!! The dumb consumers bend to us!! We are above the law!!
G1: Well, all right. Good idea, Jim. I'm gonna go now, I have $2.4 million from Britney Spears' latest album to roll around in and wipe my ass with. See ya!
Legally speaking... (Score:5, Insightful)
But I think most people would agree that fairness is also a moral concept, and in that sense it's obvious that it is indeed fair use to copy something you already have to your MP3 player or PC to listen to in a more convenient way.
Here's a hint to the lovely people at the RIAA and similar bodies around the world: if people can't use CDs in this kind of way, they won't buy them.
Congress was not impressed with their arguments (Score:5, Informative)
The RIAA spokesman said the Broadcast Flag was needed because with HD radio
(which is just digitial radio), now people could record music off the air
without paying for it. They want to stop that. They put forth the CD ripping argument, too, saying there was nothing to prevent people from copying songs willy-nilly and sharing them, denying royalties to the struggling artists.
The Senators didn't like his view at all. It seems that many of them have
IPods, and like to grab songs, interviews, and other audio so they can listen to
them on the plane! They like their Dean Martin as much as the kids like their Ice Masta Jam.
I was pleased to see liberals and conservatives both on the side of fair use,
rather than on the side of corporate profit. I think they've been getting mail.
What are we buying? (Score:5, Interesting)
I can fully understand (assuming that I am only buying the rights) that I can't legally copy the music and give/sell that to someone else, but I'm no longer clear on what 'buying' a CD actually buys me.
Dear RIAA, (Score:5, Informative)
16 million iPod sales in 2005 alone. Nearly one billion songs purchased from iTMS. 90% and 70% market share respectively. Just thought I'd remind you that the market has spoken and you're old. In closing, screw you.
Sincerely,
Everyone
Is my iPod different from a cassette deck? (Score:5, Insightful)
What the RIAA doesn't realize is that there are quite a few people like me that ONLY purchase CDs so I can listen to them on my iPod. Before getting a portable mp3 player I would purchase perhaps one CD per year (I listened to the radio in my car and at work). Now I buy CDs so I have new content for my mp3 player.
The RIAA will be shooting themselves in their collective FOOT if they turn a CD into a 'limited playability license'. I for one would not buy another CD if I didn't have legal 'fair use' rights to the content.
I haven't bought a physical CD in years... (Score:5, Insightful)
'Even if CDs do become damaged, replacements are readily available at affordable prices.'
Next, I'm sure they're going to say that copying the contents of a data CD (Microsoft Office, or Frontstep CRM) to a network software repository is infringant use on that license. Just prevents me from having to
- Find the CD once I know that I need it...
- Determine that the CD isn't being kept in the master disc binder...
- Determine which of my coworkers was the last to use it...
- Try to root through their crap in an attempt to find it.
Back to music discs, though.So I'm not allowed to store the data on a networked disk drive to enjoy throughout my own personal network, nor am I allowed to play it on my own iPod, iPod Pico, or Rio Karma, or whatever the hell it is you kids have nowadays.
Am I breaking the 'license' I bought when I play it in a CD player with 120second or 300second skip protection? Technically, the data has been encoded to digital media, and is therefore must be mutable into a file format.
Online alternatives would seem like the solution. Because then I can just download an album, burn it to a disc, rerip it without copy protection, and REMEMBER THE GOOD OLD DAYS.
Seriously, this shit has got to stop. Maybe satelite radio is where it's at...
Contradictions... (Score:5, Informative)
From Metro-Goldwyn-Mayer Studios v Grokster, Donald Verrilli representing the petitioners:
Funny how I can't find this on anyone's website anymore
http://www.supremecourtus.gov/oral_arguments/argum ent_transcripts/04-480.pdf [supremecourtus.gov]
Re:Contradictions... (Score:5, Informative)
http://www.riaa.com/issues/ask/default.asp#stand [riaa.com]
"If you choose to take your own CDs and make copies for yourself on your computer or portable music player, that's great. It's your music and we want you to enjoy it at home, at work, in the car and on the jogging trail."
Parent
This is too much... (Score:5, Interesting)
I understand copyrights and piracy and all the issues around all that. That isn't my focus for this article...
If it is indeed the RIAA's choice to try to prohibit putting one's music on one's portable, this latest thing is lunacy. It IS fair use to listen to one's music on alternate devices that one owns!!! Every artist I know (including myself) WANTS people to listen to their music!!! How is this latest thing going to PROMOTE music? How is it going to create or keep FANS interested?
I don't normally get hot under the collar about this stuff, but this isn't very smart on their part. When you've bought a CD or bought tunes from some service, the listener has every right to want to listen to it! Putting a copy on a portable (or putting it on a backup CD) doesn't amount to piracy - it is normal use.
Many of us give away music in an effort to try to get people to discover our sounds. MOST of us WANT people to jam/groove/listen to our music while doing things that are important to fans (music is a part of daily life for most folks, and me, personally, I'd like to be a part of that - my musical friends feel the same way) and portables are a ubiquitous means of "being there."
You CAN'T forget about fans, RIAA! Period!
[/rant]
Sorry for the rant post, Slashdot. I feel better now.
What about citizens enjoying the public domain? (Score:5, Insightful)
The RIAA and MPAA have essentially trampled on all of our rights as citizens in order to make some more money. Now, I think most of us are reasonable people here and we want to see people get rewarded for their work but the current copyright laws are just plain stupid. I'd prefer 25 years but I'd be willing to let that time limit be doubled. 50 years is more than enough time for any person or corporation to reap the benefits of their creations. After 50 years, copyrighted material should enter the public domain.
Remember that copyrights and patents aren't some inherient right. Copyrights and patents are contracts between creators and every other citizen of this counry. We agree to give the creator an exclusive right to control who can reproduce a work with the understanding that after a certain limited amount of time the work will enter the public domain so that everyone can benefit from it.
Why does no one get it? (Score:5, Funny)
You need to buy a copy of the song for EVERY piece of hardware. See you get the CD for your CD player. You buy the songs online to put on your MP3 player. You buy a DVD-Audio copy for your DVD drive. You buy the songs online again for your MP3 CD's for your car stereo. Oh, and lest we forget, you write a check to RIAA for the copies of the songs that are in your head. Wait, you HAVEN'T written your check yet? You should be ashamed!
Quick, RIAA, fix your website! (Score:5, Informative)
Source [riaa.com]
Replacement CDs (Score:5, Interesting)
Therefore:
If you're not allowed to make your own backups then the music industry should accept that providing you have proof of original purchase they have to provide you with replacments on demand when the original gets lost, scratched or whatever.
Lets not even get into what happens if (like me) you emigrate to a different country and your whole DVD collection (hundreds) won't play anymore because of the purely artificial restriction enforced by region code.
Anyone read RIAA.com? (Score:5, Informative)
What is your stand on MP3?
This is one of those urban myths like alligators in the toilet. MP3 is just a technology and the technology itself never did anything wrong! There are lots of legal MP3s from great artists on many, many online sites. The problem is that some people use MP3 to take one copy of an album and make that copy available on the Internet for hundreds of thousands of people. That's not fair. If you choose to take your own CDs and make copies for yourself on your computer or portable music player, that's great. It's your music and we want you to enjoy it at home, at work, in the car and on the jogging trail. But the fact that technology exists to enable unlimited Internet distribution of music copies doesn't make it right. (emphasis mine)
It appears that the RIAA have backed into a corner (Score:5, Interesting)
They've sued their customer base.
They've spent millions on ineffective marketing campaigns.
They've pushed labels to cookie-cutter their music and bands.
Now they wonder how they're going to raise profits?
If they move forward with restricting our right to backup a flimsy media so that we can listen to the music that we've purchased the right to listen to, then we the community need to fire back.
ie - counter-sue the RIAA/MPAA on the grounds that we pay money for a product that is INTENTIONALLY DEFECTIVE.
They produce a products that are brittle, easy to break. They produce products which require a scratch free surface to play properly, yet the products are made of a material that scratches almost by air flowing over it. They produce products which illegally extend copyright, by making the encryption never ending.
I'd say there's enough there to start a massive world-wide class-action lawsuit and force them to refine their product, at no additional cost to us, so that they are scratch resistant, and have an encryption method that turns itself off after the legal copyright limit.
If they cannot do that, then they'll have to retract their position, and allow us to make backups of their defective products.
Running at Cross Purposes (Score:5, Interesting)
The downloadable music companies like Apple have always tried to argue that deep down we knew there was something "wrong" with using the illegal download services... that it was not just marginally illegal, but immoral. The RIAA's ever broadening definition of what violates their copyright keeps cheapening that concept.
To be honest with you, once affordable legal downloads became available I started switching over to them for convenience sake, and also for the added bonus of not being in violation of any laws. But now the RIAA comes along and says "guess what, that Culture Club CD you bought 10 years ago and ripped onto your hard drive because you don't own any audio CD players anymore... that was a crime". Well, at this point I'm breaking the law anyhow. So my choice is to either shell out a few grand to replace ever cassette tape and CD I ever bought with iTunes, or to keep playing the ripped, but legally owned stuff, knowing that the RIAA is still going to bitch.
But you know what? This probably does have an effect on how I'm going to buy music in the future. If the RIAA is going to argue that downloading a bunch of Bjork songs off a P2P service is the legal equivalent to going to Best Buy and buying the CDs and ripping them to my hard drive... there's no good reason for me to shell out the money anymore, is there?
If you can't listen to music anymore without being a criminal, then why pay for the priviledge?
Re:These people really don't get it do they? (Score:5, Insightful)
Parent
Re:Very affordable (Score:5, Funny)
We don't need no rights control
No play restriction on our iPod
Execs leave us buyers alone
Parent
True colors shining through (Score:5, Insightful)
I'm glad that the RIAA has made these statements. Before when their arguement for stronger copywrite protection was "Look at what Napster, Grokster, Kazaa, etc. are doing", they had an arguement that the politicians/judges could be sympathetic to. Now if their arguement is "Fair use; people don't need no stinking fair use," I don't think the politicians and judges are going to be as sympathetic. It doesn't necessarily mean they won't still get their way, but at least it's a lot easier to argue against them.
Unfortunately, unlike you (if you are actually going to do what you claim) I don't think too many people care enough to do anything about it.
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