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When Copy Protection Fails

Posted by timothy on Wed May 14, 2003 02:06 AM
from the nothing-can-go-wrong dept.
StArSkY writes "The Age in Australia has an article today explaining the experiences of a Melbourne guy who purchased the Norah Jones CD tht is 'copy protected.' Unfortunately the only way he could listen to the CD on Apple computers or Intel computers running XP was to copy the CD. This sort of defeats the purpose of the copy protection in the first place. Serious yet amusing at the same time."
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  • Sounds Familiar (Score:5, Interesting)

    by Blacklotuz (575879) on Wednesday May 14 2003, @02:09AM (#5952512)
    This sounds sort of like something I just submited involving cd key protected software and my current situation in which the only way I will be able to use the software is to download a pirated copy since I lost the manual with the key. Copy protection makes life twice as dificult for pirates while making it 10 times as difficult for regular paying customers... And ive never goten a chance to say this before but... FP?
    • Re:Sounds Familiar (Score:5, Interesting)

      by Samir Gupta (623651) on Wednesday May 14 2003, @02:34AM (#5952615) Homepage
      CD keys aren't really intended for "Copy protection" at all (other than in the online gaming world, where it can be checked against a server containing all valid keys).

      They exist so that each copy of the program is serialized, and they can in theory, identify your identity if you leak the CD key to pirates. Of course, the way to thwart that is not register at all -- unless you have to do that silly Microsoft activation thing.

      In the console world, we're a bit more enlightened, and never bother with such asinine methods such as "CD keys".
      • Re:Sounds Familiar (Score:5, Informative)

        by blibbleblobble (526872) on Wednesday May 14 2003, @04:57AM (#5952999)
        "They exist so that each copy of the program is serialized, and they can in theory, identify your identity if you leak the CD key to pirates."

        Blah, blah, divisibe-by-seven-section, blah blah

        xxxxx-1111111-xxxxx

        Explanation [omnitechdesign.com]
    • Re:Sounds Familiar (Score:5, Interesting)

      by Monkelectric (546685) <slashdot@@@monkelectric...com> on Wednesday May 14 2003, @02:49AM (#5952668)
      I have a similar story -- back in the day I bought a copy of Steinberg LM4. The copy protection *only* worked in win98 (read: wouldn't install on 2k even though 2k was a supported platform for Cubase). The only way for me to get it running was to install it on a win98 box, copy the samples to my 2k machine and then you guessed it, install the cracked version -- even thought I was *trying* to be legit and pay for the god damn software. Guess what? Im still using the cracked version -- it doesn't ask for a CD every fucking time you start it.
  • by BladeMelbourne (518866) on Wednesday May 14 2003, @02:12AM (#5952529)
    I purchased the Norah Jones CD (Valentines day gift for my fiancé). She wanted them as MP3s for her XP laptop, so I copied the wave files off the CD using the cdfs.vxd replacement.
    http://www.sonicspot.com/alternatecd fsvxd/alternat ecdfsvxd.html

    Does Australian law prohibit me doing this?
      • autofs (Score:5, Informative)

        by ViGe (49356) on Wednesday May 14 2003, @02:57AM (#5952686) Homepage

        Is there a linux solution like this? An alternate iso9660 driver, that lists audiotracks as wavs?

        As little googling would have tould you, there are several such filesystems for linux. I myself use audiofs. It's as easy to use as "mount -t audio /dev/cdrom /cdrom". Actually, if the cd does not have an iso9660 filesystem, the "auto" filesystem can detect it automatically.

  • by ATAMAH (578546) on Wednesday May 14 2003, @02:13AM (#5952530)
    Because judging by the way things are going with RIAA very soon we won't be able to listen to a CD unless we actually buy concert tickets beforehand.
    • by Farley Mullet (604326) on Wednesday May 14 2003, @02:26AM (#5952581)
      Because judging by the way things are going with RIAA very soon we won't be able to listen to a CD unless we actually buy concert tickets beforehand

      Actually, the exact opposite is starting to happen, to an extent; that is, record companies are starting to build in "added value" to CD's to entice you to actually buy the CD instead of just downloading the tracks. Here in Canada, The Tragically Hip [thehip.com] did something involving cheaper concert tickets [thehip.com] for people who bought their latest album; Wilco [wilcoworld.net] put an EP's worth of .mp3 files [wilcoworld.net] up for download for people who could enter a code from the packaging of their last album [wilcoworld.net]. This is another odd, unforeseen consequence of .mp3 sharing; record companies have to earn their money when they sell albums and are doing all sorts of stuff, like bundling DVD's with CD's (J5 [jurassic5.com] did that with their last album), or using contests, on-line content or other swag to actually separate you from your buck.

  • How did he copy it? (Score:5, Interesting)

    by coday (628350) on Wednesday May 14 2003, @02:14AM (#5952534)
    If all the machines he tried the CD on did not recognize, load or play it how did he manage to make a copy?
  • Simple solution. (Score:5, Insightful)

    by grolschie (610666) on Wednesday May 14 2003, @02:14AM (#5952535)
    Return the defective CD under his country's consumer rights law. If enough people do this, then the companies might rethink the whole idea. Many people use DVD players as a CD for their stereo systems. Why should a CD not work in them?
  • IFPI (Score:5, Funny)

    by Mattygfunk1 (596840) on Wednesday May 14 2003, @02:15AM (#5952536) Homepage
    International Federation of the Phonographic Industry

    I had to do a double-take on reading the name of that organisation. Needless to say I was greatly disappointed when I reread it. That h just looks so similiar to an r.

    I had my credit card out to join and everything.

    cheap web site hosting [cheap-web-...ing.com.au] from 3 rocks a month.

  • by minghe (441878) on Wednesday May 14 2003, @02:15AM (#5952537)
    Those music disks are not 'copy protected', they are 'playback crippled'.

    The best (or worst, depending of if you are an exec of a user) the record companies can do is to make their products a little bit more inconvenient to make copies of. They do this by making it more difficult (but never ever impossible) or time consuming to make copies. That is all.

    To call it 'protection' is like wrapping your wiener in toilet paper and calling it a condom. It's stupid, it doesn't get yhe job done and it's only uncomfy. (I think, haven't tried it.)
  • Same with software (Score:5, Interesting)

    by Ryu2 (89645) on Wednesday May 14 2003, @02:16AM (#5952540) Homepage Journal
    My Warcraft III EULA (and I'm sure others -- that was just a random selection from my game collection) explicitly states that I have the right to make one backup copy.

    Well, guess what -- that disc is copy protected. So, in order to excercise my authorized right under the EULA, I have to defeat the copy protection...
  • by lalonso (672311) on Wednesday May 14 2003, @02:16AM (#5952543)
    Eventually they'll resort to shipping blank CDs to thwart copying, and expect you to just stare at the pretty CD jacket while pretending you're listening to it...
  • by Jusii (86357) * on Wednesday May 14 2003, @02:17AM (#5952544)
    Bought a copy protected CD, which was from EMI. Couldn't listen to it so I made a copy for myself. Then I mailed the original CD back to EMI with note saying what I had to do just to listen the CD and here's the original back, I won't need it, my 20 euros for fighting piracy.
  • by Anonymous Coward on Wednesday May 14 2003, @02:23AM (#5952570)
    The CD(s) concerned are protected by EMI's favourite copy protection system "Copy Control". You can tell by the little C.D.A.T.A logo on the data-side inside rim. We've been getting these CDs regularly at the radio atation I work for, and for computer previewing they're a real pain.

    The way the protection works is by adding tracks (containing corrupt CD-R data) after Track 1 (containing the audio data). This is fine for AudioCD players because they only read Track 1. Standard CD-ROM drives also have no problem, because they ignore the data they can't understand (I think it's a form of corrupt extra session data).

    CD-R/CD-RW/Combo drives however attempt to find these extra sessions/writeable areas and when they fail, assume the CD is corrupted and eject it.

    What a fantastic copy control scheme, huh? Can't read the disk with a burner, but you can certainly copy it by doing a CD-ROM -> CD-RW copy. And then you can play the burnt copy. Ingenious.

    I also wrote to EMI and to News Limited (in response to an earlier story they ran) about my troubles, but neither cared (possibly because I hadn't purchased the CDs in question, they were radio use only).
  • by Looke (260398) on Wednesday May 14 2003, @02:36AM (#5952623)

    Of course, we should boycott artists and record companies that use copy protection (playback protection?). But we should do it in a way that causes the most inconvenience for the stores and record companies:

    • Buy the record as usual. Keep the receipt.
    • Return the record the next day, claiming that it doesn't work. Get a second disc, "just to see if that works".
    • Return the second one as well, and claim a refund. Say that you've found out that the copy protection interferes with your CD players. You don't have to mention computers or copying, just say that it doesn't work.
    • Make sure the record store notifies the record company instead of just putting the record back on the shelf.

    The store is obliged to pay the refund when the product doesn't work. A "copy protected" disc is not a CD, even if it's (misleadingly) sold as one.

    I heard that the latest, copy protected, Robin Williams album was sold in more than 100.000 copies in my country. No more than 10 discs were returned. Let's make that number higher!

    • by medscaper (238068) on Wednesday May 14 2003, @09:11AM (#5954315) Homepage
      I bought a re-released DVD the other day from Walmart made by MGM. It was an 80's movie, but re-released under some new profit scam, I'm sure, in 2003.

      I took it home, and...you guessed it. It wouldn't play with WMP 8, Real, or WinDVD in any of 4 drives I tried on two machines. I did find some old shareware player that would play it, but it was a crap player, and I couldn't stand the jumpiness, digital blocking, and other fine artifacts whilst I watched.

      So, I trotted it's little shiny ass right back to Walmart, stood in line for 20 minutes, and, after reading the "no refunds on opened CDs, DVDs or Software" about 412 times, I got to the front of the line. I handed the 17 year old girl my DVD, which she inspected closely.

      "Yeah, it's been opened," I said. "It's ok. I just need a refund." "Uhhhh, sir? We don't really...ummm...do refunds...on...ummm...opened...uhhh...stuff like this."

      I grinned, and said, "That's ok. Just need my money back, thanks. It doesn't work." I was thinking to myself, how do I explain DVD copy protection to this girl without making her head explode or having her gnaw her arm off to escape?

      "Well, I can't really...ummm...give a refund on this. Would you like to exchange it for another one?" "Nope," I said with a smile. "Just my money back. Thanks."

      She pointed to the tiny sign about no refunds on DVDs and said "Well, we have a policy..." I interrupted her with my best Fargo-esque Minnesota accent, "Hey, you betcha. Y'know...Yeah, I see your big sign right there...yeah, that one. Hey, that's great. 'Satisfaction Guaranteed' Wow. That sign's gotta be 12 feet tall, huh? Dontcha figure that sorta makes this little one here not really all that important?" She stared at me blankly (We're in Portland, not Minnesota, and I don't think she got it.)

      "Yeah, ummm...I'm gonna have to call my manager." "Not a problem," says I, with a chorus of groans from the people in line behind me...So, the manager shows up, and she's gotta be at LEAST 19, with a cool ring of keys around her wrist. GOTTA be important stuff, huh? The clerk hands her the DVD with a conspiratorial look at me..."it's been opened..." she whispers quietly to the manager.

      So, after a 5 minute diatribe about the horrors of this copy protection crap, she just shook her head, "We can't return this." At which point I pulled out my cell phone (which was off), punched 911 so she could see me, and said, "Are you suure? I've got nothing else to do tonight."

      So, I got my money back.

      Return your DEFECTIVE DVDs and CDs. If we don't, all we're doing is encouraging them!

  • by Photar (5491) <photar.photar@net> on Wednesday May 14 2003, @02:44AM (#5952653) Homepage
    And this it why:

    Copy protection only works in systems that have been designed from the ground up to be copy protected.

    Any video or audio that is decodeable on a PC can be hijacked from that same PC.

    The only way to protect your data is to control the hardware. The only reason DVDs are hard to copy is because you can't get a DVD-r that has the same capacity.

    the MPIAA is in a much better situation compared to the RIAA considering cd audio is already good enough, that consumers don't really feel the need to switch to a higher quality version of the CD. Where on the other hand, DVDs are much better than VHS tapes, and have the added benefit of being harder to copy.

  • Why oh why (Score:5, Insightful)

    by nate nice (672391) on Wednesday May 14 2003, @02:52AM (#5952677) Journal
    are they (record companies) so scared? No one wants to rip them off. Most people are going to buy their albums, regardless of format. Sure, some people will steal their stuff, and I have grabed some albums from friends that I never bought, but that;s how it works. I buy most of my music, but I have bought bad music and I can't get a refund.

    I guess my point is, they should really stop alienating their customers. I have never seen a business model that treats their customers so badly. People are still going to buy your albums! We made copies of cassette tapes, we're going to make copies of CD's and were giong to make copies of MP3's. Get over it, it's how it works. You're still going to make so much money! Get over it, ok?

    They're probably spending more money fighting this stupid war on whatever than they are going to save. All they are doing is making people resent them and want to steal from to the point where smart people are going to keep cracking their stuff and become passionate about distributing it all. Another day, another enemy for the RIAA. Because of their actions, I would wadger that they have made many people angry to the point where they don't want to buy their albums, where they want to steal their albums and frankly, it's a war they will not win. You cannot go to war with your consumers. They are your friends!

    Think about it, what other business would do this? If you walked into a store and they started accusing you of stealing and would only sell you things in such a way where you were oblivious to most of what it contained and treated you like shit all around, who would come back? I'm getting to the point where I'm going to want to steal all their music, just to spite them.

    In short, they need to settle down and just accept the market as it is. They choose a digital format because it is VERY cheap to make, thus increasing profits one billion fold and yet cannot cope with the fact that this cheap medium will also allow people to send a "free" album out to someone from time to time.

    And lets face it, I would bet most albums people download etc are albums they probably would not buy in the first place. How many play lists of people have you seen that have tons of songs you know they would never buy anyways?

    Anyways, the main point is that the customer just BOUGHT the album, WTF are you doing? They B-O-U-G-H-T it!

    AHHHH!!
    • Re:Why oh why (Score:5, Interesting)

      by Vengie (533896) on Wednesday May 14 2003, @04:12AM (#5952880)
      The RIAA screwed up bigtime. You just towed the party line "Most people actually want to PAY for their music. They steal it out of convenience." The RIAA's response? "No, they steal it because they're cheap bastards." Oh, wait...except for the APPLE MUSIC STORE, which beat their one _month_ expectations in one _week_.

      Oh, poo, it appears that the guilty-until-proven-innocent idea the RIAA was operating under was just demonstrated to be wrong, at least among macintosh users. (Granted its a population subset, but the RIAA has 0 data to the contrary....) But the apple music store makes those nice record labels obsolete minus their functions "discovering" (pronounced: "manufacturing" c.f. avril lavigne) artists and "producing" songs. (long live daniel beddingfield....)

      Go buy a mac. Apple _is_ fighting for your digital rights.
  • by Travoltus (110240) on Wednesday May 14 2003, @03:24AM (#5952750) Journal
    If the public has their food and drinks and gladiator games, they are easily controlled.

    Analogically speaking, EMI just messed up the gladiator games.

    Unrest will ensue.

    (Gee, I wish I knew the EXACT quote and which Roman Emperor said it....)
  • by the-dude-man (629634) on Wednesday May 14 2003, @03:33AM (#5952776)
    When does it succeed? The subject implies it worked at one point
  • Dead serious... not impressed.

    I purchase the CD and try to play it at work on Windows 2000 and it just isn't recognised... WinAmp insisting that no audio CD was in the drive.

    So to listen to the album on my PC I just downloaded the bloody thing from alt.binaries.sound.mp3.complete_cd

    Not illegal in any way since I now own the original... but bloody stupid and makes me realise that the only way I may now enjoy EMI releases at work will be to download a copy... which really defeats everything their system is trying to stop.

    'Tis a mad, mad world.
  • by goldcd (587052) * on Wednesday May 14 2003, @04:29AM (#5952922) Homepage
    Before being allowed to purchase a CD you will have to have your house RIAA DRM certified. RIAA operatives will removed from your house any equipment that could possibly be used to infringe upon their artists copyrights. Illegal items include, CD duplicators, PCs, Tape recorders, Video Recorders, wax disks, loudspeakers (you NOT your neighbours have bought the right to enjoy our music). Music shall be listened to through a single (approved) mono-earpiece (some listeners with stereo ear-pieces have abused the priviliedge and let others 'sample' the music using the spare ear bud).
    After your music purchase an RIAA representative (probably a student trying to pay off $97 trillion) will sit with you at all times to ensure your compliance with our terms and conditions.
    "We hope you enjoy your music purchase and continue to support your record industry"
    p.s. Squeal little piggy!
  • by jonr (1130) on Wednesday May 14 2003, @05:37AM (#5953073) Homepage Journal
    Lower the price of CD's!
    Ok, it costs a lot to make a CD. You need to spend a time in the studio. (expensive) You need to make sure it souds right. (not so expensive, I guess) And you need to promote it (expensive).
    Then why in the name of all holy cows does the anniversary Dark Side of the Moon cost the same as the newest girl/boy band CD?
    You don't need to record it, you don't need to promote it. (Have you seen much Pink Floyd on MTV lately?) You just remix it and press it. Voila! You have a great CD that people will buy, even though they have at least 2 versions already of that album!
    I don't give a rat ass anymore about RIAA...
  • by cruachan (113813) on Wednesday May 14 2003, @05:52AM (#5953097)
    Copy protection licencing is sufficiently expensive and a hassle to the producers that's it's only used on 'popular' artists. So take that as a hint and listen to 'unpopular' ones.

    Spend your CD money on world, jazz, classical, flamenco, folk, blues, celtic, indie or anything else outside the mainstream - but just stay away from the popular artists. There's a vast world of great music out there to be discovered - help out the artists, broaden your horizons, and give the big music companies a kick in the pants. Furthermore if they see their cd sales drop, but cd sales in general rise they're not stupid enough that they won't draw conclusions.
  • EMI says 1 + 1 = 3 (Score:5, Insightful)

    by RembrandtX (240864) on Wednesday May 14 2003, @08:48AM (#5954118) Homepage Journal
    from the report:

    "Once there, he tried to listen to his new acquisition, using his Titanium laptop which runs version 10.2 of Apple's operating system. There was no response, with the disc not being recognised.

    One can't blame Marovitch for not trying - he tried to listen to the disc on a workstation which runs Windows 2000 and then on one which runs Windows XP.

    In both cases, he got no joy. The disc was not picked up by the system. "

    from EMI :

    "As the technology was created to be played through its own embedded player on the CD itself and not any other player that is currently available to the PC/Apple, it will cause anomalies if played in any other manner."

    Now .. could someone explain to EMI how hard it is to use an embedded player on the CD itself when your computer system cant even see the CD ?
    • Re:He copied a cd? (Score:5, Informative)

      by confused philosopher (666299) on Wednesday May 14 2003, @02:19AM (#5952549) Homepage Journal
      In Canada you can copy a CD legally for "personal use". Australia has a similar legal system, based on British common law. Their copyright law is likely similar in this regard too.

      I'd be interested in hearing from an Aussie on this though.
      • Re:He copied a cd? (Score:5, Informative)

        by fact0r (668279) on Wednesday May 14 2003, @02:33AM (#5952609)
        In Australia there is a specific legal right to make a backup copy of software [austlii.edu.au].

        Other than that the copyright owner can license their intellectual property however they want (which will ordinarily prevent a copy being made).

        That is - the guy who did this has likely committed a civil offence (but not a criminal offence).

      • Re:He copied a cd? (Score:5, Interesting)

        by Fulkkari (603331) on Wednesday May 14 2003, @02:34AM (#5952619)

        AFAIK in Finland you are even allowed to share your own legal music with your friends/family. As you can imagine, because of the p2p networks there have been serious discussion in who really is your friend (eg. the guy living in the States that you have never seen, but you know him by IRC, is he your friend?). It will be interesting to see how things will end up.

      • by Talez (468021) on Wednesday May 14 2003, @02:37AM (#5952631)
        Incorrect.

        Our copyright law is rather anal. Contrary to popular belieft you can't copy something for personal use at all. No exceptions.

        For you to copy ANY music requires permission from the songwriter, the musicians and the distributor as they each hold a copyright for a seperate part of the article (music, lyrics and the sound recording itself).

        That being said, if someone infringes someone's copyright it's a civil action rather than a criminal action (except when its a for-profit). We also have something similar to the DMCA except it only enables civil suits (ie, if I remove DeCSS from a DVD the DVD company come sue me if they feel I'm doing anything nasty).

        For more information see the Copyright Council's web page [copyright.org.au] and also their fact sheet [copyright.org.au] on music and copyright.
      • Re:He copied a cd? (Score:5, Informative)

        by serps (517783) on Wednesday May 14 2003, @02:43AM (#5952650) Homepage

        The Oz Copyright Council [copyright.org.au] says otherwise. When it comes to fair use, we are teh suck.

        choice quotes:

        Using a CD burner to make a copy of material will "reproduce the work" for the purposes of copyright, as will making a tape from a CD, or copying a tape or copying vinyl records onto tape or CD.

        and:

        There is no exception in the Copyright Act that allows copyright material to be reproduced for private purposes without permission from the copyright owner.

        There was at one stage an attempt to bring in a "blank tape levy" scheme in Australia, under which private taping of recorded music would have been made legal, with copyright owners receiving compensation through a small additional charge on blank tapes. The way the government at the time attempted to implement the scheme was, however, found to be unconstitutional by the High Court, and Australian governments have not made any further attempts to introduce a scheme which avoids the problems of the earlier attempt. Blank tape levy schemes operate successfully in a number of other countries, particularly in Europe.

        (emphasis mine)

        FAQ

        Is it legal to copy albums onto CD if you own the albums?
        Owning an album is not the same as owning copyright in the music, lyrics and sound recordings that are embedded in the album. If you are not the owner of copyright you will need permission to copy music from an album to CD even if you have bought the album you want to copy.

        Am I allowed to make a copy or compilation of music on a CD for private use?
        There is no special exception which allows copying of CDs or cassettes for private use. In most cases you will need permission from the owners of copyright in the music & lyrics (usually the music publisher) and the owners of copyright in the sound recording (usually the record company).

        Can I download music from the Internet and copy it onto CD?
        The fact that material is made available on the Internet (for example, as an MP3 file) does not mean that it may be used freely. Material on the Internet may still be protected by copyright. If this is the case, and the copyright owners have not given permission to download and record their work, you will infringe copyright by reproducing the music, lyrics and sound recording onto CD. Sometimes, copyright owners grant express permission to use their work. You should look for such permissions on the site from which you are downloading.

        Can I make backup copies of my music CDs?
        Making a backup copy of a CD will involve making a reproduction of the music, lyrics and sound recordings on that CD. The right to reproduce the work is one of the exclusive rights of the owners of copyright in those items. You may not legally make a back up copy of a CD when the CD contains material that is protected by copyright unless you have permission from the owner of copyright or a special exception applies to your use.

          • It's specifically mentioned in our (AU) copyright law.

            It's actually quite interesting if you read it. The law makes exemptions for "fair dealing" and then goes on to specifically mention some things that are included in "fair dealing". However the wording (to me at least) doesn't indicate that the list is an exclusive.

            I think you'd have every chance to stand up in court and argue that making a backup copy of a CD you own is "fair dealing".

            The reason that hasn't happened is because in the real world the record companies have no interest in stopping you doing that anyway. There is no money to be gained and they don't want to cause a weakening of the copyright law by creating a precedent that expands "fair dealing".
      • Re:He copied a cd? (Score:5, Interesting)

        by Gumshoe (191490) on Wednesday May 14 2003, @03:01AM (#5952693)
        Australia has a similar legal system, based on British common law. Their copyright law is likely similar in this regard too.


        You can't copy CDs for personal use in Britain as it's not one of activities listed in the fair use laws -- an activity has to be explicitely exempted for it to be free from the restrictions imposed by the copyright laws. See The UK Campaign For Digital Rights [ukcdr.org] for more info, particularly the FAQ [ukcdr.org]
    • by arvindn (542080) on Wednesday May 14 2003, @02:19AM (#5952551) Homepage Journal
      As an apology for the inconvenience caused by being unable to play the CD, he'll be getting a Norah Jones T-shirt and DVD. However, for making an unauthorized copy of the CD, he'll be sued for $97 trillion.
        • I listen to most of my music at work using my PC and my headphones. So my wife recently got me the new Phil Collins CD ... for me to find out that I can't listen to it on a PC.

          I don't have a laptop, unfortunately, or I'd try this... Go to a big music store with your laptop (some time when you've got a lot of free time). Bring along a printout of the Redbook standard (the one that they have to comply with if they want to put that little Phillips 'Compact Disc' logo on the disc).

          Buy a Phil Collins CD that you know is copy protected. Bring it over to the service desk. Open the CD in front of them, stick it in your laptop, have it fail to play, and insist that it's broken and you want another one.
          Go get another one, open it, and do the same thing.

          Repeat until you've opened the shrinkwrap on every copy of the CD, forcing the store to either re-wrap them or (more likely) send them back to the manufacturer as defective (at the manfacturer's cost).

          Then go on to Norah Jones. ;)

          -T

          • Even simpler... (Score:5, Informative)

            by MsGeek (162936) on Wednesday May 14 2003, @10:43AM (#5955163) Homepage Journal
            I don't know if any of you are old enough to remember the "look for the Union label" jingle. However, what you need to do as far as CDs go is "look for the CD-DA logo."

            From what I understand, Royal Dutch Philips is actively looking for CDs labeled as proper Red Book compliant, non-broken CD-DA CDs but which are copy-limited, and therefore broken. If that Phil Collins and/or Norah Jones CD has the logo, but does not conform to the Red Book standard, Philips needs to be let know so they can SUE. And they have specifically said they WILL sue if cases like that are brought to their attention.

            If the CD DOES NOT bear the CD-DA logo, you can't do this. But if it does...you can put a world of hurt on the music industry strictly by bringing this to their attention.
    • Re:He copied a cd? (Score:4, Informative)

      by chriskenrick (89693) on Wednesday May 14 2003, @02:21AM (#5952557)
      When does he get out of jail?

      That's not as funny as you think in the light of this. [copyright.org.au] Copying CD's without the copyright holder's permission is illegal in Australia.
      • Relevant links! (Score:5, Informative)

        by c.emmertfoster (577356) on Wednesday May 14 2003, @03:52AM (#5952824) Homepage
        CD creator Philips blasts labels over protected discs [itmatters.com.ph]:

        "Mr. Wirtz said future Philips machines will likely be able to both read and burn the protected CDs -- a proposition that may land the company in the crosshairs of the US Digital Millennium Copyright Act, or DMCA."

        Philips moves to put 'poison' label on protected audio CDs [theregister.co.uk]

        "Netherlands giant Philips Electronics has lobbed a grenade into the audio copy protection arena by insisting that that CDs including anti-copying technology should bear what is effectively a plague warning. They should in Philips' view clearly inform users that they are copy-protected, and they shouldn't use the "Compact Disc" logo because they are not, in Philips' considered view, proper compact discs at all."

        Looks to me like Philips are the team to root for!
    • Shameful! (Score:5, Funny)

      by $$$exy Gwen Araujo (654821) on Wednesday May 14 2003, @04:54AM (#5952984) Homepage Journal
      1. You didn't realise that cdparanoia takes a parameter telling it which tracks to rip (e.g. "cdparanoia 2-" for track 2 to last track). This is explained in the first few lines of the manual. So you rummaged around the raw source code of cdparanoia and changed it before you looked at its manual.
      2. You used diff without the -U option, and didn't even tell us which file you commented out the exit() in. Which file is it? What's the context?
      3. You used a C++/C99 comment delimiter in what is a C89 source code. Hope you have have a lax compiler that defaults to C99 or ignores standards, because it'll choke on that.
      4. You made a web-page about it and posted it on Slashdot, no doubt causing much wailing and gnashing of teeth from people even less experienced at editing source code than you, when all they needed to do was run the cdparanoia command differently.

        But far, far worse than any of those crimes....

      5. You bought an Avril Lavigne CD! Dude, how could you?